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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB06A4 it is the complementary color #44F95B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB06A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB06A4 shade: #C0069F, #D118B2, #E22AC5, #F33CD8 and #FF4EEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB06A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB06A4 shade: #BB06A4, #AA0091, #99007E, #88006B and #770058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB06A4 shade: #BC06A5, #BC0674, #BC0643, #BC0611 and #BC0606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB06A4 shade: #BC06A5, #A206BC, #7106BC, #4006BC and #0F06BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB06A4 shade matches the following richer shades: #BC06A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB06A4 shade: #BC06A5, #AC1599, #9D258D, #8D3582 and #7D4576

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB06A4 shade: #7006BC, #A106BC, #BC06A7, #BC0676 and #BC0646

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB06A4 shade: #6C035F, #940582, #BC06A5, #E407C8 and #F81CDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB06A4 shade: #BB06A4, #BC4006 and #06BC88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB06A4 shade: #BB06A4, #A7BC06 and #06A7BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB06A4 shade: #BB06A4, #BC4006, #06BC1B and #0682BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB06A4 shade: #BB06A4, #BC7606, #06BC1B and #064CBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 12 / 27

HEX #BB06A4

RGB 187 6 164

HSL 307.62, 0.94%, 0.38%

LAB 43.32, 74.03, -36.36

 

Complementary color

CMYK 73 / 0 / 63 / 2

HEX #44F95B

RGB 68 249 91

HSL 127.62, 0.94%, 0.62%

LAB 86.87, -74.57, 61.17

 

CMYK 0 / 97 / 17 / 25

HEX #C0069F

RGB 192 6 159

HSL 310.65, 0.94%, 0.39%

LAB 44, 74.3, -32.22

 

CMYK 0 / 89 / 15 / 18

HEX #D118B2

RGB 209 24 178

HSL 310.05, 0.79%, 0.46%

LAB 48.79, 77.95, -35.77

 

CMYK 0 / 81 / 13 / 11

HEX #E22AC5

RGB 226 42 197

HSL 309.46, 0.76%, 0.53%

LAB 53.87, 80.47, -38.63

 

CMYK 0 / 75 / 11 / 5

HEX #F33CD8

RGB 243 60 216

HSL 308.85, 0.88%, 0.59%

LAB 59.2, 82.09, -40.91

 

CMYK 0 / 69 / 8 / 0

HEX #FF4EEB

RGB 255 78 235

HSL 306.78, 1%, 0.65%

LAB 63.92, 81.93, -44.02

 

CMYK 0 / 97 / 12 / 27

HEX #BB06A4

RGB 187 6 164

HSL 307.62, 0.94%, 0.38%

LAB 43.32, 74.03, -36.36

 

CMYK 0 / 100 / 15 / 33

HEX #AA0091

RGB 170 0 145

HSL 308.82, 1%, 0.33%

LAB 38.88, 68.98, -32.09

 

CMYK 0 / 100 / 18 / 40

HEX #99007E

RGB 153 0 126

HSL 310.59, 1%, 0.3%

LAB 34.56, 63.26, -27.36

 

CMYK 0 / 100 / 21 / 47

HEX #88006B

RGB 136 0 107

HSL 312.79, 1%, 0.27%

LAB 30.15, 57.43, -22.45

 

CMYK 0 / 100 / 26 / 53

HEX #770058

RGB 119 0 88

HSL 315.63, 1%, 0.23%

LAB 25.64, 51.48, -17.32

 

CMYK 0 / 97 / 12 / 26

HEX #BC06A5

RGB 188 6 165

HSL 307.58, 0.94%, 0.38%

LAB 43.56, 74.35, -36.56

 

CMYK 0 / 97 / 38 / 26

HEX #BC0674

RGB 188 6 116

HSL 323.74, 0.94%, 0.38%

LAB 41.35, 68.65, -10.06

 

CMYK 0 / 97 / 64 / 26

HEX #BC0643

RGB 188 6 67

HSL 339.89, 0.94%, 0.38%

LAB 39.96, 64.94, 19.02

 

CMYK 0 / 97 / 91 / 26

HEX #BC0611

RGB 188 6 17

HSL 356.37, 0.94%, 0.38%

LAB 39.35, 63.25, 47.22

 

CMYK 0 / 97 / 97 / 26

HEX #BC0606

RGB 188 6 6

HSL 0, 0.94%, 0.38%

LAB 39.3, 63.12, 51.27

 

CMYK 0 / 97 / 12 / 26

HEX #BC06A5

RGB 188 6 165

HSL 307.58, 0.94%, 0.38%

LAB 43.56, 74.35, -36.56

 

CMYK 14 / 97 / 0 / 26

HEX #A206BC

RGB 162 6 188

HSL 291.43, 0.94%, 0.38%

LAB 40.32, 73.47, -55.66

 

CMYK 40 / 97 / 0 / 26

HEX #7106BC

RGB 113 6 188

HSL 275.27, 0.94%, 0.38%

LAB 32.42, 67.1, -68.88

 

CMYK 66 / 97 / 0 / 26

HEX #4006BC

RGB 64 6 188

HSL 259.12, 0.94%, 0.38%

LAB 26.31, 63.19, -79.19

 

CMYK 92 / 97 / 0 / 26

HEX #0F06BC

RGB 15 6 188

HSL 242.97, 0.94%, 0.38%

LAB 23.21, 61.71, -84.43

 

CMYK 0 / 97 / 12 / 26

HEX #BC06A5

RGB 188 6 165

HSL 307.58, 0.94%, 0.38%

LAB 43.56, 74.35, -36.56

 

CMYK 0 / 97 / 12 / 26

HEX #BC06A5

RGB 188 6 165

HSL 307.58, 0.94%, 0.38%

LAB 43.56, 74.35, -36.56

 

CMYK 0 / 88 / 11 / 33

HEX #AC1599

RGB 172 21 153

HSL 307.55, 0.78%, 0.38%

LAB 40.58, 67.82, -34.24

 

CMYK 0 / 76 / 10 / 38

HEX #9D258D

RGB 157 37 141

HSL 308, 0.62%, 0.38%

LAB 38.58, 59.02, -30.28

 

CMYK 0 / 62 / 8 / 45

HEX #8D3582

RGB 141 53 130

HSL 307.5, 0.45%, 0.38%

LAB 37.52, 47.03, -25.36

 

CMYK 0 / 45 / 6 / 51

HEX #7D4576

RGB 125 69 118

HSL 307.5, 0.29%, 0.38%

LAB 37.71, 31.66, -17.83

 

CMYK 40 / 97 / 0 / 26

HEX #7006BC

RGB 112 6 188

HSL 274.95, 0.94%, 0.38%

LAB 32.27, 67, -69.13

 

CMYK 14 / 97 / 0 / 26

HEX #A106BC

RGB 161 6 188

HSL 291.1, 0.94%, 0.38%

LAB 40.14, 73.33, -55.95

 

CMYK 0 / 97 / 11 / 26

HEX #BC06A7

RGB 188 6 167

HSL 306.92, 0.94%, 0.38%

LAB 43.67, 74.61, -37.59

 

CMYK 0 / 97 / 37 / 26

HEX #BC0676

RGB 188 6 118

HSL 323.08, 0.94%, 0.38%

LAB 41.42, 68.85, -11.19

 

CMYK 0 / 97 / 63 / 26

HEX #BC0646

RGB 188 6 70

HSL 338.9, 0.94%, 0.38%

LAB 40.02, 65.1, 17.19

 

CMYK 0 / 97 / 12 / 58

HEX #6C035F

RGB 108 3 95

HSL 307.43, 0.95%, 0.22%

LAB 23.93, 49.55, -24.8

 

CMYK 0 / 97 / 12 / 42

HEX #940582

RGB 148 5 130

HSL 307.55, 0.93%, 0.3%

LAB 34.02, 62.18, -30.78

 

CMYK 0 / 97 / 12 / 26

HEX #BC06A5

RGB 188 6 165

HSL 307.58, 0.94%, 0.38%

LAB 43.56, 74.35, -36.56

 

CMYK 0 / 97 / 12 / 11

HEX #E407C8

RGB 228 7 200

HSL 307.6, 0.94%, 0.46%

LAB 52.75, 86.01, -42.11

 

CMYK 0 / 89 / 11 / 3

HEX #F81CDC

RGB 248 28 220

HSL 307.64, 0.94%, 0.54%

LAB 57.99, 90.12, -45.02

 

CMYK 0 / 97 / 12 / 27

HEX #BB06A4

RGB 187 6 164

HSL 307.62, 0.94%, 0.38%

LAB 43.32, 74.03, -36.36

 

CMYK 0 / 66 / 97 / 26

HEX #BC4006

RGB 188 64 6

HSL 19.12, 0.94%, 0.38%

LAB 44.76, 47.89, 54.24

 

CMYK 97 / 0 / 28 / 26

HEX #06BC88

RGB 6 188 136

HSL 162.86, 0.94%, 0.38%

LAB 67.86, -52.15, 15.32

 

CMYK 0 / 97 / 12 / 27

HEX #BB06A4

RGB 187 6 164

HSL 307.62, 0.94%, 0.38%

LAB 43.32, 74.03, -36.36

 

CMYK 11 / 0 / 97 / 26

HEX #A7BC06

RGB 167 188 6

HSL 66.92, 0.94%, 0.38%

LAB 72.36, -26.09, 72.55

 

CMYK 97 / 11 / 0 / 26

HEX #06A7BC

RGB 6 167 188

HSL 186.92, 0.94%, 0.38%

LAB 62.77, -28.06, -20.94

 

CMYK 0 / 97 / 12 / 27

HEX #BB06A4

RGB 187 6 164

HSL 307.62, 0.94%, 0.38%

LAB 43.32, 74.03, -36.36

 

CMYK 0 / 66 / 97 / 26

HEX #BC4006

RGB 188 64 6

HSL 19.12, 0.94%, 0.38%

LAB 44.76, 47.89, 54.24

 

CMYK 97 / 0 / 86 / 26

HEX #06BC1B

RGB 6 188 27

HSL 126.92, 0.94%, 0.38%

LAB 66.58, -67.48, 62.12

 

CMYK 97 / 31 / 0 / 26

HEX #0682BC

RGB 6 130 188

HSL 199.12, 0.94%, 0.38%

LAB 51.42, -8.16, -38.53

 

CMYK 0 / 97 / 12 / 27

HEX #BB06A4

RGB 187 6 164

HSL 307.62, 0.94%, 0.38%

LAB 43.32, 74.03, -36.36

 

CMYK 0 / 37 / 97 / 26

HEX #BC7606

RGB 188 118 6

HSL 36.92, 0.94%, 0.38%

LAB 55.75, 20.44, 61.33

 

CMYK 97 / 0 / 86 / 26

HEX #06BC1B

RGB 6 188 27

HSL 126.92, 0.94%, 0.38%

LAB 66.58, -67.48, 62.12

 

CMYK 97 / 60 / 0 / 26

HEX #064CBC

RGB 6 76 188

HSL 216.92, 0.94%, 0.38%

LAB 35.67, 26.26, -63.83

 

Description

Color code: HEX #BB06A4 | qconv.com Color code: HEX #BB06A4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 6 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 6 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 12 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 12% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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