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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAECC0 it is the complementary color #45133F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAECC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAECC0 shade: #BFECBB, #D0FECE, #E1FFE1 and #F2FFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAECC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAECC0 shade: #BAECC0, #A9DAAD, #98C89A, #87B687 and #76A474

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAECC0 shade: #BAECC0, #C2ECBA, #CFECBA, #DCECBA and #EAECBA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAECC0 shade: #BAECC0, #BAECCE, #BAECDB, #BAECE8 and #BAE2EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAECC0 shade matches the following richer shades: #BAECC0, #B3F3BB and #ACFAB6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAECC0 shade: #BAECC0, #C1E5C6, #C8DECB, #CFD7D0 and #D6D0D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAECC0 shade: #CFECBA, #C2ECBA, #BAECC0, #BAECCD and #BAECDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAECC0 shade: #7ADA85, #9AE3A3, #BAECC0, #DBF5DE and #FBFEFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAECC0 shade: #BAECC0, #BADCEC and #ECBAC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAECC0 shade: #BAECC0, #C0BAEC and #ECC0BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAECC0 shade: #BAECC0, #BADCEC, #ECBAE6 and #ECCABA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAECC0 shade: #BAECC0, #BACDEC, #ECBAE6 and #ECD9BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 19 / 7

HEX #BAECC0

RGB 186 236 192

HSL 127.2, 0.57%, 0.83%

LAB 89.03, -24.39, 16.17

 

Complementary color

CMYK 0 / 72 / 9 / 73

HEX #45133F

RGB 69 19 63

HSL 307.2, 0.57%, 0.17%

LAB 15.95, 29.95, -16.13

 

CMYK 19 / 0 / 21 / 7

HEX #BFECBB

RGB 191 236 187

HSL 115.1, 0.56%, 0.83%

LAB 89.23, -23.59, 19.09

 

CMYK 18 / 0 / 19 / 0

HEX #D0FECE

RGB 208 254 206

HSL 117.5, 0.96%, 0.9%

LAB 95.48, -23.45, 18.2

 

CMYK 12 / 0 / 12 / 0

HEX #E1FFE1

RGB 225 255 225

HSL 120, 1%, 0.94%

LAB 97.21, -15.11, 11.08

 

CMYK 5 / 0 / 4 / 0

HEX #F2FFF4

RGB 242 255 244

HSL 129.23, 1%, 0.97%

LAB 98.8, -6.2, 3.77

 

CMYK 21 / 0 / 19 / 7

HEX #BAECC0

RGB 186 236 192

HSL 127.2, 0.57%, 0.83%

LAB 89.03, -24.39, 16.17

 

CMYK 22 / 0 / 21 / 15

HEX #A9DAAD

RGB 169 218 173

HSL 124.9, 0.4%, 0.76%

LAB 82.7, -24.57, 17.07

 

CMYK 24 / 0 / 23 / 22

HEX #98C89A

RGB 152 200 154

HSL 122.5, 0.3%, 0.69%

LAB 76.26, -24.76, 18.01

 

CMYK 26 / 0 / 26 / 29

HEX #87B687

RGB 135 182 135

HSL 120, 0.24%, 0.62%

LAB 69.72, -24.98, 19.01

 

CMYK 28 / 0 / 29 / 36

HEX #76A474

RGB 118 164 116

HSL 117.5, 0.21%, 0.55%

LAB 63.06, -25.21, 20.08

 

CMYK 21 / 0 / 19 / 7

HEX #BAECC0

RGB 186 236 192

HSL 127.2, 0.57%, 0.83%

LAB 89.03, -24.39, 16.17

 

CMYK 18 / 0 / 21 / 7

HEX #C2ECBA

RGB 194 236 186

HSL 110.4, 0.57%, 0.83%

LAB 89.4, -22.75, 19.86

 

CMYK 12 / 0 / 21 / 7

HEX #CFECBA

RGB 207 236 186

HSL 94.8, 0.57%, 0.83%

LAB 90.23, -18.3, 21.15

 

CMYK 7 / 0 / 21 / 7

HEX #DCECBA

RGB 220 236 186

HSL 79.2, 0.57%, 0.83%

LAB 91.12, -13.72, 22.52

 

CMYK 1 / 0 / 21 / 7

HEX #EAECBA

RGB 234 236 186

HSL 62.4, 0.57%, 0.83%

LAB 92.14, -8.69, 24.09

 

CMYK 21 / 0 / 19 / 7

HEX #BAECC0

RGB 186 236 192

HSL 127.2, 0.57%, 0.83%

LAB 89.03, -24.39, 16.17

 

CMYK 21 / 0 / 13 / 7

HEX #BAECCE

RGB 186 236 206

HSL 144, 0.57%, 0.83%

LAB 89.34, -21.86, 9.33

 

CMYK 21 / 0 / 7 / 7

HEX #BAECDB

RGB 186 236 219

HSL 159.6, 0.57%, 0.83%

LAB 89.65, -19.35, 2.98

 

CMYK 21 / 0 / 2 / 7

HEX #BAECE8

RGB 186 236 232

HSL 175.2, 0.57%, 0.83%

LAB 89.98, -16.71, -3.33

 

CMYK 21 / 4 / 0 / 7

HEX #BAE2EC

RGB 186 226 236

HSL 192, 0.57%, 0.83%

LAB 87.43, -10.83, -9.19

 

CMYK 21 / 0 / 19 / 7

HEX #BAECC0

RGB 186 236 192

HSL 127.2, 0.57%, 0.83%

LAB 89.03, -24.39, 16.17

 

CMYK 26 / 0 / 23 / 5

HEX #B3F3BB

RGB 179 243 187

HSL 127.5, 0.73%, 0.83%

LAB 90.45, -30.84, 20.67

 

CMYK 31 / 0 / 27 / 2

HEX #ACFAB6

RGB 172 250 182

HSL 127.69, 0.89%, 0.83%

LAB 91.92, -37.1, 25.2

 

CMYK 21 / 0 / 19 / 7

HEX #BAECC0

RGB 186 236 192

HSL 127.2, 0.57%, 0.83%

LAB 89.03, -24.39, 16.17

 

CMYK 16 / 0 / 14 / 10

HEX #C1E5C6

RGB 193 229 198

HSL 128.33, 0.41%, 0.83%

LAB 87.7, -17.6, 11.23

 

CMYK 10 / 0 / 9 / 13

HEX #C8DECB

RGB 200 222 203

HSL 128.18, 0.25%, 0.83%

LAB 86.42, -10.85, 6.83

 

CMYK 4 / 0 / 3 / 16

HEX #CFD7D0

RGB 207 215 208

HSL 127.5, 0.09%, 0.83%

LAB 85.21, -3.98, 2.5

 

CMYK 0 / 3 / 0 / 16

HEX #D6D0D6

RGB 214 208 214

HSL 300, 0.07%, 0.83%

LAB 84.1, 3.14, -2.24

 

CMYK 12 / 0 / 21 / 7

HEX #CFECBA

RGB 207 236 186

HSL 94.8, 0.57%, 0.83%

LAB 90.23, -18.3, 21.15

 

CMYK 18 / 0 / 21 / 7

HEX #C2ECBA

RGB 194 236 186

HSL 110.4, 0.57%, 0.83%

LAB 89.4, -22.75, 19.86

 

CMYK 21 / 0 / 19 / 7

HEX #BAECC0

RGB 186 236 192

HSL 127.2, 0.57%, 0.83%

LAB 89.03, -24.39, 16.17

 

CMYK 21 / 0 / 13 / 7

HEX #BAECCD

RGB 186 236 205

HSL 142.8, 0.57%, 0.83%

LAB 89.32, -22.04, 9.81

 

CMYK 21 / 0 / 7 / 7

HEX #BAECDB

RGB 186 236 219

HSL 159.6, 0.57%, 0.83%

LAB 89.65, -19.35, 2.98

 

CMYK 44 / 0 / 39 / 15

HEX #7ADA85

RGB 122 218 133

HSL 126.88, 0.56%, 0.67%

LAB 79.6, -45.9, 33.22

 

CMYK 32 / 0 / 28 / 11

HEX #9AE3A3

RGB 154 227 163

HSL 127.4, 0.57%, 0.75%

LAB 84.2, -35.38, 24.24

 

CMYK 21 / 0 / 19 / 7

HEX #BAECC0

RGB 186 236 192

HSL 127.2, 0.57%, 0.83%

LAB 89.03, -24.39, 16.17

 

CMYK 11 / 0 / 9 / 4

HEX #DBF5DE

RGB 219 245 222

HSL 126.92, 0.57%, 0.91%

LAB 94.16, -12.68, 8.2

 

CMYK 1 / 0 / 1 / 0

HEX #FBFEFC

RGB 251 254 252

HSL 140, 0.6%, 0.99%

LAB 99.39, -1.33, 0.6

 

CMYK 21 / 0 / 19 / 7

HEX #BAECC0

RGB 186 236 192

HSL 127.2, 0.57%, 0.83%

LAB 89.03, -24.39, 16.17

 

CMYK 21 / 7 / 0 / 7

HEX #BADCEC

RGB 186 220 236

HSL 199.2, 0.57%, 0.83%

LAB 85.85, -7.75, -11.55

 

CMYK 0 / 21 / 15 / 7

HEX #ECBAC8

RGB 236 186 200

HSL 343.2, 0.57%, 0.83%

LAB 80.25, 20.11, -0.16

 

CMYK 21 / 0 / 19 / 7

HEX #BAECC0

RGB 186 236 192

HSL 127.2, 0.57%, 0.83%

LAB 89.03, -24.39, 16.17

 

CMYK 19 / 21 / 0 / 7

HEX #C0BAEC

RGB 192 186 236

HSL 247.2, 0.57%, 0.83%

LAB 77.51, 12.18, -24.08

 

CMYK 0 / 19 / 21 / 7

HEX #ECC0BA

RGB 236 192 186

HSL 7.2, 0.57%, 0.83%

LAB 81.33, 14.8, 8.95

 

CMYK 21 / 0 / 19 / 7

HEX #BAECC0

RGB 186 236 192

HSL 127.2, 0.57%, 0.83%

LAB 89.03, -24.39, 16.17

 

CMYK 21 / 7 / 0 / 7

HEX #BADCEC

RGB 186 220 236

HSL 199.2, 0.57%, 0.83%

LAB 85.85, -7.75, -11.55

 

CMYK 0 / 21 / 3 / 7

HEX #ECBAE6

RGB 236 186 230

HSL 307.2, 0.57%, 0.83%

LAB 81.11, 25.17, -15.04

 

CMYK 0 / 14 / 21 / 7

HEX #ECCABA

RGB 236 202 186

HSL 19.2, 0.57%, 0.83%

LAB 83.77, 9.52, 12.41

 

CMYK 21 / 0 / 19 / 7

HEX #BAECC0

RGB 186 236 192

HSL 127.2, 0.57%, 0.83%

LAB 89.03, -24.39, 16.17

 

CMYK 21 / 13 / 0 / 7

HEX #BACDEC

RGB 186 205 236

HSL 217.2, 0.57%, 0.83%

LAB 81.92, 0.11, -17.43

 

CMYK 0 / 21 / 3 / 7

HEX #ECBAE6

RGB 236 186 230

HSL 307.2, 0.57%, 0.83%

LAB 81.11, 25.17, -15.04

 

CMYK 0 / 8 / 21 / 7

HEX #ECD9BA

RGB 236 217 186

HSL 37.2, 0.57%, 0.83%

LAB 87.49, 1.71, 17.65

 

Description

Color code: HEX #BAECC0 | qconv.com Color code: HEX #BAECC0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 236 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 236 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 19 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 19% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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