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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAE3AC it is the complementary color #451C53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAE3AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAE3AC shade: #BFE3A7, #D0F5BA, #E1FFCD, #F2FFE0 and #FFFFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAE3AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAE3AC shade: #BAE3AC, #A9D199, #98BF86, #87AD73 and #769B60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAE3AC shade: #B9E3AB, #C8E3AB, #D7E3AB, #E3DFAB and #E3D0AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAE3AC shade: #B9E3AB, #ABE3AC, #ABE3BB, #ABE3CA and #ABE3D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAE3AC shade matches the following richer shades: #B9E3AB, #B5ECA2, #B0F599 and #ACFE90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAE3AC shade: #B9E3AB, #BEDAB4, #C2D1BD, #C6C8C6 and #CBBFCF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAE3AC shade: #D8E3AB, #C9E3AB, #BAE3AB, #ABE3AB and #ABE3BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAE3AC shade: #86CE6D, #9FD98C, #B9E3AB, #D3EDCA and #EDF8E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAE3AC shade: #BAE3AC, #ABE3DF and #E3ABD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAE3AC shade: #BAE3AC, #ABBAE3 and #E3ABBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAE3AC shade: #BAE3AC, #ABE3DF, #D4ABE3 and #E3ABAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAE3AC shade: #BAE3AC, #ABD6E3, #D4ABE3 and #E3B8AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 24 / 11

HEX #BAE3AC

RGB 186 227 172

HSL 104.73, 0.5%, 0.78%

LAB 86.18, -23.38, 22.59

 

Complementary color

CMYK 17 / 66 / 0 / 67

HEX #451C53

RGB 69 28 83

HSL 284.73, 0.5%, 0.22%

LAB 18.89, 29.58, -25.24

 

CMYK 16 / 0 / 26 / 11

HEX #BFE3A7

RGB 191 227 167

HSL 96, 0.52%, 0.77%

LAB 86.41, -22.42, 25.53

 

CMYK 15 / 0 / 24 / 4

HEX #D0F5BA

RGB 208 245 186

HSL 97.63, 0.75%, 0.85%

LAB 92.69, -22.34, 24.55

 

CMYK 12 / 0 / 20 / 0

HEX #E1FFCD

RGB 225 255 205

HSL 96, 1%, 0.9%

LAB 96.79, -18.4, 20.71

 

CMYK 5 / 0 / 12 / 0

HEX #F2FFE0

RGB 242 255 224

HSL 85.16, 1%, 0.94%

LAB 98.34, -9.57, 13.36

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF3

RGB 255 255 243

HSL 60, 1%, 0.98%

LAB 99.71, -2.05, 5.72

 

CMYK 18 / 0 / 24 / 11

HEX #BAE3AC

RGB 186 227 172

HSL 104.73, 0.5%, 0.78%

LAB 86.18, -23.38, 22.59

 

CMYK 19 / 0 / 27 / 18

HEX #A9D199

RGB 169 209 153

HSL 102.86, 0.38%, 0.71%

LAB 79.8, -23.51, 23.58

 

CMYK 20 / 0 / 30 / 25

HEX #98BF86

RGB 152 191 134

HSL 101.05, 0.31%, 0.64%

LAB 73.32, -23.64, 24.63

 

CMYK 22 / 0 / 34 / 32

HEX #87AD73

RGB 135 173 115

HSL 99.31, 0.26%, 0.56%

LAB 66.73, -23.79, 25.74

 

CMYK 24 / 0 / 38 / 39

HEX #769B60

RGB 118 155 96

HSL 97.63, 0.24%, 0.49%

LAB 60.01, -23.92, 26.91

 

CMYK 19 / 0 / 25 / 11

HEX #B9E3AB

RGB 185 227 171

HSL 105, 0.5%, 0.78%

LAB 86.1, -23.88, 22.98

 

CMYK 12 / 0 / 25 / 11

HEX #C8E3AB

RGB 200 227 171

HSL 88.93, 0.5%, 0.78%

LAB 87.07, -18.63, 24.47

 

CMYK 5 / 0 / 25 / 11

HEX #D7E3AB

RGB 215 227 171

HSL 72.86, 0.5%, 0.78%

LAB 88.13, -13.22, 26.08

 

CMYK 0 / 2 / 25 / 11

HEX #E3DFAB

RGB 227 223 171

HSL 55.71, 0.5%, 0.78%

LAB 87.99, -6.78, 26.04

 

CMYK 0 / 8 / 25 / 11

HEX #E3D0AB

RGB 227 208 171

HSL 39.64, 0.5%, 0.78%

LAB 84.16, 0.92, 20.79

 

CMYK 19 / 0 / 25 / 11

HEX #B9E3AB

RGB 185 227 171

HSL 105, 0.5%, 0.78%

LAB 86.1, -23.88, 22.98

 

CMYK 25 / 0 / 24 / 11

HEX #ABE3AC

RGB 171 227 172

HSL 121.07, 0.5%, 0.78%

LAB 85.29, -28.41, 21.21

 

CMYK 25 / 0 / 18 / 11

HEX #ABE3BB

RGB 171 227 187

HSL 137.14, 0.5%, 0.78%

LAB 85.6, -25.77, 13.81

 

CMYK 25 / 0 / 11 / 11

HEX #ABE3CA

RGB 171 227 202

HSL 153.21, 0.5%, 0.78%

LAB 85.94, -22.92, 6.42

 

CMYK 25 / 0 / 4 / 11

HEX #ABE3D9

RGB 171 227 217

HSL 169.29, 0.5%, 0.78%

LAB 86.31, -19.86, -0.94

 

CMYK 19 / 0 / 25 / 11

HEX #B9E3AB

RGB 185 227 171

HSL 105, 0.5%, 0.78%

LAB 86.1, -23.88, 22.98

 

CMYK 23 / 0 / 31 / 7

HEX #B5ECA2

RGB 181 236 162

HSL 104.59, 0.66%, 0.78%

LAB 88.17, -30.92, 30.38

 

CMYK 28 / 0 / 38 / 4

HEX #B0F599

RGB 176 245 153

HSL 105, 0.82%, 0.78%

LAB 90.25, -38.02, 37.59

 

CMYK 32 / 0 / 43 / 0

HEX #ACFE90

RGB 172 254 144

HSL 104.73, 0.98%, 0.78%

LAB 92.43, -44.51, 44.76

 

CMYK 19 / 0 / 25 / 11

HEX #B9E3AB

RGB 185 227 171

HSL 105, 0.5%, 0.78%

LAB 86.1, -23.88, 22.98

 

CMYK 13 / 0 / 17 / 15

HEX #BEDAB4

RGB 190 218 180

HSL 104.21, 0.34%, 0.78%

LAB 84.17, -16.25, 15.64

 

CMYK 7 / 0 / 10 / 18

HEX #C2D1BD

RGB 194 209 189

HSL 105, 0.18%, 0.78%

LAB 82.24, -8.74, 8.18

 

CMYK 1 / 0 / 1 / 22

HEX #C6C8C6

RGB 198 200 198

HSL 120, 0.02%, 0.78%

LAB 80.4, -1.05, 0.75

 

CMYK 2 / 8 / 0 / 19

HEX #CBBFCF

RGB 203 191 207

HSL 285, 0.14%, 0.78%

LAB 78.73, 7.12, -6.5

 

CMYK 5 / 0 / 25 / 11

HEX #D8E3AB

RGB 216 227 171

HSL 71.79, 0.5%, 0.78%

LAB 88.2, -12.86, 26.19

 

CMYK 11 / 0 / 25 / 11

HEX #C9E3AB

RGB 201 227 171

HSL 87.86, 0.5%, 0.78%

LAB 87.14, -18.28, 24.57

 

CMYK 18 / 0 / 25 / 11

HEX #BAE3AB

RGB 186 227 171

HSL 103.93, 0.5%, 0.78%

LAB 86.16, -23.53, 23.08

 

CMYK 25 / 0 / 25 / 11

HEX #ABE3AB

RGB 171 227 171

HSL 120, 0.5%, 0.78%

LAB 85.27, -28.58, 21.7

 

CMYK 25 / 0 / 18 / 11

HEX #ABE3BA

RGB 171 227 186

HSL 136.07, 0.5%, 0.78%

LAB 85.58, -25.95, 14.31

 

CMYK 35 / 0 / 47 / 19

HEX #86CE6D

RGB 134 206 109

HSL 104.54, 0.5%, 0.62%

LAB 76.26, -40.45, 41.09

 

CMYK 27 / 0 / 35 / 15

HEX #9FD98C

RGB 159 217 140

HSL 105.19, 0.5%, 0.7%

LAB 81.23, -32.77, 32.13

 

CMYK 19 / 0 / 25 / 11

HEX #B9E3AB

RGB 185 227 171

HSL 105, 0.5%, 0.78%

LAB 86.1, -23.88, 22.98

 

CMYK 11 / 0 / 15 / 7

HEX #D3EDCA

RGB 211 237 202

HSL 104.57, 0.49%, 0.86%

LAB 91.09, -14.82, 14.11

 

CMYK 4 / 0 / 6 / 3

HEX #EDF8E9

RGB 237 248 233

HSL 104, 0.52%, 0.94%

LAB 96.42, -6.27, 5.94

 

CMYK 18 / 0 / 24 / 11

HEX #BAE3AC

RGB 186 227 172

HSL 104.73, 0.5%, 0.78%

LAB 86.18, -23.38, 22.59

 

CMYK 25 / 0 / 2 / 11

HEX #ABE3DF

RGB 171 227 223

HSL 175.71, 0.5%, 0.78%

LAB 86.47, -18.59, -3.87

 

CMYK 0 / 25 / 8 / 11

HEX #E3ABD0

RGB 227 171 208

HSL 320.36, 0.5%, 0.78%

LAB 76.08, 26.31, -10.76

 

CMYK 18 / 0 / 24 / 11

HEX #BAE3AC

RGB 186 227 172

HSL 104.73, 0.5%, 0.78%

LAB 86.18, -23.38, 22.59

 

CMYK 25 / 18 / 0 / 11

HEX #ABBAE3

RGB 171 186 227

HSL 223.93, 0.5%, 0.78%

LAB 75.65, 3.73, -22.19

 

CMYK 0 / 25 / 18 / 11

HEX #E3ABBA

RGB 227 171 186

HSL 343.93, 0.5%, 0.78%

LAB 75.45, 22.73, 0.34

 

CMYK 18 / 0 / 24 / 11

HEX #BAE3AC

RGB 186 227 172

HSL 104.73, 0.5%, 0.78%

LAB 86.18, -23.38, 22.59

 

CMYK 25 / 0 / 2 / 11

HEX #ABE3DF

RGB 171 227 223

HSL 175.71, 0.5%, 0.78%

LAB 86.47, -18.59, -3.87

 

CMYK 7 / 25 / 0 / 11

HEX #D4ABE3

RGB 212 171 227

HSL 283.93, 0.5%, 0.78%

LAB 75.24, 24.82, -22.5

 

CMYK 0 / 25 / 23 / 11

HEX #E3ABAF

RGB 227 171 175

HSL 355.71, 0.5%, 0.78%

LAB 75.17, 21.08, 5.95

 

CMYK 18 / 0 / 24 / 11

HEX #BAE3AC

RGB 186 227 172

HSL 104.73, 0.5%, 0.78%

LAB 86.18, -23.38, 22.59

 

CMYK 25 / 6 / 0 / 11

HEX #ABD6E3

RGB 171 214 227

HSL 193.93, 0.5%, 0.78%

LAB 83.07, -11.12, -11.01

 

CMYK 7 / 25 / 0 / 11

HEX #D4ABE3

RGB 212 171 227

HSL 283.93, 0.5%, 0.78%

LAB 75.24, 24.82, -22.5

 

CMYK 0 / 19 / 25 / 11

HEX #E3B8AB

RGB 227 184 171

HSL 13.93, 0.5%, 0.78%

LAB 78.2, 13.56, 12.45

 

Description

Color code: HEX #BAE3AC | qconv.com Color code: HEX #BAE3AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 227 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 227 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 24 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 24% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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