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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB5E50 it is the complementary color #44A1AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB5E50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB5E50 shade: #C05E4B, #D1705E, #E28271, #F39484 and #FFA697

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB5E50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB5E50 shade: #BB5E50, #AA4C3D, #993A2A, #882817 and #771604

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB5E50 shade: #BA5C4E and #BA4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB5E50 shade: #BA5C4E, #BA794E, #BA964E, #BAB34E and #A3BA4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB5E50 shade matches the following richer shades: #BA5C4E, #CE4E3A, #E23F27 and #F53013

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB5E50 shade: #BA5C4E, #A66B62, #927A76, #7F888A and #6B979D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB5E50 shade: #BA4E7B, #BA4E5E, #BA5B4E, #BA784E and #BA944E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB5E50 shade: #833D33, #A14B3E, #BA5C4E, #C6786C and #D1938A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB5E50 shade: #BB5E50, #98BA4E and #4E6DBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB5E50 shade: #BB5E50, #4EBA5B and #5B4EBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB5E50 shade: #BB5E50, #98BA4E, #4EADBA and #704EBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB5E50 shade: #BB5E50, #78BA4E, #4EADBA and #914EBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 57 / 27

HEX #BB5E50

RGB 187 94 80

HSL 7.85, 0.44%, 0.52%

LAB 50.86, 36.15, 25.29

 

Complementary color

CMYK 61 / 8 / 0 / 31

HEX #44A1AF

RGB 68 161 175

HSL 187.85, 0.44%, 0.48%

LAB 61.49, -23.05, -15.48

 

CMYK 0 / 51 / 61 / 25

HEX #C05E4B

RGB 192 94 75

HSL 9.74, 0.48%, 0.52%

LAB 51.52, 37.7, 29.16

 

CMYK 0 / 46 / 55 / 18

HEX #D1705E

RGB 209 112 94

HSL 9.39, 0.56%, 0.59%

LAB 57.99, 36.39, 27.11

 

CMYK 0 / 42 / 50 / 11

HEX #E28271

RGB 226 130 113

HSL 9.03, 0.66%, 0.66%

LAB 64.42, 35.17, 25.31

 

CMYK 0 / 39 / 46 / 5

HEX #F39484

RGB 243 148 132

HSL 8.65, 0.82%, 0.74%

LAB 70.8, 34.05, 23.71

 

CMYK 0 / 35 / 41 / 0

HEX #FFA697

RGB 255 166 151

HSL 8.65, 1%, 0.8%

LAB 76.54, 31.15, 21.39

 

CMYK 0 / 50 / 57 / 27

HEX #BB5E50

RGB 187 94 80

HSL 7.85, 0.44%, 0.52%

LAB 50.86, 36.15, 25.29

 

CMYK 0 / 55 / 64 / 33

HEX #AA4C3D

RGB 170 76 61

HSL 8.26, 0.47%, 0.45%

LAB 44.31, 37.47, 27.56

 

CMYK 0 / 62 / 73 / 40

HEX #993A2A

RGB 153 58 42

HSL 8.65, 0.57%, 0.38%

LAB 37.78, 38.8, 30.24

 

CMYK 0 / 71 / 83 / 47

HEX #882817

RGB 136 40 23

HSL 9.03, 0.71%, 0.31%

LAB 31.38, 39.93, 33.29

 

CMYK 0 / 82 / 97 / 53

HEX #771604

RGB 119 22 4

HSL 9.39, 0.93%, 0.24%

LAB 25.27, 40.45, 35.46

 

CMYK 0 / 51 / 58 / 27

HEX #BA5C4E

RGB 186 92 78

HSL 7.78, 0.44%, 0.52%

LAB 50.27, 36.64, 25.66

 

CMYK 0 / 58 / 58 / 27

HEX #BA4E4E

RGB 186 78 78

HSL 0, 0.44%, 0.52%

LAB 47.54, 43.66, 22.12

 

CMYK 0 / 51 / 58 / 27

HEX #BA5C4E

RGB 186 92 78

HSL 7.78, 0.44%, 0.52%

LAB 50.27, 36.64, 25.66

 

CMYK 0 / 35 / 58 / 27

HEX #BA794E

RGB 186 121 78

HSL 23.89, 0.44%, 0.52%

LAB 56.75, 20.95, 33.8

 

CMYK 0 / 19 / 58 / 27

HEX #BA964E

RGB 186 150 78

HSL 40, 0.44%, 0.52%

LAB 64, 4.92, 42.51

 

CMYK 0 / 4 / 58 / 27

HEX #BAB34E

RGB 186 179 78

HSL 56.11, 0.44%, 0.52%

LAB 71.71, -10.55, 51.34

 

CMYK 12 / 0 / 58 / 27

HEX #A3BA4E

RGB 163 186 78

HSL 72.78, 0.44%, 0.52%

LAB 71.86, -23.65, 51.02

 

CMYK 0 / 51 / 58 / 27

HEX #BA5C4E

RGB 186 92 78

HSL 7.78, 0.44%, 0.52%

LAB 50.27, 36.64, 25.66

 

CMYK 0 / 62 / 72 / 19

HEX #CE4E3A

RGB 206 78 58

HSL 8.11, 0.6%, 0.52%

LAB 50.54, 49.56, 38.11

 

CMYK 0 / 72 / 83 / 11

HEX #E23F27

RGB 226 63 39

HSL 7.7, 0.76%, 0.52%

LAB 51.69, 61.45, 50.28

 

CMYK 0 / 80 / 92 / 4

HEX #F53013

RGB 245 48 19

HSL 7.7, 0.92%, 0.52%

LAB 53.57, 71.13, 61.39

 

CMYK 0 / 51 / 58 / 27

HEX #BA5C4E

RGB 186 92 78

HSL 7.78, 0.44%, 0.52%

LAB 50.27, 36.64, 25.66

 

CMYK 0 / 36 / 41 / 35

HEX #A66B62

RGB 166 107 98

HSL 7.94, 0.28%, 0.52%

LAB 51.27, 22.46, 14.81

 

CMYK 0 / 16 / 19 / 43

HEX #927A76

RGB 146 122 118

HSL 8.57, 0.11%, 0.52%

LAB 53.32, 8.6, 5.65

 

CMYK 8 / 1 / 0 / 46

HEX #7F888A

RGB 127 136 138

HSL 190.91, 0.04%, 0.52%

LAB 56.04, -2.87, -2.21

 

CMYK 32 / 4 / 0 / 38

HEX #6B979D

RGB 107 151 157

HSL 187.2, 0.2%, 0.52%

LAB 59.61, -13.36, -7.96

 

CMYK 0 / 58 / 34 / 27

HEX #BA4E7B

RGB 186 78 123

HSL 335, 0.44%, 0.52%

LAB 48.66, 48.15, -3.49

 

CMYK 0 / 58 / 49 / 27

HEX #BA4E5E

RGB 186 78 94

HSL 351.11, 0.44%, 0.52%

LAB 47.87, 45.01, 12.94

 

CMYK 0 / 51 / 58 / 27

HEX #BA5B4E

RGB 186 91 78

HSL 7.22, 0.44%, 0.52%

LAB 50.06, 37.16, 25.4

 

CMYK 0 / 35 / 58 / 27

HEX #BA784E

RGB 186 120 78

HSL 23.33, 0.44%, 0.52%

LAB 56.51, 21.5, 33.51

 

CMYK 0 / 20 / 58 / 27

HEX #BA944E

RGB 186 148 78

HSL 38.89, 0.44%, 0.52%

LAB 63.48, 6.02, 41.9

 

CMYK 0 / 53 / 61 / 49

HEX #833D33

RGB 131 61 51

HSL 7.5, 0.44%, 0.36%

LAB 34.81, 29.21, 20.34

 

CMYK 0 / 53 / 61 / 37

HEX #A14B3E

RGB 161 75 62

HSL 7.88, 0.44%, 0.44%

LAB 42.7, 34.56, 24.65

 

CMYK 0 / 51 / 58 / 27

HEX #BA5C4E

RGB 186 92 78

HSL 7.78, 0.44%, 0.52%

LAB 50.27, 36.64, 25.66

 

CMYK 0 / 39 / 45 / 22

HEX #C6786C

RGB 198 120 108

HSL 8, 0.44%, 0.6%

LAB 58.53, 29.15, 19.59

 

CMYK 0 / 30 / 34 / 18

HEX #D1938A

RGB 209 147 138

HSL 7.61, 0.44%, 0.68%

LAB 66.72, 22.22, 14.13

 

CMYK 0 / 50 / 57 / 27

HEX #BB5E50

RGB 187 94 80

HSL 7.85, 0.44%, 0.52%

LAB 50.86, 36.15, 25.29

 

CMYK 18 / 0 / 58 / 27

HEX #98BA4E

RGB 152 186 78

HSL 78.89, 0.44%, 0.52%

LAB 71.11, -28.05, 49.96

 

CMYK 58 / 41 / 0 / 27

HEX #4E6DBA

RGB 78 109 186

HSL 222.78, 0.44%, 0.52%

LAB 47.11, 12.29, -44.08

 

CMYK 0 / 50 / 57 / 27

HEX #BB5E50

RGB 187 94 80

HSL 7.85, 0.44%, 0.52%

LAB 50.86, 36.15, 25.29

 

CMYK 58 / 0 / 51 / 27

HEX #4EBA5B

RGB 78 186 91

HSL 127.22, 0.44%, 0.52%

LAB 67.65, -50.83, 38.8

 

CMYK 51 / 58 / 0 / 27

HEX #5B4EBA

RGB 91 78 186

HSL 247.22, 0.44%, 0.52%

LAB 39.95, 34.37, -55.53

 

CMYK 0 / 50 / 57 / 27

HEX #BB5E50

RGB 187 94 80

HSL 7.85, 0.44%, 0.52%

LAB 50.86, 36.15, 25.29

 

CMYK 18 / 0 / 58 / 27

HEX #98BA4E

RGB 152 186 78

HSL 78.89, 0.44%, 0.52%

LAB 71.11, -28.05, 49.96

 

CMYK 58 / 7 / 0 / 27

HEX #4EADBA

RGB 78 173 186

HSL 187.22, 0.44%, 0.52%

LAB 65.79, -24.07, -15.11

 

CMYK 40 / 58 / 0 / 27

HEX #704EBA

RGB 112 78 186

HSL 258.89, 0.44%, 0.52%

LAB 41.91, 38.97, -52.26

 

CMYK 0 / 50 / 57 / 27

HEX #BB5E50

RGB 187 94 80

HSL 7.85, 0.44%, 0.52%

LAB 50.86, 36.15, 25.29

 

CMYK 35 / 0 / 58 / 27

HEX #78BA4E

RGB 120 186 78

HSL 96.67, 0.44%, 0.52%

LAB 69.23, -39.98, 47.32

 

CMYK 58 / 7 / 0 / 27

HEX #4EADBA

RGB 78 173 186

HSL 187.22, 0.44%, 0.52%

LAB 65.79, -24.07, -15.11

 

CMYK 22 / 58 / 0 / 27

HEX #914EBA

RGB 145 78 186

HSL 277.22, 0.44%, 0.52%

LAB 45.65, 47.02, -46.05

 

Description

Color code: HEX #BB5E50 | qconv.com Color code: HEX #BB5E50 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 94 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 94 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 57 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 57% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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