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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAEC3F it is the complementary color #4513C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAEC3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAEC3F shade: #BFEC3A, #D0FE4D, #E1FF60, #F2FF73 and #FFFF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAEC3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAEC3F shade: #BAEC3F, #A9DA2C, #98C819, #87B606 and #76A400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAEC3F shade: #BBEC41, #E9EC41, #ECC141, #EC9341 and #EC6541

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAEC3F shade: #BBEC41, #8CEC41, #5EEC41, #41EC52 and #41EC80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAEC3F shade matches the following richer shades: #BBEC41 and #C2FD30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAEC3F shade: #BBEC41, #B3DB52, #ACCA63, #A5B973 and #9EA984

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAEC3F shade: #ECC141, #E9EC41, #BCEC41, #8EEC41 and #60EC41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAEC3F shade: #93C714, #ADE81B, #BBEC41, #C8F066 and #D6F48C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAEC3F shade: #BAEC3F, #41EC94 and #D841EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAEC3F shade: #BAEC3F, #41BCEC and #EC41BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAEC3F shade: #BAEC3F, #41EC94, #7141EC and #EC4199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAEC3F shade: #BAEC3F, #41ECC7, #7141EC and #EC4166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 73 / 7

HEX #BAEC3F

RGB 186 236 63

HSL 77.34, 0.82%, 0.59%

LAB 87.38, -38.94, 73.43

 

Complementary color

CMYK 64 / 90 / 0 / 25

HEX #4513C0

RGB 69 19 192

HSL 257.34, 0.82%, 0.41%

LAB 28.21, 61.66, -78.37

 

CMYK 19 / 0 / 75 / 7

HEX #BFEC3A

RGB 191 236 58

HSL 75.17, 0.82%, 0.58%

LAB 87.67, -37.26, 75.38

 

CMYK 18 / 0 / 70 / 0

HEX #D0FE4D

RGB 208 254 77

HSL 75.59, 0.99%, 0.65%

LAB 93.81, -37.84, 75.48

 

CMYK 12 / 0 / 62 / 0

HEX #E1FF60

RGB 225 255 96

HSL 71.32, 1%, 0.69%

LAB 95.32, -30.61, 70.29

 

CMYK 5 / 0 / 55 / 0

HEX #F2FF73

RGB 242 255 115

HSL 65.57, 1%, 0.73%

LAB 96.67, -22.64, 64.22

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF86

RGB 255 255 134

HSL 60, 1%, 0.76%

LAB 97.83, -16.03, 57.32

 

CMYK 21 / 0 / 73 / 7

HEX #BAEC3F

RGB 186 236 63

HSL 77.34, 0.82%, 0.59%

LAB 87.38, -38.94, 73.43

 

CMYK 22 / 0 / 80 / 15

HEX #A9DA2C

RGB 169 218 44

HSL 76.9, 0.7%, 0.51%

LAB 81.16, -38.29, 72.93

 

CMYK 24 / 0 / 88 / 22

HEX #98C819

RGB 152 200 25

HSL 76.46, 0.78%, 0.44%

LAB 74.86, -37.47, 71.46

 

CMYK 26 / 0 / 97 / 29

HEX #87B606

RGB 135 182 6

HSL 76.02, 0.94%, 0.37%

LAB 68.48, -36.44, 68.63

 

CMYK 28 / 0 / 100 / 36

HEX #76A400

RGB 118 164 0

HSL 76.83, 1%, 0.32%

LAB 62, -35.16, 63.95

 

CMYK 21 / 0 / 72 / 7

HEX #BBEC41

RGB 187 236 65

HSL 77.19, 0.82%, 0.59%

LAB 87.45, -38.45, 72.87

 

CMYK 1 / 0 / 72 / 7

HEX #E9EC41

RGB 233 236 65

HSL 61.05, 0.82%, 0.59%

LAB 90.64, -20.15, 77.03

 

CMYK 0 / 18 / 72 / 7

HEX #ECC141

RGB 236 193 65

HSL 44.91, 0.82%, 0.59%

LAB 79.82, 2.69, 66.72

 

CMYK 0 / 38 / 72 / 7

HEX #EC9341

RGB 236 147 65

HSL 28.77, 0.82%, 0.59%

LAB 68.81, 26.94, 55.63

 

CMYK 0 / 57 / 72 / 7

HEX #EC6541

RGB 236 101 65

HSL 12.63, 0.82%, 0.59%

LAB 59.45, 50.08, 45.65

 

CMYK 21 / 0 / 72 / 7

HEX #BBEC41

RGB 187 236 65

HSL 77.19, 0.82%, 0.59%

LAB 87.45, -38.45, 72.87

 

CMYK 41 / 0 / 72 / 7

HEX #8CEC41

RGB 140 236 65

HSL 93.68, 0.82%, 0.59%

LAB 84.97, -55.09, 69.59

 

CMYK 60 / 0 / 72 / 7

HEX #5EEC41

RGB 94 236 65

HSL 109.82, 0.82%, 0.59%

LAB 83.31, -67.77, 67.39

 

CMYK 72 / 0 / 65 / 7

HEX #41EC52

RGB 65 236 82

HSL 125.96, 0.82%, 0.59%

LAB 82.77, -71.83, 60.28

 

CMYK 72 / 0 / 46 / 7

HEX #41EC80

RGB 65 236 128

HSL 142.11, 0.82%, 0.59%

LAB 83.27, -65.89, 40.13

 

CMYK 21 / 0 / 72 / 7

HEX #BBEC41

RGB 187 236 65

HSL 77.19, 0.82%, 0.59%

LAB 87.45, -38.45, 72.87

 

CMYK 23 / 0 / 81 / 1

HEX #C2FD30

RGB 194 253 48

HSL 77.27, 0.98%, 0.59%

LAB 92.55, -44, 82.59

 

CMYK 21 / 0 / 72 / 7

HEX #BBEC41

RGB 187 236 65

HSL 77.19, 0.82%, 0.59%

LAB 87.45, -38.45, 72.87

 

CMYK 18 / 0 / 63 / 14

HEX #B3DB52

RGB 179 219 82

HSL 77.52, 0.66%, 0.59%

LAB 82.3, -32.73, 61.09

 

CMYK 15 / 0 / 51 / 21

HEX #ACCA63

RGB 172 202 99

HSL 77.48, 0.49%, 0.59%

LAB 77.23, -25.95, 47.63

 

CMYK 11 / 0 / 38 / 27

HEX #A5B973

RGB 165 185 115

HSL 77.14, 0.33%, 0.59%

LAB 72.19, -18.48, 33.27

 

CMYK 7 / 0 / 22 / 34

HEX #9EA984

RGB 158 169 132

HSL 77.84, 0.18%, 0.59%

LAB 67.51, -10.49, 17.84

 

CMYK 0 / 18 / 72 / 7

HEX #ECC141

RGB 236 193 65

HSL 44.91, 0.82%, 0.59%

LAB 79.82, 2.69, 66.72

 

CMYK 1 / 0 / 72 / 7

HEX #E9EC41

RGB 233 236 65

HSL 61.05, 0.82%, 0.59%

LAB 90.64, -20.15, 77.03

 

CMYK 20 / 0 / 72 / 7

HEX #BCEC41

RGB 188 236 65

HSL 76.84, 0.82%, 0.59%

LAB 87.52, -38.07, 72.95

 

CMYK 40 / 0 / 72 / 7

HEX #8EEC41

RGB 142 236 65

HSL 92.98, 0.82%, 0.59%

LAB 85.06, -54.45, 69.71

 

CMYK 59 / 0 / 72 / 7

HEX #60EC41

RGB 96 236 65

HSL 109.12, 0.82%, 0.59%

LAB 83.37, -67.31, 67.46

 

CMYK 26 / 0 / 90 / 22

HEX #93C714

RGB 147 199 20

HSL 77.43, 0.82%, 0.43%

LAB 74.25, -39.09, 71.72

 

CMYK 25 / 0 / 88 / 9

HEX #ADE81B

RGB 173 232 27

HSL 77.27, 0.82%, 0.51%

LAB 85.34, -43.43, 80.28

 

CMYK 21 / 0 / 72 / 7

HEX #BBEC41

RGB 187 236 65

HSL 77.19, 0.82%, 0.59%

LAB 87.45, -38.45, 72.87

 

CMYK 17 / 0 / 58 / 6

HEX #C8F066

RGB 200 240 102

HSL 77.39, 0.82%, 0.67%

LAB 89.65, -32.83, 61.13

 

CMYK 12 / 0 / 43 / 4

HEX #D6F48C

RGB 214 244 140

HSL 77.31, 0.83%, 0.75%

LAB 92.08, -25.78, 46.77

 

CMYK 21 / 0 / 73 / 7

HEX #BAEC3F

RGB 186 236 63

HSL 77.34, 0.82%, 0.59%

LAB 87.38, -38.94, 73.43

 

CMYK 72 / 0 / 37 / 7

HEX #41EC94

RGB 65 236 148

HSL 149.12, 0.82%, 0.59%

LAB 83.58, -62.42, 30.56

 

CMYK 8 / 72 / 0 / 7

HEX #D841EC

RGB 216 65 236

HSL 292.98, 0.82%, 0.59%

LAB 56.52, 78.11, -56.69

 

CMYK 21 / 0 / 73 / 7

HEX #BAEC3F

RGB 186 236 63

HSL 77.34, 0.82%, 0.59%

LAB 87.38, -38.94, 73.43

 

CMYK 72 / 20 / 0 / 7

HEX #41BCEC

RGB 65 188 236

HSL 196.84, 0.82%, 0.59%

LAB 71.65, -18.4, -33.62

 

CMYK 0 / 72 / 20 / 7

HEX #EC41BC

RGB 236 65 188

HSL 316.84, 0.82%, 0.59%

LAB 57.31, 75.3, -27.95

 

CMYK 21 / 0 / 73 / 7

HEX #BAEC3F

RGB 186 236 63

HSL 77.34, 0.82%, 0.59%

LAB 87.38, -38.94, 73.43

 

CMYK 72 / 0 / 37 / 7

HEX #41EC94

RGB 65 236 148

HSL 149.12, 0.82%, 0.59%

LAB 83.58, -62.42, 30.56

 

CMYK 52 / 72 / 0 / 7

HEX #7141EC

RGB 113 65 236

HSL 256.84, 0.82%, 0.59%

LAB 43.28, 59.8, -78.77

 

CMYK 0 / 72 / 35 / 7

HEX #EC4199

RGB 236 65 153

HSL 329.12, 0.82%, 0.59%

LAB 56, 71.19, -9.56

 

CMYK 21 / 0 / 73 / 7

HEX #BAEC3F

RGB 186 236 63

HSL 77.34, 0.82%, 0.59%

LAB 87.38, -38.94, 73.43

 

CMYK 72 / 0 / 16 / 7

HEX #41ECC7

RGB 65 236 199

HSL 167.02, 0.82%, 0.59%

LAB 84.61, -51.35, 5.59

 

CMYK 52 / 72 / 0 / 7

HEX #7141EC

RGB 113 65 236

HSL 256.84, 0.82%, 0.59%

LAB 43.28, 59.8, -78.77

 

CMYK 0 / 72 / 57 / 7

HEX #EC4166

RGB 236 65 102

HSL 347.02, 0.82%, 0.59%

LAB 54.63, 66.73, 18.76

 

Description

Color code: HEX #BAEC3F | qconv.com Color code: HEX #BAEC3F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 236 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 236 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 73 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 73% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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