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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAEE7A it is the complementary color #451185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAEE7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAEE7A shade: #BFEE75, #D0FF88, #E1FF9B, #F2FFAE and #FFFFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAEE7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAEE7A shade: #BAEE7A, #A9DC67, #98CA54, #87B841 and #76A62E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAEE7A shade: #BBEE7C, #DAEE7C, #EEE47C, #EEC57C and #EEA67C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAEE7A shade: #BBEE7C, #9CEE7C, #7EEE7C, #7CEE99 and #7CEEB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAEE7A shade matches the following richer shades: #BBEE7C and #BCFA70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAEE7A shade: #BBEE7C, #BAE288, #B8D694, #B7CAA0 and #B6BEAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAEE7A shade: #EEE37C, #DBEE7C, #BDEE7C, #9EEE7C and #80EE7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAEE7A shade: #95E533, #A8E958, #BBEE7C, #CEF3A1 and #E1F7C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAEE7A shade: #BAEE7A, #7CEEC4 and #EE7CEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAEE7A shade: #BAEE7A, #7CBDEE and #EE7CBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAEE7A shade: #BAEE7A, #7CEEC4, #AD7CEE and #EE7CA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAEE7A shade: #BAEE7A, #7CEEE6, #AD7CEE and #EE7C84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 49 / 7

HEX #BAEE7A

RGB 186 238 122

HSL 86.9, 0.77%, 0.71%

LAB 88.44, -35.22, 50.46

 

Complementary color

CMYK 48 / 87 / 0 / 48

HEX #451185

RGB 69 17 133

HSL 266.9, 0.77%, 0.29%

LAB 21.43, 47.13, -53.66

 

CMYK 20 / 0 / 51 / 7

HEX #BFEE75

RGB 191 238 117

HSL 83.31, 0.78%, 0.7%

LAB 88.69, -33.91, 53.16

 

CMYK 18 / 0 / 47 / 0

HEX #D0FF88

RGB 208 255 136

HSL 83.7, 1%, 0.77%

LAB 94.61, -33.54, 51.73

 

CMYK 12 / 0 / 39 / 0

HEX #E1FF9B

RGB 225 255 155

HSL 78, 1%, 0.8%

LAB 95.95, -25.23, 44.57

 

CMYK 5 / 0 / 32 / 0

HEX #F2FFAE

RGB 242 255 174

HSL 69.63, 1%, 0.84%

LAB 97.41, -16.72, 37.36

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC1

RGB 255 255 193

HSL 60, 1%, 0.88%

LAB 98.68, -9.55, 29.73

 

CMYK 22 / 0 / 49 / 7

HEX #BAEE7A

RGB 186 238 122

HSL 86.9, 0.77%, 0.71%

LAB 88.44, -35.22, 50.46

 

CMYK 23 / 0 / 53 / 14

HEX #A9DC67

RGB 169 220 103

HSL 86.15, 0.63%, 0.63%

LAB 82.16, -35.15, 51.55

 

CMYK 25 / 0 / 58 / 21

HEX #98CA54

RGB 152 202 84

HSL 85.42, 0.53%, 0.56%

LAB 75.8, -35.02, 52.57

 

CMYK 27 / 0 / 65 / 28

HEX #87B841

RGB 135 184 65

HSL 84.71, 0.48%, 0.49%

LAB 69.34, -34.8, 53.41

 

CMYK 29 / 0 / 72 / 35

HEX #76A62E

RGB 118 166 46

HSL 84, 0.57%, 0.42%

LAB 62.78, -34.43, 53.87

 

CMYK 21 / 0 / 48 / 7

HEX #BBEE7C

RGB 187 238 124

HSL 86.84, 0.77%, 0.71%

LAB 88.53, -34.64, 49.63

 

CMYK 8 / 0 / 48 / 7

HEX #DAEE7C

RGB 218 238 124

HSL 70.53, 0.77%, 0.71%

LAB 90.56, -23.05, 52.57

 

CMYK 0 / 4 / 48 / 7

HEX #EEE47C

RGB 238 228 124

HSL 54.74, 0.77%, 0.71%

LAB 89.45, -10.33, 51.59

 

CMYK 0 / 17 / 48 / 7

HEX #EEC57C

RGB 238 197 124

HSL 38.42, 0.77%, 0.71%

LAB 81.6, 5.5, 41.91

 

CMYK 0 / 30 / 48 / 7

HEX #EEA67C

RGB 238 166 124

HSL 22.11, 0.77%, 0.71%

LAB 74.13, 21.85, 32.35

 

CMYK 21 / 0 / 48 / 7

HEX #BBEE7C

RGB 187 238 124

HSL 86.84, 0.77%, 0.71%

LAB 88.53, -34.64, 49.63

 

CMYK 34 / 0 / 48 / 7

HEX #9CEE7C

RGB 156 238 124

HSL 103.16, 0.77%, 0.71%

LAB 86.84, -45.3, 47.17

 

CMYK 47 / 0 / 48 / 7

HEX #7EEE7C

RGB 126 238 124

HSL 118.95, 0.77%, 0.71%

LAB 85.52, -54.31, 45.26

 

CMYK 48 / 0 / 36 / 7

HEX #7CEE99

RGB 124 238 153

HSL 135.26, 0.77%, 0.71%

LAB 85.87, -50.46, 31.39

 

CMYK 48 / 0 / 23 / 7

HEX #7CEEB8

RGB 124 238 184

HSL 151.58, 0.77%, 0.71%

LAB 86.45, -44.71, 16.27

 

CMYK 21 / 0 / 48 / 7

HEX #BBEE7C

RGB 187 238 124

HSL 86.84, 0.77%, 0.71%

LAB 88.53, -34.64, 49.63

 

CMYK 25 / 0 / 55 / 2

HEX #BCFA70

RGB 188 250 112

HSL 86.96, 0.93%, 0.71%

LAB 91.79, -40.88, 59.01

 

CMYK 21 / 0 / 48 / 7

HEX #BBEE7C

RGB 187 238 124

HSL 86.84, 0.77%, 0.71%

LAB 88.53, -34.64, 49.63

 

CMYK 18 / 0 / 40 / 11

HEX #BAE288

RGB 186 226 136

HSL 86.67, 0.61%, 0.71%

LAB 85.31, -28.01, 39.76

 

CMYK 14 / 0 / 31 / 16

HEX #B8D694

RGB 184 214 148

HSL 87.27, 0.45%, 0.71%

LAB 82.07, -21.35, 29.4

 

CMYK 9 / 0 / 21 / 21

HEX #B7CAA0

RGB 183 202 160

HSL 87.14, 0.28%, 0.71%

LAB 78.95, -13.91, 18.86

 

CMYK 4 / 0 / 9 / 25

HEX #B6BEAC

RGB 182 190 172

HSL 86.67, 0.12%, 0.71%

LAB 75.92, -6.06, 8.13

 

CMYK 0 / 5 / 48 / 7

HEX #EEE37C

RGB 238 227 124

HSL 54.21, 0.77%, 0.71%

LAB 89.19, -9.83, 51.27

 

CMYK 8 / 0 / 48 / 7

HEX #DBEE7C

RGB 219 238 124

HSL 70, 0.77%, 0.71%

LAB 90.63, -22.67, 52.67

 

CMYK 21 / 0 / 48 / 7

HEX #BDEE7C

RGB 189 238 124

HSL 85.79, 0.77%, 0.71%

LAB 88.65, -33.92, 49.81

 

CMYK 34 / 0 / 48 / 7

HEX #9EEE7C

RGB 158 238 124

HSL 102.11, 0.77%, 0.71%

LAB 86.93, -44.65, 47.32

 

CMYK 46 / 0 / 48 / 7

HEX #80EE7C

RGB 128 238 124

HSL 117.89, 0.77%, 0.71%

LAB 85.6, -53.76, 45.37

 

CMYK 35 / 0 / 78 / 10

HEX #95E533

RGB 149 229 51

HSL 86.97, 0.77%, 0.55%

LAB 83.27, -50.05, 72.5

 

CMYK 28 / 0 / 62 / 9

HEX #A8E958

RGB 168 233 88

HSL 86.9, 0.77%, 0.63%

LAB 85.66, -42.66, 62.07

 

CMYK 21 / 0 / 48 / 7

HEX #BBEE7C

RGB 187 238 124

HSL 86.84, 0.77%, 0.71%

LAB 88.53, -34.64, 49.63

 

CMYK 15 / 0 / 34 / 5

HEX #CEF3A1

RGB 206 243 161

HSL 87.07, 0.77%, 0.79%

LAB 91.59, -25.66, 35.71

 

CMYK 9 / 0 / 20 / 3

HEX #E1F7C5

RGB 225 247 197

HSL 86.4, 0.76%, 0.87%

LAB 94.55, -15.73, 21.68

 

CMYK 22 / 0 / 49 / 7

HEX #BAEE7A

RGB 186 238 122

HSL 86.9, 0.77%, 0.71%

LAB 88.44, -35.22, 50.46

 

CMYK 48 / 0 / 18 / 7

HEX #7CEEC4

RGB 124 238 196

HSL 157.89, 0.77%, 0.71%

LAB 86.71, -42.21, 10.39

 

CMYK 0 / 48 / 2 / 7

HEX #EE7CEA

RGB 238 124 234

HSL 302.11, 0.77%, 0.71%

LAB 68.41, 58.59, -36.62

 

CMYK 22 / 0 / 49 / 7

HEX #BAEE7A

RGB 186 238 122

HSL 86.9, 0.77%, 0.71%

LAB 88.44, -35.22, 50.46

 

CMYK 48 / 21 / 0 / 7

HEX #7CBDEE

RGB 124 189 238

HSL 205.79, 0.77%, 0.71%

LAB 74.1, -7.68, -30.76

 

CMYK 0 / 48 / 21 / 7

HEX #EE7CBD

RGB 238 124 189

HSL 325.79, 0.77%, 0.71%

LAB 66.72, 51.46, -14.13

 

CMYK 22 / 0 / 49 / 7

HEX #BAEE7A

RGB 186 238 122

HSL 86.9, 0.77%, 0.71%

LAB 88.44, -35.22, 50.46

 

CMYK 48 / 0 / 18 / 7

HEX #7CEEC4

RGB 124 238 196

HSL 157.89, 0.77%, 0.71%

LAB 86.71, -42.21, 10.39

 

CMYK 27 / 48 / 0 / 7

HEX #AD7CEE

RGB 173 124 238

HSL 265.79, 0.77%, 0.71%

LAB 61.2, 41.56, -50.68

 

CMYK 0 / 48 / 30 / 7

HEX #EE7CA6

RGB 238 124 166

HSL 337.89, 0.77%, 0.71%

LAB 66.02, 48.35, -2.19

 

CMYK 22 / 0 / 49 / 7

HEX #BAEE7A

RGB 186 238 122

HSL 86.9, 0.77%, 0.71%

LAB 88.44, -35.22, 50.46

 

CMYK 48 / 0 / 3 / 7

HEX #7CEEE6

RGB 124 238 230

HSL 175.79, 0.77%, 0.71%

LAB 87.56, -34.38, -6.18

 

CMYK 27 / 48 / 0 / 7

HEX #AD7CEE

RGB 173 124 238

HSL 265.79, 0.77%, 0.71%

LAB 61.2, 41.56, -50.68

 

CMYK 0 / 48 / 45 / 7

HEX #EE7C84

RGB 238 124 132

HSL 355.79, 0.77%, 0.71%

LAB 65.17, 44.5, 15.89

 

Description

Color code: HEX #BAEE7A | qconv.com Color code: HEX #BAEE7A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 238 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 238 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 49 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 49% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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