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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB5B62 it is the complementary color #44A49D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB5B62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB5B62 shade: #C05B5D, #D16D70, #E27F83, #F39196 and #FFA3A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB5B62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB5B62 shade: #BB5B62, #AA494F, #99373C, #882529 and #771316

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB5B62 shade: #BB5D64 and #BB5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB5B62 shade: #BB5D64, #BB5D7D, #BB5D97, #BB5DB0 and #AD5DBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB5B62 shade matches the following richer shades: #BB5D64, #CE4B54, #E03844 and #F32634

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB5B62 shade: #BB5D64, #A97074, #968284, #849594 and #71A7A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB5B62 shade: #BB5D97, #BB5D7E, #BB5D65, #BB6E5D and #BB885D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB5B62 shade: #8C3A40, #A9474E, #BB5D64, #C77A80 and #D4979C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB5B62 shade: #BB5B62, #B0BB5D and #5D8BBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB5B62 shade: #BB5B62, #65BB5D and #5D65BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB5B62 shade: #BB5B62, #B0BB5D, #5DBBB3 and #685DBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB5B62 shade: #BB5B62, #94BB5D, #5DBBB3 and #845DBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 48 / 27

HEX #BB5B62

RGB 187 91 98

HSL 355.63, 0.41%, 0.55%

LAB 50.6, 39.31, 14.33

 

Complementary color

CMYK 59 / 0 / 4 / 36

HEX #44A49D

RGB 68 164 157

HSL 175.63, 0.41%, 0.45%

LAB 61.84, -29.71, -4.84

 

CMYK 0 / 53 / 52 / 25

HEX #C05B5D

RGB 192 91 93

HSL 358.81, 0.44%, 0.55%

LAB 51.24, 40.68, 18.3

 

CMYK 0 / 48 / 46 / 18

HEX #D16D70

RGB 209 109 112

HSL 358.2, 0.52%, 0.62%

LAB 57.72, 39.58, 16.41

 

CMYK 0 / 44 / 42 / 11

HEX #E27F83

RGB 226 127 131

HSL 357.58, 0.63%, 0.69%

LAB 64.15, 38.51, 14.8

 

CMYK 0 / 40 / 38 / 5

HEX #F39196

RGB 243 145 150

HSL 356.94, 0.8%, 0.76%

LAB 70.53, 37.51, 13.38

 

CMYK 0 / 36 / 34 / 0

HEX #FFA3A9

RGB 255 163 169

HSL 356.09, 1%, 0.82%

LAB 76.26, 34.77, 11.21

 

CMYK 0 / 51 / 48 / 27

HEX #BB5B62

RGB 187 91 98

HSL 355.63, 0.41%, 0.55%

LAB 50.6, 39.31, 14.33

 

CMYK 0 / 57 / 54 / 33

HEX #AA494F

RGB 170 73 79

HSL 356.29, 0.4%, 0.48%

LAB 44.05, 40.37, 16.41

 

CMYK 0 / 64 / 61 / 40

HEX #99373C

RGB 153 55 60

HSL 356.94, 0.47%, 0.41%

LAB 37.54, 41.34, 18.98

 

CMYK 0 / 73 / 70 / 47

HEX #882529

RGB 136 37 41

HSL 357.58, 0.57%, 0.34%

LAB 31.15, 41.99, 22.25

 

CMYK 0 / 84 / 82 / 53

HEX #771316

RGB 119 19 22

HSL 358.2, 0.72%, 0.27%

LAB 25.09, 41.86, 26.39

 

CMYK 0 / 50 / 47 / 27

HEX #BB5D64

RGB 187 93 100

HSL 355.53, 0.41%, 0.55%

LAB 51.05, 38.48, 13.76

 

CMYK 0 / 50 / 50 / 27

HEX #BB5D5D

RGB 187 93 93

HSL 0, 0.41%, 0.55%

LAB 50.9, 37.79, 17.71

 

CMYK 0 / 50 / 47 / 27

HEX #BB5D64

RGB 187 93 100

HSL 355.53, 0.41%, 0.55%

LAB 51.05, 38.48, 13.76

 

CMYK 0 / 50 / 33 / 27

HEX #BB5D7D

RGB 187 93 125

HSL 339.57, 0.41%, 0.55%

LAB 51.69, 41.34, -0.21

 

CMYK 0 / 50 / 19 / 27

HEX #BB5D97

RGB 187 93 151

HSL 322.98, 0.41%, 0.55%

LAB 52.54, 44.98, -14.35

 

CMYK 0 / 50 / 6 / 27

HEX #BB5DB0

RGB 187 93 176

HSL 307.02, 0.41%, 0.55%

LAB 53.52, 49.05, -27.47

 

CMYK 7 / 50 / 0 / 27

HEX #AD5DBB

RGB 173 93 187

HSL 291.06, 0.41%, 0.55%

LAB 52.18, 47.02, -36.08

 

CMYK 0 / 50 / 47 / 27

HEX #BB5D64

RGB 187 93 100

HSL 355.53, 0.41%, 0.55%

LAB 51.05, 38.48, 13.76

 

CMYK 0 / 64 / 59 / 19

HEX #CE4B54

RGB 206 75 84

HSL 355.88, 0.57%, 0.55%

LAB 50.45, 52.4, 22.97

 

CMYK 0 / 75 / 70 / 12

HEX #E03844

RGB 224 56 68

HSL 355.71, 0.73%, 0.55%

LAB 50.8, 64.21, 33.53

 

CMYK 0 / 84 / 79 / 5

HEX #F32634

RGB 243 38 52

HSL 355.9, 0.9%, 0.55%

LAB 52.61, 73.51, 45.61

 

CMYK 0 / 50 / 47 / 27

HEX #BB5D64

RGB 187 93 100

HSL 355.53, 0.41%, 0.55%

LAB 51.05, 38.48, 13.76

 

CMYK 0 / 34 / 31 / 34

HEX #A97074

RGB 169 112 116

HSL 355.79, 0.25%, 0.55%

LAB 53.26, 23.14, 7.07

 

CMYK 0 / 13 / 12 / 41

HEX #968284

RGB 150 130 132

HSL 354, 0.09%, 0.55%

LAB 56.2, 7.96, 1.72

 

CMYK 11 / 0 / 1 / 42

HEX #849594

RGB 132 149 148

HSL 176.47, 0.07%, 0.55%

LAB 60.37, -6.25, -1.54

 

CMYK 32 / 0 / 2 / 35

HEX #71A7A4

RGB 113 167 164

HSL 176.67, 0.23%, 0.55%

LAB 64.83, -18.37, -4.14

 

CMYK 0 / 50 / 19 / 27

HEX #BB5D97

RGB 187 93 151

HSL 322.98, 0.41%, 0.55%

LAB 52.54, 44.98, -14.35

 

CMYK 0 / 50 / 33 / 27

HEX #BB5D7E

RGB 187 93 126

HSL 338.94, 0.41%, 0.55%

LAB 51.72, 41.47, -0.76

 

CMYK 0 / 50 / 46 / 27

HEX #BB5D65

RGB 187 93 101

HSL 354.89, 0.41%, 0.55%

LAB 51.07, 38.58, 13.2

 

CMYK 0 / 41 / 50 / 27

HEX #BB6E5D

RGB 187 110 93

HSL 10.85, 0.41%, 0.55%

LAB 54.56, 28.73, 22.62

 

CMYK 0 / 27 / 50 / 27

HEX #BB885D

RGB 187 136 93

HSL 27.45, 0.41%, 0.55%

LAB 60.75, 14.37, 30.67

 

CMYK 0 / 59 / 54 / 45

HEX #8C3A40

RGB 140 58 64

HSL 355.61, 0.41%, 0.39%

LAB 35.93, 35.44, 13.92

 

CMYK 0 / 58 / 54 / 34

HEX #A9474E

RGB 169 71 78

HSL 355.71, 0.41%, 0.47%

LAB 43.49, 40.91, 16.24

 

CMYK 0 / 50 / 47 / 27

HEX #BB5D64

RGB 187 93 100

HSL 355.53, 0.41%, 0.55%

LAB 51.05, 38.48, 13.76

 

CMYK 0 / 39 / 36 / 22

HEX #C77A80

RGB 199 122 128

HSL 355.32, 0.41%, 0.63%

LAB 59.54, 30.73, 9.54

 

CMYK 0 / 29 / 26 / 17

HEX #D4979C

RGB 212 151 156

HSL 355.08, 0.41%, 0.71%

LAB 68.41, 23.59, 6.53

 

CMYK 0 / 51 / 48 / 27

HEX #BB5B62

RGB 187 91 98

HSL 355.63, 0.41%, 0.55%

LAB 50.6, 39.31, 14.33

 

CMYK 6 / 0 / 50 / 27

HEX #B0BB5D

RGB 176 187 93

HSL 67.02, 0.41%, 0.55%

LAB 73.26, -17.53, 45.85

 

CMYK 50 / 26 / 0 / 27

HEX #5D8BBB

RGB 93 139 187

HSL 210.64, 0.41%, 0.55%

LAB 56.47, -2.06, -29.89

 

CMYK 0 / 51 / 48 / 27

HEX #BB5B62

RGB 187 91 98

HSL 355.63, 0.41%, 0.55%

LAB 50.6, 39.31, 14.33

 

CMYK 46 / 0 / 50 / 27

HEX #65BB5D

RGB 101 187 93

HSL 114.89, 0.41%, 0.55%

LAB 68.82, -44.77, 39.45

 

CMYK 50 / 46 / 0 / 27

HEX #5D65BB

RGB 93 101 187

HSL 234.89, 0.41%, 0.55%

LAB 45.94, 20.89, -46.47

 

CMYK 0 / 51 / 48 / 27

HEX #BB5B62

RGB 187 91 98

HSL 355.63, 0.41%, 0.55%

LAB 50.6, 39.31, 14.33

 

CMYK 6 / 0 / 50 / 27

HEX #B0BB5D

RGB 176 187 93

HSL 67.02, 0.41%, 0.55%

LAB 73.26, -17.53, 45.85

 

CMYK 50 / 0 / 4 / 27

HEX #5DBBB3

RGB 93 187 179

HSL 174.89, 0.41%, 0.55%

LAB 70.26, -29.8, -4.52

 

CMYK 44 / 50 / 0 / 27

HEX #685DBB

RGB 104 93 187

HSL 247.02, 0.41%, 0.55%

LAB 44.74, 28.42, -48.33

 

CMYK 0 / 51 / 48 / 27

HEX #BB5B62

RGB 187 91 98

HSL 355.63, 0.41%, 0.55%

LAB 50.6, 39.31, 14.33

 

CMYK 21 / 0 / 50 / 27

HEX #94BB5D

RGB 148 187 93

HSL 84.89, 0.41%, 0.55%

LAB 71.3, -28.61, 43.04

 

CMYK 50 / 0 / 4 / 27

HEX #5DBBB3

RGB 93 187 179

HSL 174.89, 0.41%, 0.55%

LAB 70.26, -29.8, -4.52

 

CMYK 29 / 50 / 0 / 27

HEX #845DBB

RGB 132 93 187

HSL 264.89, 0.41%, 0.55%

LAB 47.39, 35.59, -43.95

 

Description

Color code: HEX #BB5B62 | qconv.com Color code: HEX #BB5B62 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 91 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 91 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 48 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 48% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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