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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB4FE8 it is the complementary color #44B017. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB4FE8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB4FE8 shade: #C04FE3, #D161F6, #E273FF, #F385FF and #FF97FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB4FE8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB4FE8 shade: #BB4FE8, #AA3DD5, #992BC2, #8819AF and #77079C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB4FE8 shade: #BB4FE8, #E44FE8, #E84FC3, #E84F99 and #E84F70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB4FE8 shade: #BB4FE8, #924FE8, #684FE8 and #4F4FE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB4FE8 shade matches the following richer shades: #BB4FE8 and #C23FF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB4FE8 shade: #BB4FE8, #B45FD8, #AE6FC8, #A77FB8 and #A18FA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB4FE8 shade: #684FE8, #914FE8, #BA4FE8, #E34FE8 and #E84FC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB4FE8 shade: #971ACA, #AD2AE3, #BB4FE8, #C973ED and #D798F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB4FE8 shade: #BB4FE8, #E84F5E and #4FE87D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB4FE8 shade: #BB4FE8, #E8BA4F and #4FE8BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB4FE8 shade: #BB4FE8, #E84F5E, #7DE84F and #4FE8D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB4FE8 shade: #BB4FE8, #E86E4F, #7DE84F and #4FC9E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 66 / 0 / 9

HEX #BB4FE8

RGB 187 79 232

HSL 282.35, 0.77%, 0.61%

LAB 54.01, 66.11, -58.7

 

Complementary color

CMYK 61 / 0 / 87 / 31

HEX #44B017

RGB 68 176 23

HSL 102.35, 0.77%, 0.39%

LAB 63.62, -55.74, 60.75

 

CMYK 15 / 65 / 0 / 11

HEX #C04FE3

RGB 192 79 227

HSL 285.81, 0.73%, 0.6%

LAB 54.39, 66.22, -55.24

 

CMYK 15 / 61 / 0 / 4

HEX #D161F6

RGB 209 97 246

HSL 285.1, 0.89%, 0.67%

LAB 60.57, 65.92, -55.86

 

CMYK 11 / 55 / 0 / 0

HEX #E273FF

RGB 226 115 255

HSL 287.57, 1%, 0.73%

LAB 66.25, 63.49, -51.66

 

CMYK 5 / 48 / 0 / 0

HEX #F385FF

RGB 243 133 255

HSL 294.1, 1%, 0.76%

LAB 71.59, 59.33, -43.12

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 19 / 66 / 0 / 9

HEX #BB4FE8

RGB 187 79 232

HSL 282.35, 0.77%, 0.61%

LAB 54.01, 66.11, -58.7

 

CMYK 20 / 71 / 0 / 16

HEX #AA3DD5

RGB 170 61 213

HSL 283.03, 0.64%, 0.54%

LAB 47.86, 66.12, -57.93

 

CMYK 21 / 78 / 0 / 24

HEX #992BC2

RGB 153 43 194

HSL 283.71, 0.64%, 0.46%

LAB 41.84, 65.58, -56.79

 

CMYK 22 / 86 / 0 / 31

HEX #8819AF

RGB 136 25 175

HSL 284.4, 0.75%, 0.39%

LAB 36.03, 64.12, -55.11

 

CMYK 24 / 96 / 0 / 39

HEX #77079C

RGB 119 7 156

HSL 285.1, 0.91%, 0.32%

LAB 30.58, 61.29, -52.64

 

CMYK 19 / 66 / 0 / 9

HEX #BB4FE8

RGB 187 79 232

HSL 282.35, 0.77%, 0.61%

LAB 54.01, 66.11, -58.7

 

CMYK 2 / 66 / 0 / 9

HEX #E44FE8

RGB 228 79 232

HSL 298.43, 0.77%, 0.61%

LAB 59.81, 75.12, -49.11

 

CMYK 0 / 66 / 16 / 9

HEX #E84FC3

RGB 232 79 195

HSL 314.51, 0.77%, 0.61%

LAB 58.68, 70.43, -29.9

 

CMYK 0 / 66 / 34 / 9

HEX #E84F99

RGB 232 79 153

HSL 330.98, 0.77%, 0.61%

LAB 57.12, 65.13, -7.95

 

CMYK 0 / 66 / 52 / 9

HEX #E84F70

RGB 232 79 112

HSL 347.06, 0.77%, 0.61%

LAB 56.01, 61.18, 14.6

 

CMYK 19 / 66 / 0 / 9

HEX #BB4FE8

RGB 187 79 232

HSL 282.35, 0.77%, 0.61%

LAB 54.01, 66.11, -58.7

 

CMYK 37 / 66 / 0 / 9

HEX #924FE8

RGB 146 79 232

HSL 266.27, 0.77%, 0.61%

LAB 48.92, 57.61, -67.17

 

CMYK 55 / 66 / 0 / 9

HEX #684FE8

RGB 104 79 232

HSL 249.8, 0.77%, 0.61%

LAB 44.75, 50.06, -74.14

 

CMYK 66 / 66 / 0 / 9

HEX #4F4FE8

RGB 79 79 232

HSL 240, 0.77%, 0.61%

LAB 42.88, 46.46, -77.26

 

CMYK 19 / 66 / 0 / 9

HEX #BB4FE8

RGB 187 79 232

HSL 282.35, 0.77%, 0.61%

LAB 54.01, 66.11, -58.7

 

CMYK 22 / 75 / 0 / 3

HEX #C23FF8

RGB 194 63 248

HSL 282.49, 0.93%, 0.61%

LAB 53.82, 76.76, -67.92

 

CMYK 19 / 66 / 0 / 9

HEX #BB4FE8

RGB 187 79 232

HSL 282.35, 0.77%, 0.61%

LAB 54.01, 66.11, -58.7

 

CMYK 17 / 56 / 0 / 15

HEX #B45FD8

RGB 180 95 216

HSL 282.15, 0.61%, 0.61%

LAB 54.91, 53.78, -48.28

 

CMYK 13 / 45 / 0 / 22

HEX #AE6FC8

RGB 174 111 200

HSL 282.47, 0.45%, 0.61%

LAB 56.62, 40.39, -36.55

 

CMYK 9 / 31 / 0 / 28

HEX #A77FB8

RGB 167 127 184

HSL 282.11, 0.29%, 0.61%

LAB 58.84, 25.89, -24.06

 

CMYK 4 / 15 / 0 / 34

HEX #A18FA8

RGB 161 143 168

HSL 283.2, 0.13%, 0.61%

LAB 61.7, 11.44, -10.68

 

CMYK 55 / 66 / 0 / 9

HEX #684FE8

RGB 104 79 232

HSL 249.8, 0.77%, 0.61%

LAB 44.75, 50.06, -74.14

 

CMYK 38 / 66 / 0 / 9

HEX #914FE8

RGB 145 79 232

HSL 265.88, 0.77%, 0.61%

LAB 48.81, 57.41, -67.35

 

CMYK 20 / 66 / 0 / 9

HEX #BA4FE8

RGB 186 79 232

HSL 281.96, 0.77%, 0.61%

LAB 53.88, 65.9, -58.92

 

CMYK 2 / 66 / 0 / 9

HEX #E34FE8

RGB 227 79 232

HSL 298.04, 0.77%, 0.61%

LAB 59.66, 74.9, -49.35

 

CMYK 0 / 66 / 16 / 9

HEX #E84FC4

RGB 232 79 196

HSL 314.12, 0.77%, 0.61%

LAB 58.73, 70.58, -30.4

 

CMYK 25 / 87 / 0 / 21

HEX #971ACA

RGB 151 26 202

HSL 282.61, 0.77%, 0.45%

LAB 40.54, 71.39, -63.57

 

CMYK 24 / 81 / 0 / 11

HEX #AD2AE3

RGB 173 42 227

HSL 282.49, 0.77%, 0.53%

LAB 47.09, 75.64, -67.15

 

CMYK 19 / 66 / 0 / 9

HEX #BB4FE8

RGB 187 79 232

HSL 282.35, 0.77%, 0.61%

LAB 54.01, 66.11, -58.7

 

CMYK 15 / 51 / 0 / 7

HEX #C973ED

RGB 201 115 237

HSL 282.3, 0.77%, 0.69%

LAB 62.33, 53.51, -48.13

 

CMYK 11 / 37 / 0 / 5

HEX #D798F2

RGB 215 152 242

HSL 282, 0.78%, 0.77%

LAB 71.77, 39.05, -35.99

 

CMYK 19 / 66 / 0 / 9

HEX #BB4FE8

RGB 187 79 232

HSL 282.35, 0.77%, 0.61%

LAB 54.01, 66.11, -58.7

 

CMYK 0 / 66 / 59 / 9

HEX #E84F5E

RGB 232 79 94

HSL 354.12, 0.77%, 0.61%

LAB 55.64, 59.85, 24.71

 

CMYK 66 / 0 / 46 / 9

HEX #4FE87D

RGB 79 232 125

HSL 138.04, 0.77%, 0.61%

LAB 82.3, -62.68, 40.42

 

CMYK 19 / 66 / 0 / 9

HEX #BB4FE8

RGB 187 79 232

HSL 282.35, 0.77%, 0.61%

LAB 54.01, 66.11, -58.7

 

CMYK 0 / 20 / 66 / 9

HEX #E8BA4F

RGB 232 186 79

HSL 41.96, 0.77%, 0.61%

LAB 77.78, 5.37, 58.76

 

CMYK 66 / 0 / 20 / 9

HEX #4FE8BA

RGB 79 232 186

HSL 161.96, 0.77%, 0.61%

LAB 83.4, -50.83, 10.72

 

CMYK 19 / 66 / 0 / 9

HEX #BB4FE8

RGB 187 79 232

HSL 282.35, 0.77%, 0.61%

LAB 54.01, 66.11, -58.7

 

CMYK 0 / 66 / 59 / 9

HEX #E84F5E

RGB 232 79 94

HSL 354.12, 0.77%, 0.61%

LAB 55.64, 59.85, 24.71

 

CMYK 46 / 0 / 66 / 9

HEX #7DE84F

RGB 125 232 79

HSL 101.96, 0.77%, 0.61%

LAB 83.25, -57.14, 62.49

 

CMYK 66 / 0 / 6 / 9

HEX #4FE8D9

RGB 79 232 217

HSL 174.12, 0.77%, 0.61%

LAB 84.17, -43.19, -4.49

 

CMYK 19 / 66 / 0 / 9

HEX #BB4FE8

RGB 187 79 232

HSL 282.35, 0.77%, 0.61%

LAB 54.01, 66.11, -58.7

 

CMYK 0 / 53 / 66 / 9

HEX #E86E4F

RGB 232 110 79

HSL 12.16, 0.77%, 0.61%

LAB 60.67, 45.05, 39.47

 

CMYK 46 / 0 / 66 / 9

HEX #7DE84F

RGB 125 232 79

HSL 101.96, 0.77%, 0.61%

LAB 83.25, -57.14, 62.49

 

CMYK 66 / 13 / 0 / 9

HEX #4FC9E8

RGB 79 201 232

HSL 192.16, 0.77%, 0.61%

LAB 75.61, -24.37, -25.34

 

Description

Color code: HEX #BB4FE8 | qconv.com Color code: HEX #BB4FE8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 79 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 79 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 66 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 66% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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