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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB8C83 it is the complementary color #44737C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB8C83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB8C83 shade: #C08C7E, #D19E91, #E2B0A4, #F3C2B7 and #FFD4CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB8C83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB8C83 shade: #BB8C83, #AA7A70, #99685D, #88564A and #774437

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB8C83 shade: #BA8B81 and #BA8181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB8C83 shade: #BA8B81, #BA9A81, #BAA981, #BAB881 and #ACBA81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB8C83 shade matches the following richer shades: #BA8B81, #C98072, #D97562, #E96B52 and #F86043

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB8C83 shade: #BA8B81, #AA9591, #9AA0A1, #8BAAB1 and #7BB5C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB8C83 shade: #BA8197, #BA8188, #BA8A81, #BA9981 and #BAA881

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB8C83 shade: #965D52, #AB7267, #BA8B81, #C8A39C and #D7BCB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB8C83 shade: #BB8C83, #A6BA81 and #8190BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB8C83 shade: #BB8C83, #81BA8A and #8A81BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB8C83 shade: #BB8C83, #A6BA81, #81B1BA and #9581BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB8C83 shade: #BB8C83, #95BA81, #81B1BA and #A681BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 30 / 27

HEX #BB8C83

RGB 187 140 131

HSL 9.64, 0.29%, 0.62%

LAB 62.47, 16.58, 11.77

 

Complementary color

CMYK 45 / 7 / 0 / 51

HEX #44737C

RGB 68 115 124

HSL 189.64, 0.29%, 0.38%

LAB 45.56, -13.45, -9.99

 

CMYK 0 / 27 / 34 / 25

HEX #C08C7E

RGB 192 140 126

HSL 12.73, 0.34%, 0.62%

LAB 62.9, 17.89, 15.27

 

CMYK 0 / 24 / 31 / 18

HEX #D19E91

RGB 209 158 145

HSL 12.19, 0.41%, 0.69%

LAB 69.51, 17.14, 14.15

 

CMYK 0 / 22 / 27 / 11

HEX #E2B0A4

RGB 226 176 164

HSL 11.61, 0.52%, 0.76%

LAB 76.01, 16.48, 13.13

 

CMYK 0 / 20 / 25 / 5

HEX #F3C2B7

RGB 243 194 183

HSL 11, 0.71%, 0.84%

LAB 82.41, 15.89, 12.18

 

CMYK 0 / 17 / 21 / 0

HEX #FFD4CA

RGB 255 212 202

HSL 11.32, 1%, 0.9%

LAB 88.26, 13.54, 10.57

 

CMYK 0 / 25 / 30 / 27

HEX #BB8C83

RGB 187 140 131

HSL 9.64, 0.29%, 0.62%

LAB 62.47, 16.58, 11.77

 

CMYK 0 / 28 / 34 / 33

HEX #AA7A70

RGB 170 122 112

HSL 10.34, 0.25%, 0.55%

LAB 55.72, 17.35, 12.89

 

CMYK 0 / 32 / 39 / 40

HEX #99685D

RGB 153 104 93

HSL 11, 0.24%, 0.48%

LAB 48.84, 18.23, 14.15

 

CMYK 0 / 37 / 46 / 47

HEX #88564A

RGB 136 86 74

HSL 11.61, 0.3%, 0.41%

LAB 41.82, 19.27, 15.6

 

CMYK 0 / 43 / 54 / 53

HEX #774437

RGB 119 68 55

HSL 12.19, 0.37%, 0.34%

LAB 34.67, 20.49, 17.31

 

CMYK 0 / 25 / 31 / 27

HEX #BA8B81

RGB 186 139 129

HSL 10.53, 0.29%, 0.62%

LAB 62.07, 16.47, 12.32

 

CMYK 0 / 31 / 31 / 27

HEX #BA8181

RGB 186 129 129

HSL 0, 0.29%, 0.62%

LAB 59.64, 22.03, 8.88

 

CMYK 0 / 25 / 31 / 27

HEX #BA8B81

RGB 186 139 129

HSL 10.53, 0.29%, 0.62%

LAB 62.07, 16.47, 12.32

 

CMYK 0 / 17 / 31 / 27

HEX #BA9A81

RGB 186 154 129

HSL 26.32, 0.29%, 0.62%

LAB 65.85, 8.17, 17.58

 

CMYK 0 / 9 / 31 / 27

HEX #BAA981

RGB 186 169 129

HSL 42.11, 0.29%, 0.62%

LAB 69.75, 0, 22.91

 

CMYK 0 / 1 / 31 / 27

HEX #BAB881

RGB 186 184 129

HSL 57.89, 0.29%, 0.62%

LAB 73.74, -7.95, 28.27

 

CMYK 8 / 0 / 31 / 27

HEX #ACBA81

RGB 172 186 129

HSL 74.74, 0.29%, 0.62%

LAB 73.2, -14.43, 27.35

 

CMYK 0 / 25 / 31 / 27

HEX #BA8B81

RGB 186 139 129

HSL 10.53, 0.29%, 0.62%

LAB 62.07, 16.47, 12.32

 

CMYK 0 / 36 / 43 / 21

HEX #C98072

RGB 201 128 114

HSL 9.66, 0.45%, 0.62%

LAB 60.84, 26.62, 19.38

 

CMYK 0 / 46 / 55 / 15

HEX #D97562

RGB 217 117 98

HSL 9.58, 0.61%, 0.62%

LAB 60.21, 37.19, 27.94

 

CMYK 0 / 54 / 65 / 9

HEX #E96B52

RGB 233 107 82

HSL 9.93, 0.77%, 0.62%

LAB 60.29, 47.05, 37.42

 

CMYK 0 / 61 / 73 / 3

HEX #F86043

RGB 248 96 67

HSL 9.61, 0.93%, 0.62%

LAB 60.54, 56.6, 46.35

 

CMYK 0 / 25 / 31 / 27

HEX #BA8B81

RGB 186 139 129

HSL 10.53, 0.29%, 0.62%

LAB 62.07, 16.47, 12.32

 

CMYK 0 / 12 / 15 / 33

HEX #AA9591

RGB 170 149 145

HSL 9.6, 0.13%, 0.62%

LAB 63.41, 7.11, 4.96

 

CMYK 4 / 1 / 0 / 37

HEX #9AA0A1

RGB 154 160 161

HSL 188.57, 0.04%, 0.62%

LAB 65.42, -1.94, -1.27

 

CMYK 21 / 4 / 0 / 31

HEX #8BAAB1

RGB 139 170 177

HSL 191.05, 0.2%, 0.62%

LAB 67.59, -9.01, -7.12

 

CMYK 36 / 6 / 0 / 25

HEX #7BB5C0

RGB 123 181 192

HSL 189.57, 0.35%, 0.62%

LAB 70.22, -15.99, -11.58

 

CMYK 0 / 31 / 19 / 27

HEX #BA8197

RGB 186 129 151

HSL 336.84, 0.29%, 0.62%

LAB 60.23, 25.28, -2.89

 

CMYK 0 / 31 / 27 / 27

HEX #BA8188

RGB 186 129 136

HSL 352.63, 0.29%, 0.62%

LAB 59.81, 23.01, 5.12

 

CMYK 0 / 26 / 31 / 27

HEX #BA8A81

RGB 186 138 129

HSL 9.47, 0.29%, 0.62%

LAB 61.83, 17.02, 11.97

 

CMYK 0 / 18 / 31 / 27

HEX #BA9981

RGB 186 153 129

HSL 25.26, 0.29%, 0.62%

LAB 65.6, 8.72, 17.23

 

CMYK 0 / 10 / 31 / 27

HEX #BAA881

RGB 186 168 129

HSL 41.05, 0.29%, 0.62%

LAB 69.49, 0.54, 22.56

 

CMYK 0 / 38 / 45 / 41

HEX #965D52

RGB 150 93 82

HSL 9.71, 0.29%, 0.45%

LAB 45.53, 22.01, 16.11

 

CMYK 0 / 33 / 40 / 33

HEX #AB7267

RGB 171 114 103

HSL 9.71, 0.29%, 0.54%

LAB 53.68, 21.13, 15.29

 

CMYK 0 / 25 / 31 / 27

HEX #BA8B81

RGB 186 139 129

HSL 10.53, 0.29%, 0.62%

LAB 62.07, 16.47, 12.32

 

CMYK 0 / 19 / 22 / 22

HEX #C8A39C

RGB 200 163 156

HSL 9.55, 0.29%, 0.7%

LAB 70.09, 12.52, 8.76

 

CMYK 0 / 13 / 15 / 16

HEX #D7BCB7

RGB 215 188 183

HSL 9.38, 0.29%, 0.78%

LAB 78.36, 8.79, 6.05

 

CMYK 0 / 25 / 30 / 27

HEX #BB8C83

RGB 187 140 131

HSL 9.64, 0.29%, 0.62%

LAB 62.47, 16.58, 11.77

 

CMYK 11 / 0 / 31 / 27

HEX #A6BA81

RGB 166 186 129

HSL 81.05, 0.29%, 0.62%

LAB 72.77, -16.72, 26.69

 

CMYK 31 / 23 / 0 / 27

HEX #8190BA

RGB 129 144 186

HSL 224.21, 0.29%, 0.62%

LAB 60.03, 4.53, -23.64

 

CMYK 0 / 25 / 30 / 27

HEX #BB8C83

RGB 187 140 131

HSL 9.64, 0.29%, 0.62%

LAB 62.47, 16.58, 11.77

 

CMYK 31 / 0 / 26 / 27

HEX #81BA8A

RGB 129 186 138

HSL 129.47, 0.29%, 0.62%

LAB 70.61, -28.4, 18.56

 

CMYK 26 / 31 / 0 / 27

HEX #8A81BA

RGB 138 129 186

HSL 249.47, 0.29%, 0.62%

LAB 56.73, 15.97, -28.67

 

CMYK 0 / 25 / 30 / 27

HEX #BB8C83

RGB 187 140 131

HSL 9.64, 0.29%, 0.62%

LAB 62.47, 16.58, 11.77

 

CMYK 11 / 0 / 31 / 27

HEX #A6BA81

RGB 166 186 129

HSL 81.05, 0.29%, 0.62%

LAB 72.77, -16.72, 26.69

 

CMYK 31 / 5 / 0 / 27

HEX #81B1BA

RGB 129 177 186

HSL 189.47, 0.29%, 0.62%

LAB 69.22, -13.67, -9.73

 

CMYK 20 / 31 / 0 / 27

HEX #9581BA

RGB 149 129 186

HSL 261.05, 0.29%, 0.62%

LAB 57.69, 19.4, -27.11

 

CMYK 0 / 25 / 30 / 27

HEX #BB8C83

RGB 187 140 131

HSL 9.64, 0.29%, 0.62%

LAB 62.47, 16.58, 11.77

 

CMYK 20 / 0 / 31 / 27

HEX #95BA81

RGB 149 186 129

HSL 98.95, 0.29%, 0.62%

LAB 71.62, -23.02, 24.95

 

CMYK 31 / 5 / 0 / 27

HEX #81B1BA

RGB 129 177 186

HSL 189.47, 0.29%, 0.62%

LAB 69.22, -13.67, -9.73

 

CMYK 11 / 31 / 0 / 27

HEX #A681BA

RGB 166 129 186

HSL 278.95, 0.29%, 0.62%

LAB 59.3, 24.85, -24.5

 

Description

Color code: HEX #BB8C83 | qconv.com Color code: HEX #BB8C83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 140 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 140 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 30 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 30% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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