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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB6780 it is the complementary color #44987F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB6780. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB6780 shade: #C0677B, #D1798E, #E28BA1, #F39DB4 and #FFAFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB6780. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB6780 shade: #BB6780, #AA556D, #99435A, #883147 and #771F34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB6780 shade: #BB6880, #BB686A and #BB6868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB6780 shade: #BB6880, #BB6897, #BB68AD, #B268BB and #9C68BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB6780 shade matches the following richer shades: #BB6880, #CD5679, #DE4472 and #F0326B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB6780 shade: #BB6880, #A97988, #988B8F, #869D96 and #74AF9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB6780 shade: #BB68AD, #BB6897, #BB6881, #BB686A and #BB7B68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB6780 shade: #904158, #AC4D6A, #BB6880, #C88498 and #D5A1B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB6780 shade: #BB6780, #BBB368 and #68A2BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB6780 shade: #BB6780, #81BB68 and #6881BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB6780 shade: #BB6780, #BBB368, #68BBA2 and #6870BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB6780 shade: #BB6780, #AABB68, #68BBA2 and #7868BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 32 / 27

HEX #BB6780

RGB 187 103 128

HSL 342.14, 0.38%, 0.57%

LAB 53.84, 36.5, 1.14

 

Complementary color

CMYK 55 / 0 / 16 / 40

HEX #44987F

RGB 68 152 127

HSL 162.14, 0.38%, 0.43%

LAB 57.29, -31.75, 5.5

 

CMYK 0 / 46 / 36 / 25

HEX #C0677B

RGB 192 103 123

HSL 346.52, 0.41%, 0.58%

LAB 54.38, 37.68, 4.96

 

CMYK 0 / 42 / 32 / 18

HEX #D1798E

RGB 209 121 142

HSL 345.68, 0.49%, 0.65%

LAB 60.94, 36.74, 3.66

 

CMYK 0 / 38 / 29 / 11

HEX #E28BA1

RGB 226 139 161

HSL 344.83, 0.6%, 0.72%

LAB 67.43, 35.85, 2.52

 

CMYK 0 / 35 / 26 / 5

HEX #F39DB4

RGB 243 157 180

HSL 343.95, 0.78%, 0.78%

LAB 73.85, 35.02, 1.51

 

CMYK 0 / 31 / 22 / 0

HEX #FFAFC7

RGB 255 175 199

HSL 342, 1%, 0.84%

LAB 79.64, 32.48, -0.27

 

CMYK 0 / 45 / 32 / 27

HEX #BB6780

RGB 187 103 128

HSL 342.14, 0.38%, 0.57%

LAB 53.84, 36.5, 1.14

 

CMYK 0 / 50 / 36 / 33

HEX #AA556D

RGB 170 85 109

HSL 343.06, 0.33%, 0.5%

LAB 47.17, 37.43, 2.51

 

CMYK 0 / 56 / 41 / 40

HEX #99435A

RGB 153 67 90

HSL 343.95, 0.39%, 0.43%

LAB 40.45, 38.33, 4.18

 

CMYK 0 / 64 / 48 / 47

HEX #883147

RGB 136 49 71

HSL 344.83, 0.47%, 0.36%

LAB 33.74, 39.1, 6.3

 

CMYK 0 / 74 / 56 / 53

HEX #771F34

RGB 119 31 52

HSL 345.68, 0.59%, 0.29%

LAB 27.16, 39.46, 9.15

 

CMYK 0 / 44 / 32 / 27

HEX #BB6880

RGB 187 104 128

HSL 342.65, 0.38%, 0.57%

LAB 54.05, 35.97, 1.45

 

CMYK 0 / 44 / 43 / 27

HEX #BB686A

RGB 187 104 106

HSL 358.55, 0.38%, 0.57%

LAB 53.5, 33.31, 13.61

 

CMYK 0 / 44 / 44 / 27

HEX #BB6868

RGB 187 104 104

HSL 0, 0.38%, 0.57%

LAB 53.45, 33.09, 14.72

 

CMYK 0 / 44 / 32 / 27

HEX #BB6880

RGB 187 104 128

HSL 342.65, 0.38%, 0.57%

LAB 54.05, 35.97, 1.45

 

CMYK 0 / 44 / 19 / 27

HEX #BB6897

RGB 187 104 151

HSL 326.02, 0.38%, 0.57%

LAB 54.76, 39.28, -11

 

CMYK 0 / 44 / 7 / 27

HEX #BB68AD

RGB 187 104 173

HSL 310.12, 0.38%, 0.57%

LAB 55.57, 42.9, -22.58

 

CMYK 5 / 44 / 0 / 27

HEX #B268BB

RGB 178 104 187

HSL 293.49, 0.38%, 0.57%

LAB 55.02, 42.71, -31.58

 

CMYK 17 / 44 / 0 / 27

HEX #9C68BB

RGB 156 104 187

HSL 277.59, 0.38%, 0.57%

LAB 52.46, 36.13, -35.77

 

CMYK 0 / 44 / 32 / 27

HEX #BB6880

RGB 187 104 128

HSL 342.65, 0.38%, 0.57%

LAB 54.05, 35.97, 1.45

 

CMYK 0 / 58 / 41 / 20

HEX #CD5679

RGB 205 86 121

HSL 342.35, 0.54%, 0.57%

LAB 52.97, 50.41, 4.35

 

CMYK 0 / 69 / 49 / 13

HEX #DE4472

RGB 222 68 114

HSL 342.08, 0.7%, 0.57%

LAB 52.82, 62.54, 8.69

 

CMYK 0 / 79 / 55 / 6

HEX #F0326B

RGB 240 50 107

HSL 342, 0.86%, 0.57%

LAB 53.89, 72.61, 14.87

 

CMYK 0 / 44 / 32 / 27

HEX #BB6880

RGB 187 104 128

HSL 342.65, 0.38%, 0.57%

LAB 54.05, 35.97, 1.45

 

CMYK 0 / 28 / 20 / 34

HEX #A97988

RGB 169 121 136

HSL 341.25, 0.22%, 0.57%

LAB 55.97, 21.04, -0.69

 

CMYK 0 / 9 / 6 / 40

HEX #988B8F

RGB 152 139 143

HSL 341.54, 0.06%, 0.57%

LAB 59.09, 5.59, -0.38

 

CMYK 15 / 0 / 4 / 38

HEX #869D96

RGB 134 157 150

HSL 161.74, 0.11%, 0.57%

LAB 62.83, -9.51, 0.94

 

CMYK 34 / 0 / 10 / 31

HEX #74AF9D

RGB 116 175 157

HSL 161.69, 0.27%, 0.57%

LAB 67.13, -23.2, 3.15

 

CMYK 0 / 44 / 7 / 27

HEX #BB68AD

RGB 187 104 173

HSL 310.12, 0.38%, 0.57%

LAB 55.57, 42.9, -22.58

 

CMYK 0 / 44 / 19 / 27

HEX #BB6897

RGB 187 104 151

HSL 326.02, 0.38%, 0.57%

LAB 54.76, 39.28, -11

 

CMYK 0 / 44 / 31 / 27

HEX #BB6881

RGB 187 104 129

HSL 341.93, 0.38%, 0.57%

LAB 54.08, 36.1, 0.9

 

CMYK 0 / 44 / 43 / 27

HEX #BB686A

RGB 187 104 106

HSL 358.55, 0.38%, 0.57%

LAB 53.5, 33.31, 13.61

 

CMYK 0 / 34 / 44 / 27

HEX #BB7B68

RGB 187 123 104

HSL 13.73, 0.38%, 0.57%

LAB 57.78, 22.7, 20.63

 

CMYK 0 / 55 / 39 / 44

HEX #904158

RGB 144 65 88

HSL 342.53, 0.38%, 0.41%

LAB 38.58, 35.88, 2.55

 

CMYK 0 / 55 / 38 / 33

HEX #AC4D6A

RGB 172 77 106

HSL 341.68, 0.38%, 0.49%

LAB 45.8, 41.87, 2.39

 

CMYK 0 / 44 / 32 / 27

HEX #BB6880

RGB 187 104 128

HSL 342.65, 0.38%, 0.57%

LAB 54.05, 35.97, 1.45

 

CMYK 0 / 34 / 24 / 22

HEX #C88498

RGB 200 132 152

HSL 342.35, 0.38%, 0.65%

LAB 62.55, 28.92, 0.13

 

CMYK 0 / 24 / 17 / 16

HEX #D5A1B0

RGB 213 161 176

HSL 342.69, 0.38%, 0.73%

LAB 71.4, 21.51, -0.25

 

CMYK 0 / 45 / 32 / 27

HEX #BB6780

RGB 187 103 128

HSL 342.14, 0.38%, 0.57%

LAB 53.84, 36.5, 1.14

 

CMYK 0 / 4 / 44 / 27

HEX #BBB368

RGB 187 179 104

HSL 54.22, 0.38%, 0.57%

LAB 72.1, -7.83, 39.18

 

CMYK 44 / 13 / 0 / 27

HEX #68A2BB

RGB 104 162 187

HSL 198.07, 0.38%, 0.57%

LAB 63.65, -12.22, -18.81

 

CMYK 0 / 45 / 32 / 27

HEX #BB6780

RGB 187 103 128

HSL 342.14, 0.38%, 0.57%

LAB 53.84, 36.5, 1.14

 

CMYK 31 / 0 / 44 / 27

HEX #81BB68

RGB 129 187 104

HSL 101.93, 0.38%, 0.57%

LAB 70.32, -34.22, 36.09

 

CMYK 44 / 31 / 0 / 27

HEX #6881BB

RGB 104 129 187

HSL 221.93, 0.38%, 0.57%

LAB 54.27, 6.54, -33.26

 

CMYK 0 / 45 / 32 / 27

HEX #BB6780

RGB 187 103 128

HSL 342.14, 0.38%, 0.57%

LAB 53.84, 36.5, 1.14

 

CMYK 0 / 4 / 44 / 27

HEX #BBB368

RGB 187 179 104

HSL 54.22, 0.38%, 0.57%

LAB 72.1, -7.83, 39.18

 

CMYK 44 / 0 / 13 / 27

HEX #68BBA2

RGB 104 187 162

HSL 161.93, 0.38%, 0.57%

LAB 70.24, -31.29, 4.82

 

CMYK 44 / 40 / 0 / 27

HEX #6870BB

RGB 104 112 187

HSL 234.22, 0.38%, 0.57%

LAB 49.64, 16.79, -40.54

 

CMYK 0 / 45 / 32 / 27

HEX #BB6780

RGB 187 103 128

HSL 342.14, 0.38%, 0.57%

LAB 53.84, 36.5, 1.14

 

CMYK 9 / 0 / 44 / 27

HEX #AABB68

RGB 170 187 104

HSL 72.29, 0.38%, 0.57%

LAB 72.95, -18.82, 39.94

 

CMYK 44 / 0 / 13 / 27

HEX #68BBA2

RGB 104 187 162

HSL 161.93, 0.38%, 0.57%

LAB 70.24, -31.29, 4.82

 

CMYK 36 / 44 / 0 / 27

HEX #7868BB

RGB 120 104 187

HSL 251.57, 0.38%, 0.57%

LAB 48.86, 25.86, -41.69

 

Description

Color code: HEX #BB6780 | qconv.com Color code: HEX #BB6780 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 103 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 103 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 32 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 32% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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