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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAF1B1 it is the complementary color #450E4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAF1B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAF1B1 shade: #BFF1AC, #D0FFBF, #E1FFD2, #F2FFE5 and #FFFFF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAF1B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAF1B1 shade: #BAF1B1, #A9DF9E, #98CD8B, #87BB78 and #76A965

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAF1B1 shade: #BAF1B1, #CBF1B1, #DDF1B1, #EEF1B1 and #F1E3B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAF1B1 shade: #BAF1B1, #B1F1B9, #B1F1CB, #B1F1DC and #B1F1ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAF1B1 shade matches the following richer shades: #BAF1B1 and #B5F9AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAF1B1 shade: #BAF1B1, #BFEAB8, #C5E2C0, #CADBC7 and #CFD4CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAF1B1 shade: #DDF1B1, #CCF1B1, #BBF1B1, #B1F1B8 and #B1F1CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAF1B1 shade: #7CE56B, #9BEB8E, #BAF1B1, #D9F7D4 and #F8FEF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAF1B1 shade: #BAF1B1, #B1EEF1 and #F1B1D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAF1B1 shade: #BAF1B1, #B1BBF1 and #F1B1BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAF1B1 shade: #BAF1B1, #B1EEF1, #E8B1F1 and #F1B4B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAF1B1 shade: #BAF1B1, #B1DBF1, #E8B1F1 and #F1C7B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 27 / 5

HEX #BAF1B1

RGB 186 241 177

HSL 111.56, 0.7%, 0.82%

LAB 90.1, -29.28, 25.39

 

Complementary color

CMYK 12 / 82 / 0 / 69

HEX #450E4E

RGB 69 14 78

HSL 291.56, 0.7%, 0.18%

LAB 16.15, 35.14, -26.22

 

CMYK 21 / 0 / 29 / 5

HEX #BFF1AC

RGB 191 241 172

HSL 103.48, 0.71%, 0.81%

LAB 90.31, -28.37, 28.27

 

CMYK 18 / 0 / 25 / 0

HEX #D0FFBF

RGB 208 255 191

HSL 104.06, 1%, 0.87%

LAB 95.45, -26.34, 25.8

 

CMYK 12 / 0 / 18 / 0

HEX #E1FFD2

RGB 225 255 210

HSL 100, 1%, 0.91%

LAB 96.89, -17.61, 18.31

 

CMYK 5 / 0 / 10 / 0

HEX #F2FFE5

RGB 242 255 229

HSL 90, 1%, 0.95%

LAB 98.45, -8.76, 10.96

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF8

RGB 255 255 248

HSL 60, 1%, 0.99%

LAB 99.83, -1.2, 3.33

 

CMYK 23 / 0 / 27 / 5

HEX #BAF1B1

RGB 186 241 177

HSL 111.56, 0.7%, 0.82%

LAB 90.1, -29.28, 25.39

 

CMYK 24 / 0 / 29 / 13

HEX #A9DF9E

RGB 169 223 158

HSL 109.85, 0.5%, 0.75%

LAB 83.8, -29.46, 26.41

 

CMYK 26 / 0 / 32 / 20

HEX #98CD8B

RGB 152 205 139

HSL 108.18, 0.4%, 0.67%

LAB 77.4, -29.65, 27.48

 

CMYK 28 / 0 / 36 / 27

HEX #87BB78

RGB 135 187 120

HSL 106.57, 0.33%, 0.6%

LAB 70.9, -29.85, 28.61

 

CMYK 30 / 0 / 40 / 34

HEX #76A965

RGB 118 169 101

HSL 105, 0.28%, 0.53%

LAB 64.3, -30.04, 29.81

 

CMYK 23 / 0 / 27 / 5

HEX #BAF1B1

RGB 186 241 177

HSL 111.56, 0.7%, 0.82%

LAB 90.1, -29.28, 25.39

 

CMYK 16 / 0 / 27 / 5

HEX #CBF1B1

RGB 203 241 177

HSL 95.63, 0.7%, 0.82%

LAB 91.14, -23.5, 26.97

 

CMYK 8 / 0 / 27 / 5

HEX #DDF1B1

RGB 221 241 177

HSL 78.75, 0.7%, 0.82%

LAB 92.33, -17.13, 28.8

 

CMYK 1 / 0 / 27 / 5

HEX #EEF1B1

RGB 238 241 177

HSL 62.81, 0.7%, 0.82%

LAB 93.56, -10.94, 30.67

 

CMYK 0 / 6 / 27 / 5

HEX #F1E3B1

RGB 241 227 177

HSL 46.88, 0.7%, 0.82%

LAB 90.24, -2.79, 26.19

 

CMYK 23 / 0 / 27 / 5

HEX #BAF1B1

RGB 186 241 177

HSL 111.56, 0.7%, 0.82%

LAB 90.1, -29.28, 25.39

 

CMYK 27 / 0 / 23 / 5

HEX #B1F1B9

RGB 177 241 185

HSL 127.5, 0.7%, 0.82%

LAB 89.75, -30.88, 20.71

 

CMYK 27 / 0 / 16 / 5

HEX #B1F1CB

RGB 177 241 203

HSL 144.38, 0.7%, 0.82%

LAB 90.12, -27.64, 11.93

 

CMYK 27 / 0 / 9 / 5

HEX #B1F1DC

RGB 177 241 220

HSL 160.31, 0.7%, 0.82%

LAB 90.52, -24.32, 3.66

 

CMYK 27 / 0 / 2 / 5

HEX #B1F1ED

RGB 177 241 237

HSL 176.25, 0.7%, 0.82%

LAB 90.95, -20.76, -4.56

 

CMYK 23 / 0 / 27 / 5

HEX #BAF1B1

RGB 186 241 177

HSL 111.56, 0.7%, 0.82%

LAB 90.1, -29.28, 25.39

 

CMYK 27 / 0 / 32 / 2

HEX #B5F9AA

RGB 181 249 170

HSL 111.65, 0.87%, 0.82%

LAB 91.9, -35.72, 31.33

 

CMYK 23 / 0 / 27 / 5

HEX #BAF1B1

RGB 186 241 177

HSL 111.56, 0.7%, 0.82%

LAB 90.1, -29.28, 25.39

 

CMYK 18 / 0 / 21 / 8

HEX #BFEAB8

RGB 191 234 184

HSL 111.6, 0.54%, 0.82%

LAB 88.63, -23.12, 19.8

 

CMYK 13 / 0 / 15 / 11

HEX #C5E2C0

RGB 197 226 192

HSL 111.18, 0.37%, 0.82%

LAB 87.03, -15.81, 13.45

 

CMYK 8 / 0 / 9 / 14

HEX #CADBC7

RGB 202 219 199

HSL 111, 0.22%, 0.82%

LAB 85.68, -9.35, 7.89

 

CMYK 2 / 0 / 2 / 17

HEX #CFD4CF

RGB 207 212 207

HSL 120, 0.05%, 0.82%

LAB 84.41, -2.61, 1.87

 

CMYK 8 / 0 / 27 / 5

HEX #DDF1B1

RGB 221 241 177

HSL 78.75, 0.7%, 0.82%

LAB 92.33, -17.13, 28.8

 

CMYK 15 / 0 / 27 / 5

HEX #CCF1B1

RGB 204 241 177

HSL 94.69, 0.7%, 0.82%

LAB 91.2, -23.15, 27.07

 

CMYK 22 / 0 / 27 / 5

HEX #BBF1B1

RGB 187 241 177

HSL 110.63, 0.7%, 0.82%

LAB 90.16, -28.94, 25.48

 

CMYK 27 / 0 / 24 / 5

HEX #B1F1B8

RGB 177 241 184

HSL 126.56, 0.7%, 0.82%

LAB 89.73, -31.05, 21.2

 

CMYK 27 / 0 / 16 / 5

HEX #B1F1CA

RGB 177 241 202

HSL 143.44, 0.7%, 0.82%

LAB 90.1, -27.83, 12.42

 

CMYK 46 / 0 / 53 / 10

HEX #7CE56B

RGB 124 229 107

HSL 111.64, 0.7%, 0.66%

LAB 82.59, -53.44, 49.66

 

CMYK 34 / 0 / 40 / 8

HEX #9BEB8E

RGB 155 235 142

HSL 111.61, 0.7%, 0.74%

LAB 86.18, -41.94, 37.55

 

CMYK 23 / 0 / 27 / 5

HEX #BAF1B1

RGB 186 241 177

HSL 111.56, 0.7%, 0.82%

LAB 90.1, -29.28, 25.39

 

CMYK 12 / 0 / 14 / 3

HEX #D9F7D4

RGB 217 247 212

HSL 111.43, 0.69%, 0.9%

LAB 94.32, -16.06, 13.58

 

CMYK 2 / 0 / 3 / 0

HEX #F8FEF7

RGB 248 254 247

HSL 111.43, 0.78%, 0.98%

LAB 99.05, -3.2, 2.64

 

CMYK 23 / 0 / 27 / 5

HEX #BAF1B1

RGB 186 241 177

HSL 111.56, 0.7%, 0.82%

LAB 90.1, -29.28, 25.39

 

CMYK 27 / 1 / 0 / 5

HEX #B1EEF1

RGB 177 238 241

HSL 182.81, 0.7%, 0.82%

LAB 90.25, -18.41, -7.68

 

CMYK 0 / 27 / 12 / 5

HEX #F1B1D4

RGB 241 177 212

HSL 327.19, 0.7%, 0.82%

LAB 78.98, 28.57, -8.45

 

CMYK 23 / 0 / 27 / 5

HEX #BAF1B1

RGB 186 241 177

HSL 111.56, 0.7%, 0.82%

LAB 90.1, -29.28, 25.39

 

CMYK 27 / 22 / 0 / 5

HEX #B1BBF1

RGB 177 187 241

HSL 230.63, 0.7%, 0.82%

LAB 76.82, 8.26, -27.92

 

CMYK 0 / 27 / 22 / 5

HEX #F1B1BB

RGB 241 177 187

HSL 350.63, 0.7%, 0.82%

LAB 78.31, 24.72, 4.12

 

CMYK 23 / 0 / 27 / 5

HEX #BAF1B1

RGB 186 241 177

HSL 111.56, 0.7%, 0.82%

LAB 90.1, -29.28, 25.39

 

CMYK 27 / 1 / 0 / 5

HEX #B1EEF1

RGB 177 238 241

HSL 182.81, 0.7%, 0.82%

LAB 90.25, -18.41, -7.68

 

CMYK 4 / 27 / 0 / 5

HEX #E8B1F1

RGB 232 177 241

HSL 291.56, 0.7%, 0.82%

LAB 79.01, 30.7, -24.16

 

CMYK 0 / 25 / 27 / 5

HEX #F1B4B1

RGB 241 180 177

HSL 2.81, 0.7%, 0.82%

LAB 78.76, 21.72, 10.19

 

CMYK 23 / 0 / 27 / 5

HEX #BAF1B1

RGB 186 241 177

HSL 111.56, 0.7%, 0.82%

LAB 90.1, -29.28, 25.39

 

CMYK 27 / 9 / 0 / 5

HEX #B1DBF1

RGB 177 219 241

HSL 200.63, 0.7%, 0.82%

LAB 85.18, -8.78, -15.24

 

CMYK 4 / 27 / 0 / 5

HEX #E8B1F1

RGB 232 177 241

HSL 291.56, 0.7%, 0.82%

LAB 79.01, 30.7, -24.16

 

CMYK 0 / 17 / 27 / 5

HEX #F1C7B1

RGB 241 199 177

HSL 20.63, 0.7%, 0.82%

LAB 83.3, 11.69, 16.6

 

Description

Color code: HEX #BAF1B1 | qconv.com Color code: HEX #BAF1B1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 241 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 241 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 27 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 27% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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