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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAF45B it is the complementary color #450BA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAF45B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAF45B shade: #BFF456, #D0FF69, #E1FF7C, #F2FF8F and #FFFFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAF45B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAF45B shade: #BAF45B, #A9E248, #98D035, #87BE22 and #76AC0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAF45B shade: #BBF45D, #E3F45D, #F4DC5D, #F4B35D and #F48A5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAF45B shade: #BBF45D, #92F45D, #69F45D, #5DF479 and #5DF4A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAF45B shade matches the following richer shades: #BBF45D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAF45B shade: #BBF45D, #B7E66B, #B4D879, #B0CA87 and #ADBC95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAF45B shade: #F4DB5D, #E5F45D, #BCF45D, #94F45D and #6CF45D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAF45B shade: #9AEE11, #AAF136, #BBF45D, #CBF683 and #DBF9AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAF45B shade: #BAF45B, #5DF4B2 and #EF5DF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAF45B shade: #BAF45B, #5DBCF4 and #F45DBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAF45B shade: #BAF45B, #5DF4B2, #945DF4 and #F45D9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAF45B shade: #BAF45B, #5DF4E0, #945DF4 and #F45D71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 63 / 4

HEX #BAF45B

RGB 186 244 91

HSL 82.75, 0.87%, 0.66%

LAB 89.81, -40.72, 65.65

 

Complementary color

CMYK 58 / 93 / 0 / 36

HEX #450BA4

RGB 69 11 164

HSL 262.75, 0.87%, 0.34%

LAB 24.27, 56.6, -68.14

 

CMYK 22 / 0 / 65 / 4

HEX #BFF456

RGB 191 244 86

HSL 80.13, 0.88%, 0.65%

LAB 90.07, -39.23, 68

 

CMYK 18 / 0 / 59 / 0

HEX #D0FF69

RGB 208 255 105

HSL 78.8, 1%, 0.71%

LAB 94.29, -36.41, 65.19

 

CMYK 12 / 0 / 51 / 0

HEX #E1FF7C

RGB 225 255 124

HSL 73.74, 1%, 0.74%

LAB 95.57, -28.42, 58.66

 

CMYK 5 / 0 / 44 / 0

HEX #F2FF8F

RGB 242 255 143

HSL 66.96, 1%, 0.78%

LAB 96.98, -20.18, 51.85

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 24 / 0 / 63 / 4

HEX #BAF45B

RGB 186 244 91

HSL 82.75, 0.87%, 0.66%

LAB 89.81, -40.72, 65.65

 

CMYK 25 / 0 / 68 / 11

HEX #A9E248

RGB 169 226 72

HSL 82.21, 0.73%, 0.58%

LAB 83.6, -40.39, 66.2

 

CMYK 27 / 0 / 75 / 18

HEX #98D035

RGB 152 208 53

HSL 81.68, 0.62%, 0.51%

LAB 77.31, -39.93, 66.31

 

CMYK 29 / 0 / 82 / 25

HEX #87BE22

RGB 135 190 34

HSL 81.15, 0.7%, 0.44%

LAB 70.94, -39.3, 65.68

 

CMYK 31 / 0 / 91 / 33

HEX #76AC0F

RGB 118 172 15

HSL 80.64, 0.84%, 0.37%

LAB 64.48, -38.45, 63.84

 

CMYK 23 / 0 / 62 / 4

HEX #BBF45D

RGB 187 244 93

HSL 82.65, 0.87%, 0.66%

LAB 89.89, -40.2, 64.94

 

CMYK 7 / 0 / 62 / 4

HEX #E3F45D

RGB 227 244 93

HSL 66.75, 0.87%, 0.66%

LAB 92.5, -24.88, 68.52

 

CMYK 0 / 10 / 62 / 4

HEX #F4DC5D

RGB 244 220 93

HSL 50.46, 0.87%, 0.66%

LAB 87.59, -6.26, 63.63

 

CMYK 0 / 27 / 62 / 4

HEX #F4B35D

RGB 244 179 93

HSL 34.17, 0.87%, 0.66%

LAB 77.44, 14.92, 52.31

 

CMYK 0 / 43 / 62 / 4

HEX #F48A5D

RGB 244 138 93

HSL 17.88, 0.87%, 0.66%

LAB 68.17, 36.41, 41.41

 

CMYK 23 / 0 / 62 / 4

HEX #BBF45D

RGB 187 244 93

HSL 82.65, 0.87%, 0.66%

LAB 89.89, -40.2, 64.94

 

CMYK 40 / 0 / 62 / 4

HEX #92F45D

RGB 146 244 93

HSL 98.94, 0.87%, 0.66%

LAB 87.78, -54.24, 62.03

 

CMYK 57 / 0 / 62 / 4

HEX #69F45D

RGB 105 244 93

HSL 115.23, 0.87%, 0.66%

LAB 86.25, -65.58, 59.91

 

CMYK 62 / 0 / 50 / 4

HEX #5DF479

RGB 93 244 121

HSL 131.13, 0.87%, 0.66%

LAB 86.21, -64.88, 47.3

 

CMYK 62 / 0 / 34 / 4

HEX #5DF4A2

RGB 93 244 162

HSL 147.42, 0.87%, 0.66%

LAB 86.82, -58.2, 27.93

 

CMYK 23 / 0 / 62 / 4

HEX #BBF45D

RGB 187 244 93

HSL 82.65, 0.87%, 0.66%

LAB 89.89, -40.2, 64.94

 

CMYK 23 / 0 / 62 / 4

HEX #BBF45D

RGB 187 244 93

HSL 82.65, 0.87%, 0.66%

LAB 89.89, -40.2, 64.94

 

CMYK 20 / 0 / 53 / 10

HEX #B7E66B

RGB 183 230 107

HSL 82.93, 0.71%, 0.66%

LAB 85.87, -34.17, 54.28

 

CMYK 17 / 0 / 44 / 15

HEX #B4D879

RGB 180 216 121

HSL 82.74, 0.55%, 0.66%

LAB 81.94, -27.27, 42.85

 

CMYK 13 / 0 / 33 / 21

HEX #B0CA87

RGB 176 202 135

HSL 83.28, 0.39%, 0.66%

LAB 78, -20.18, 30.64

 

CMYK 8 / 0 / 21 / 26

HEX #ADBC95

RGB 173 188 149

HSL 83.08, 0.23%, 0.66%

LAB 74.2, -12.12, 18.04

 

CMYK 0 / 10 / 62 / 4

HEX #F4DB5D

RGB 244 219 93

HSL 50.07, 0.87%, 0.66%

LAB 87.33, -5.75, 63.36

 

CMYK 6 / 0 / 62 / 4

HEX #E5F45D

RGB 229 244 93

HSL 65.96, 0.87%, 0.66%

LAB 92.64, -24.09, 68.72

 

CMYK 23 / 0 / 62 / 4

HEX #BCF45D

RGB 188 244 93

HSL 82.25, 0.87%, 0.66%

LAB 89.94, -39.83, 65.02

 

CMYK 39 / 0 / 62 / 4

HEX #94F45D

RGB 148 244 93

HSL 98.15, 0.87%, 0.66%

LAB 87.87, -53.61, 62.15

 

CMYK 56 / 0 / 62 / 4

HEX #6CF45D

RGB 108 244 93

HSL 114.04, 0.87%, 0.66%

LAB 86.35, -64.86, 60.03

 

CMYK 35 / 0 / 93 / 7

HEX #9AEE11

RGB 154 238 17

HSL 82.81, 0.87%, 0.5%

LAB 86.04, -53.02, 81.8

 

CMYK 29 / 0 / 78 / 5

HEX #AAF136

RGB 170 241 54

HSL 82.78, 0.87%, 0.58%

LAB 87.84, -47.47, 76.27

 

CMYK 23 / 0 / 62 / 4

HEX #BBF45D

RGB 187 244 93

HSL 82.65, 0.87%, 0.66%

LAB 89.89, -40.2, 64.94

 

CMYK 17 / 0 / 47 / 4

HEX #CBF683

RGB 203 246 131

HSL 82.43, 0.86%, 0.74%

LAB 91.8, -31.75, 50.55

 

CMYK 12 / 0 / 32 / 2

HEX #DBF9AA

RGB 219 249 170

HSL 82.78, 0.87%, 0.82%

LAB 94.19, -22.68, 34.8

 

CMYK 24 / 0 / 63 / 4

HEX #BAF45B

RGB 186 244 91

HSL 82.75, 0.87%, 0.66%

LAB 89.81, -40.72, 65.65

 

CMYK 62 / 0 / 27 / 4

HEX #5DF4B2

RGB 93 244 178

HSL 153.77, 0.87%, 0.66%

LAB 87.12, -55.05, 20.15

 

CMYK 2 / 62 / 0 / 4

HEX #EF5DF4

RGB 239 93 244

HSL 298.01, 0.87%, 0.66%

LAB 63.93, 74.26, -49.17

 

CMYK 24 / 0 / 63 / 4

HEX #BAF45B

RGB 186 244 91

HSL 82.75, 0.87%, 0.66%

LAB 89.81, -40.72, 65.65

 

CMYK 62 / 23 / 0 / 4

HEX #5DBCF4

RGB 93 188 244

HSL 202.25, 0.87%, 0.66%

LAB 72.78, -11.66, -36.15

 

CMYK 0 / 62 / 23 / 4

HEX #F45DBC

RGB 244 93 188

HSL 322.25, 0.87%, 0.66%

LAB 62.25, 67.16, -20.26

 

CMYK 24 / 0 / 63 / 4

HEX #BAF45B

RGB 186 244 91

HSL 82.75, 0.87%, 0.66%

LAB 89.81, -40.72, 65.65

 

CMYK 62 / 0 / 27 / 4

HEX #5DF4B2

RGB 93 244 178

HSL 153.77, 0.87%, 0.66%

LAB 87.12, -55.05, 20.15

 

CMYK 39 / 62 / 0 / 4

HEX #945DF4

RGB 148 93 244

HSL 261.85, 0.87%, 0.66%

LAB 52.57, 53.92, -67.97

 

CMYK 0 / 62 / 35 / 4

HEX #F45D9E

RGB 244 93 158

HSL 334.17, 0.87%, 0.66%

LAB 61.25, 63.53, -4.53

 

CMYK 24 / 0 / 63 / 4

HEX #BAF45B

RGB 186 244 91

HSL 82.75, 0.87%, 0.66%

LAB 89.81, -40.72, 65.65

 

CMYK 62 / 0 / 8 / 4

HEX #5DF4E0

RGB 93 244 224

HSL 172.05, 0.87%, 0.66%

LAB 88.17, -44.51, -2.25

 

CMYK 39 / 62 / 0 / 4

HEX #945DF4

RGB 148 93 244

HSL 261.85, 0.87%, 0.66%

LAB 52.57, 53.92, -67.97

 

CMYK 0 / 62 / 54 / 4

HEX #F45D71

RGB 244 93 113

HSL 352.05, 0.87%, 0.66%

LAB 60.12, 59.29, 19.97

 

Description

Color code: HEX #BAF45B | qconv.com Color code: HEX #BAF45B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 244 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 244 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 63 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 63% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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