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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB227E it is the complementary color #44DD81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB227E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB227E shade: #C02279, #D1348C, #E2469F, #F358B2 and #FF6AC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB227E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB227E shade: #BB227E, #AA106B, #990058, #880045 and #770032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB227E shade: #B9227D, #B92254, #B9222B and #B92222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB227E shade: #B9227D, #B922A6, #A422B9, #7B22B9 and #5222B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB227E shade matches the following richer shades: #B9227D and #CB1081

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB227E shade: #B9227D, #A83479, #964576, #845772 and #72696F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB227E shade: #A322B9, #B922A8, #B9227F, #B92257 and #B9222F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB227E shade: #74154E, #961C65, #B9227D, #D82C94 and #DF4FA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB227E shade: #BB227E, #B97A22 and #22B9B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB227E shade: #BB227E, #7FB922 and #227FB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB227E shade: #BB227E, #B97A22, #22B95C and #2261B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB227E shade: #BB227E, #B9A822, #22B95C and #2234B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 33 / 27

HEX #BB227E

RGB 187 34 126

HSL 323.92, 0.69%, 0.43%

LAB 43.09, 64.96, -13.65

 

Complementary color

CMYK 69 / 0 / 42 / 13

HEX #44DD81

RGB 68 221 129

HSL 143.92, 0.69%, 0.57%

LAB 78.77, -59.91, 33.84

 

CMYK 0 / 82 / 37 / 25

HEX #C02279

RGB 192 34 121

HSL 326.96, 0.7%, 0.44%

LAB 43.84, 65.63, -9.33

 

CMYK 0 / 75 / 33 / 18

HEX #D1348C

RGB 209 52 140

HSL 326.37, 0.63%, 0.51%

LAB 49.38, 66.95, -12.25

 

CMYK 0 / 69 / 30 / 11

HEX #E2469F

RGB 226 70 159

HSL 325.77, 0.73%, 0.58%

LAB 55.13, 67.53, -14.57

 

CMYK 0 / 64 / 27 / 5

HEX #F358B2

RGB 243 88 178

HSL 325.16, 0.87%, 0.65%

LAB 61, 67.62, -16.45

 

CMYK 0 / 58 / 23 / 0

HEX #FF6AC5

RGB 255 106 197

HSL 323.36, 1%, 0.71%

LAB 66.21, 65.98, -19.18

 

CMYK 0 / 82 / 33 / 27

HEX #BB227E

RGB 187 34 126

HSL 323.92, 0.69%, 0.43%

LAB 43.09, 64.96, -13.65

 

CMYK 0 / 91 / 37 / 33

HEX #AA106B

RGB 170 16 107

HSL 324.55, 0.83%, 0.36%

LAB 37.8, 62.56, -10.1

 

CMYK 0 / 100 / 42 / 40

HEX #990058

RGB 153 0 88

HSL 325.49, 1%, 0.3%

LAB 32.87, 58.95, -5.65

 

CMYK 0 / 100 / 49 / 47

HEX #880045

RGB 136 0 69

HSL 329.56, 1%, 0.27%

LAB 28.55, 53.31, 0.15

 

CMYK 0 / 100 / 58 / 53

HEX #770032

RGB 119 0 50

HSL 334.79, 1%, 0.23%

LAB 24.17, 47.65, 6.35

 

CMYK 0 / 82 / 32 / 27

HEX #B9227D

RGB 185 34 125

HSL 323.84, 0.69%, 0.43%

LAB 42.67, 64.37, -13.69

 

CMYK 0 / 82 / 55 / 27

HEX #B92254

RGB 185 34 84

HSL 340.13, 0.69%, 0.43%

LAB 41.37, 60.54, 10.04

 

CMYK 0 / 82 / 77 / 27

HEX #B9222B

RGB 185 34 43

HSL 356.42, 0.69%, 0.43%

LAB 40.63, 58.27, 34.51

 

CMYK 0 / 82 / 82 / 27

HEX #B92222

RGB 185 34 34

HSL 0, 0.69%, 0.43%

LAB 40.53, 57.97, 39.53

 

CMYK 0 / 82 / 32 / 27

HEX #B9227D

RGB 185 34 125

HSL 323.84, 0.69%, 0.43%

LAB 42.67, 64.37, -13.69

 

CMYK 0 / 82 / 10 / 27

HEX #B922A6

RGB 185 34 166

HSL 307.55, 0.69%, 0.43%

LAB 44.53, 69.62, -35.66

 

CMYK 11 / 82 / 0 / 27

HEX #A422B9

RGB 164 34 185

HSL 291.66, 0.69%, 0.43%

LAB 42.06, 68.55, -51.07

 

CMYK 34 / 82 / 0 / 27

HEX #7B22B9

RGB 123 34 185

HSL 275.36, 0.69%, 0.43%

LAB 35.71, 61.55, -61.66

 

CMYK 56 / 82 / 0 / 27

HEX #5222B9

RGB 82 34 185

HSL 259.07, 0.69%, 0.43%

LAB 30.5, 55.92, -70.41

 

CMYK 0 / 82 / 32 / 27

HEX #B9227D

RGB 185 34 125

HSL 323.84, 0.69%, 0.43%

LAB 42.67, 64.37, -13.69

 

CMYK 0 / 92 / 36 / 20

HEX #CB1081

RGB 203 16 129

HSL 323.74, 0.85%, 0.43%

LAB 45.15, 72.14, -12.06

 

CMYK 0 / 82 / 32 / 27

HEX #B9227D

RGB 185 34 125

HSL 323.84, 0.69%, 0.43%

LAB 42.67, 64.37, -13.69

 

CMYK 0 / 69 / 28 / 34

HEX #A83479

RGB 168 52 121

HSL 324.31, 0.53%, 0.43%

LAB 41.47, 53.72, -13.33

 

CMYK 0 / 54 / 21 / 41

HEX #964576

RGB 150 69 118

HSL 323.7, 0.37%, 0.43%

LAB 41.29, 40.05, -12.03

 

CMYK 0 / 34 / 14 / 48

HEX #845772

RGB 132 87 114

HSL 324, 0.21%, 0.43%

LAB 42.67, 22.97, -7.74

 

CMYK 0 / 8 / 3 / 55

HEX #72696F

RGB 114 105 111

HSL 320, 0.04%, 0.43%

LAB 45.4, 4.71, -2.08

 

CMYK 12 / 82 / 0 / 27

HEX #A322B9

RGB 163 34 185

HSL 291.26, 0.69%, 0.43%

LAB 41.9, 68.36, -51.34

 

CMYK 0 / 82 / 9 / 27

HEX #B922A8

RGB 185 34 168

HSL 306.75, 0.69%, 0.43%

LAB 44.64, 69.91, -36.69

 

CMYK 0 / 82 / 31 / 27

HEX #B9227F

RGB 185 34 127

HSL 323.05, 0.69%, 0.43%

LAB 42.75, 64.59, -14.81

 

CMYK 0 / 82 / 53 / 27

HEX #B92257

RGB 185 34 87

HSL 338.94, 0.69%, 0.43%

LAB 41.45, 60.76, 8.26

 

CMYK 0 / 82 / 75 / 27

HEX #B9222F

RGB 185 34 47

HSL 354.83, 0.69%, 0.43%

LAB 40.68, 58.42, 32.19

 

CMYK 0 / 82 / 33 / 55

HEX #74154E

RGB 116 21 78

HSL 324, 0.69%, 0.27%

LAB 26.16, 44.88, -9.91

 

CMYK 0 / 81 / 33 / 41

HEX #961C65

RGB 150 28 101

HSL 324.1, 0.69%, 0.35%

LAB 34.51, 54.54, -11.64

 

CMYK 0 / 82 / 32 / 27

HEX #B9227D

RGB 185 34 125

HSL 323.84, 0.69%, 0.43%

LAB 42.67, 64.37, -13.69

 

CMYK 0 / 80 / 31 / 15

HEX #D82C94

RGB 216 44 148

HSL 323.72, 0.69%, 0.51%

LAB 50.14, 71.79, -15.77

 

CMYK 0 / 65 / 26 / 13

HEX #DF4FA5

RGB 223 79 165

HSL 324.17, 0.69%, 0.59%

LAB 56.08, 64.05, -16.68

 

CMYK 0 / 82 / 33 / 27

HEX #BB227E

RGB 187 34 126

HSL 323.92, 0.69%, 0.43%

LAB 43.09, 64.96, -13.65

 

CMYK 0 / 34 / 82 / 27

HEX #B97A22

RGB 185 122 34

HSL 34.97, 0.69%, 0.43%

LAB 56.44, 17.5, 54.35

 

CMYK 82 / 0 / 1 / 27

HEX #22B9B7

RGB 34 185 183

HSL 179.21, 0.69%, 0.43%

LAB 68.36, -36.73, -9.7

 

CMYK 0 / 82 / 33 / 27

HEX #BB227E

RGB 187 34 126

HSL 323.92, 0.69%, 0.43%

LAB 43.09, 64.96, -13.65

 

CMYK 31 / 0 / 82 / 27

HEX #7FB922

RGB 127 185 34

HSL 83.05, 0.69%, 0.43%

LAB 68.99, -40.13, 63.77

 

CMYK 82 / 31 / 0 / 27

HEX #227FB9

RGB 34 127 185

HSL 203.05, 0.69%, 0.43%

LAB 50.71, -5.81, -37.9

 

CMYK 0 / 82 / 33 / 27

HEX #BB227E

RGB 187 34 126

HSL 323.92, 0.69%, 0.43%

LAB 43.09, 64.96, -13.65

 

CMYK 0 / 34 / 82 / 27

HEX #B97A22

RGB 185 122 34

HSL 34.97, 0.69%, 0.43%

LAB 56.44, 17.5, 54.35

 

CMYK 82 / 0 / 50 / 27

HEX #22B95C

RGB 34 185 92

HSL 143.05, 0.69%, 0.43%

LAB 66.38, -57.97, 36.52

 

CMYK 82 / 48 / 0 / 27

HEX #2261B9

RGB 34 97 185

HSL 214.97, 0.69%, 0.43%

LAB 41.83, 12.82, -52.05

 

CMYK 0 / 82 / 33 / 27

HEX #BB227E

RGB 187 34 126

HSL 323.92, 0.69%, 0.43%

LAB 43.09, 64.96, -13.65

 

CMYK 0 / 9 / 82 / 27

HEX #B9A822

RGB 185 168 34

HSL 53.25, 0.69%, 0.43%

LAB 68.34, -7.56, 64.82

 

CMYK 82 / 0 / 50 / 27

HEX #22B95C

RGB 34 185 92

HSL 143.05, 0.69%, 0.43%

LAB 66.38, -57.97, 36.52

 

CMYK 82 / 72 / 0 / 27

HEX #2234B9

RGB 34 52 185

HSL 232.85, 0.69%, 0.43%

LAB 30.15, 42.07, -71.09

 

Description

Color code: HEX #BB227E | qconv.com Color code: HEX #BB227E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 34 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 34 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 33 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 33% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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