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Color name
HEX #BB125F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB125F it is the complementary color #44EDA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB125F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB125F shade: #C0125A, #D1246D, #E23680, #F34893 and #FF5AA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB125F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB125F shade: #BB125F, #AA004C, #990039, #880026 and #770013

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB125F shade: #BA125F, #BA1231 and #BA1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB125F shade: #BA125F, #BA128C, #BA12B9, #8D12BA and #6012BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB125F shade matches the following richer shades: #BA125F and #CA025D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB125F shade: #BA125F, #A92360, #993362, #884463 and #785464

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB125F shade: #BA12BA, #BA128D, #BA1260, #BA1234 and #BA1E12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB125F shade: #6F0B38, #940F4B, #BA125F, #DF1672 and #EB3487

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB125F shade: #BB125F, #BA8D12 and #12A3BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB125F shade: #BB125F, #60BA12 and #1260BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB125F shade: #BB125F, #BA8D12, #12BA6C and #123FBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB125F shade: #BB125F, #B4BA12, #12BA6C and #1812BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 49 / 27

HEX #BB125F

RGB 187 18 95

HSL 332.66, 0.82%, 0.4%

LAB 40.93, 65.15, 2.52

 

Complementary color

CMYK 71 / 0 / 32 / 7

HEX #44EDA0

RGB 68 237 160

HSL 152.66, 0.82%, 0.6%

LAB 84.14, -60.05, 25.22

 

CMYK 0 / 91 / 53 / 25

HEX #C0125A

RGB 192 18 90

HSL 335.17, 0.83%, 0.41%

LAB 41.81, 65.97, 7.07

 

CMYK 0 / 83 / 48 / 18

HEX #D1246D

RGB 209 36 109

HSL 334.68, 0.71%, 0.48%

LAB 46.87, 68.24, 2.91

 

CMYK 0 / 76 / 43 / 11

HEX #E23680

RGB 226 54 128

HSL 334.19, 0.75%, 0.55%

LAB 52.25, 69.52, -0.44

 

CMYK 0 / 70 / 40 / 5

HEX #F34893

RGB 243 72 147

HSL 333.68, 0.88%, 0.62%

LAB 57.84, 70.09, -3.17

 

CMYK 0 / 65 / 35 / 0

HEX #FF5AA6

RGB 255 90 166

HSL 332.36, 1%, 0.68%

LAB 62.78, 68.78, -6.68

 

CMYK 0 / 90 / 49 / 27

HEX #BB125F

RGB 187 18 95

HSL 332.66, 0.82%, 0.4%

LAB 40.93, 65.15, 2.52

 

CMYK 0 / 100 / 55 / 33

HEX #AA004C

RGB 170 0 76

HSL 333.18, 1%, 0.33%

LAB 36.11, 61.87, 7.34

 

CMYK 0 / 100 / 63 / 40

HEX #990039

RGB 153 0 57

HSL 337.65, 1%, 0.3%

LAB 31.96, 56.55, 13.52

 

CMYK 0 / 100 / 72 / 47

HEX #880026

RGB 136 0 38

HSL 343.24, 1%, 0.27%

LAB 27.78, 51.25, 20.05

 

CMYK 0 / 100 / 84 / 53

HEX #770013

RGB 119 0 19

HSL 350.42, 1%, 0.23%

LAB 23.57, 46.03, 26.69

 

CMYK 0 / 90 / 49 / 27

HEX #BA125F

RGB 186 18 95

HSL 332.5, 0.82%, 0.4%

LAB 40.73, 64.91, 2.2

 

CMYK 0 / 90 / 74 / 27

HEX #BA1231

RGB 186 18 49

HSL 348.93, 0.82%, 0.4%

LAB 39.74, 62.12, 29.95

 

CMYK 0 / 90 / 90 / 27

HEX #BA1212

RGB 186 18 18

HSL 0, 0.82%, 0.4%

LAB 39.44, 61.26, 46.65

 

CMYK 0 / 90 / 49 / 27

HEX #BA125F

RGB 186 18 95

HSL 332.5, 0.82%, 0.4%

LAB 40.73, 64.91, 2.2

 

CMYK 0 / 90 / 25 / 27

HEX #BA128C

RGB 186 18 140

HSL 316.43, 0.82%, 0.4%

LAB 42.41, 69.45, -23.29

 

CMYK 0 / 90 / 1 / 27

HEX #BA12B9

RGB 186 18 185

HSL 300.36, 0.82%, 0.4%

LAB 44.77, 75.55, -46.53

 

CMYK 24 / 90 / 0 / 27

HEX #8D12BA

RGB 141 18 186

HSL 283.93, 0.82%, 0.4%

LAB 37.19, 68.45, -59.72

 

CMYK 48 / 90 / 0 / 27

HEX #6012BA

RGB 96 18 186

HSL 267.86, 0.82%, 0.4%

LAB 30.56, 62.78, -70.85

 

CMYK 0 / 90 / 49 / 27

HEX #BA125F

RGB 186 18 95

HSL 332.5, 0.82%, 0.4%

LAB 40.73, 64.91, 2.2

 

CMYK 0 / 99 / 54 / 21

HEX #CA025D

RGB 202 2 93

HSL 332.7, 0.98%, 0.4%

LAB 43.35, 70.24, 7.64

 

CMYK 0 / 90 / 49 / 27

HEX #BA125F

RGB 186 18 95

HSL 332.5, 0.82%, 0.4%

LAB 40.73, 64.91, 2.2

 

CMYK 0 / 79 / 43 / 34

HEX #A92360

RGB 169 35 96

HSL 332.69, 0.66%, 0.4%

LAB 38.69, 56.99, -1.81

 

CMYK 0 / 67 / 36 / 40

HEX #993362

RGB 153 51 98

HSL 332.35, 0.5%, 0.4%

LAB 37.88, 46.82, -4.61

 

CMYK 0 / 50 / 27 / 47

HEX #884463

RGB 136 68 99

HSL 332.65, 0.33%, 0.4%

LAB 38.32, 32.85, -4.88

 

CMYK 0 / 30 / 17 / 53

HEX #785464

RGB 120 84 100

HSL 333.33, 0.18%, 0.4%

LAB 40, 17.64, -3.25

 

CMYK 0 / 90 / 0 / 27

HEX #BA12BA

RGB 186 18 186

HSL 300, 0.82%, 0.4%

LAB 44.82, 75.7, -47.02

 

CMYK 0 / 90 / 24 / 27

HEX #BA128D

RGB 186 18 141

HSL 316.07, 0.82%, 0.4%

LAB 42.45, 69.57, -23.83

 

CMYK 0 / 90 / 48 / 27

HEX #BA1260

RGB 186 18 96

HSL 332.14, 0.82%, 0.4%

LAB 40.76, 65, 1.61

 

CMYK 0 / 90 / 72 / 27

HEX #BA1234

RGB 186 18 52

HSL 347.86, 0.82%, 0.4%

LAB 39.78, 62.25, 28.15

 

CMYK 0 / 84 / 90 / 27

HEX #BA1E12

RGB 186 30 18

HSL 4.29, 0.82%, 0.4%

LAB 40.26, 58.9, 47.24

 

CMYK 0 / 90 / 50 / 56

HEX #6F0B38

RGB 111 11 56

HSL 333, 0.82%, 0.24%

LAB 23.35, 43.77, 0.78

 

CMYK 0 / 90 / 49 / 42

HEX #940F4B

RGB 148 15 75

HSL 332.93, 0.82%, 0.32%

LAB 32.14, 54.38, 1.68

 

CMYK 0 / 90 / 49 / 27

HEX #BA125F

RGB 186 18 95

HSL 332.5, 0.82%, 0.4%

LAB 40.73, 64.91, 2.2

 

CMYK 0 / 90 / 49 / 13

HEX #DF1672

RGB 223 22 114

HSL 332.54, 0.82%, 0.48%

LAB 48.86, 74.54, 3.05

 

CMYK 0 / 78 / 43 / 8

HEX #EB3487

RGB 235 52 135

HSL 332.79, 0.82%, 0.56%

LAB 53.89, 73.03, -2.04

 

CMYK 0 / 90 / 49 / 27

HEX #BB125F

RGB 187 18 95

HSL 332.66, 0.82%, 0.4%

LAB 40.93, 65.15, 2.52

 

CMYK 0 / 24 / 90 / 27

HEX #BA8D12

RGB 186 141 18

HSL 43.93, 0.82%, 0.4%

LAB 61.25, 7.02, 63.04

 

CMYK 90 / 12 / 0 / 27

HEX #12A3BA

RGB 18 163 186

HSL 188.21, 0.82%, 0.4%

LAB 61.54, -26.26, -21.68

 

CMYK 0 / 90 / 49 / 27

HEX #BB125F

RGB 187 18 95

HSL 332.66, 0.82%, 0.4%

LAB 40.93, 65.15, 2.52

 

CMYK 48 / 0 / 90 / 27

HEX #60BA12

RGB 96 186 18

HSL 92.14, 0.82%, 0.4%

LAB 67.76, -51.77, 65.64

 

CMYK 90 / 48 / 0 / 27

HEX #1260BA

RGB 18 96 186

HSL 212.14, 0.82%, 0.4%

LAB 41.28, 12.66, -53.54

 

CMYK 0 / 90 / 49 / 27

HEX #BB125F

RGB 187 18 95

HSL 332.66, 0.82%, 0.4%

LAB 40.93, 65.15, 2.52

 

CMYK 0 / 24 / 90 / 27

HEX #BA8D12

RGB 186 141 18

HSL 43.93, 0.82%, 0.4%

LAB 61.25, 7.02, 63.04

 

CMYK 90 / 0 / 42 / 27

HEX #12BA6C

RGB 18 186 108

HSL 152.14, 0.82%, 0.4%

LAB 66.77, -56.84, 28.79

 

CMYK 90 / 66 / 0 / 27

HEX #123FBA

RGB 18 63 186

HSL 223.93, 0.82%, 0.4%

LAB 32.32, 34.56, -68.13

 

CMYK 0 / 90 / 49 / 27

HEX #BB125F

RGB 187 18 95

HSL 332.66, 0.82%, 0.4%

LAB 40.93, 65.15, 2.52

 

CMYK 3 / 0 / 90 / 27

HEX #B4BA12

RGB 180 186 18

HSL 62.14, 0.82%, 0.4%

LAB 72.8, -19.37, 71.83

 

CMYK 90 / 0 / 42 / 27

HEX #12BA6C

RGB 18 186 108

HSL 152.14, 0.82%, 0.4%

LAB 66.77, -56.84, 28.79

 

CMYK 87 / 90 / 0 / 27

HEX #1812BA

RGB 24 18 186

HSL 242.14, 0.82%, 0.4%

LAB 24.23, 58.27, -81.53

 

Description

Color code: HEX #BB125F | qconv.com Color code: HEX #BB125F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 18 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 18 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 49 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 49% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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