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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB9312CE it is the complementary color #446CEDCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB9312CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB9312CE shade: #C0930DCE, #D1A520CE, #E2B733CE, #F3C946CE and #FFDB59CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB9312CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB9312CE shade: #BB9312CE, #AA8100CE, #996F00CE, #885D00CE and #774B00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB9312CE shade: #BA9212, #BA6512, #BA3812 and #BA1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB9312CE shade: #BA9212, #B4BA12, #87BA12, #5ABA12 and #2DBA12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB9312CE shade matches the following richer shades: #BA9212 and #CA9B02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB9312CE shade: #BA9212, #A98923, #998133, #887844 and #786F54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB9312CE shade: #BA3712, #BA6312, #BA9012, #B7BA12 and #8ABA12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB9312CE shade: #6F570B, #94750F, #BA9212, #DFB016 and #EBC034

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB9312CE shade: #BB9312, #1BBA12 and #4D12BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB9312CE shade: #BB9312, #12BA90 and #9012BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB9312CE shade: #BB9312, #1BBA12, #123CBA and #B112BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB9312CE shade: #BB9312, #12BA3C, #123CBA and #BA1290

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 73 / 22

HEX #BB9312CE

RGBA 187 147 18 0.81

HSLA 45.8, 0.82%, 0.4%, 0.81

LABA 62.91, 4.19, 64.37, 0.81

 

Complementary color

CMYK 58 / 44 / 0 / 6

HEX #446CEDCE

RGBA 68 108 237 0.81

HSLA 225.8, 0.82%, 0.6%, 0.81

LABA 49.58, 29.06, -69.19, 0.81

 

CMYK 0 / 19 / 76 / 20

HEX #C0930DCE

RGBA 192 147 13 0.81

HSLA 44.92, 0.87%, 0.4%, 0.81

LABA 63.43, 6.36, 65.91, 0.81

 

CMYK 0 / 17 / 69 / 15

HEX #D1A520CE

RGBA 209 165 32 0.81

HSLA 45.08, 0.73%, 0.47%, 0.81

LABA 69.87, 4.58, 67.6, 0.81

 

CMYK 0 / 15 / 63 / 9

HEX #E2B733CE

RGBA 226 183 51 0.81

HSLA 45.26, 0.75%, 0.54%, 0.81

LABA 76.24, 3.06, 68.02, 0.81

 

CMYK 0 / 14 / 58 / 4

HEX #F3C946CE

RGBA 243 201 70 0.81

HSLA 45.43, 0.88%, 0.61%, 0.81

LABA 82.52, 1.74, 67.7, 0.81

 

CMYK 0 / 11 / 53 / 0

HEX #FFDB59CE

RGBA 255 219 89 0.81

HSLA 46.99, 1%, 0.67%, 0.81

LABA 88.28, -1.46, 66.35, 0.81

 

CMYK 0 / 17 / 73 / 22

HEX #BB9312CE

RGBA 187 147 18 0.81

HSLA 45.8, 0.82%, 0.4%, 0.81

LABA 62.91, 4.19, 64.37, 0.81

 

CMYK 0 / 20 / 81 / 27

HEX #AA8100CE

RGBA 170 129 0 0.81

HSLA 45.53, 1%, 0.33%, 0.81

LABA 56.33, 6.11, 61.78, 0.81

 

CMYK 0 / 22 / 81 / 32

HEX #996F00CE

RGBA 153 111 0 0.81

HSLA 43.53, 1%, 0.3%, 0.81

LABA 49.67, 8.39, 56.3, 0.81

 

CMYK 0 / 26 / 81 / 38

HEX #885D00CE

RGBA 136 93 0 0.81

HSLA 41.03, 1%, 0.27%, 0.81

LABA 42.86, 10.79, 50.72, 0.81

 

CMYK 0 / 30 / 81 / 43

HEX #774B00CE

RGBA 119 75 0 0.81

HSLA 37.82, 1%, 0.23%, 0.81

LABA 35.9, 13.32, 45.03, 0.81

 

CMYK 0 / 22 / 90 / 27

HEX #BA9212

RGB 186 146 18

HSL 45.71, 0.82%, 0.4%

LAB 62.54, 4.29, 64.04

 

CMYK 0 / 46 / 90 / 27

HEX #BA6512

RGB 186 101 18

HSL 29.64, 0.82%, 0.4%

LAB 51.6, 29.04, 55.65

 

CMYK 0 / 70 / 90 / 27

HEX #BA3812

RGB 186 56 18

HSL 13.57, 0.82%, 0.4%

LAB 43.23, 50.64, 49.4

 

CMYK 0 / 90 / 90 / 27

HEX #BA1212

RGB 186 18 18

HSL 0, 0.82%, 0.4%

LAB 39.44, 61.26, 46.65

 

CMYK 0 / 22 / 90 / 27

HEX #BA9212

RGB 186 146 18

HSL 45.71, 0.82%, 0.4%

LAB 62.54, 4.29, 64.04

 

CMYK 3 / 0 / 90 / 27

HEX #B4BA12

RGB 180 186 18

HSL 62.14, 0.82%, 0.4%

LAB 72.8, -19.37, 71.83

 

CMYK 27 / 0 / 90 / 27

HEX #87BA12

RGB 135 186 18

HSL 78.21, 0.82%, 0.4%

LAB 69.69, -38.02, 68.02

 

CMYK 52 / 0 / 90 / 27

HEX #5ABA12

RGB 90 186 18

HSL 94.29, 0.82%, 0.4%

LAB 67.53, -53.58, 65.35

 

CMYK 76 / 0 / 90 / 27

HEX #2DBA12

RGB 45 186 18

HSL 110.36, 0.82%, 0.4%

LAB 66.3, -63.7, 63.83

 

CMYK 0 / 22 / 90 / 27

HEX #BA9212

RGB 186 146 18

HSL 45.71, 0.82%, 0.4%

LAB 62.54, 4.29, 64.04

 

CMYK 0 / 23 / 99 / 21

HEX #CA9B02

RGB 202 155 2

HSL 45.9, 0.98%, 0.4%

LAB 66.52, 6.36, 70.16

 

CMYK 0 / 22 / 90 / 27

HEX #BA9212

RGB 186 146 18

HSL 45.71, 0.82%, 0.4%

LAB 62.54, 4.29, 64.04

 

CMYK 0 / 19 / 79 / 34

HEX #A98923

RGB 169 137 35

HSL 45.67, 0.66%, 0.4%

LAB 58.46, 2, 55.15

 

CMYK 0 / 16 / 67 / 40

HEX #998133

RGB 153 129 51

HSL 45.88, 0.5%, 0.4%

LAB 54.77, -0.01, 44.35

 

CMYK 0 / 12 / 50 / 47

HEX #887844

RGB 136 120 68

HSL 45.88, 0.33%, 0.4%

LAB 50.79, -1.2, 30.66

 

CMYK 0 / 8 / 30 / 53

HEX #786F54

RGB 120 111 84

HSL 45, 0.18%, 0.4%

LAB 46.98, -1.07, 16.33

 

CMYK 0 / 70 / 90 / 27

HEX #BA3712

RGB 186 55 18

HSL 13.21, 0.82%, 0.4%

LAB 43.09, 51.03, 49.3

 

CMYK 0 / 47 / 90 / 27

HEX #BA6312

RGB 186 99 18

HSL 28.93, 0.82%, 0.4%

LAB 51.16, 30.11, 55.32

 

CMYK 0 / 23 / 90 / 27

HEX #BA9012

RGB 186 144 18

HSL 45, 0.82%, 0.4%

LAB 62.02, 5.38, 63.64

 

CMYK 2 / 0 / 90 / 27

HEX #B7BA12

RGB 183 186 18

HSL 61.07, 0.82%, 0.4%

LAB 73.04, -18.08, 72.12

 

CMYK 26 / 0 / 90 / 27

HEX #8ABA12

RGB 138 186 18

HSL 77.14, 0.82%, 0.4%

LAB 69.87, -36.85, 68.24

 

CMYK 0 / 22 / 90 / 56

HEX #6F570B

RGB 111 87 11

HSL 45.6, 0.82%, 0.24%

LAB 38.23, 2.46, 42.93

 

CMYK 0 / 21 / 90 / 42

HEX #94750F

RGB 148 117 15

HSL 46.02, 0.82%, 0.32%

LAB 50.75, 2.89, 53.71

 

CMYK 0 / 22 / 90 / 27

HEX #BA9212

RGB 186 146 18

HSL 45.71, 0.82%, 0.4%

LAB 62.54, 4.29, 64.04

 

CMYK 0 / 21 / 90 / 13

HEX #DFB016

RGB 223 176 22

HSL 45.97, 0.82%, 0.48%

LAB 74.06, 4.66, 73.8

 

CMYK 0 / 18 / 78 / 8

HEX #EBC034

RGB 235 192 52

HSL 45.9, 0.82%, 0.56%

LAB 79.39, 2.26, 70.9

 

CMYK 0 / 21 / 90 / 27

HEX #BB9312

RGB 187 147 18

HSL 45.8, 0.82%, 0.4%

LAB 62.91, 4.19, 64.37

 

CMYK 85 / 0 / 90 / 27

HEX #1BBA12

RGB 27 186 18

HSL 116.79, 0.82%, 0.4%

LAB 66.05, -65.91, 63.51

 

CMYK 59 / 90 / 0 / 27

HEX #4D12BA

RGB 77 18 186

HSL 261.07, 0.82%, 0.4%

LAB 28.26, 61.02, -74.71

 

CMYK 0 / 21 / 90 / 27

HEX #BB9312

RGB 187 147 18

HSL 45.8, 0.82%, 0.4%

LAB 62.91, 4.19, 64.37

 

CMYK 90 / 0 / 23 / 27

HEX #12BA90

RGB 18 186 144

HSL 165, 0.82%, 0.4%

LAB 67.47, -48.93, 10.43

 

CMYK 23 / 90 / 0 / 27

HEX #9012BA

RGB 144 18 186

HSL 285, 0.82%, 0.4%

LAB 37.68, 68.89, -58.91

 

CMYK 0 / 21 / 90 / 27

HEX #BB9312

RGB 187 147 18

HSL 45.8, 0.82%, 0.4%

LAB 62.91, 4.19, 64.37

 

CMYK 85 / 0 / 90 / 27

HEX #1BBA12

RGB 27 186 18

HSL 116.79, 0.82%, 0.4%

LAB 66.05, -65.91, 63.51

 

CMYK 90 / 68 / 0 / 27

HEX #123CBA

RGB 18 60 186

HSL 225, 0.82%, 0.4%

LAB 31.59, 36.51, -69.33

 

CMYK 5 / 90 / 0 / 27

HEX #B112BA

RGB 177 18 186

HSL 296.79, 0.82%, 0.4%

LAB 43.25, 74.15, -49.63

 

CMYK 0 / 21 / 90 / 27

HEX #BB9312

RGB 187 147 18

HSL 45.8, 0.82%, 0.4%

LAB 62.91, 4.19, 64.37

 

CMYK 90 / 0 / 68 / 27

HEX #12BA3C

RGB 18 186 60

HSL 135, 0.82%, 0.4%

LAB 66.19, -63.86, 51

 

CMYK 90 / 68 / 0 / 27

HEX #123CBA

RGB 18 60 186

HSL 225, 0.82%, 0.4%

LAB 31.59, 36.51, -69.33

 

CMYK 0 / 90 / 23 / 27

HEX #BA1290

RGB 186 18 144

HSL 315, 0.82%, 0.4%

LAB 42.59, 69.94, -25.45

 

Description

Color code: HEX #BB9312CE | qconv.com Color code: HEX #BB9312CE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 147 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 147 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 73 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 73% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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