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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAEB80 it is the complementary color #45147F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAEB80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAEB80 shade: #BFEB7B, #D0FD8E, #E1FFA1, #F2FFB4 and #FFFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAEB80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAEB80 shade: #BAEB80, #A9D96D, #98C75A, #87B547 and #76A334

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAEB80 shade: #BAEB7F, #D7EB7F, #EBE27F, #EBC57F and #EBA87F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAEB80 shade: #BAEB7F, #9CEB7F, #7FEB7F, #7FEB9C and #7FEBB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAEB80 shade matches the following richer shades: #BAEB7F and #BBF773

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAEB80 shade: #BAEB7F, #B9DF8B, #B8D397, #B7C7A3 and #B6BBAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAEB80 shade: #EBE27F, #D7EB7F, #BAEB7F, #9EEB7F and #81EB7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAEB80 shade: #93E038, #A6E55B, #BAEB7F, #CDF1A3 and #E0F6C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAEB80 shade: #BAEB80, #7FEBC5 and #EB7FE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAEB80 shade: #BAEB80, #7FBAEB and #EB7FBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAEB80 shade: #BAEB80, #7FEBC5, #B07FEB and #EB7FA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAEB80 shade: #BAEB80, #7FEBE6, #B07FEB and #EB7F84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 46 / 8

HEX #BAEB80

RGB 186 235 128

HSL 87.48, 0.73%, 0.71%

LAB 87.69, -33.18, 46.68

 

Complementary color

CMYK 46 / 84 / 0 / 50

HEX #45147F

RGB 69 20 127

HSL 267.48, 0.73%, 0.29%

LAB 21.2, 44.5, -50.25

 

CMYK 19 / 0 / 48 / 8

HEX #BFEB7B

RGB 191 235 123

HSL 83.57, 0.74%, 0.7%

LAB 87.93, -31.91, 49.44

 

CMYK 18 / 0 / 44 / 1

HEX #D0FD8E

RGB 208 253 142

HSL 84.32, 0.97%, 0.77%

LAB 94.15, -31.96, 48.31

 

CMYK 12 / 0 / 37 / 0

HEX #E1FFA1

RGB 225 255 161

HSL 79.15, 1%, 0.82%

LAB 96.04, -24.52, 41.75

 

CMYK 5 / 0 / 29 / 0

HEX #F2FFB4

RGB 242 255 180

HSL 70.4, 1%, 0.85%

LAB 97.51, -15.96, 34.5

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 21 / 0 / 46 / 8

HEX #BAEB80

RGB 186 235 128

HSL 87.48, 0.73%, 0.71%

LAB 87.69, -33.18, 46.68

 

CMYK 22 / 0 / 50 / 15

HEX #A9D96D

RGB 169 217 109

HSL 86.67, 0.59%, 0.64%

LAB 81.38, -33.15, 47.81

 

CMYK 24 / 0 / 55 / 22

HEX #98C75A

RGB 152 199 90

HSL 85.87, 0.49%, 0.57%

LAB 74.99, -33.07, 48.91

 

CMYK 25 / 0 / 61 / 29

HEX #87B547

RGB 135 181 71

HSL 85.09, 0.44%, 0.49%

LAB 68.5, -32.91, 49.89

 

CMYK 28 / 0 / 68 / 36

HEX #76A334

RGB 118 163 52

HSL 84.32, 0.52%, 0.42%

LAB 61.91, -32.63, 50.63

 

CMYK 21 / 0 / 46 / 8

HEX #BAEB7F

RGB 186 235 127

HSL 87.22, 0.73%, 0.71%

LAB 87.67, -33.29, 47.14

 

CMYK 9 / 0 / 46 / 8

HEX #D7EB7F

RGB 215 235 127

HSL 71.11, 0.73%, 0.71%

LAB 89.58, -22.47, 49.91

 

CMYK 0 / 4 / 46 / 8

HEX #EBE27F

RGB 235 226 127

HSL 55, 0.73%, 0.71%

LAB 88.73, -10.24, 49.22

 

CMYK 0 / 16 / 46 / 8

HEX #EBC57F

RGB 235 197 127

HSL 38.89, 0.73%, 0.71%

LAB 81.36, 4.58, 40.03

 

CMYK 0 / 29 / 46 / 8

HEX #EBA87F

RGB 235 168 127

HSL 22.78, 0.73%, 0.71%

LAB 74.32, 19.89, 30.94

 

CMYK 21 / 0 / 46 / 8

HEX #BAEB7F

RGB 186 235 127

HSL 87.22, 0.73%, 0.71%

LAB 87.67, -33.29, 47.14

 

CMYK 34 / 0 / 46 / 8

HEX #9CEB7F

RGB 156 235 127

HSL 103.89, 0.73%, 0.71%

LAB 86.01, -43.63, 44.72

 

CMYK 46 / 0 / 46 / 8

HEX #7FEB7F

RGB 127 235 127

HSL 120, 0.73%, 0.71%

LAB 84.72, -52.42, 42.82

 

CMYK 46 / 0 / 34 / 8

HEX #7FEB9C

RGB 127 235 156

HSL 136.11, 0.73%, 0.71%

LAB 85.16, -47.91, 28.93

 

CMYK 46 / 0 / 21 / 8

HEX #7FEBB9

RGB 127 235 185

HSL 152.22, 0.73%, 0.71%

LAB 85.72, -42.46, 14.74

 

CMYK 21 / 0 / 46 / 8

HEX #BAEB7F

RGB 186 235 127

HSL 87.22, 0.73%, 0.71%

LAB 87.67, -33.29, 47.14

 

CMYK 24 / 0 / 53 / 3

HEX #BBF773

RGB 187 247 115

HSL 87.27, 0.89%, 0.71%

LAB 90.93, -39.62, 56.66

 

CMYK 21 / 0 / 46 / 8

HEX #BAEB7F

RGB 186 235 127

HSL 87.22, 0.73%, 0.71%

LAB 87.67, -33.29, 47.14

 

CMYK 17 / 0 / 38 / 13

HEX #B9DF8B

RGB 185 223 139

HSL 87.14, 0.57%, 0.71%

LAB 84.46, -26.57, 37.16

 

CMYK 13 / 0 / 28 / 17

HEX #B8D397

RGB 184 211 151

HSL 87, 0.41%, 0.71%

LAB 81.3, -19.44, 26.82

 

CMYK 8 / 0 / 18 / 22

HEX #B7C7A3

RGB 183 199 163

HSL 86.67, 0.24%, 0.71%

LAB 78.2, -11.89, 16.22

 

CMYK 3 / 0 / 6 / 27

HEX #B6BBAF

RGB 182 187 175

HSL 85, 0.08%, 0.71%

LAB 75.19, -3.94, 5.46

 

CMYK 0 / 4 / 46 / 8

HEX #EBE27F

RGB 235 226 127

HSL 55, 0.73%, 0.71%

LAB 88.73, -10.24, 49.22

 

CMYK 9 / 0 / 46 / 8

HEX #D7EB7F

RGB 215 235 127

HSL 71.11, 0.73%, 0.71%

LAB 89.58, -22.47, 49.91

 

CMYK 21 / 0 / 46 / 8

HEX #BAEB7F

RGB 186 235 127

HSL 87.22, 0.73%, 0.71%

LAB 87.67, -33.29, 47.14

 

CMYK 33 / 0 / 46 / 8

HEX #9EEB7F

RGB 158 235 127

HSL 102.78, 0.73%, 0.71%

LAB 86.12, -42.98, 44.86

 

CMYK 45 / 0 / 46 / 8

HEX #81EB7F

RGB 129 235 127

HSL 118.89, 0.73%, 0.71%

LAB 84.8, -51.86, 42.93

 

CMYK 34 / 0 / 75 / 12

HEX #93E038

RGB 147 224 56

HSL 87.5, 0.73%, 0.55%

LAB 81.73, -48.43, 69.5

 

CMYK 28 / 0 / 60 / 10

HEX #A6E55B

RGB 166 229 91

HSL 87.39, 0.73%, 0.63%

LAB 84.43, -41.38, 59.43

 

CMYK 21 / 0 / 46 / 8

HEX #BAEB7F

RGB 186 235 127

HSL 87.22, 0.73%, 0.71%

LAB 87.67, -33.29, 47.14

 

CMYK 15 / 0 / 32 / 5

HEX #CDF1A3

RGB 205 241 163

HSL 87.69, 0.74%, 0.79%

LAB 91.02, -24.8, 33.94

 

CMYK 9 / 0 / 20 / 4

HEX #E0F6C6

RGB 224 246 198

HSL 87.5, 0.73%, 0.87%

LAB 94.24, -15.44, 20.73

 

CMYK 21 / 0 / 46 / 8

HEX #BAEB80

RGB 186 235 128

HSL 87.48, 0.73%, 0.71%

LAB 87.69, -33.18, 46.68

 

CMYK 46 / 0 / 16 / 8

HEX #7FEBC5

RGB 127 235 197

HSL 158.89, 0.73%, 0.71%

LAB 85.99, -39.94, 8.84

 

CMYK 0 / 46 / 2 / 8

HEX #EB7FE6

RGB 235 127 230

HSL 302.78, 0.73%, 0.71%

LAB 68.43, 55.59, -34.41

 

CMYK 21 / 0 / 46 / 8

HEX #BAEB80

RGB 186 235 128

HSL 87.48, 0.73%, 0.71%

LAB 87.69, -33.18, 46.68

 

CMYK 46 / 21 / 0 / 8

HEX #7FBAEB

RGB 127 186 235

HSL 207.22, 0.73%, 0.71%

LAB 73.3, -6.2, -30.35

 

CMYK 0 / 46 / 21 / 8

HEX #EB7FBA

RGB 235 127 186

HSL 327.22, 0.73%, 0.71%

LAB 66.81, 48.58, -12.34

 

CMYK 21 / 0 / 46 / 8

HEX #BAEB80

RGB 186 235 128

HSL 87.48, 0.73%, 0.71%

LAB 87.69, -33.18, 46.68

 

CMYK 46 / 0 / 16 / 8

HEX #7FEBC5

RGB 127 235 197

HSL 158.89, 0.73%, 0.71%

LAB 85.99, -39.94, 8.84

 

CMYK 25 / 46 / 0 / 8

HEX #B07FEB

RGB 176 127 235

HSL 267.22, 0.73%, 0.71%

LAB 62, 39.99, -47.72

 

CMYK 0 / 46 / 30 / 8

HEX #EB7FA5

RGB 235 127 165

HSL 338.89, 0.73%, 0.71%

LAB 66.18, 45.71, -1.43

 

CMYK 21 / 0 / 46 / 8

HEX #BAEB80

RGB 186 235 128

HSL 87.48, 0.73%, 0.71%

LAB 87.69, -33.18, 46.68

 

CMYK 46 / 0 / 2 / 8

HEX #7FEBE6

RGB 127 235 230

HSL 177.22, 0.73%, 0.71%

LAB 86.82, -32.31, -7.26

 

CMYK 25 / 46 / 0 / 8

HEX #B07FEB

RGB 176 127 235

HSL 267.22, 0.73%, 0.71%

LAB 62, 39.99, -47.72

 

CMYK 0 / 46 / 44 / 8

HEX #EB7F84

RGB 235 127 132

HSL 357.22, 0.73%, 0.71%

LAB 65.36, 41.9, 16.1

 

Description

Color code: HEX #BAEB80 | qconv.com Color code: HEX #BAEB80 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 235 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 235 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 46 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 46% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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