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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB4125 it is the complementary color #44BEDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB4125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB4125 shade: #C04120, #D15333, #E26546, #F37759 and #FF896C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB4125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB4125 shade: #BB4125, #AA2F12, #991D00, #880B00 and #770000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB4125 shade: #BB4125 and #BB2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB4125 shade: #BB4125, #BB6A25, #BB9225, #BBBB25 and #93BB25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB4125 shade matches the following richer shades: #BB4125, #CE3613 and #E02A01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB4125 shade: #BB4125, #A94C37, #975849, #85635B and #736F6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB4125 shade: #BB255A, #BB2532, #BB4125, #BB6925 and #BB9125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB4125 shade: #762917, #99351E, #BB4125, #D75233 and #DD6F55

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB4125 shade: #BB4125, #82BB25 and #2546BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB4125 shade: #BB4125, #25BB41 and #4125BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB4125 shade: #BB4125, #82BB25, #25A0BB and #5F25BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB4125 shade: #BB4125, #55BB25, #25A0BB and #8C25BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 80 / 27

HEX #BB4125

RGB 187 65 37

HSL 11.2, 0.67%, 0.44%

LAB 44.91, 47.75, 42.37

 

Complementary color

CMYK 69 / 13 / 0 / 15

HEX #44BEDA

RGB 68 190 218

HSL 191.2, 0.67%, 0.56%

LAB 71.63, -24.72, -23.86

 

CMYK 0 / 66 / 83 / 25

HEX #C04120

RGB 192 65 32

HSL 12.38, 0.71%, 0.44%

LAB 45.76, 49.34, 45.94

 

CMYK 0 / 60 / 76 / 18

HEX #D15333

RGB 209 83 51

HSL 12.15, 0.63%, 0.51%

LAB 51.82, 48.07, 43.41

 

CMYK 0 / 55 / 69 / 11

HEX #E26546

RGB 226 101 70

HSL 11.92, 0.73%, 0.58%

LAB 57.96, 46.7, 40.91

 

CMYK 0 / 51 / 63 / 5

HEX #F37759

RGB 243 119 89

HSL 11.69, 0.87%, 0.65%

LAB 64.14, 45.33, 38.62

 

CMYK 0 / 46 / 58 / 0

HEX #FF896C

RGB 255 137 108

HSL 11.84, 1%, 0.71%

LAB 69.64, 42.14, 35.56

 

CMYK 0 / 65 / 80 / 27

HEX #BB4125

RGB 187 65 37

HSL 11.2, 0.67%, 0.44%

LAB 44.91, 47.75, 42.37

 

CMYK 0 / 72 / 89 / 33

HEX #AA2F12

RGB 170 47 18

HSL 11.45, 0.81%, 0.37%

LAB 38.94, 48.74, 44.84

 

CMYK 0 / 81 / 100 / 40

HEX #991D00

RGB 153 29 0

HSL 11.37, 1%, 0.3%

LAB 33.25, 49.1, 46.43

 

CMYK 0 / 92 / 100 / 47

HEX #880B00

RGB 136 11 0

HSL 4.85, 1%, 0.27%

LAB 28.04, 48.33, 40.98

 

CMYK 0 / 100 / 100 / 53

HEX #770000

RGB 119 0 0

HSL 0, 1%, 0.23%

LAB 23.41, 45.6, 35.27

 

CMYK 0 / 65 / 80 / 27

HEX #BB4125

RGB 187 65 37

HSL 11.2, 0.67%, 0.44%

LAB 44.91, 47.75, 42.37

 

CMYK 0 / 80 / 80 / 27

HEX #BB2525

RGB 187 37 37

HSL 0, 0.67%, 0.44%

LAB 41.25, 57.83, 38.72

 

CMYK 0 / 65 / 80 / 27

HEX #BB4125

RGB 187 65 37

HSL 11.2, 0.67%, 0.44%

LAB 44.91, 47.75, 42.37

 

CMYK 0 / 43 / 80 / 27

HEX #BB6A25

RGB 187 106 37

HSL 27.6, 0.67%, 0.44%

LAB 52.96, 27.27, 50.07

 

CMYK 0 / 22 / 80 / 27

HEX #BB9225

RGB 187 146 37

HSL 43.6, 0.67%, 0.44%

LAB 62.72, 5.24, 59.02

 

CMYK 0 / 0 / 80 / 27

HEX #BBBB25

RGB 187 187 37

HSL 60, 0.67%, 0.44%

LAB 73.7, -16.38, 68.71

 

CMYK 21 / 0 / 80 / 27

HEX #93BB25

RGB 147 187 37

HSL 76, 0.67%, 0.44%

LAB 70.79, -33.13, 65.02

 

CMYK 0 / 65 / 80 / 27

HEX #BB4125

RGB 187 65 37

HSL 11.2, 0.67%, 0.44%

LAB 44.91, 47.75, 42.37

 

CMYK 0 / 74 / 91 / 19

HEX #CE3613

RGB 206 54 19

HSL 11.23, 0.83%, 0.44%

LAB 46.72, 57.89, 53.26

 

CMYK 0 / 81 / 100 / 12

HEX #E02A01

RGB 224 42 1

HSL 11.03, 0.99%, 0.44%

LAB 48.89, 66.58, 61.47

 

CMYK 0 / 65 / 80 / 27

HEX #BB4125

RGB 187 65 37

HSL 11.2, 0.67%, 0.44%

LAB 44.91, 47.75, 42.37

 

CMYK 0 / 55 / 67 / 34

HEX #A94C37

RGB 169 76 55

HSL 11.05, 0.51%, 0.44%

LAB 44.06, 36.7, 30.72

 

CMYK 0 / 42 / 52 / 41

HEX #975849

RGB 151 88 73

HSL 11.54, 0.35%, 0.44%

LAB 44.29, 24.33, 19.86

 

CMYK 0 / 26 / 32 / 48

HEX #85635B

RGB 133 99 91

HSL 11.43, 0.19%, 0.44%

LAB 45.17, 12.53, 9.89

 

CMYK 0 / 3 / 4 / 55

HEX #736F6E

RGB 115 111 110

HSL 12, 0.02%, 0.44%

LAB 47.16, 1.35, 1.1

 

CMYK 0 / 80 / 52 / 27

HEX #BB255A

RGB 187 37 90

HSL 338.8, 0.67%, 0.44%

LAB 42.19, 60.74, 7.48

 

CMYK 0 / 80 / 73 / 27

HEX #BB2532

RGB 187 37 50

HSL 354.8, 0.67%, 0.44%

LAB 41.4, 58.31, 31.33

 

CMYK 0 / 65 / 80 / 27

HEX #BB4125

RGB 187 65 37

HSL 11.2, 0.67%, 0.44%

LAB 44.91, 47.75, 42.37

 

CMYK 0 / 44 / 80 / 27

HEX #BB6925

RGB 187 105 37

HSL 27.2, 0.67%, 0.44%

LAB 52.73, 27.81, 49.86

 

CMYK 0 / 22 / 80 / 27

HEX #BB9125

RGB 187 145 37

HSL 43.2, 0.67%, 0.44%

LAB 62.46, 5.79, 58.79

 

CMYK 0 / 65 / 81 / 54

HEX #762917

RGB 118 41 23

HSL 11.37, 0.67%, 0.28%

LAB 28.11, 32.74, 28.89

 

CMYK 0 / 65 / 80 / 40

HEX #99351E

RGB 153 53 30

HSL 11.22, 0.67%, 0.36%

LAB 36.77, 40.61, 35.91

 

CMYK 0 / 65 / 80 / 27

HEX #BB4125

RGB 187 65 37

HSL 11.2, 0.67%, 0.44%

LAB 44.91, 47.75, 42.37

 

CMYK 0 / 62 / 76 / 16

HEX #D75233

RGB 215 82 51

HSL 11.34, 0.67%, 0.52%

LAB 52.64, 50.65, 44.58

 

CMYK 0 / 50 / 62 / 13

HEX #DD6F55

RGB 221 111 85

HSL 11.47, 0.67%, 0.6%

LAB 59.34, 40.81, 34.21

 

CMYK 0 / 65 / 80 / 27

HEX #BB4125

RGB 187 65 37

HSL 11.2, 0.67%, 0.44%

LAB 44.91, 47.75, 42.37

 

CMYK 30 / 0 / 80 / 27

HEX #82BB25

RGB 130 187 37

HSL 82.8, 0.67%, 0.44%

LAB 69.77, -39.75, 63.72

 

CMYK 80 / 63 / 0 / 27

HEX #2546BB

RGB 37 70 187

HSL 226.8, 0.67%, 0.44%

LAB 34.72, 31.65, -64.76

 

CMYK 0 / 65 / 80 / 27

HEX #BB4125

RGB 187 65 37

HSL 11.2, 0.67%, 0.44%

LAB 44.91, 47.75, 42.37

 

CMYK 80 / 0 / 65 / 27

HEX #25BB41

RGB 37 187 65

HSL 131.2, 0.67%, 0.44%

LAB 66.76, -61.89, 49.59

 

CMYK 65 / 80 / 0 / 27

HEX #4125BB

RGB 65 37 187

HSL 251.2, 0.67%, 0.44%

LAB 29.5, 53.39, -73.3

 

CMYK 0 / 65 / 80 / 27

HEX #BB4125

RGB 187 65 37

HSL 11.2, 0.67%, 0.44%

LAB 44.91, 47.75, 42.37

 

CMYK 30 / 0 / 80 / 27

HEX #82BB25

RGB 130 187 37

HSL 82.8, 0.67%, 0.44%

LAB 69.77, -39.75, 63.72

 

CMYK 80 / 14 / 0 / 27

HEX #25A0BB

RGB 37 160 187

HSL 190.8, 0.67%, 0.44%

LAB 60.89, -23.02, -23.22

 

CMYK 49 / 80 / 0 / 27

HEX #5F25BB

RGB 95 37 187

HSL 263.2, 0.67%, 0.44%

LAB 32.58, 56.86, -68.12

 

CMYK 0 / 65 / 80 / 27

HEX #BB4125

RGB 187 65 37

HSL 11.2, 0.67%, 0.44%

LAB 44.91, 47.75, 42.37

 

CMYK 55 / 0 / 80 / 27

HEX #55BB25

RGB 85 187 37

HSL 100.8, 0.67%, 0.44%

LAB 67.73, -54.6, 61.09

 

CMYK 80 / 14 / 0 / 27

HEX #25A0BB

RGB 37 160 187

HSL 190.8, 0.67%, 0.44%

LAB 60.89, -23.02, -23.22

 

CMYK 25 / 80 / 0 / 27

HEX #8C25BB

RGB 140 37 187

HSL 281.2, 0.67%, 0.44%

LAB 38.7, 63.81, -57.86

 

Description

Color code: HEX #BB4125 | qconv.com Color code: HEX #BB4125 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 65 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 65 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 80 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 80% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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