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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB8F60 it is the complementary color #44709F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB8F60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB8F60 shade: #C08F5B, #D1A16E, #E2B381, #F3C594 and #FFD7A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB8F60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB8F60 shade: #BB8F60, #AA7D4D, #996B3A, #885927 and #774714

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB8F60 shade: #BA8E5E, #BA755E and #BA5E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB8F60 shade: #BA8E5E, #BAA75E, #B5BA5E, #9CBA5E and #84BA5E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB8F60 shade matches the following richer shades: #BA8E5E, #CD8E4C, #DF8F39 and #F29027

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB8F60 shade: #BA8E5E, #A88D71, #958D83, #828C96 and #708BA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB8F60 shade: #BA5E61, #BA745E, #BA8C5E, #BAA55E and #B7BA5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB8F60 shade: #8B643B, #A77948, #BA8E5E, #C7A27B and #D3B698

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB8F60 shade: #BB8F60, #7ABA5E and #685EBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB8F60 shade: #BB8F60, #5EBA8C and #8C5EBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB8F60 shade: #BB8F60, #7ABA5E, #5E8CBA and #9F5EBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB8F60 shade: #BB8F60, #5EBA5E, #5E8CBA and #BA5EBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 49 / 27

HEX #BB8F60

RGB 187 143 96

HSL 30.99, 0.4%, 0.55%

LAB 62.55, 10.78, 31.34

 

Complementary color

CMYK 57 / 30 / 0 / 38

HEX #44709F

RGB 68 112 159

HSL 210.99, 0.4%, 0.45%

LAB 46.07, -0.77, -29.98

 

CMYK 0 / 26 / 53 / 25

HEX #C08F5B

RGB 192 143 91

HSL 30.89, 0.44%, 0.55%

LAB 63.02, 12.42, 34.73

 

CMYK 0 / 23 / 47 / 18

HEX #D1A16E

RGB 209 161 110

HSL 30.91, 0.52%, 0.63%

LAB 69.59, 11.47, 33.32

 

CMYK 0 / 21 / 43 / 11

HEX #E2B381

RGB 226 179 129

HSL 30.93, 0.63%, 0.7%

LAB 76.07, 10.65, 32

 

CMYK 0 / 19 / 39 / 5

HEX #F3C594

RGB 243 197 148

HSL 30.95, 0.8%, 0.77%

LAB 82.45, 9.93, 30.76

 

CMYK 0 / 16 / 35 / 0

HEX #FFD7A7

RGB 255 215 167

HSL 32.73, 1%, 0.83%

LAB 88.28, 7.39, 28.9

 

CMYK 0 / 24 / 49 / 27

HEX #BB8F60

RGB 187 143 96

HSL 30.99, 0.4%, 0.55%

LAB 62.55, 10.78, 31.34

 

CMYK 0 / 26 / 55 / 33

HEX #AA7D4D

RGB 170 125 77

HSL 30.97, 0.38%, 0.48%

LAB 55.84, 11.79, 32.8

 

CMYK 0 / 30 / 62 / 40

HEX #996B3A

RGB 153 107 58

HSL 30.95, 0.45%, 0.41%

LAB 49, 13, 34.35

 

CMYK 0 / 35 / 71 / 47

HEX #885927

RGB 136 89 39

HSL 30.93, 0.55%, 0.34%

LAB 42.04, 14.47, 35.91

 

CMYK 0 / 40 / 83 / 53

HEX #774714

RGB 119 71 20

HSL 30.91, 0.71%, 0.27%

LAB 34.96, 16.28, 37.18

 

CMYK 0 / 24 / 49 / 27

HEX #BA8E5E

RGB 186 142 94

HSL 31.3, 0.4%, 0.55%

LAB 62.16, 10.72, 31.9

 

CMYK 0 / 37 / 49 / 27

HEX #BA755E

RGB 186 117 94

HSL 15, 0.4%, 0.55%

LAB 56.06, 24.58, 24

 

CMYK 0 / 49 / 49 / 27

HEX #BA5E5E

RGB 186 94 94

HSL 0, 0.4%, 0.55%

LAB 50.98, 36.99, 17.2

 

CMYK 0 / 24 / 49 / 27

HEX #BA8E5E

RGB 186 142 94

HSL 31.3, 0.4%, 0.55%

LAB 62.16, 10.72, 31.9

 

CMYK 0 / 10 / 49 / 27

HEX #BAA75E

RGB 186 167 94

HSL 47.61, 0.4%, 0.55%

LAB 68.67, -2.89, 40.02

 

CMYK 3 / 0 / 49 / 27

HEX #B5BA5E

RGB 181 186 94

HSL 63.26, 0.4%, 0.55%

LAB 73.38, -14.89, 45.61

 

CMYK 16 / 0 / 49 / 27

HEX #9CBA5E

RGB 156 186 94

HSL 79.57, 0.4%, 0.55%

LAB 71.55, -24.93, 42.97

 

CMYK 29 / 0 / 49 / 27

HEX #84BA5E

RGB 132 186 94

HSL 95.22, 0.4%, 0.55%

LAB 70.06, -33.96, 40.81

 

CMYK 0 / 24 / 49 / 27

HEX #BA8E5E

RGB 186 142 94

HSL 31.3, 0.4%, 0.55%

LAB 62.16, 10.72, 31.9

 

CMYK 0 / 31 / 63 / 20

HEX #CD8E4C

RGB 205 142 76

HSL 30.7, 0.56%, 0.55%

LAB 64.04, 17.29, 44.08

 

CMYK 0 / 36 / 74 / 13

HEX #DF8F39

RGB 223 143 57

HSL 31.08, 0.72%, 0.55%

LAB 66.23, 23.31, 56.02

 

CMYK 0 / 40 / 84 / 5

HEX #F29027

RGB 242 144 39

HSL 31.03, 0.89%, 0.55%

LAB 68.73, 30.05, 66.09

 

CMYK 0 / 24 / 49 / 27

HEX #BA8E5E

RGB 186 142 94

HSL 31.3, 0.4%, 0.55%

LAB 62.16, 10.72, 31.9

 

CMYK 0 / 16 / 33 / 34

HEX #A88D71

RGB 168 141 113

HSL 30.55, 0.24%, 0.55%

LAB 60.4, 5.96, 18.74

 

CMYK 0 / 5 / 12 / 42

HEX #958D83

RGB 149 141 131

HSL 33.33, 0.08%, 0.55%

LAB 59.05, 1.17, 6.39

 

CMYK 13 / 7 / 0 / 41

HEX #828C96

RGB 130 140 150

HSL 210, 0.09%, 0.55%

LAB 57.76, -1.49, -6.56

 

CMYK 34 / 18 / 0 / 34

HEX #708BA9

RGB 112 139 169

HSL 211.58, 0.25%, 0.55%

LAB 56.86, -2.11, -18.93

 

CMYK 0 / 49 / 48 / 27

HEX #BA5E61

RGB 186 94 97

HSL 358.04, 0.4%, 0.55%

LAB 51.05, 37.28, 15.51

 

CMYK 0 / 38 / 49 / 27

HEX #BA745E

RGB 186 116 94

HSL 14.35, 0.4%, 0.55%

LAB 55.82, 25.13, 23.69

 

CMYK 0 / 25 / 49 / 27

HEX #BA8C5E

RGB 186 140 94

HSL 30, 0.4%, 0.55%

LAB 61.66, 11.83, 31.26

 

CMYK 0 / 11 / 49 / 27

HEX #BAA55E

RGB 186 165 94

HSL 46.3, 0.4%, 0.55%

LAB 68.14, -1.82, 39.37

 

CMYK 2 / 0 / 49 / 27

HEX #B7BA5E

RGB 183 186 94

HSL 61.96, 0.4%, 0.55%

LAB 73.54, -14.07, 45.84

 

CMYK 0 / 28 / 58 / 45

HEX #8B643B

RGB 139 100 59

HSL 30.75, 0.4%, 0.39%

LAB 45.52, 10.86, 29.24

 

CMYK 0 / 28 / 57 / 35

HEX #A77948

RGB 167 121 72

HSL 30.95, 0.4%, 0.47%

LAB 54.4, 12.31, 33.68

 

CMYK 0 / 24 / 49 / 27

HEX #BA8E5E

RGB 186 142 94

HSL 31.3, 0.4%, 0.55%

LAB 62.16, 10.72, 31.9

 

CMYK 0 / 19 / 38 / 22

HEX #C7A27B

RGB 199 162 123

HSL 30.79, 0.4%, 0.63%

LAB 69.05, 8.25, 25.43

 

CMYK 0 / 14 / 28 / 17

HEX #D3B698

RGB 211 182 152

HSL 30.51, 0.4%, 0.71%

LAB 75.81, 5.91, 19.13

 

CMYK 0 / 24 / 49 / 27

HEX #BB8F60

RGB 187 143 96

HSL 30.99, 0.4%, 0.55%

LAB 62.55, 10.78, 31.34

 

CMYK 34 / 0 / 49 / 27

HEX #7ABA5E

RGB 122 186 94

HSL 101.74, 0.4%, 0.55%

LAB 69.51, -37.48, 40.02

 

CMYK 44 / 49 / 0 / 27

HEX #685EBA

RGB 104 94 186

HSL 246.52, 0.4%, 0.55%

LAB 44.93, 27.51, -47.45

 

CMYK 0 / 24 / 49 / 27

HEX #BB8F60

RGB 187 143 96

HSL 30.99, 0.4%, 0.55%

LAB 62.55, 10.78, 31.34

 

CMYK 49 / 0 / 25 / 27

HEX #5EBA8C

RGB 94 186 140

HSL 150, 0.4%, 0.55%

LAB 69.03, -38.21, 15.04

 

CMYK 25 / 49 / 0 / 27

HEX #8C5EBA

RGB 140 94 186

HSL 270, 0.4%, 0.55%

LAB 48.42, 36.96, -41.69

 

CMYK 0 / 24 / 49 / 27

HEX #BB8F60

RGB 187 143 96

HSL 30.99, 0.4%, 0.55%

LAB 62.55, 10.78, 31.34

 

CMYK 34 / 0 / 49 / 27

HEX #7ABA5E

RGB 122 186 94

HSL 101.74, 0.4%, 0.55%

LAB 69.51, -37.48, 40.02

 

CMYK 49 / 25 / 0 / 27

HEX #5E8CBA

RGB 94 140 186

HSL 210, 0.4%, 0.55%

LAB 56.76, -2.7, -28.86

 

CMYK 15 / 49 / 0 / 27

HEX #9F5EBA

RGB 159 94 186

HSL 282.39, 0.4%, 0.55%

LAB 50.6, 42.3, -38.11

 

CMYK 0 / 24 / 49 / 27

HEX #BB8F60

RGB 187 143 96

HSL 30.99, 0.4%, 0.55%

LAB 62.55, 10.78, 31.34

 

CMYK 49 / 0 / 49 / 27

HEX #5EBA5E

RGB 94 186 94

HSL 120, 0.4%, 0.55%

LAB 68.25, -46.24, 38.18

 

CMYK 49 / 25 / 0 / 27

HEX #5E8CBA

RGB 94 140 186

HSL 210, 0.4%, 0.55%

LAB 56.76, -2.7, -28.86

 

CMYK 0 / 49 / 0 / 27

HEX #BA5EBA

RGB 186 94 186

HSL 300, 0.4%, 0.55%

LAB 54.02, 50.04, -32.5

 

Description

Color code: HEX #BB8F60 | qconv.com Color code: HEX #BB8F60 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 143 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 143 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 49 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 49% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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