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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB2391 it is the complementary color #44DC6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB2391. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB2391 shade: #C0238C, #D1359F, #E247B2, #F359C5 and #FF6BD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB2391. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB2391 shade: #BB2391, #AA117E, #99006B, #880058 and #770045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB2391 shade: #BC2492, #BC2469, #BC2440 and #BC2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB2391 shade: #BC2492, #BC24BB, #9424BC, #6B24BC and #4224BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB2391 shade matches the following richer shades: #BC2492 and #CF129A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB2391 shade: #BC2492, #AA368A, #984882, #865A7A and #746D72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB2391 shade: #9424BC, #BC24BC, #BC2494, #BC246B and #BC2442

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB2391 shade: #77175D, #9A1D77, #BC2492, #D832AA and #DF54B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB2391 shade: #BB2391, #BC6B24 and #24BCA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB2391 shade: #BB2391, #94BC24 and #2494BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB2391 shade: #BB2391, #BC6B24, #24BC4D and #2475BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB2391 shade: #BB2391, #BC9924, #24BC4D and #2448BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 22 / 27

HEX #BB2391

RGB 187 35 145

HSL 316.58, 0.68%, 0.44%

LAB 43.96, 66.98, -23.91

 

Complementary color

CMYK 69 / 0 / 50 / 14

HEX #44DC6E

RGB 68 220 110

HSL 136.58, 0.68%, 0.56%

LAB 78.19, -62.61, 42.5

 

CMYK 0 / 82 / 27 / 25

HEX #C0238C

RGB 192 35 140

HSL 319.87, 0.69%, 0.45%

LAB 44.66, 67.5, -19.72

 

CMYK 0 / 75 / 24 / 18

HEX #D1359F

RGB 209 53 159

HSL 319.23, 0.63%, 0.51%

LAB 50.22, 68.89, -22.32

 

CMYK 0 / 69 / 21 / 11

HEX #E247B2

RGB 226 71 178

HSL 318.58, 0.73%, 0.58%

LAB 55.98, 69.54, -24.36

 

CMYK 0 / 63 / 19 / 5

HEX #F359C5

RGB 243 89 197

HSL 317.92, 0.87%, 0.65%

LAB 61.85, 69.7, -26

 

CMYK 0 / 58 / 15 / 0

HEX #FF6BD8

RGB 255 107 216

HSL 315.81, 1%, 0.71%

LAB 67.08, 68.17, -28.51

 

CMYK 0 / 81 / 22 / 27

HEX #BB2391

RGB 187 35 145

HSL 316.58, 0.68%, 0.44%

LAB 43.96, 66.98, -23.91

 

CMYK 0 / 90 / 26 / 33

HEX #AA117E

RGB 170 17 126

HSL 317.25, 0.82%, 0.37%

LAB 38.64, 64.53, -20.74

 

CMYK 0 / 100 / 30 / 40

HEX #99006B

RGB 153 0 107

HSL 318.04, 1%, 0.3%

LAB 33.63, 60.93, -16.77

 

CMYK 0 / 100 / 35 / 47

HEX #880058

RGB 136 0 88

HSL 321.18, 1%, 0.27%

LAB 29.26, 55.16, -11.45

 

CMYK 0 / 100 / 42 / 53

HEX #770045

RGB 119 0 69

HSL 325.21, 1%, 0.23%

LAB 24.8, 49.31, -5.81

 

CMYK 0 / 81 / 22 / 26

HEX #BC2492

RGB 188 36 146

HSL 316.58, 0.68%, 0.44%

LAB 44.27, 67.08, -24.02

 

CMYK 0 / 81 / 44 / 26

HEX #BC2469

RGB 188 36 105

HSL 332.76, 0.68%, 0.44%

LAB 42.72, 62.56, -1.14

 

CMYK 0 / 81 / 66 / 26

HEX #BC2440

RGB 188 36 64

HSL 348.95, 0.68%, 0.44%

LAB 41.73, 59.55, 23.19

 

CMYK 0 / 81 / 81 / 26

HEX #BC2424

RGB 188 36 36

HSL 0, 0.68%, 0.44%

LAB 41.34, 58.37, 39.43

 

CMYK 0 / 81 / 22 / 26

HEX #BC2492

RGB 188 36 146

HSL 316.58, 0.68%, 0.44%

LAB 44.27, 67.08, -24.02

 

CMYK 0 / 81 / 1 / 26

HEX #BC24BB

RGB 188 36 187

HSL 300.39, 0.68%, 0.44%

LAB 46.37, 72.89, -45.12

 

CMYK 21 / 81 / 0 / 26

HEX #9424BC

RGB 148 36 188

HSL 284.21, 0.68%, 0.44%

LAB 39.9, 65.69, -56.45

 

CMYK 43 / 81 / 0 / 26

HEX #6B24BC

RGB 107 36 188

HSL 268.03, 0.68%, 0.44%

LAB 34.02, 59.15, -66.28

 

CMYK 65 / 81 / 0 / 26

HEX #4224BC

RGB 66 36 188

HSL 251.84, 0.68%, 0.44%

LAB 29.54, 54.22, -73.82

 

CMYK 0 / 81 / 22 / 26

HEX #BC2492

RGB 188 36 146

HSL 316.58, 0.68%, 0.44%

LAB 44.27, 67.08, -24.02

 

CMYK 0 / 91 / 26 / 19

HEX #CF129A

RGB 207 18 154

HSL 316.83, 0.84%, 0.44%

LAB 47.02, 75.42, -24.31

 

CMYK 0 / 81 / 22 / 26

HEX #BC2492

RGB 188 36 146

HSL 316.58, 0.68%, 0.44%

LAB 44.27, 67.08, -24.02

 

CMYK 0 / 68 / 19 / 33

HEX #AA368A

RGB 170 54 138

HSL 316.55, 0.52%, 0.44%

LAB 42.79, 55.82, -21.71

 

CMYK 0 / 53 / 14 / 40

HEX #984882

RGB 152 72 130

HSL 316.5, 0.36%, 0.44%

LAB 42.65, 41.08, -17.3

 

CMYK 0 / 33 / 9 / 47

HEX #865A7A

RGB 134 90 122

HSL 316.36, 0.2%, 0.44%

LAB 43.92, 23.42, -10.71

 

CMYK 0 / 6 / 2 / 55

HEX #746D72

RGB 116 109 114

HSL 317.14, 0.03%, 0.44%

LAB 46.8, 3.71, -1.81

 

CMYK 21 / 81 / 0 / 26

HEX #9424BC

RGB 148 36 188

HSL 284.21, 0.68%, 0.44%

LAB 39.9, 65.69, -56.45

 

CMYK 0 / 81 / 0 / 26

HEX #BC24BC

RGB 188 36 188

HSL 300, 0.68%, 0.44%

LAB 46.42, 73.05, -45.62

 

CMYK 0 / 81 / 21 / 26

HEX #BC2494

RGB 188 36 148

HSL 315.79, 0.68%, 0.44%

LAB 44.36, 67.34, -25.09

 

CMYK 0 / 81 / 43 / 26

HEX #BC246B

RGB 188 36 107

HSL 331.97, 0.68%, 0.44%

LAB 42.79, 62.75, -2.3

 

CMYK 0 / 81 / 65 / 26

HEX #BC2442

RGB 188 36 66

HSL 348.16, 0.68%, 0.44%

LAB 41.76, 59.66, 21.99

 

CMYK 0 / 81 / 22 / 53

HEX #77175D

RGB 119 23 93

HSL 316.25, 0.68%, 0.28%

LAB 27.64, 47.06, -17.51

 

CMYK 0 / 81 / 23 / 40

HEX #9A1D77

RGB 154 29 119

HSL 316.8, 0.68%, 0.36%

LAB 36.14, 57.5, -20.49

 

CMYK 0 / 81 / 22 / 26

HEX #BC2492

RGB 188 36 146

HSL 316.58, 0.68%, 0.44%

LAB 44.27, 67.08, -24.02

 

CMYK 0 / 77 / 21 / 15

HEX #D832AA

RGB 216 50 170

HSL 316.63, 0.68%, 0.52%

LAB 51.59, 72.81, -26.6

 

CMYK 0 / 62 / 17 / 13

HEX #DF54B8

RGB 223 84 184

HSL 316.83, 0.68%, 0.6%

LAB 57.55, 64.58, -25.45

 

CMYK 0 / 81 / 22 / 27

HEX #BB2391

RGB 187 35 145

HSL 316.58, 0.68%, 0.44%

LAB 43.96, 66.98, -23.91

 

CMYK 0 / 43 / 81 / 26

HEX #BC6B24

RGB 188 107 36

HSL 28.03, 0.68%, 0.44%

LAB 53.31, 27.12, 50.87

 

CMYK 81 / 0 / 11 / 26

HEX #24BCA8

RGB 36 188 168

HSL 172.11, 0.68%, 0.44%

LAB 68.87, -42.18, -0.68

 

CMYK 0 / 81 / 22 / 27

HEX #BB2391

RGB 187 35 145

HSL 316.58, 0.68%, 0.44%

LAB 43.96, 66.98, -23.91

 

CMYK 21 / 0 / 81 / 26

HEX #94BC24

RGB 148 188 36

HSL 75.79, 0.68%, 0.44%

LAB 71.14, -33.23, 65.63

 

CMYK 81 / 21 / 0 / 26

HEX #2494BC

RGB 36 148 188

HSL 195.79, 0.68%, 0.44%

LAB 57.26, -16.42, -29.39

 

CMYK 0 / 81 / 22 / 27

HEX #BB2391

RGB 187 35 145

HSL 316.58, 0.68%, 0.44%

LAB 43.96, 66.98, -23.91

 

CMYK 0 / 43 / 81 / 26

HEX #BC6B24

RGB 188 107 36

HSL 28.03, 0.68%, 0.44%

LAB 53.31, 27.12, 50.87

 

CMYK 81 / 0 / 59 / 26

HEX #24BC4D

RGB 36 188 77

HSL 136.18, 0.68%, 0.44%

LAB 67.18, -60.91, 44.73

 

CMYK 81 / 38 / 0 / 26

HEX #2475BC

RGB 36 117 188

HSL 208.03, 0.68%, 0.44%

LAB 47.92, 1.53, -44.05

 

CMYK 0 / 81 / 22 / 27

HEX #BB2391

RGB 187 35 145

HSL 316.58, 0.68%, 0.44%

LAB 43.96, 66.98, -23.91

 

CMYK 0 / 19 / 81 / 26

HEX #BC9924

RGB 188 153 36

HSL 46.18, 0.68%, 0.44%

LAB 64.64, 1.85, 61.1

 

CMYK 81 / 0 / 59 / 26

HEX #24BC4D

RGB 36 188 77

HSL 136.18, 0.68%, 0.44%

LAB 67.18, -60.91, 44.73

 

CMYK 81 / 62 / 0 / 26

HEX #2448BC

RGB 36 72 188

HSL 225.79, 0.68%, 0.44%

LAB 35.28, 30.63, -64.43

 

Description

Color code: HEX #BB2391 | qconv.com Color code: HEX #BB2391 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 35 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 35 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 22 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 22% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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