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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAF3AE it is the complementary color #450C51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAF3AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAF3AE shade: #BFF3A9, #D0FFBC, #E1FFCF, #F2FFE2 and #FFFFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAF3AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAF3AE shade: #BAF3AE, #A9E19B, #98CF88, #87BD75 and #76AB62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAF3AE shade: #BBF3AF, #CDF3AF, #E0F3AF, #F2F3AF and #F3E2AF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAF3AE shade: #BBF3AF, #AFF3B6, #AFF3C8, #AFF3DA and #AFF3ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAF3AE shade matches the following richer shades: #BBF3AF and #B6FAA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAF3AE shade: #BBF3AF, #C0ECB7, #C5E4BE, #C9DDC5 and #CED5CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAF3AE shade: #E0F3AF, #CEF3AF, #BCF3AF, #AFF3B5 and #AFF3C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAF3AE shade: #7EE867, #9CEE8B, #BBF3AF, #DAF8D3 and #F8FEF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAF3AE shade: #BAF3AE, #AFF2F3 and #F3AFD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAF3AE shade: #BAF3AE, #AFBCF3 and #F3AFBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAF3AE shade: #BAF3AE, #AFF2F3, #E7AFF3 and #F3B0AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAF3AE shade: #BAF3AE, #AFDEF3, #E7AFF3 and #F3C5AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 28 / 5

HEX #BAF3AE

RGB 186 243 174

HSL 109.57, 0.74%, 0.82%

LAB 90.6, -30.69, 27.59

 

Complementary color

CMYK 15 / 85 / 0 / 68

HEX #450C51

RGB 69 12 81

HSL 289.57, 0.74%, 0.18%

LAB 16.12, 36.51, -28.32

 

CMYK 21 / 0 / 30 / 5

HEX #BFF3A9

RGB 191 243 169

HSL 102.16, 0.76%, 0.81%

LAB 90.8, -29.77, 30.46

 

CMYK 18 / 0 / 26 / 0

HEX #D0FFBC

RGB 208 255 188

HSL 102.09, 1%, 0.87%

LAB 95.4, -26.8, 27.25

 

CMYK 12 / 0 / 19 / 0

HEX #E1FFCF

RGB 225 255 207

HSL 97.5, 1%, 0.91%

LAB 96.83, -18.09, 19.75

 

CMYK 5 / 0 / 11 / 0

HEX #F2FFE2

RGB 242 255 226

HSL 86.9, 1%, 0.94%

LAB 98.39, -9.25, 12.4

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF5

RGB 255 255 245

HSL 60, 1%, 0.98%

LAB 99.76, -1.71, 4.76

 

CMYK 23 / 0 / 28 / 5

HEX #BAF3AE

RGB 186 243 174

HSL 109.57, 0.74%, 0.82%

LAB 90.6, -30.69, 27.59

 

CMYK 25 / 0 / 31 / 12

HEX #A9E19B

RGB 169 225 155

HSL 108, 0.54%, 0.75%

LAB 84.3, -30.87, 28.64

 

CMYK 27 / 0 / 34 / 19

HEX #98CF88

RGB 152 207 136

HSL 106.48, 0.43%, 0.67%

LAB 77.92, -31.06, 29.73

 

CMYK 29 / 0 / 38 / 26

HEX #87BD75

RGB 135 189 117

HSL 105, 0.35%, 0.6%

LAB 71.44, -31.25, 30.89

 

CMYK 31 / 0 / 43 / 33

HEX #76AB62

RGB 118 171 98

HSL 103.56, 0.3%, 0.53%

LAB 64.85, -31.42, 32.1

 

CMYK 23 / 0 / 28 / 5

HEX #BBF3AF

RGB 187 243 175

HSL 109.41, 0.74%, 0.82%

LAB 90.67, -30.2, 27.19

 

CMYK 16 / 0 / 28 / 5

HEX #CDF3AF

RGB 205 243 175

HSL 93.53, 0.74%, 0.82%

LAB 91.76, -24.06, 28.86

 

CMYK 8 / 0 / 28 / 5

HEX #E0F3AF

RGB 224 243 175

HSL 76.76, 0.74%, 0.82%

LAB 93.03, -17.3, 30.79

 

CMYK 0 / 0 / 28 / 5

HEX #F2F3AF

RGB 242 243 175

HSL 60.88, 0.74%, 0.82%

LAB 94.34, -10.71, 32.78

 

CMYK 0 / 7 / 28 / 5

HEX #F3E2AF

RGB 243 226 175

HSL 45, 0.74%, 0.82%

LAB 90.11, -1.8, 27.08

 

CMYK 23 / 0 / 28 / 5

HEX #BBF3AF

RGB 187 243 175

HSL 109.41, 0.74%, 0.82%

LAB 90.67, -30.2, 27.19

 

CMYK 28 / 0 / 25 / 5

HEX #AFF3B6

RGB 175 243 182

HSL 126.18, 0.74%, 0.82%

LAB 90.13, -32.95, 22.77

 

CMYK 28 / 0 / 18 / 5

HEX #AFF3C8

RGB 175 243 200

HSL 142.06, 0.74%, 0.82%

LAB 90.5, -29.76, 14.01

 

CMYK 28 / 0 / 10 / 5

HEX #AFF3DA

RGB 175 243 218

HSL 157.94, 0.74%, 0.82%

LAB 90.91, -26.28, 5.25

 

CMYK 28 / 0 / 2 / 5

HEX #AFF3ED

RGB 175 243 237

HSL 174.71, 0.74%, 0.82%

LAB 91.38, -22.31, -3.94

 

CMYK 23 / 0 / 28 / 5

HEX #BBF3AF

RGB 187 243 175

HSL 109.41, 0.74%, 0.82%

LAB 90.67, -30.2, 27.19

 

CMYK 27 / 0 / 33 / 2

HEX #B6FAA8

RGB 182 250 168

HSL 109.76, 0.89%, 0.82%

LAB 92.2, -36.15, 32.74

 

CMYK 23 / 0 / 28 / 5

HEX #BBF3AF

RGB 187 243 175

HSL 109.41, 0.74%, 0.82%

LAB 90.67, -30.2, 27.19

 

CMYK 19 / 0 / 22 / 7

HEX #C0ECB7

RGB 192 236 183

HSL 109.81, 0.58%, 0.82%

LAB 89.21, -23.92, 21.14

 

CMYK 14 / 0 / 17 / 11

HEX #C5E4BE

RGB 197 228 190

HSL 108.95, 0.41%, 0.82%

LAB 87.52, -17.14, 15.19

 

CMYK 9 / 0 / 11 / 13

HEX #C9DDC5

RGB 201 221 197

HSL 110, 0.26%, 0.82%

LAB 86.09, -11.06, 9.52

 

CMYK 3 / 0 / 4 / 16

HEX #CED5CD

RGB 206 213 205

HSL 112.5, 0.09%, 0.82%

LAB 84.54, -3.83, 3.11

 

CMYK 8 / 0 / 28 / 5

HEX #E0F3AF

RGB 224 243 175

HSL 76.76, 0.74%, 0.82%

LAB 93.03, -17.3, 30.79

 

CMYK 15 / 0 / 28 / 5

HEX #CEF3AF

RGB 206 243 175

HSL 92.65, 0.74%, 0.82%

LAB 91.83, -23.71, 28.96

 

CMYK 23 / 0 / 28 / 5

HEX #BCF3AF

RGB 188 243 175

HSL 108.53, 0.74%, 0.82%

LAB 90.73, -29.87, 27.28

 

CMYK 28 / 0 / 26 / 5

HEX #AFF3B5

RGB 175 243 181

HSL 125.29, 0.74%, 0.82%

LAB 90.11, -33.12, 23.26

 

CMYK 28 / 0 / 18 / 5

HEX #AFF3C7

RGB 175 243 199

HSL 141.18, 0.74%, 0.82%

LAB 90.48, -29.94, 14.49

 

CMYK 46 / 0 / 56 / 9

HEX #7EE867

RGB 126 232 103

HSL 109.3, 0.74%, 0.66%

LAB 83.51, -54.51, 52.61

 

CMYK 34 / 0 / 42 / 7

HEX #9CEE8B

RGB 156 238 139

HSL 109.7, 0.74%, 0.74%

LAB 87.04, -43.35, 40.16

 

CMYK 23 / 0 / 28 / 5

HEX #BBF3AF

RGB 187 243 175

HSL 109.41, 0.74%, 0.82%

LAB 90.67, -30.2, 27.19

 

CMYK 12 / 0 / 15 / 3

HEX #DAF8D3

RGB 218 248 211

HSL 108.65, 0.73%, 0.9%

LAB 94.63, -16.38, 14.54

 

CMYK 2 / 0 / 3 / 0

HEX #F8FEF7

RGB 248 254 247

HSL 111.43, 0.78%, 0.98%

LAB 99.05, -3.2, 2.64

 

CMYK 23 / 0 / 28 / 5

HEX #BAF3AE

RGB 186 243 174

HSL 109.57, 0.74%, 0.82%

LAB 90.6, -30.69, 27.59

 

CMYK 28 / 0 / 0 / 5

HEX #AFF2F3

RGB 175 242 243

HSL 180.88, 0.74%, 0.82%

LAB 91.27, -20.5, -7.22

 

CMYK 0 / 28 / 12 / 5

HEX #F3AFD7

RGB 243 175 215

HSL 324.71, 0.74%, 0.82%

LAB 78.82, 30.8, -10.29

 

CMYK 23 / 0 / 28 / 5

HEX #BAF3AE

RGB 186 243 174

HSL 109.57, 0.74%, 0.82%

LAB 90.6, -30.69, 27.59

 

CMYK 28 / 23 / 0 / 5

HEX #AFBCF3

RGB 175 188 243

HSL 228.53, 0.74%, 0.82%

LAB 77.01, 7.61, -28.72

 

CMYK 0 / 28 / 23 / 5

HEX #F3AFBC

RGB 243 175 188

HSL 348.53, 0.74%, 0.82%

LAB 78.08, 26.65, 3.27

 

CMYK 23 / 0 / 28 / 5

HEX #BAF3AE

RGB 186 243 174

HSL 109.57, 0.74%, 0.82%

LAB 90.6, -30.69, 27.59

 

CMYK 28 / 0 / 0 / 5

HEX #AFF2F3

RGB 175 242 243

HSL 180.88, 0.74%, 0.82%

LAB 91.27, -20.5, -7.22

 

CMYK 5 / 28 / 0 / 5

HEX #E7AFF3

RGB 231 175 243

HSL 289.41, 0.74%, 0.82%

LAB 78.53, 31.83, -25.98

 

CMYK 0 / 28 / 28 / 5

HEX #F3B0AF

RGB 243 176 175

HSL 0.88, 0.74%, 0.82%

LAB 77.99, 24.31, 10.21

 

CMYK 23 / 0 / 28 / 5

HEX #BAF3AE

RGB 186 243 174

HSL 109.57, 0.74%, 0.82%

LAB 90.6, -30.69, 27.59

 

CMYK 28 / 9 / 0 / 5

HEX #AFDEF3

RGB 175 222 243

HSL 198.53, 0.74%, 0.82%

LAB 85.92, -10.45, -15.2

 

CMYK 5 / 28 / 0 / 5

HEX #E7AFF3

RGB 231 175 243

HSL 289.41, 0.74%, 0.82%

LAB 78.53, 31.83, -25.98

 

CMYK 0 / 19 / 28 / 5

HEX #F3C5AF

RGB 243 197 175

HSL 19.41, 0.74%, 0.82%

LAB 82.96, 13.22, 17.21

 

Description

Color code: HEX #BAF3AE | qconv.com Color code: HEX #BAF3AE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 243 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 243 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 28 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 28% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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