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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBA6EACE it is the complementary color #445915CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBA6EACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBA6EACE shade: #C0A6E5CE, #D1B8F8CE, #E2CAFFCE, #F3DCFFCE and #FFEEFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBA6EACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBA6EACE shade: #BBA6EACE, #AA94D7CE, #9982C4CE, #8870B1CE and #775E9ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBA6EACE shade: #BAA4EA, #CCA4EA, #DFA4EA, #EAA4E1 and #EAA4CF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBA6EACE shade: #BAA4EA, #A7A4EA and #A4A4EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBA6EACE shade matches the following richer shades: #BAA4EA, #B69BF3 and #B392FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBA6EACE shade: #BAA4EA, #BDADE1, #C1B6D8, #C4BFCE and #C7C8C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBA6EACE shade: #A4B4EA, #A6A4EA, #B9A4EA, #CCA4EA and #DEA4EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBA6EACE shade: #8761DA, #A083E2, #BAA4EA, #D3C6F2 and #EDE7F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBA6EACE shade: #BBA6EA, #EAA4C7 and #ABEAA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBA6EACE shade: #BBA6EA, #EAB9A4 and #A4EAB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBA6EACE shade: #BBA6EA, #EAA4C7, #D5EAA4 and #A4EAC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBA6EACE shade: #BBA6EA, #EAA4B2, #D5EAA4 and #A4EADC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 24 / 0 / 7

HEX #BBA6EACE

RGBA 187 166 234 0.81

HSLA 258.53, 0.62%, 0.78%, 0.81

LABA 72.08, 21.21, -31.36, 0.81

 

Complementary color

CMYK 19 / 0 / 62 / 53

HEX #445915CE

RGBA 68 89 21 0.81

HSLA 78.53, 0.62%, 0.22%, 0.81

LABA 34.86, -19.12, 34.78, 0.81

 

CMYK 13 / 22 / 0 / 8

HEX #C0A6E5CE

RGBA 192 166 229 0.81

HSLA 264.76, 0.55%, 0.77%, 0.81

LABA 72.32, 21.64, -28.22, 0.81

 

CMYK 13 / 21 / 0 / 2

HEX #D1B8F8CE

RGBA 209 184 248 0.81

HSLA 263.44, 0.82%, 0.85%, 0.81

LABA 78.82, 21.12, -28.41, 0.81

 

CMYK 9 / 17 / 0 / 0

HEX #E2CAFFCE

RGBA 226 202 255 0.81

HSLA 267.17, 1%, 0.9%, 0.81

LABA 84.81, 18.17, -22.88, 0.81

 

CMYK 4 / 11 / 0 / 0

HEX #F3DCFFCE

RGBA 243 220 255 0.81

HSLA 279.43, 1%, 0.93%, 0.81

LABA 90.53, 14.08, -14.11, 0.81

 

CMYK 0 / 5 / 0 / 0

HEX #FFEEFFCE

RGBA 255 238 255 0.81

HSLA 300, 1%, 0.97%, 0.81

LABA 95.84, 8.66, -6.11, 0.81

 

CMYK 16 / 24 / 0 / 7

HEX #BBA6EACE

RGBA 187 166 234 0.81

HSLA 258.53, 0.62%, 0.78%, 0.81

LABA 72.08, 21.21, -31.36, 0.81

 

CMYK 17 / 25 / 0 / 13

HEX #AA94D7CE

RGBA 170 148 215 0.81

HSLA 259.7, 0.46%, 0.71%, 0.81

LABA 65.46, 21.79, -31.25, 0.81

 

CMYK 18 / 27 / 0 / 19

HEX #9982C4CE

RGBA 153 130 196 0.81

HSLA 260.91, 0.36%, 0.64%, 0.81

LABA 58.72, 22.43, -31.17, 0.81

 

CMYK 19 / 30 / 0 / 25

HEX #8870B1CE

RGBA 136 112 177 0.81

HSLA 262.15, 0.29%, 0.57%, 0.81

LABA 51.83, 23.13, -31.13, 0.81

 

CMYK 20 / 33 / 0 / 31

HEX #775E9ECE

RGBA 119 94 158 0.81

HSLA 263.44, 0.25%, 0.49%, 0.81

LABA 44.8, 23.92, -31.12, 0.81

 

CMYK 21 / 30 / 0 / 8

HEX #BAA4EA

RGB 186 164 234

HSL 258.86, 0.63%, 0.78%

LAB 71.51, 22.02, -32.25

 

CMYK 13 / 30 / 0 / 8

HEX #CCA4EA

RGB 204 164 234

HSL 274.29, 0.63%, 0.78%

LAB 73.11, 27.53, -29.65

 

CMYK 5 / 30 / 0 / 8

HEX #DFA4EA

RGB 223 164 234

HSL 290.57, 0.63%, 0.78%

LAB 74.94, 33.48, -26.68

 

CMYK 0 / 30 / 4 / 8

HEX #EAA4E1

RGB 234 164 225

HSL 307.71, 0.63%, 0.78%

LAB 75.75, 35.34, -20.45

 

CMYK 0 / 30 / 12 / 8

HEX #EAA4CF

RGB 234 164 207

HSL 323.14, 0.63%, 0.78%

LAB 75.17, 32.27, -11.49

 

CMYK 21 / 30 / 0 / 8

HEX #BAA4EA

RGB 186 164 234

HSL 258.86, 0.63%, 0.78%

LAB 71.51, 22.02, -32.25

 

CMYK 29 / 30 / 0 / 8

HEX #A7A4EA

RGB 167 164 234

HSL 242.57, 0.63%, 0.78%

LAB 69.97, 16.41, -34.75

 

CMYK 30 / 30 / 0 / 8

HEX #A4A4EA

RGB 164 164 234

HSL 240, 0.63%, 0.78%

LAB 69.74, 15.55, -35.12

 

CMYK 21 / 30 / 0 / 8

HEX #BAA4EA

RGB 186 164 234

HSL 258.86, 0.63%, 0.78%

LAB 71.51, 22.02, -32.25

 

CMYK 25 / 36 / 0 / 5

HEX #B69BF3

RGB 182 155 243

HSL 258.41, 0.79%, 0.78%

LAB 69.37, 27.95, -40.51

 

CMYK 29 / 42 / 0 / 1

HEX #B392FC

RGB 179 146 252

HSL 258.68, 0.95%, 0.78%

LAB 67.4, 34.31, -48.52

 

CMYK 21 / 30 / 0 / 8

HEX #BAA4EA

RGB 186 164 234

HSL 258.86, 0.63%, 0.78%

LAB 71.51, 22.02, -32.25

 

CMYK 16 / 23 / 0 / 12

HEX #BDADE1

RGB 189 173 225

HSL 258.46, 0.46%, 0.78%

LAB 73.64, 15.96, -24.05

 

CMYK 11 / 16 / 0 / 15

HEX #C1B6D8

RGB 193 182 216

HSL 259.41, 0.3%, 0.78%

LAB 75.92, 10.41, -15.66

 

CMYK 5 / 7 / 0 / 19

HEX #C4BFCE

RGB 196 191 206

HSL 260, 0.13%, 0.78%

LAB 78.14, 4.56, -6.9

 

CMYK 0 / 0 / 1 / 22

HEX #C7C8C5

RGB 199 200 197

HSL 80, 0.03%, 0.78%

LAB 80.45, -0.89, 1.37

 

CMYK 30 / 23 / 0 / 8

HEX #A4B4EA

RGB 164 180 234

HSL 226.29, 0.63%, 0.78%

LAB 73.85, 6.63, -28.77

 

CMYK 29 / 30 / 0 / 8

HEX #A6A4EA

RGB 166 164 234

HSL 241.71, 0.63%, 0.78%

LAB 69.89, 16.13, -34.88

 

CMYK 21 / 30 / 0 / 8

HEX #B9A4EA

RGB 185 164 234

HSL 258, 0.63%, 0.78%

LAB 71.42, 21.72, -32.39

 

CMYK 13 / 30 / 0 / 8

HEX #CCA4EA

RGB 204 164 234

HSL 274.29, 0.63%, 0.78%

LAB 73.11, 27.53, -29.65

 

CMYK 5 / 30 / 0 / 8

HEX #DEA4EA

RGB 222 164 234

HSL 289.71, 0.63%, 0.78%

LAB 74.84, 33.17, -26.84

 

CMYK 38 / 56 / 0 / 15

HEX #8761DA

RGB 135 97 218

HSL 258.84, 0.62%, 0.62%

LAB 50.41, 42.12, -56.9

 

CMYK 29 / 42 / 0 / 11

HEX #A083E2

RGB 160 131 226

HSL 258.32, 0.62%, 0.7%

LAB 60.96, 31.2, -44.47

 

CMYK 21 / 30 / 0 / 8

HEX #BAA4EA

RGB 186 164 234

HSL 258.86, 0.63%, 0.78%

LAB 71.51, 22.02, -32.25

 

CMYK 13 / 18 / 0 / 5

HEX #D3C6F2

RGB 211 198 242

HSL 257.73, 0.63%, 0.86%

LAB 82.19, 12.92, -20.05

 

CMYK 5 / 7 / 0 / 2

HEX #EDE7F9

RGB 237 231 249

HSL 260, 0.6%, 0.94%

LAB 92.57, 5.28, -7.99

 

CMYK 20 / 29 / 0 / 8

HEX #BBA6EA

RGB 187 166 234

HSL 258.53, 0.62%, 0.78%

LAB 72.08, 21.21, -31.36

 

CMYK 0 / 30 / 15 / 8

HEX #EAA4C7

RGB 234 164 199

HSL 330, 0.63%, 0.78%

LAB 74.93, 30.98, -7.46

 

CMYK 27 / 0 / 30 / 8

HEX #ABEAA4

RGB 171 234 164

HSL 114, 0.63%, 0.78%

LAB 87.09, -33.01, 27.8

 

CMYK 20 / 29 / 0 / 8

HEX #BBA6EA

RGB 187 166 234

HSL 258.53, 0.62%, 0.78%

LAB 72.08, 21.21, -31.36

 

CMYK 0 / 21 / 30 / 8

HEX #EAB9A4

RGB 234 185 164

HSL 18, 0.63%, 0.78%

LAB 78.97, 14.71, 17.39

 

CMYK 30 / 0 / 21 / 8

HEX #A4EAB9

RGB 164 234 185

HSL 138, 0.63%, 0.78%

LAB 87.11, -31.65, 16.94

 

CMYK 20 / 29 / 0 / 8

HEX #BBA6EA

RGB 187 166 234

HSL 258.53, 0.62%, 0.78%

LAB 72.08, 21.21, -31.36

 

CMYK 0 / 30 / 15 / 8

HEX #EAA4C7

RGB 234 164 199

HSL 330, 0.63%, 0.78%

LAB 74.93, 30.98, -7.46

 

CMYK 9 / 0 / 30 / 8

HEX #D5EAA4

RGB 213 234 164

HSL 78, 0.63%, 0.78%

LAB 89.71, -18.38, 31.77

 

CMYK 30 / 0 / 15 / 8

HEX #A4EAC7

RGB 164 234 199

HSL 150, 0.63%, 0.78%

LAB 87.42, -29.01, 10.07

 

CMYK 20 / 29 / 0 / 8

HEX #BBA6EA

RGB 187 166 234

HSL 258.53, 0.62%, 0.78%

LAB 72.08, 21.21, -31.36

 

CMYK 0 / 30 / 24 / 8

HEX #EAA4B2

RGB 234 164 178

HSL 348, 0.63%, 0.78%

LAB 74.35, 27.81, 3.22

 

CMYK 9 / 0 / 30 / 8

HEX #D5EAA4

RGB 213 234 164

HSL 78, 0.63%, 0.78%

LAB 89.71, -18.38, 31.77

 

CMYK 30 / 0 / 6 / 8

HEX #A4EADC

RGB 164 234 220

HSL 168, 0.63%, 0.78%

LAB 87.92, -24.7, -0.2

 

Description

Color code: HEX #BBA6EACE | qconv.com Color code: HEX #BBA6EACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 166 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 166 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 24 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 24% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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