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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB61D1 it is the complementary color #449E2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB61D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB61D1 shade: #C061CC, #D173DF, #E285F2, #F397FF and #FFA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB61D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB61D1 shade: #BB61D1, #AA4FBE, #993DAB, #882B98 and #771985

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB61D1 shade: #BB61D1, #D161C9, #D161AB, #D1618C and #D1616E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB61D1 shade: #BB61D1, #9D61D1, #7F61D1 and #6161D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB61D1 shade matches the following richer shades: #BB61D1, #C550E2 and #CF40F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB61D1 shade: #BB61D1, #B171C1, #A782B0, #9D92A0 and #93A38F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB61D1 shade: #7F61D1, #9D61D1, #BB61D1, #D161CA and #D161AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB61D1 shade: #9532AD, #AD41C8, #BB61D1, #C981DA and #D7A1E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB61D1 shade: #BB61D1, #D16161 and #61D18E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB61D1 shade: #BB61D1, #D1BB61 and #61D1BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB61D1 shade: #BB61D1, #D16161, #77D161 and #61D1D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB61D1 shade: #BB61D1, #D18361, #77D161 and #61AFD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 54 / 0 / 18

HEX #BB61D1

RGB 187 97 209

HSL 288.21, 0.55%, 0.6%

LAB 55.8, 53.19, -42.85

 

Complementary color

CMYK 57 / 0 / 71 / 38

HEX #449E2E

RGB 68 158 46

HSL 108.21, 0.55%, 0.4%

LAB 57.92, -47.81, 48.17

 

CMYK 6 / 52 / 0 / 20

HEX #C061CC

RGB 192 97 204

HSL 293.27, 0.51%, 0.59%

LAB 56.2, 53.57, -39.33

 

CMYK 6 / 48 / 0 / 13

HEX #D173DF

RGB 209 115 223

HSL 292.22, 0.63%, 0.66%

LAB 62.63, 52.92, -39.81

 

CMYK 7 / 45 / 0 / 5

HEX #E285F2

RGB 226 133 242

HSL 291.19, 0.81%, 0.74%

LAB 69.01, 52.2, -40.2

 

CMYK 5 / 41 / 0 / 0

HEX #F397FF

RGB 243 151 255

HSL 293.08, 1%, 0.8%

LAB 75.08, 50.35, -37.67

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 11 / 54 / 0 / 18

HEX #BB61D1

RGB 187 97 209

HSL 288.21, 0.55%, 0.6%

LAB 55.8, 53.19, -42.85

 

CMYK 11 / 58 / 0 / 25

HEX #AA4FBE

RGB 170 79 190

HSL 289.19, 0.46%, 0.53%

LAB 49.32, 53.76, -42.34

 

CMYK 11 / 64 / 0 / 33

HEX #993DAB

RGB 153 61 171

HSL 290.18, 0.47%, 0.45%

LAB 42.84, 54.11, -41.65

 

CMYK 11 / 72 / 0 / 40

HEX #882B98

RGB 136 43 152

HSL 291.19, 0.56%, 0.38%

LAB 36.42, 54.01, -40.63

 

CMYK 11 / 81 / 0 / 48

HEX #771985

RGB 119 25 133

HSL 292.22, 0.68%, 0.31%

LAB 30.18, 53.08, -39.08

 

CMYK 11 / 54 / 0 / 18

HEX #BB61D1

RGB 187 97 209

HSL 288.21, 0.55%, 0.6%

LAB 55.8, 53.19, -42.85

 

CMYK 0 / 54 / 4 / 18

HEX #D161C9

RGB 209 97 201

HSL 304.29, 0.55%, 0.6%

LAB 58.34, 57.7, -34.11

 

CMYK 0 / 54 / 18 / 18

HEX #D161AB

RGB 209 97 171

HSL 320.36, 0.55%, 0.6%

LAB 57.12, 52.91, -18.78

 

CMYK 0 / 54 / 33 / 18

HEX #D1618C

RGB 209 97 140

HSL 336.96, 0.55%, 0.6%

LAB 56.09, 48.7, -2.26

 

CMYK 0 / 54 / 47 / 18

HEX #D1616E

RGB 209 97 110

HSL 353.04, 0.55%, 0.6%

LAB 55.31, 45.41, 14.26

 

CMYK 11 / 54 / 0 / 18

HEX #BB61D1

RGB 187 97 209

HSL 288.21, 0.55%, 0.6%

LAB 55.8, 53.19, -42.85

 

CMYK 25 / 54 / 0 / 18

HEX #9D61D1

RGB 157 97 209

HSL 272.14, 0.55%, 0.6%

LAB 52.2, 45.29, -48.79

 

CMYK 39 / 54 / 0 / 18

HEX #7F61D1

RGB 127 97 209

HSL 256.07, 0.55%, 0.6%

LAB 49.09, 37.82, -53.94

 

CMYK 54 / 54 / 0 / 18

HEX #6161D1

RGB 97 97 209

HSL 240, 0.55%, 0.6%

LAB 46.57, 31.19, -58.12

 

CMYK 11 / 54 / 0 / 18

HEX #BB61D1

RGB 187 97 209

HSL 288.21, 0.55%, 0.6%

LAB 55.8, 53.19, -42.85

 

CMYK 13 / 65 / 0 / 11

HEX #C550E2

RGB 197 80 226

HSL 288.08, 0.72%, 0.6%

LAB 55.17, 66.73, -53.38

 

CMYK 14 / 74 / 0 / 5

HEX #CF40F2

RGB 207 64 242

HSL 288.2, 0.87%, 0.6%

LAB 55.42, 77.73, -61.88

 

CMYK 11 / 54 / 0 / 18

HEX #BB61D1

RGB 187 97 209

HSL 288.21, 0.55%, 0.6%

LAB 55.8, 53.19, -42.85

 

CMYK 8 / 41 / 0 / 24

HEX #B171C1

RGB 177 113 193

HSL 288, 0.39%, 0.6%

LAB 57.08, 38.74, -31.82

 

CMYK 5 / 26 / 0 / 31

HEX #A782B0

RGB 167 130 176

HSL 288.26, 0.23%, 0.6%

LAB 59.27, 22.53, -18.85

 

CMYK 2 / 9 / 0 / 37

HEX #9D92A0

RGB 157 146 160

HSL 287.14, 0.07%, 0.6%

LAB 61.88, 6.73, -5.9

 

CMYK 10 / 0 / 12 / 36

HEX #93A38F

RGB 147 163 143

HSL 108, 0.1%, 0.6%

LAB 65.26, -9.51, 8.49

 

CMYK 39 / 54 / 0 / 18

HEX #7F61D1

RGB 127 97 209

HSL 256.07, 0.55%, 0.6%

LAB 49.09, 37.82, -53.94

 

CMYK 25 / 54 / 0 / 18

HEX #9D61D1

RGB 157 97 209

HSL 272.14, 0.55%, 0.6%

LAB 52.2, 45.29, -48.79

 

CMYK 11 / 54 / 0 / 18

HEX #BB61D1

RGB 187 97 209

HSL 288.21, 0.55%, 0.6%

LAB 55.8, 53.19, -42.85

 

CMYK 0 / 54 / 3 / 18

HEX #D161CA

RGB 209 97 202

HSL 303.75, 0.55%, 0.6%

LAB 58.39, 57.87, -34.61

 

CMYK 0 / 54 / 18 / 18

HEX #D161AC

RGB 209 97 172

HSL 319.82, 0.55%, 0.6%

LAB 57.16, 53.06, -19.3

 

CMYK 14 / 71 / 0 / 32

HEX #9532AD

RGB 149 50 173

HSL 288.29, 0.55%, 0.44%

LAB 40.72, 58.18, -46.26

 

CMYK 14 / 68 / 0 / 22

HEX #AD41C8

RGB 173 65 200

HSL 288, 0.55%, 0.52%

LAB 48.05, 62.64, -50.13

 

CMYK 11 / 54 / 0 / 18

HEX #BB61D1

RGB 187 97 209

HSL 288.21, 0.55%, 0.6%

LAB 55.8, 53.19, -42.85

 

CMYK 8 / 41 / 0 / 15

HEX #C981DA

RGB 201 129 218

HSL 288.54, 0.55%, 0.68%

LAB 64.31, 42.37, -34.47

 

CMYK 6 / 29 / 0 / 11

HEX #D7A1E4

RGB 215 161 228

HSL 288.36, 0.55%, 0.76%

LAB 73.24, 31.41, -26.07

 

CMYK 11 / 54 / 0 / 18

HEX #BB61D1

RGB 187 97 209

HSL 288.21, 0.55%, 0.6%

LAB 55.8, 53.19, -42.85

 

CMYK 0 / 54 / 54 / 18

HEX #D16161

RGB 209 97 97

HSL 0, 0.55%, 0.6%

LAB 55.04, 44.25, 21.49

 

CMYK 54 / 0 / 32 / 18

HEX #61D18E

RGB 97 209 142

HSL 144.11, 0.55%, 0.6%

LAB 76.13, -47.06, 23.77

 

CMYK 11 / 54 / 0 / 18

HEX #BB61D1

RGB 187 97 209

HSL 288.21, 0.55%, 0.6%

LAB 55.8, 53.19, -42.85

 

CMYK 0 / 11 / 54 / 18

HEX #D1BB61

RGB 209 187 97

HSL 48.21, 0.55%, 0.6%

LAB 76.04, -3.55, 47.89

 

CMYK 54 / 0 / 11 / 18

HEX #61D1BB

RGB 97 209 187

HSL 168.21, 0.55%, 0.6%

LAB 77.12, -37.28, 1.21

 

CMYK 11 / 54 / 0 / 18

HEX #BB61D1

RGB 187 97 209

HSL 288.21, 0.55%, 0.6%

LAB 55.8, 53.19, -42.85

 

CMYK 0 / 54 / 54 / 18

HEX #D16161

RGB 209 97 97

HSL 0, 0.55%, 0.6%

LAB 55.04, 44.25, 21.49

 

CMYK 43 / 0 / 54 / 18

HEX #77D161

RGB 119 209 97

HSL 108.21, 0.55%, 0.6%

LAB 76.31, -47.99, 46.76

 

CMYK 54 / 0 / 0 / 18

HEX #61D1D1

RGB 97 209 209

HSL 180, 0.55%, 0.6%

LAB 77.72, -31.68, -9.72

 

CMYK 11 / 54 / 0 / 18

HEX #BB61D1

RGB 187 97 209

HSL 288.21, 0.55%, 0.6%

LAB 55.8, 53.19, -42.85

 

CMYK 0 / 37 / 54 / 18

HEX #D18361

RGB 209 131 97

HSL 18.21, 0.55%, 0.6%

LAB 62.21, 26.54, 30.87

 

CMYK 43 / 0 / 54 / 18

HEX #77D161

RGB 119 209 97

HSL 108.21, 0.55%, 0.6%

LAB 76.31, -47.99, 46.76

 

CMYK 54 / 16 / 0 / 18

HEX #61AFD1

RGB 97 175 209

HSL 198.21, 0.55%, 0.6%

LAB 67.88, -14.54, -24.6

 

Description

Color code: HEX #BB61D1 | qconv.com Color code: HEX #BB61D1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 97 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 97 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 54 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 54% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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