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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB0EC7 it is the complementary color #44F138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB0EC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BB0EC7: #C00EC2, #D120D5, #E232E8, #F344FB and #FF56FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB0EC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BB0EC7: #BB0EC7, #AA00B4, #9900A1, #88008E and #77007B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 93 / 0 / 22

HEX #BB0EC7

RGB 187 14 199

HSL 296.11, 0.87%, 0.42%

LAB 45.64, 78.34, -53.3

 

Complementary color

CMYK 72 / 0 / 77 / 5

HEX #44F138

RGB 68 241 56

HSL 116.11, 0.87%, 0.58%

LAB 84.19, -74.99, 70.94

 

CMYK 1 / 93 / 0 / 24

HEX #C00EC2

RGB 192 14 194

HSL 299.33, 0.87%, 0.41%

LAB 46.2, 78.4, -49.44

 

CMYK 2 / 85 / 0 / 16

HEX #D120D5

RGB 209 32 213

HSL 298.67, 0.74%, 0.48%

LAB 51.14, 81.57, -52.33

 

CMYK 3 / 78 / 0 / 9

HEX #E232E8

RGB 226 50 232

HSL 298.02, 0.8%, 0.55%

LAB 56.36, 83.67, -54.61

 

CMYK 3 / 73 / 0 / 2

HEX #F344FB

RGB 243 68 251

HSL 297.38, 0.96%, 0.63%

LAB 61.79, 84.98, -56.4

 

CMYK 0 / 66 / 0 / 0

HEX #FF56FF

RGB 255 86 255

HSL 300, 1%, 0.67%

LAB 65.85, 82.25, -52.03

 

CMYK 6 / 93 / 0 / 22

HEX #BB0EC7

RGB 187 14 199

HSL 296.11, 0.87%, 0.42%

LAB 45.64, 78.34, -53.3

 

CMYK 6 / 100 / 0 / 29

HEX #AA00B4

RGB 170 0 180

HSL 296.67, 1%, 0.35%

LAB 40.96, 74.04, -49.83

 

CMYK 5 / 100 / 0 / 37

HEX #9900A1

RGB 153 0 161

HSL 297.02, 1%, 0.32%

LAB 36.64, 68.35, -45.58

 

CMYK 4 / 100 / 0 / 44

HEX #88008E

RGB 136 0 142

HSL 297.46, 1%, 0.28%

LAB 32.23, 62.53, -41.22

 

CMYK 3 / 100 / 0 / 52

HEX #77007B

RGB 119 0 123

HSL 298.05, 1%, 0.24%

LAB 27.71, 56.58, -36.75

 

CMYK 6 / 93 / 0 / 22

HEX #BB0EC7

RGB 187 14 199

HSL 296.11, 0.87%, 0.42%

LAB 45.64, 78.34, -53.3

 

CMYK 0 / 94 / 10 / 22

HEX #C80DB5

RGB 200 13 181

HSL 306.1, 0.88%, 0.42%

LAB 46.85, 78.04, -40.71

 

CMYK 0 / 94 / 25 / 22

HEX #C80D96

RGB 200 13 150

HSL 316.04, 0.88%, 0.42%

LAB 45.32, 74.11, -24.64

 

CMYK 0 / 94 / 41 / 22

HEX #C80D77

RGB 200 13 119

HSL 325.99, 0.88%, 0.42%

LAB 44.09, 70.87, -7.57

 

CMYK 0 / 94 / 56 / 22

HEX #C80D58

RGB 200 13 88

HSL 335.94, 0.88%, 0.42%

LAB 43.17, 68.38, 10.48

 

CMYK 6 / 93 / 0 / 22

HEX #BB0EC7

RGB 187 14 199

HSL 296.11, 0.87%, 0.42%

LAB 45.64, 78.34, -53.3

 

CMYK 6 / 93 / 0 / 2

HEX #EB12FA

RGB 235 18 250

HSL 296.12, 0.96%, 0.53%

LAB 57.07, 93.27, -63.46

 

CMYK 7 / 93 / 0 / 82

HEX #2B032E

RGB 43 3 46

HSL 295.81, 0.88%, 0.1%

LAB 7.01, 26.85, -18.32

 

CMYK 6 / 93 / 0 / 62

HEX #5B0761

RGB 91 7 97

HSL 296, 0.87%, 0.2%

LAB 20.98, 45.59, -31.03

 

CMYK 6 / 93 / 0 / 42

HEX #8B0A94

RGB 139 10 148

HSL 296.09, 0.87%, 0.31%

LAB 33.66, 62.62, -42.59

 

CMYK 6 / 93 / 0 / 22

HEX #BB0EC7

RGB 187 14 199

HSL 296.11, 0.87%, 0.42%

LAB 45.64, 78.34, -53.3

 

CMYK 0 / 81 / 94 / 22

HEX #C8260D

RGB 200 38 13

HSL 8.02, 0.88%, 0.42%

LAB 43.79, 60.85, 52.83

 

CMYK 94 / 0 / 44 / 22

HEX #0DC871

RGB 13 200 113

HSL 152.09, 0.88%, 0.42%

LAB 71.27, -61.03, 32.07

 

CMYK 6 / 93 / 0 / 22

HEX #BB0EC7

RGB 187 14 199

HSL 296.11, 0.87%, 0.42%

LAB 45.64, 78.34, -53.3

 

CMYK 0 / 7 / 94 / 22

HEX #C8BB0D

RGB 200 187 13

HSL 55.83, 0.88%, 0.42%

LAB 74.73, -11.26, 74.74

 

CMYK 94 / 0 / 7 / 22

HEX #0DC8BB

RGB 13 200 187

HSL 175.83, 0.88%, 0.42%

LAB 72.88, -43.47, -5.19

 

CMYK 6 / 93 / 0 / 22

HEX #BB0EC7

RGB 187 14 199

HSL 296.11, 0.87%, 0.42%

LAB 45.64, 78.34, -53.3

 

CMYK 0 / 81 / 94 / 22

HEX #C8260D

RGB 200 38 13

HSL 8.02, 0.88%, 0.42%

LAB 43.79, 60.85, 52.83

 

CMYK 87 / 0 / 94 / 22

HEX #1AC80D

RGB 26 200 13

HSL 115.83, 0.88%, 0.42%

LAB 70.56, -70.12, 68.05

 

CMYK 94 / 13 / 0 / 22

HEX #0DAFC8

RGB 13 175 200

HSL 188.02, 0.88%, 0.42%

LAB 65.68, -27.83, -23.15

 

CMYK 6 / 93 / 0 / 22

HEX #BB0EC7

RGB 187 14 199

HSL 296.11, 0.87%, 0.42%

LAB 45.64, 78.34, -53.3

 

CMYK 0 / 53 / 94 / 22

HEX #C85E0D

RGB 200 94 13

HSL 25.99, 0.88%, 0.42%

LAB 52.19, 38.35, 58.32

 

CMYK 87 / 0 / 94 / 22

HEX #1AC80D

RGB 26 200 13

HSL 115.83, 0.88%, 0.42%

LAB 70.56, -70.12, 68.05

 

CMYK 94 / 41 / 0 / 22

HEX #0D77C8

RGB 13 119 200

HSL 205.99, 0.88%, 0.42%

LAB 48.82, 3.35, -49.53

 

Description

Color code: HEX #BB0EC7 | qconv.com Color code: HEX #BB0EC7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 14 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 14 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 93 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 93% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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