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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAF7E5 it is the complementary color #45081A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAF7E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAF7E5 shade: #BFF7E0, #D0FFF3, #E1FFFF, #F2FFFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAF7E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAF7E5 shade: #BAF7E5, #A9E5D2, #98D3BF, #87C1AC and #76AF99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAF7E5 shade: #BBF7E5, #BBF7D5, #BBF7C5, #C1F7BB and #D1F7BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAF7E5 shade: #BBF7E5, #BBF7F5, #BBE8F7, #BBD8F7 and #BBC8F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAF7E5 shade matches the following richer shades: #BBF7E5 and #B4FDE8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAF7E5 shade: #BBF7E5, #C1F1E3, #C7EBE0, #CDE4DE and #D3DEDB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAF7E5 shade: #BBF7C5, #BBF7D5, #BBF7E5, #BBF7F5 and #BBE9F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAF7E5 shade: #71EEC9, #96F3D7, #BBF7E5, #DFFBF3 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAF7E5 shade: #BAF7E5, #BBC1F7 and #F7CDBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAF7E5 shade: #BAF7E5, #E5BBF7 and #F7E5BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAF7E5 shade: #BAF7E5, #BBC1F7, #F7BBCD and #F7F1BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAF7E5 shade: #BAF7E5, #C7BBF7, #F7BBCD and #EBF7BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 7 / 3

HEX #BAF7E5

RGB 186 247 229

HSL 162.3, 0.79%, 0.85%

LAB 92.85, -22.74, 2.43

 

Complementary color

CMYK 0 / 88 / 62 / 73

HEX #45081A

RGB 69 8 26

HSL 342.3, 0.79%, 0.15%

LAB 12.69, 29.4, 5.9

 

CMYK 23 / 0 / 9 / 3

HEX #BFF7E0

RGB 191 247 224

HSL 155.36, 0.78%, 0.86%

LAB 93.01, -22.22, 5.28

 

CMYK 18 / 0 / 5 / 0

HEX #D0FFF3

RGB 208 255 243

HSL 164.68, 1%, 0.91%

LAB 96.57, -17.22, 0.78

 

CMYK 12 / 0 / 0 / 0

HEX #E1FFFF

RGB 225 255 255

HSL 180, 1%, 0.94%

LAB 97.93, -9.63, -3.28

 

CMYK 5 / 0 / 0 / 0

HEX #F2FFFF

RGB 242 255 255

HSL 180, 1%, 0.97%

LAB 99.07, -4.23, -1.48

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 25 / 0 / 7 / 3

HEX #BAF7E5

RGB 186 247 229

HSL 162.3, 0.79%, 0.85%

LAB 92.85, -22.74, 2.43

 

CMYK 26 / 0 / 8 / 10

HEX #A9E5D2

RGB 169 229 210

HSL 161, 0.54%, 0.78%

LAB 86.57, -22.9, 3.11

 

CMYK 28 / 0 / 9 / 17

HEX #98D3BF

RGB 152 211 191

HSL 159.66, 0.4%, 0.71%

LAB 80.19, -23.07, 3.83

 

CMYK 30 / 0 / 11 / 24

HEX #87C1AC

RGB 135 193 172

HSL 158.28, 0.32%, 0.64%

LAB 73.72, -23.27, 4.58

 

CMYK 33 / 0 / 13 / 31

HEX #76AF99

RGB 118 175 153

HSL 156.84, 0.26%, 0.57%

LAB 67.14, -23.48, 5.38

 

CMYK 24 / 0 / 7 / 3

HEX #BBF7E5

RGB 187 247 229

HSL 162, 0.79%, 0.85%

LAB 92.9, -22.44, 2.52

 

CMYK 24 / 0 / 14 / 3

HEX #BBF7D5

RGB 187 247 213

HSL 146, 0.79%, 0.85%

LAB 92.53, -25.55, 10.26

 

CMYK 24 / 0 / 20 / 3

HEX #BBF7C5

RGB 187 247 197

HSL 130, 0.79%, 0.85%

LAB 92.18, -28.45, 18.02

 

CMYK 22 / 0 / 24 / 3

HEX #C1F7BB

RGB 193 247 187

HSL 114, 0.79%, 0.85%

LAB 92.33, -28.19, 23.4

 

CMYK 15 / 0 / 24 / 3

HEX #D1F7BB

RGB 209 247 187

HSL 98, 0.79%, 0.85%

LAB 93.3, -22.8, 24.9

 

CMYK 24 / 0 / 7 / 3

HEX #BBF7E5

RGB 187 247 229

HSL 162, 0.79%, 0.85%

LAB 92.9, -22.44, 2.52

 

CMYK 24 / 0 / 1 / 3

HEX #BBF7F5

RGB 187 247 245

HSL 178, 0.79%, 0.85%

LAB 93.31, -19.13, -5.18

 

CMYK 24 / 6 / 0 / 3

HEX #BBE8F7

RGB 187 232 247

HSL 195, 0.79%, 0.85%

LAB 89.39, -11.19, -12.04

 

CMYK 24 / 13 / 0 / 3

HEX #BBD8F7

RGB 187 216 247

HSL 211, 0.79%, 0.85%

LAB 85.2, -2.94, -18.33

 

CMYK 24 / 19 / 0 / 3

HEX #BBC8F7

RGB 187 200 247

HSL 227, 0.79%, 0.85%

LAB 81.07, 5.56, -24.59

 

CMYK 24 / 0 / 7 / 3

HEX #BBF7E5

RGB 187 247 229

HSL 162, 0.79%, 0.85%

LAB 92.9, -22.44, 2.52

 

CMYK 29 / 0 / 8 / 1

HEX #B4FDE8

RGB 180 253 232

HSL 162.74, 0.95%, 0.85%

LAB 94.22, -26.77, 2.83

 

CMYK 24 / 0 / 7 / 3

HEX #BBF7E5

RGB 187 247 229

HSL 162, 0.79%, 0.85%

LAB 92.9, -22.44, 2.52

 

CMYK 20 / 0 / 6 / 5

HEX #C1F1E3

RGB 193 241 227

HSL 162.5, 0.63%, 0.85%

LAB 91.59, -18.08, 1.69

 

CMYK 15 / 0 / 5 / 8

HEX #C7EBE0

RGB 199 235 224

HSL 161.67, 0.47%, 0.85%

LAB 90.29, -13.81, 1.41

 

CMYK 10 / 0 / 3 / 11

HEX #CDE4DE

RGB 205 228 222

HSL 164.35, 0.3%, 0.85%

LAB 88.8, -8.72, 0.33

 

CMYK 5 / 0 / 1 / 13

HEX #D3DEDB

RGB 211 222 219

HSL 163.64, 0.14%, 0.85%

LAB 87.58, -4.24, 0.18

 

CMYK 24 / 0 / 20 / 3

HEX #BBF7C5

RGB 187 247 197

HSL 130, 0.79%, 0.85%

LAB 92.18, -28.45, 18.02

 

CMYK 24 / 0 / 14 / 3

HEX #BBF7D5

RGB 187 247 213

HSL 146, 0.79%, 0.85%

LAB 92.53, -25.55, 10.26

 

CMYK 24 / 0 / 7 / 3

HEX #BBF7E5

RGB 187 247 229

HSL 162, 0.79%, 0.85%

LAB 92.9, -22.44, 2.52

 

CMYK 24 / 0 / 1 / 3

HEX #BBF7F5

RGB 187 247 245

HSL 178, 0.79%, 0.85%

LAB 93.31, -19.13, -5.18

 

CMYK 24 / 6 / 0 / 3

HEX #BBE9F7

RGB 187 233 247

HSL 194, 0.79%, 0.85%

LAB 89.65, -11.7, -11.65

 

CMYK 53 / 0 / 16 / 7

HEX #71EEC9

RGB 113 238 201

HSL 162.24, 0.79%, 0.69%

LAB 86.44, -43.59, 7.34

 

CMYK 38 / 0 / 12 / 5

HEX #96F3D7

RGB 150 243 215

HSL 161.94, 0.79%, 0.77%

LAB 89.62, -33.89, 4.8

 

CMYK 24 / 0 / 7 / 3

HEX #BBF7E5

RGB 187 247 229

HSL 162, 0.79%, 0.85%

LAB 92.9, -22.44, 2.52

 

CMYK 11 / 0 / 3 / 2

HEX #DFFBF3

RGB 223 251 243

HSL 162.86, 0.78%, 0.93%

LAB 96.47, -10.55, 0.74

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 25 / 0 / 7 / 3

HEX #BAF7E5

RGB 186 247 229

HSL 162.3, 0.79%, 0.85%

LAB 92.85, -22.74, 2.43

 

CMYK 24 / 22 / 0 / 3

HEX #BBC1F7

RGB 187 193 247

HSL 234, 0.79%, 0.85%

LAB 79.28, 9.34, -27.31

 

CMYK 0 / 17 / 24 / 3

HEX #F7CDBB

RGB 247 205 187

HSL 18, 0.79%, 0.85%

LAB 85.52, 12.15, 14.5

 

CMYK 25 / 0 / 7 / 3

HEX #BAF7E5

RGB 186 247 229

HSL 162.3, 0.79%, 0.85%

LAB 92.85, -22.74, 2.43

 

CMYK 7 / 24 / 0 / 3

HEX #E5BBF7

RGB 229 187 247

HSL 282, 0.79%, 0.85%

LAB 81.24, 25.55, -24.01

 

CMYK 0 / 7 / 24 / 3

HEX #F7E5BB

RGB 247 229 187

HSL 42, 0.79%, 0.85%

LAB 91.42, -0.25, 22.73

 

CMYK 25 / 0 / 7 / 3

HEX #BAF7E5

RGB 186 247 229

HSL 162.3, 0.79%, 0.85%

LAB 92.85, -22.74, 2.43

 

CMYK 24 / 22 / 0 / 3

HEX #BBC1F7

RGB 187 193 247

HSL 234, 0.79%, 0.85%

LAB 79.28, 9.34, -27.31

 

CMYK 0 / 24 / 17 / 3

HEX #F7BBCD

RGB 247 187 205

HSL 342, 0.79%, 0.85%

LAB 81.69, 24.25, -0.62

 

CMYK 0 / 2 / 24 / 3

HEX #F7F1BB

RGB 247 241 187

HSL 54, 0.79%, 0.85%

LAB 94.43, -6.31, 26.87

 

CMYK 25 / 0 / 7 / 3

HEX #BAF7E5

RGB 186 247 229

HSL 162.3, 0.79%, 0.85%

LAB 92.85, -22.74, 2.43

 

CMYK 19 / 24 / 0 / 3

HEX #C7BBF7

RGB 199 187 247

HSL 252, 0.79%, 0.85%

LAB 78.69, 16.21, -28.14

 

CMYK 0 / 24 / 17 / 3

HEX #F7BBCD

RGB 247 187 205

HSL 342, 0.79%, 0.85%

LAB 81.69, 24.25, -0.62

 

CMYK 5 / 0 / 24 / 3

HEX #EBF7BB

RGB 235 247 187

HSL 72, 0.79%, 0.85%

LAB 95.06, -13.65, 27.59

 

Description

Color code: HEX #BAF7E5 | qconv.com Color code: HEX #BAF7E5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 247 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 247 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 7 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 7% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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