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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAFD01 it is the complementary color #4502FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAFD01. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAFD01 shade: #BFFD00, #D0FF0F, #E1FF22, #F2FF35 and #FFFF48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAFD01. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAFD01 shade: #BAFD01, #A9EB00, #98D900, #87C700 and #76B500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAFD01 shade: #BAFD01, #FDFC01, #FDB801, #FD7401 and #FD3001

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAFD01 shade: #BAFD01, #76FD01, #32FD01, #01FD14 and #01FD58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAFD01 shade matches the following richer shades: #BAFD01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAFD01 shade: #BAFD01, #B0E915, #A7D42A, #9DBF3F and #93AB53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAFD01 shade: #FDB601, #FDF901, #BEFD01, #7BFD01 and #37FD01

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAFD01 shade: #7EAB00, #9CD401, #BAFD01, #C5FD2A and #D0FE53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAFD01 shade: #BAFD01, #01FD72 and #D701FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAFD01 shade: #BAFD01, #01BEFD and #FD01BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAFD01 shade: #BAFD01, #01FD72, #4001FD and #FD018C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAFD01 shade: #BAFD01, #01FDBE, #4001FD and #FD0140

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 100 / 1

HEX #BAFD01

RGB 186 253 1

HSL 75.95, 0.99%, 0.5%

LAB 91.99, -47.88, 88.52

 

Complementary color

CMYK 73 / 99 / 0 / 0

HEX #4502FE

RGB 69 2 254

HSL 255.95, 0.99%, 0.5%

LAB 34.93, 79.66, -102.84

 

CMYK 25 / 0 / 100 / 1

HEX #BFFD00

RGB 191 253 0

HSL 74.7, 1%, 0.5%

LAB 92.28, -46.03, 88.93

 

CMYK 18 / 0 / 94 / 0

HEX #D0FF0F

RGB 208 255 15

HSL 71.75, 1%, 0.53%

LAB 93.87, -40.27, 89.47

 

CMYK 12 / 0 / 87 / 0

HEX #E1FF22

RGB 225 255 34

HSL 68.14, 1%, 0.57%

LAB 95.01, -33.28, 88.35

 

CMYK 5 / 0 / 79 / 0

HEX #F2FF35

RGB 242 255 53

HSL 63.86, 1%, 0.6%

LAB 96.27, -25.97, 85.83

 

CMYK 0 / 0 / 72 / 0

HEX #FFFF48

RGB 255 255 72

HSL 60, 1%, 0.64%

LAB 97.33, -20.03, 81.69

 

CMYK 26 / 0 / 100 / 1

HEX #BAFD01

RGB 186 253 1

HSL 75.95, 0.99%, 0.5%

LAB 91.99, -47.88, 88.52

 

CMYK 28 / 0 / 100 / 8

HEX #A9EB00

RGB 169 235 0

HSL 76.85, 1%, 0.46%

LAB 85.93, -46.6, 83.54

 

CMYK 30 / 0 / 100 / 15

HEX #98D900

RGB 152 217 0

HSL 77.97, 1%, 0.43%

LAB 79.78, -45.29, 78.42

 

CMYK 32 / 0 / 100 / 22

HEX #87C700

RGB 135 199 0

HSL 79.3, 1%, 0.39%

LAB 73.54, -43.97, 73.23

 

CMYK 35 / 0 / 100 / 29

HEX #76B500

RGB 118 181 0

HSL 80.88, 1%, 0.35%

LAB 67.2, -42.62, 67.95

 

CMYK 26 / 0 / 100 / 1

HEX #BAFD01

RGB 186 253 1

HSL 75.95, 0.99%, 0.5%

LAB 91.99, -47.88, 88.52

 

CMYK 0 / 0 / 100 / 1

HEX #FDFC01

RGB 253 252 1

HSL 59.76, 0.99%, 0.5%

LAB 96.21, -20.94, 93.66

 

CMYK 0 / 27 / 100 / 1

HEX #FDB801

RGB 253 184 1

HSL 43.57, 0.99%, 0.5%

LAB 79.14, 13.18, 81.54

 

CMYK 0 / 54 / 100 / 1

HEX #FD7401

RGB 253 116 1

HSL 27.38, 0.99%, 0.5%

LAB 64.46, 47.88, 72.21

 

CMYK 0 / 81 / 100 / 1

HEX #FD3001

RGB 253 48 1

HSL 11.19, 0.99%, 0.5%

LAB 55.07, 73.19, 67.44

 

CMYK 26 / 0 / 100 / 1

HEX #BAFD01

RGB 186 253 1

HSL 75.95, 0.99%, 0.5%

LAB 91.99, -47.88, 88.52

 

CMYK 53 / 0 / 100 / 1

HEX #76FD01

RGB 118 253 1

HSL 92.14, 0.99%, 0.5%

LAB 88.97, -69.82, 84.87

 

CMYK 80 / 0 / 100 / 1

HEX #32FD01

RGB 50 253 1

HSL 108.33, 0.99%, 0.5%

LAB 87.45, -82.66, 83.01

 

CMYK 100 / 0 / 92 / 1

HEX #01FD14

RGB 1 253 20

HSL 124.52, 0.99%, 0.5%

LAB 87.15, -85.32, 80.97

 

CMYK 100 / 0 / 65 / 1

HEX #01FD58

RGB 1 253 88

HSL 140.71, 0.99%, 0.5%

LAB 87.47, -81.22, 62.86

 

CMYK 26 / 0 / 100 / 1

HEX #BAFD01

RGB 186 253 1

HSL 75.95, 0.99%, 0.5%

LAB 91.99, -47.88, 88.52

 

CMYK 26 / 0 / 100 / 1

HEX #BAFD01

RGB 186 253 1

HSL 75.95, 0.99%, 0.5%

LAB 91.99, -47.88, 88.52

 

CMYK 24 / 0 / 91 / 9

HEX #B0E915

RGB 176 233 21

HSL 76.13, 0.83%, 0.5%

LAB 85.79, -42.85, 81.61

 

CMYK 21 / 0 / 80 / 17

HEX #A7D42A

RGB 167 212 42

HSL 75.88, 0.67%, 0.5%

LAB 79.31, -36.45, 71.77

 

CMYK 18 / 0 / 67 / 25

HEX #9DBF3F

RGB 157 191 63

HSL 75.94, 0.5%, 0.5%

LAB 72.75, -29.6, 58.25

 

CMYK 14 / 0 / 51 / 33

HEX #93AB53

RGB 147 171 83

HSL 76.36, 0.35%, 0.5%

LAB 66.48, -22.22, 42.14

 

CMYK 0 / 28 / 100 / 1

HEX #FDB601

RGB 253 182 1

HSL 43.1, 0.99%, 0.5%

LAB 78.66, 14.22, 81.22

 

CMYK 0 / 2 / 100 / 1

HEX #FDF901

RGB 253 249 1

HSL 59.05, 0.99%, 0.5%

LAB 95.43, -19.51, 93.09

 

CMYK 25 / 0 / 100 / 1

HEX #BEFD01

RGB 190 253 1

HSL 75, 0.99%, 0.5%

LAB 92.22, -46.39, 88.79

 

CMYK 51 / 0 / 100 / 1

HEX #7BFD01

RGB 123 253 1

HSL 90.95, 0.99%, 0.5%

LAB 89.14, -68.47, 85.07

 

CMYK 78 / 0 / 100 / 1

HEX #37FD01

RGB 55 253 1

HSL 107.14, 0.99%, 0.5%

LAB 87.52, -82.08, 83.09

 

CMYK 26 / 0 / 100 / 33

HEX #7EAB00

RGB 126 171 0

HSL 75.79, 1%, 0.34%

LAB 64.61, -35.14, 66.16

 

CMYK 26 / 0 / 100 / 17

HEX #9CD401

RGB 156 212 1

HSL 75.92, 0.99%, 0.42%

LAB 78.55, -41.62, 77.48

 

CMYK 26 / 0 / 100 / 1

HEX #BAFD01

RGB 186 253 1

HSL 75.95, 0.99%, 0.5%

LAB 91.99, -47.88, 88.52

 

CMYK 22 / 0 / 83 / 1

HEX #C5FD2A

RGB 197 253 42

HSL 75.92, 0.98%, 0.58%

LAB 92.7, -43.06, 84.15

 

CMYK 18 / 0 / 67 / 0

HEX #D0FE53

RGB 208 254 83

HSL 76.14, 0.99%, 0.66%

LAB 93.85, -37.5, 73.38

 

CMYK 26 / 0 / 100 / 1

HEX #BAFD01

RGB 186 253 1

HSL 75.95, 0.99%, 0.5%

LAB 91.99, -47.88, 88.52

 

CMYK 100 / 0 / 55 / 1

HEX #01FD72

RGB 1 253 114

HSL 146.9, 0.99%, 0.5%

LAB 87.71, -78.13, 52.09

 

CMYK 15 / 100 / 0 / 1

HEX #D701FD

RGB 215 1 253

HSL 290.95, 0.99%, 0.5%

LAB 53.56, 92.08, -70.97

 

CMYK 26 / 0 / 100 / 1

HEX #BAFD01

RGB 186 253 1

HSL 75.95, 0.99%, 0.5%

LAB 91.99, -47.88, 88.52

 

CMYK 100 / 25 / 0 / 1

HEX #01BEFD

RGB 1 190 253

HSL 195, 0.99%, 0.5%

LAB 72.18, -17.8, -42.05

 

CMYK 0 / 100 / 25 / 1

HEX #FD01BE

RGB 253 1 190

HSL 315, 0.99%, 0.5%

LAB 56.71, 89.74, -29.81

 

CMYK 26 / 0 / 100 / 1

HEX #BAFD01

RGB 186 253 1

HSL 75.95, 0.99%, 0.5%

LAB 91.99, -47.88, 88.52

 

CMYK 100 / 0 / 55 / 1

HEX #01FD72

RGB 1 253 114

HSL 146.9, 0.99%, 0.5%

LAB 87.71, -78.13, 52.09

 

CMYK 75 / 100 / 0 / 1

HEX #4001FD

RGB 64 1 253

HSL 255, 0.99%, 0.5%

LAB 34.4, 79.42, -103.17

 

CMYK 0 / 100 / 45 / 1

HEX #FD018C

RGB 253 1 140

HSL 326.9, 0.99%, 0.5%

LAB 54.86, 84.98, -3.2

 

CMYK 26 / 0 / 100 / 1

HEX #BAFD01

RGB 186 253 1

HSL 75.95, 0.99%, 0.5%

LAB 91.99, -47.88, 88.52

 

CMYK 100 / 0 / 25 / 1

HEX #01FDBE

RGB 1 253 190

HSL 165, 0.99%, 0.5%

LAB 88.91, -64.15, 16.32

 

CMYK 75 / 100 / 0 / 1

HEX #4001FD

RGB 64 1 253

HSL 255, 0.99%, 0.5%

LAB 34.4, 79.42, -103.17

 

CMYK 0 / 100 / 75 / 1

HEX #FD0140

RGB 253 1 64

HSL 345, 0.99%, 0.5%

LAB 53.25, 80.67, 40.15

 

Description

Color code: HEX #BAFD01 | qconv.com Color code: HEX #BAFD01 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 253 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 253 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 100 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 100% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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