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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB8317 it is the complementary color #447CE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB8317. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB8317 shade: #C08312, #D19525, #E2A738, #F3B94B and #FFCB5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB8317. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB8317 shade: #BB8317, #AA7104, #995F00, #884D00 and #773B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB8317 shade: #BA8217, #BA5617, #BA2A17 and #BA1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB8317 shade: #BA8217, #BAAE17, #9ABA17, #6EBA17 and #42BA17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB8317 shade matches the following richer shades: #BA8217 and #CB8806

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB8317 shade: #BA8217, #A97D28, #987839, #87724A and #766D5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB8317 shade: #BA2A17, #BA5617, #BA8117, #BAAD17 and #9CBA17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB8317 shade: #714F0E, #956912, #BA8217, #DF9C1C and #E7AD3D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB8317 shade: #BB8317, #2FBA17 and #4017BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB8317 shade: #BB8317, #17BA81 and #8117BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB8317 shade: #BB8317, #2FBA17, #1750BA and #A217BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB8317 shade: #BB8317, #17BA2F, #1750BA and #BA17A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 88 / 27

HEX #BB8317

RGB 187 131 23

HSL 39.51, 0.78%, 0.41%

LAB 58.84, 13.09, 60

 

Complementary color

CMYK 71 / 47 / 0 / 9

HEX #447CE8

RGB 68 124 232

HSL 219.51, 0.78%, 0.59%

LAB 53.46, 17.32, -60.12

 

CMYK 0 / 32 / 91 / 25

HEX #C08312

RGB 192 131 18

HSL 38.97, 0.83%, 0.41%

LAB 59.42, 15.22, 61.94

 

CMYK 0 / 29 / 82 / 18

HEX #D19525

RGB 209 149 37

HSL 39.07, 0.7%, 0.48%

LAB 65.89, 13.33, 62.74

 

CMYK 0 / 26 / 75 / 11

HEX #E2A738

RGB 226 167 56

HSL 39.18, 0.75%, 0.55%

LAB 72.29, 11.71, 62.49

 

CMYK 0 / 24 / 69 / 5

HEX #F3B94B

RGB 243 185 75

HSL 39.29, 0.88%, 0.62%

LAB 78.61, 10.3, 61.7

 

CMYK 0 / 20 / 63 / 0

HEX #FFCB5E

RGB 255 203 94

HSL 40.62, 1%, 0.68%

LAB 84.37, 7.02, 59.96

 

CMYK 0 / 30 / 88 / 27

HEX #BB8317

RGB 187 131 23

HSL 39.51, 0.78%, 0.41%

LAB 58.84, 13.09, 60

 

CMYK 0 / 34 / 98 / 33

HEX #AA7104

RGB 170 113 4

HSL 39.4, 0.95%, 0.34%

LAB 52.25, 15.15, 58.22

 

CMYK 0 / 38 / 100 / 40

HEX #995F00

RGB 153 95 0

HSL 37.25, 1%, 0.3%

LAB 45.57, 17.56, 53.58

 

CMYK 0 / 43 / 100 / 47

HEX #884D00

RGB 136 77 0

HSL 33.97, 1%, 0.27%

LAB 38.8, 20.14, 48.08

 

CMYK 0 / 50 / 100 / 53

HEX #773B00

RGB 119 59 0

HSL 29.75, 1%, 0.23%

LAB 31.92, 22.78, 42.49

 

CMYK 0 / 30 / 88 / 27

HEX #BA8217

RGB 186 130 23

HSL 39.39, 0.78%, 0.41%

LAB 58.48, 13.2, 59.66

 

CMYK 0 / 54 / 88 / 27

HEX #BA5617

RGB 186 86 23

HSL 23.19, 0.78%, 0.41%

LAB 48.46, 37.02, 51.6

 

CMYK 0 / 77 / 88 / 27

HEX #BA2A17

RGB 186 42 23

HSL 6.99, 0.78%, 0.41%

LAB 41.46, 55.69, 45.97

 

CMYK 0 / 88 / 88 / 27

HEX #BA1717

RGB 186 23 23

HSL 0, 0.78%, 0.41%

LAB 39.77, 60.48, 44.61

 

CMYK 0 / 30 / 88 / 27

HEX #BA8217

RGB 186 130 23

HSL 39.39, 0.78%, 0.41%

LAB 58.48, 13.2, 59.66

 

CMYK 0 / 6 / 88 / 27

HEX #BAAE17

RGB 186 174 23

HSL 55.58, 0.78%, 0.41%

LAB 70.02, -10.54, 68.93

 

CMYK 17 / 0 / 88 / 27

HEX #9ABA17

RGB 154 186 23

HSL 71.78, 0.78%, 0.41%

LAB 70.91, -30.27, 68.62

 

CMYK 41 / 0 / 88 / 27

HEX #6EBA17

RGB 110 186 23

HSL 87.98, 0.78%, 0.41%

LAB 68.38, -47.06, 65.49

 

CMYK 65 / 0 / 88 / 27

HEX #42BA17

RGB 66 186 23

HSL 104.17, 0.78%, 0.41%

LAB 66.78, -59.6, 63.48

 

CMYK 0 / 30 / 88 / 27

HEX #BA8217

RGB 186 130 23

HSL 39.39, 0.78%, 0.41%

LAB 58.48, 13.2, 59.66

 

CMYK 0 / 33 / 97 / 20

HEX #CB8806

RGB 203 136 6

HSL 39.59, 0.94%, 0.41%

LAB 61.93, 17.17, 66.46

 

CMYK 0 / 30 / 88 / 27

HEX #BA8217

RGB 186 130 23

HSL 39.39, 0.78%, 0.41%

LAB 58.48, 13.2, 59.66

 

CMYK 0 / 26 / 76 / 34

HEX #A97D28

RGB 169 125 40

HSL 39.53, 0.62%, 0.41%

LAB 55.33, 8.9, 50.3

 

CMYK 0 / 21 / 63 / 40

HEX #987839

RGB 152 120 57

HSL 39.79, 0.45%, 0.41%

LAB 52.29, 5.03, 38.65

 

CMYK 0 / 16 / 45 / 47

HEX #87724A

RGB 135 114 74

HSL 39.34, 0.29%, 0.41%

LAB 49.11, 2.43, 25.19

 

CMYK 0 / 8 / 23 / 54

HEX #766D5B

RGB 118 109 91

HSL 40, 0.13%, 0.41%

LAB 46.37, 0.33, 11.34

 

CMYK 0 / 77 / 88 / 27

HEX #BA2A17

RGB 186 42 23

HSL 6.99, 0.78%, 0.41%

LAB 41.46, 55.69, 45.97

 

CMYK 0 / 54 / 88 / 27

HEX #BA5617

RGB 186 86 23

HSL 23.19, 0.78%, 0.41%

LAB 48.46, 37.02, 51.6

 

CMYK 0 / 31 / 88 / 27

HEX #BA8117

RGB 186 129 23

HSL 39.02, 0.78%, 0.41%

LAB 58.23, 13.75, 59.46

 

CMYK 0 / 7 / 88 / 27

HEX #BAAD17

RGB 186 173 23

HSL 55.21, 0.78%, 0.41%

LAB 69.75, -10.02, 68.71

 

CMYK 16 / 0 / 88 / 27

HEX #9CBA17

RGB 156 186 23

HSL 71.04, 0.78%, 0.41%

LAB 71.04, -29.44, 68.79

 

CMYK 0 / 30 / 88 / 56

HEX #714F0E

RGB 113 79 14

HSL 39.39, 0.78%, 0.25%

LAB 36.24, 8.36, 40.4

 

CMYK 0 / 30 / 88 / 42

HEX #956912

RGB 149 105 18

HSL 39.85, 0.78%, 0.33%

LAB 47.67, 10.31, 50.47

 

CMYK 0 / 30 / 88 / 27

HEX #BA8217

RGB 186 130 23

HSL 39.39, 0.78%, 0.41%

LAB 58.48, 13.2, 59.66

 

CMYK 0 / 30 / 87 / 13

HEX #DF9C1C

RGB 223 156 28

HSL 39.38, 0.78%, 0.49%

LAB 69.15, 15.42, 68.68

 

CMYK 0 / 25 / 74 / 9

HEX #E7AD3D

RGB 231 173 61

HSL 39.53, 0.78%, 0.57%

LAB 74.33, 10.87, 62.7

 

CMYK 0 / 30 / 88 / 27

HEX #BB8317

RGB 187 131 23

HSL 39.51, 0.78%, 0.41%

LAB 58.84, 13.09, 60

 

CMYK 75 / 0 / 88 / 27

HEX #2FBA17

RGB 47 186 23

HSL 111.17, 0.78%, 0.41%

LAB 66.35, -63.21, 62.94

 

CMYK 66 / 88 / 0 / 27

HEX #4017BA

RGB 64 23 186

HSL 255.09, 0.78%, 0.41%

LAB 27.43, 58.54, -76.13

 

CMYK 0 / 30 / 88 / 27

HEX #BB8317

RGB 187 131 23

HSL 39.51, 0.78%, 0.41%

LAB 58.84, 13.09, 60

 

CMYK 88 / 0 / 31 / 27

HEX #17BA81

RGB 23 186 129

HSL 159.02, 0.78%, 0.41%

LAB 67.19, -52.17, 18.19

 

CMYK 31 / 88 / 0 / 27

HEX #8117BA

RGB 129 23 186

HSL 279.02, 0.78%, 0.41%

LAB 35.65, 65.7, -62.32

 

CMYK 0 / 30 / 88 / 27

HEX #BB8317

RGB 187 131 23

HSL 39.51, 0.78%, 0.41%

LAB 58.84, 13.09, 60

 

CMYK 75 / 0 / 88 / 27

HEX #2FBA17

RGB 47 186 23

HSL 111.17, 0.78%, 0.41%

LAB 66.35, -63.21, 62.94

 

CMYK 88 / 57 / 0 / 27

HEX #1750BA

RGB 23 80 186

HSL 219.02, 0.78%, 0.41%

LAB 36.86, 23.56, -60.69

 

CMYK 13 / 88 / 0 / 27

HEX #A217BA

RGB 162 23 186

HSL 291.17, 0.78%, 0.41%

LAB 40.96, 70.82, -53.45

 

CMYK 0 / 30 / 88 / 27

HEX #BB8317

RGB 187 131 23

HSL 39.51, 0.78%, 0.41%

LAB 58.84, 13.09, 60

 

CMYK 88 / 0 / 75 / 27

HEX #17BA2F

RGB 23 186 47

HSL 128.83, 0.78%, 0.41%

LAB 66.14, -64.68, 55.91

 

CMYK 88 / 57 / 0 / 27

HEX #1750BA

RGB 23 80 186

HSL 219.02, 0.78%, 0.41%

LAB 36.86, 23.56, -60.69

 

CMYK 0 / 88 / 13 / 27

HEX #BA17A2

RGB 186 23 162

HSL 308.83, 0.78%, 0.41%

LAB 43.74, 71.49, -34.51

 

Description

Color code: HEX #BB8317 | qconv.com Color code: HEX #BB8317 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 131 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 131 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 88 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 88% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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