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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB75DC it is the complementary color #448A23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB75DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB75DC shade: #C075D7, #D187EA, #E299FD, #F3ABFF and #FFBDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB75DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB75DC shade: #BB75DC, #AA63C9, #9951B6, #883FA3 and #772D90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB75DC shade: #BB74DC, #D774DC, #DC74C6, #DC74A9 and #DC748D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB75DC shade: #BB74DC, #9F74DC, #8374DC and #7474DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB75DC shade matches the following richer shades: #BB74DC, #C066EA and #C558F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB75DC shade: #BB74DC, #B682CE, #B190C0, #AC9EB2 and #A7ACA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB75DC shade: #8274DC, #9E74DC, #BA74DC, #D574DC and #DC74C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB75DC shade: #9A33CB, #AB53D4, #BB74DC, #CB95E5 and #DBB6ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB75DC shade: #BB75DC, #DC7482 and #74DC90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB75DC shade: #BB75DC, #DCBA74 and #74DCBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB75DC shade: #BB75DC, #DC7482, #97DC74 and #74DCCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB75DC shade: #BB75DC, #DC8674, #97DC74 and #74CBDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 47 / 0 / 14

HEX #BB75DC

RGB 187 117 220

HSL 280.78, 0.6%, 0.66%

LAB 60.3, 45.12, -41.97

 

Complementary color

CMYK 51 / 0 / 75 / 46

HEX #448A23

RGB 68 138 35

HSL 100.78, 0.6%, 0.34%

LAB 51.3, -40.82, 45.68

 

CMYK 11 / 46 / 0 / 16

HEX #C075D7

RGB 192 117 215

HSL 285.92, 0.55%, 0.65%

LAB 60.64, 45.5, -38.6

 

CMYK 11 / 42 / 0 / 8

HEX #D187EA

RGB 209 135 234

HSL 284.85, 0.7%, 0.72%

LAB 67.14, 44.73, -38.85

 

CMYK 11 / 40 / 0 / 1

HEX #E299FD

RGB 226 153 253

HSL 283.8, 0.96%, 0.8%

LAB 73.57, 43.98, -39.08

 

CMYK 5 / 33 / 0 / 0

HEX #F3ABFF

RGB 243 171 255

HSL 291.43, 1%, 0.84%

LAB 79.27, 39.97, -31.2

 

CMYK 0 / 26 / 0 / 0

HEX #FFBDFF

RGB 255 189 255

HSL 300, 1%, 0.87%

LAB 84.42, 34.25, -23.22

 

CMYK 15 / 47 / 0 / 14

HEX #BB75DC

RGB 187 117 220

HSL 280.78, 0.6%, 0.66%

LAB 60.3, 45.12, -41.97

 

CMYK 15 / 51 / 0 / 21

HEX #AA63C9

RGB 170 99 201

HSL 281.76, 0.49%, 0.59%

LAB 53.69, 45.91, -41.76

 

CMYK 16 / 55 / 0 / 29

HEX #9951B6

RGB 153 81 182

HSL 282.77, 0.41%, 0.52%

LAB 47.02, 46.67, -41.48

 

CMYK 17 / 61 / 0 / 36

HEX #883FA3

RGB 136 63 163

HSL 283.8, 0.44%, 0.44%

LAB 40.3, 47.31, -41.07

 

CMYK 17 / 69 / 0 / 44

HEX #772D90

RGB 119 45 144

HSL 284.85, 0.52%, 0.37%

LAB 33.59, 47.65, -40.43

 

CMYK 15 / 47 / 0 / 14

HEX #BB74DC

RGB 187 116 220

HSL 280.96, 0.6%, 0.66%

LAB 60.09, 45.65, -42.3

 

CMYK 2 / 47 / 0 / 14

HEX #D774DC

RGB 215 116 220

HSL 297.12, 0.6%, 0.66%

LAB 63.43, 53.54, -36.83

 

CMYK 0 / 47 / 10 / 14

HEX #DC74C6

RGB 220 116 198

HSL 312.69, 0.6%, 0.66%

LAB 63.16, 51.21, -24.83

 

CMYK 0 / 47 / 23 / 14

HEX #DC74A9

RGB 220 116 169

HSL 329.42, 0.6%, 0.66%

LAB 62.14, 46.78, -9.9

 

CMYK 0 / 47 / 36 / 14

HEX #DC748D

RGB 220 116 141

HSL 345.58, 0.6%, 0.66%

LAB 61.33, 43.13, 4.98

 

CMYK 15 / 47 / 0 / 14

HEX #BB74DC

RGB 187 116 220

HSL 280.96, 0.6%, 0.66%

LAB 60.09, 45.65, -42.3

 

CMYK 28 / 47 / 0 / 14

HEX #9F74DC

RGB 159 116 220

HSL 264.81, 0.6%, 0.66%

LAB 57.1, 37.95, -47.21

 

CMYK 40 / 47 / 0 / 14

HEX #8374DC

RGB 131 116 220

HSL 248.65, 0.6%, 0.66%

LAB 54.54, 30.72, -51.45

 

CMYK 47 / 47 / 0 / 14

HEX #7474DC

RGB 116 116 220

HSL 240, 0.6%, 0.66%

LAB 53.35, 27.15, -53.4

 

CMYK 15 / 47 / 0 / 14

HEX #BB74DC

RGB 187 116 220

HSL 280.96, 0.6%, 0.66%

LAB 60.09, 45.65, -42.3

 

CMYK 18 / 56 / 0 / 8

HEX #C066EA

RGB 192 102 234

HSL 280.91, 0.76%, 0.66%

LAB 58.65, 57.07, -52.37

 

CMYK 21 / 65 / 0 / 3

HEX #C558F8

RGB 197 88 248

HSL 280.88, 0.92%, 0.66%

LAB 57.68, 67.61, -61.67

 

CMYK 15 / 47 / 0 / 14

HEX #BB74DC

RGB 187 116 220

HSL 280.96, 0.6%, 0.66%

LAB 60.09, 45.65, -42.3

 

CMYK 12 / 37 / 0 / 19

HEX #B682CE

RGB 182 130 206

HSL 281.05, 0.44%, 0.66%

LAB 61.97, 33.6, -31.54

 

CMYK 8 / 25 / 0 / 25

HEX #B190C0

RGB 177 144 192

HSL 281.25, 0.28%, 0.66%

LAB 64.24, 21.24, -20.23

 

CMYK 3 / 11 / 0 / 30

HEX #AC9EB2

RGB 172 158 178

HSL 282, 0.11%, 0.66%

LAB 66.85, 8.86, -8.5

 

CMYK 3 / 0 / 5 / 33

HEX #A7ACA4

RGB 167 172 164

HSL 97.5, 0.05%, 0.66%

LAB 69.75, -3.27, 3.49

 

CMYK 41 / 47 / 0 / 14

HEX #8274DC

RGB 130 116 220

HSL 248.08, 0.6%, 0.66%

LAB 54.45, 30.47, -51.59

 

CMYK 28 / 47 / 0 / 14

HEX #9E74DC

RGB 158 116 220

HSL 264.23, 0.6%, 0.66%

LAB 57, 37.68, -47.37

 

CMYK 15 / 47 / 0 / 14

HEX #BA74DC

RGB 186 116 220

HSL 280.38, 0.6%, 0.66%

LAB 59.98, 45.37, -42.48

 

CMYK 3 / 47 / 0 / 14

HEX #D574DC

RGB 213 116 220

HSL 295.96, 0.6%, 0.66%

LAB 63.18, 52.98, -37.23

 

CMYK 0 / 47 / 9 / 14

HEX #DC74C8

RGB 220 116 200

HSL 311.54, 0.6%, 0.66%

LAB 63.24, 51.54, -25.84

 

CMYK 24 / 75 / 0 / 20

HEX #9A33CB

RGB 154 51 203

HSL 280.66, 0.6%, 0.5%

LAB 43.58, 64.78, -59.2

 

CMYK 19 / 61 / 0 / 17

HEX #AB53D4

RGB 171 83 212

HSL 280.93, 0.6%, 0.58%

LAB 51.38, 56.58, -51.71

 

CMYK 15 / 47 / 0 / 14

HEX #BB74DC

RGB 187 116 220

HSL 280.96, 0.6%, 0.66%

LAB 60.09, 45.65, -42.3

 

CMYK 11 / 35 / 0 / 10

HEX #CB95E5

RGB 203 149 229

HSL 280.5, 0.61%, 0.74%

LAB 69.36, 34.39, -32.7

 

CMYK 8 / 23 / 0 / 7

HEX #DBB6ED

RGB 219 182 237

HSL 280.36, 0.6%, 0.82%

LAB 78.83, 23.08, -22.4

 

CMYK 15 / 47 / 0 / 14

HEX #BB75DC

RGB 187 117 220

HSL 280.78, 0.6%, 0.66%

LAB 60.3, 45.12, -41.97

 

CMYK 0 / 47 / 41 / 14

HEX #DC7482

RGB 220 116 130

HSL 351.92, 0.6%, 0.66%

LAB 61.06, 41.88, 10.92

 

CMYK 47 / 0 / 35 / 14

HEX #74DC90

RGB 116 220 144

HSL 136.15, 0.6%, 0.66%

LAB 80.13, -46.56, 28.25

 

CMYK 15 / 47 / 0 / 14

HEX #BB75DC

RGB 187 117 220

HSL 280.78, 0.6%, 0.66%

LAB 60.3, 45.12, -41.97

 

CMYK 0 / 15 / 47 / 14

HEX #DCBA74

RGB 220 186 116

HSL 40.38, 0.6%, 0.66%

LAB 77.04, 3.21, 39.88

 

CMYK 47 / 0 / 15 / 14

HEX #74DCBA

RGB 116 220 186

HSL 160.38, 0.6%, 0.66%

LAB 80.99, -38.24, 7.42

 

CMYK 15 / 47 / 0 / 14

HEX #BB75DC

RGB 187 117 220

HSL 280.78, 0.6%, 0.66%

LAB 60.3, 45.12, -41.97

 

CMYK 0 / 47 / 41 / 14

HEX #DC7482

RGB 220 116 130

HSL 351.92, 0.6%, 0.66%

LAB 61.06, 41.88, 10.92

 

CMYK 31 / 0 / 47 / 14

HEX #97DC74

RGB 151 220 116

HSL 99.81, 0.6%, 0.66%

LAB 81.31, -40.08, 44.12

 

CMYK 47 / 0 / 6 / 14

HEX #74DCCE

RGB 116 220 206

HSL 171.92, 0.6%, 0.66%

LAB 81.49, -33.6, -2.48

 

CMYK 15 / 47 / 0 / 14

HEX #BB75DC

RGB 187 117 220

HSL 280.78, 0.6%, 0.66%

LAB 60.3, 45.12, -41.97

 

CMYK 0 / 39 / 47 / 14

HEX #DC8674

RGB 220 134 116

HSL 10.38, 0.6%, 0.66%

LAB 64.59, 31.03, 23.71

 

CMYK 31 / 0 / 47 / 14

HEX #97DC74

RGB 151 220 116

HSL 99.81, 0.6%, 0.66%

LAB 81.31, -40.08, 44.12

 

CMYK 47 / 8 / 0 / 14

HEX #74CBDC

RGB 116 203 220

HSL 189.81, 0.6%, 0.66%

LAB 77.04, -21.77, -16.6

 

Description

Color code: HEX #BB75DC | qconv.com Color code: HEX #BB75DC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 117 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 117 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 47 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 47% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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