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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB5E35 it is the complementary color #44A1CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB5E35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB5E35 shade: #C05E30, #D17043, #E28256, #F39469 and #FFA67C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB5E35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB5E35 shade: #BB5E35, #AA4C22, #993A0F, #882800 and #771600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB5E35 shade: #BB5E35, #BB3A35 and #BB3535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB5E35 shade: #BB5E35, #BB8235, #BBA635, #ACBB35 and #87BB35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB5E35 shade matches the following richer shades: #BB5E35, #CE5621 and #E24F0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB5E35 shade: #BB5E35, #A86548, #946D5C, #81746F and #6D7C82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB5E35 shade: #BB3554, #BB3935, #BB5D35, #BB8135 and #BBA535

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB5E35 shade: #7B3E23, #9B4E2C, #BB5E35, #CD744C and #D68D6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB5E35 shade: #BB5E35, #78BB35 and #3542BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB5E35 shade: #BB5E35, #35BB5D and #5D35BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB5E35 shade: #BB5E35, #78BB35, #3593BB and #7835BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB5E35 shade: #BB5E35, #50BB35, #3593BB and #A035BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 72 / 27

HEX #BB5E35

RGB 187 94 53

HSL 18.36, 0.56%, 0.47%

LAB 50.48, 34.38, 39.91

 

Complementary color

CMYK 66 / 20 / 0 / 21

HEX #44A1CA

RGB 68 161 202

HSL 198.36, 0.56%, 0.53%

LAB 62.49, -14.64, -29.09

 

CMYK 0 / 51 / 75 / 25

HEX #C05E30

RGB 192 94 48

HSL 19.17, 0.6%, 0.47%

LAB 51.18, 36.14, 43.45

 

CMYK 0 / 46 / 68 / 18

HEX #D17043

RGB 209 112 67

HSL 19.01, 0.61%, 0.54%

LAB 57.61, 34.51, 41.44

 

CMYK 0 / 42 / 62 / 11

HEX #E28256

RGB 226 130 86

HSL 18.86, 0.71%, 0.61%

LAB 64, 33.03, 39.52

 

CMYK 0 / 39 / 57 / 5

HEX #F39469

RGB 243 148 105

HSL 18.7, 0.85%, 0.68%

LAB 70.35, 31.69, 37.74

 

CMYK 0 / 35 / 51 / 0

HEX #FFA67C

RGB 255 166 124

HSL 19.24, 1%, 0.74%

LAB 76.06, 28.53, 35.23

 

CMYK 0 / 50 / 72 / 27

HEX #BB5E35

RGB 187 94 53

HSL 18.36, 0.56%, 0.47%

LAB 50.48, 34.38, 39.91

 

CMYK 0 / 55 / 80 / 33

HEX #AA4C22

RGB 170 76 34

HSL 18.53, 0.67%, 0.4%

LAB 43.99, 36.08, 41.98

 

CMYK 0 / 62 / 90 / 40

HEX #993A0F

RGB 153 58 15

HSL 18.7, 0.82%, 0.33%

LAB 37.54, 37.83, 43.6

 

CMYK 0 / 71 / 100 / 47

HEX #882800

RGB 136 40 0

HSL 17.65, 1%, 0.27%

LAB 31.24, 39.41, 43.44

 

CMYK 0 / 82 / 100 / 53

HEX #771600

RGB 119 22 0

HSL 11.09, 1%, 0.23%

LAB 25.25, 40.37, 37.07

 

CMYK 0 / 50 / 72 / 27

HEX #BB5E35

RGB 187 94 53

HSL 18.36, 0.56%, 0.47%

LAB 50.48, 34.38, 39.91

 

CMYK 0 / 69 / 72 / 27

HEX #BB3A35

RGB 187 58 53

HSL 2.24, 0.56%, 0.47%

LAB 44.01, 51.3, 32.59

 

CMYK 0 / 72 / 72 / 27

HEX #BB3535

RGB 187 53 53

HSL 0, 0.56%, 0.47%

LAB 43.31, 53.23, 31.77

 

CMYK 0 / 50 / 72 / 27

HEX #BB5E35

RGB 187 94 53

HSL 18.36, 0.56%, 0.47%

LAB 50.48, 34.38, 39.91

 

CMYK 0 / 30 / 72 / 27

HEX #BB8235

RGB 187 130 53

HSL 34.48, 0.56%, 0.47%

LAB 58.78, 14.75, 48.79

 

CMYK 0 / 11 / 72 / 27

HEX #BBA635

RGB 187 166 53

HSL 50.6, 0.56%, 0.47%

LAB 68.09, -4.85, 58.22

 

CMYK 8 / 0 / 72 / 27

HEX #ACBB35

RGB 172 187 53

HSL 66.72, 0.56%, 0.47%

LAB 72.61, -22.09, 62.22

 

CMYK 28 / 0 / 72 / 27

HEX #87BB35

RGB 135 187 53

HSL 83.28, 0.56%, 0.47%

LAB 70.14, -37.01, 58.96

 

CMYK 0 / 50 / 72 / 27

HEX #BB5E35

RGB 187 94 53

HSL 18.36, 0.56%, 0.47%

LAB 50.48, 34.38, 39.91

 

CMYK 0 / 58 / 84 / 19

HEX #CE5621

RGB 206 86 33

HSL 18.38, 0.72%, 0.47%

LAB 51.71, 44.97, 51.69

 

CMYK 0 / 65 / 94 / 11

HEX #E24F0E

RGB 226 79 14

HSL 18.4, 0.88%, 0.47%

LAB 53.81, 54.88, 61.2

 

CMYK 0 / 50 / 72 / 27

HEX #BB5E35

RGB 187 94 53

HSL 18.36, 0.56%, 0.47%

LAB 50.48, 34.38, 39.91

 

CMYK 0 / 40 / 57 / 34

HEX #A86548

RGB 168 101 72

HSL 18.13, 0.4%, 0.47%

LAB 49.62, 24.03, 27.77

 

CMYK 0 / 26 / 38 / 42

HEX #946D5C

RGB 148 109 92

HSL 18.21, 0.23%, 0.47%

LAB 49.5, 13.12, 15.56

 

CMYK 0 / 10 / 14 / 49

HEX #81746F

RGB 129 116 111

HSL 16.67, 0.08%, 0.47%

LAB 49.86, 4.12, 4.58

 

CMYK 16 / 5 / 0 / 49

HEX #6D7C82

RGB 109 124 130

HSL 197.14, 0.09%, 0.47%

LAB 51.01, -4.16, -5.13

 

CMYK 0 / 72 / 55 / 27

HEX #BB3554

RGB 187 53 84

HSL 346.12, 0.56%, 0.47%

LAB 43.87, 55.15, 13.57

 

CMYK 0 / 70 / 72 / 27

HEX #BB3935

RGB 187 57 53

HSL 1.79, 0.56%, 0.47%

LAB 43.87, 51.7, 32.42

 

CMYK 0 / 50 / 72 / 27

HEX #BB5D35

RGB 187 93 53

HSL 17.91, 0.56%, 0.47%

LAB 50.28, 34.9, 39.68

 

CMYK 0 / 31 / 72 / 27

HEX #BB8135

RGB 187 129 53

HSL 34.03, 0.56%, 0.47%

LAB 58.53, 15.31, 48.53

 

CMYK 0 / 12 / 72 / 27

HEX #BBA535

RGB 187 165 53

HSL 50.15, 0.56%, 0.47%

LAB 67.82, -4.32, 57.96

 

CMYK 0 / 50 / 72 / 52

HEX #7B3E23

RGB 123 62 35

HSL 18.41, 0.56%, 0.31%

LAB 33.52, 24.13, 28.12

 

CMYK 0 / 50 / 72 / 39

HEX #9B4E2C

RGB 155 78 44

HSL 18.38, 0.56%, 0.39%

LAB 42.15, 29.37, 34.14

 

CMYK 0 / 50 / 72 / 27

HEX #BB5E35

RGB 187 94 53

HSL 18.36, 0.56%, 0.47%

LAB 50.48, 34.38, 39.91

 

CMYK 0 / 43 / 63 / 20

HEX #CD744C

RGB 205 116 76

HSL 18.6, 0.56%, 0.55%

LAB 58.03, 31.36, 37.01

 

CMYK 0 / 34 / 49 / 16

HEX #D68D6D

RGB 214 141 109

HSL 18.29, 0.56%, 0.63%

LAB 65.32, 24.24, 28.43

 

CMYK 0 / 50 / 72 / 27

HEX #BB5E35

RGB 187 94 53

HSL 18.36, 0.56%, 0.47%

LAB 50.48, 34.38, 39.91

 

CMYK 36 / 0 / 72 / 27

HEX #78BB35

RGB 120 187 53

HSL 90, 0.56%, 0.47%

LAB 69.32, -42.53, 57.87

 

CMYK 72 / 65 / 0 / 27

HEX #3542BB

RGB 53 66 187

HSL 234.18, 0.56%, 0.47%

LAB 34.48, 35.91, -65.13

 

CMYK 0 / 50 / 72 / 27

HEX #BB5E35

RGB 187 94 53

HSL 18.36, 0.56%, 0.47%

LAB 50.48, 34.38, 39.91

 

CMYK 72 / 0 / 50 / 27

HEX #35BB5D

RGB 53 187 93

HSL 137.91, 0.56%, 0.47%

LAB 67.34, -55.94, 37.29

 

CMYK 50 / 72 / 0 / 27

HEX #5D35BB

RGB 93 53 187

HSL 257.91, 0.56%, 0.47%

LAB 34.93, 49.23, -64.27

 

CMYK 0 / 50 / 72 / 27

HEX #BB5E35

RGB 187 94 53

HSL 18.36, 0.56%, 0.47%

LAB 50.48, 34.38, 39.91

 

CMYK 36 / 0 / 72 / 27

HEX #78BB35

RGB 120 187 53

HSL 90, 0.56%, 0.47%

LAB 69.32, -42.53, 57.87

 

CMYK 72 / 21 / 0 / 27

HEX #3593BB

RGB 53 147 187

HSL 197.91, 0.56%, 0.47%

LAB 57.28, -14.22, -28.75

 

CMYK 36 / 72 / 0 / 27

HEX #7835BB

RGB 120 53 187

HSL 270, 0.56%, 0.47%

LAB 38.07, 54.01, -59.01

 

CMYK 0 / 50 / 72 / 27

HEX #BB5E35

RGB 187 94 53

HSL 18.36, 0.56%, 0.47%

LAB 50.48, 34.38, 39.91

 

CMYK 57 / 0 / 72 / 27

HEX #50BB35

RGB 80 187 53

HSL 107.91, 0.56%, 0.47%

LAB 67.65, -54.88, 55.64

 

CMYK 72 / 21 / 0 / 27

HEX #3593BB

RGB 53 147 187

HSL 197.91, 0.56%, 0.47%

LAB 57.28, -14.22, -28.75

 

CMYK 14 / 72 / 0 / 27

HEX #A035BB

RGB 160 53 187

HSL 287.91, 0.56%, 0.47%

LAB 43.66, 62.07, -49.7

 

Description

Color code: HEX #BB5E35 | qconv.com Color code: HEX #BB5E35 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 94 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 94 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 72 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 72% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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