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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAE1ED it is the complementary color #451E12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAE1ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAE1ED shade: #BFE1E8, #D0F3FB, #E1FFFF and #F2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAE1ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAE1ED shade: #BAE1ED, #A9CFDA, #98BDC7, #87ABB4 and #7699A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAE1ED shade: #BAE1ED, #BAD3ED, #BAC5ED, #BCBAED and #CABAED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAE1ED shade: #BAE1ED, #BAD3ED, #BAC5ED and #BABAED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAE1ED shade matches the following richer shades: #BAE1ED, #B3E4F4 and #ACE8FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAE1ED shade: #BAE1ED, #C1DDE6, #C8D9DF, #CFD6D8 and #D6D2D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAE1ED shade: #BAEDDD, #BAEDEB, #BAE1ED, #BAD3ED and #BAC6ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAE1ED shade: #78C4DC, #99D3E4, #BAE1ED, #DAEFF5 and #FBFDFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAE1ED shade: #BAE1ED, #D0BAED and #EDE4BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAE1ED shade: #BAE1ED, #EDBAE1 and #E1EDBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAE1ED shade: #BAE1ED, #D0BAED, #EDC6BA and #D7EDBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAE1ED shade: #BAE1ED, #DFBAED, #EDC6BA and #C7EDBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 5 / 0 / 7

HEX #BAE1ED

RGB 186 225 237

HSL 194.12, 0.59%, 0.83%

LAB 87.19, -10.1, -10.07

 

Complementary color

CMYK 0 / 57 / 74 / 73

HEX #451E12

RGB 69 30 18

HSL 14.12, 0.59%, 0.17%

LAB 16.69, 17.61, 16.69

 

CMYK 18 / 3 / 0 / 9

HEX #BFE1E8

RGB 191 225 232

HSL 190.24, 0.47%, 0.83%

LAB 87.36, -9.64, -7.15

 

CMYK 17 / 3 / 0 / 2

HEX #D0F3FB

RGB 208 243 251

HSL 191.16, 0.84%, 0.9%

LAB 93.66, -9.65, -7.64

 

CMYK 12 / 0 / 0 / 0

HEX #E1FFFF

RGB 225 255 255

HSL 180, 1%, 0.94%

LAB 97.93, -9.63, -3.28

 

CMYK 5 / 0 / 0 / 0

HEX #F2FFFF

RGB 242 255 255

HSL 180, 1%, 0.97%

LAB 99.07, -4.23, -1.48

 

CMYK 22 / 5 / 0 / 7

HEX #BAE1ED

RGB 186 225 237

HSL 194.12, 0.59%, 0.83%

LAB 87.19, -10.1, -10.07

 

CMYK 22 / 5 / 0 / 15

HEX #A9CFDA

RGB 169 207 218

HSL 193.47, 0.4%, 0.76%

LAB 80.81, -10.1, -9.6

 

CMYK 24 / 5 / 0 / 22

HEX #98BDC7

RGB 152 189 199

HSL 192.77, 0.3%, 0.69%

LAB 74.31, -10.1, -9.12

 

CMYK 25 / 5 / 0 / 29

HEX #87ABB4

RGB 135 171 180

HSL 192, 0.23%, 0.62%

LAB 67.7, -10.11, -8.64

 

CMYK 27 / 5 / 0 / 37

HEX #7699A1

RGB 118 153 161

HSL 191.16, 0.19%, 0.55%

LAB 60.96, -10.13, -8.14

 

CMYK 22 / 5 / 0 / 7

HEX #BAE1ED

RGB 186 225 237

HSL 194.12, 0.59%, 0.83%

LAB 87.19, -10.1, -10.07

 

CMYK 22 / 11 / 0 / 7

HEX #BAD3ED

RGB 186 211 237

HSL 210.59, 0.59%, 0.83%

LAB 83.52, -2.84, -15.56

 

CMYK 22 / 17 / 0 / 7

HEX #BAC5ED

RGB 186 197 237

HSL 227.06, 0.59%, 0.83%

LAB 79.89, 4.6, -21.04

 

CMYK 21 / 22 / 0 / 7

HEX #BCBAED

RGB 188 186 237

HSL 242.35, 0.59%, 0.83%

LAB 77.24, 11.17, -25.06

 

CMYK 15 / 22 / 0 / 7

HEX #CABAED

RGB 202 186 237

HSL 258.82, 0.59%, 0.83%

LAB 78.34, 15.51, -23.28

 

CMYK 22 / 5 / 0 / 7

HEX #BAE1ED

RGB 186 225 237

HSL 194.12, 0.59%, 0.83%

LAB 87.19, -10.1, -10.07

 

CMYK 22 / 11 / 0 / 7

HEX #BAD3ED

RGB 186 211 237

HSL 210.59, 0.59%, 0.83%

LAB 83.52, -2.84, -15.56

 

CMYK 22 / 17 / 0 / 7

HEX #BAC5ED

RGB 186 197 237

HSL 227.06, 0.59%, 0.83%

LAB 79.89, 4.6, -21.04

 

CMYK 22 / 22 / 0 / 7

HEX #BABAED

RGB 186 186 237

HSL 240, 0.59%, 0.83%

LAB 77.08, 10.56, -25.31

 

CMYK 22 / 5 / 0 / 7

HEX #BAE1ED

RGB 186 225 237

HSL 194.12, 0.59%, 0.83%

LAB 87.19, -10.1, -10.07

 

CMYK 27 / 7 / 0 / 4

HEX #B3E4F4

RGB 179 228 244

HSL 194.77, 0.75%, 0.83%

LAB 87.78, -12.14, -12.92

 

CMYK 31 / 8 / 0 / 2

HEX #ACE8FB

RGB 172 232 251

HSL 194.43, 0.91%, 0.83%

LAB 88.66, -14.53, -15.31

 

CMYK 22 / 5 / 0 / 7

HEX #BAE1ED

RGB 186 225 237

HSL 194.12, 0.59%, 0.83%

LAB 87.19, -10.1, -10.07

 

CMYK 16 / 4 / 0 / 10

HEX #C1DDE6

RGB 193 221 230

HSL 194.59, 0.43%, 0.83%

LAB 86.39, -7.38, -7.53

 

CMYK 10 / 3 / 0 / 13

HEX #C8D9DF

RGB 200 217 223

HSL 195.65, 0.26%, 0.83%

LAB 85.62, -4.5, -4.9

 

CMYK 4 / 1 / 0 / 15

HEX #CFD6D8

RGB 207 214 216

HSL 193.33, 0.1%, 0.83%

LAB 85.16, -1.99, -1.82

 

CMYK 0 / 2 / 2 / 16

HEX #D6D2D1

RGB 214 210 209

HSL 12, 0.06%, 0.83%

LAB 84.48, 1.2, 0.97

 

CMYK 22 / 0 / 7 / 7

HEX #BAEDDD

RGB 186 237 221

HSL 161.18, 0.59%, 0.83%

LAB 89.97, -19.45, 2.4

 

CMYK 22 / 0 / 1 / 7

HEX #BAEDEB

RGB 186 237 235

HSL 177.65, 0.59%, 0.83%

LAB 90.32, -16.59, -4.38

 

CMYK 22 / 5 / 0 / 7

HEX #BAE1ED

RGB 186 225 237

HSL 194.12, 0.59%, 0.83%

LAB 87.19, -10.1, -10.07

 

CMYK 22 / 11 / 0 / 7

HEX #BAD3ED

RGB 186 211 237

HSL 210.59, 0.59%, 0.83%

LAB 83.52, -2.84, -15.56

 

CMYK 22 / 16 / 0 / 7

HEX #BAC6ED

RGB 186 198 237

HSL 225.88, 0.59%, 0.83%

LAB 80.15, 4.07, -20.65

 

CMYK 45 / 11 / 0 / 14

HEX #78C4DC

RGB 120 196 220

HSL 194.4, 0.59%, 0.67%

LAB 75.23, -17.27, -19.32

 

CMYK 33 / 7 / 0 / 11

HEX #99D3E4

RGB 153 211 228

HSL 193.6, 0.58%, 0.75%

LAB 81.27, -14.48, -14.34

 

CMYK 22 / 5 / 0 / 7

HEX #BAE1ED

RGB 186 225 237

HSL 194.12, 0.59%, 0.83%

LAB 87.19, -10.1, -10.07

 

CMYK 11 / 2 / 0 / 4

HEX #DAEFF5

RGB 218 239 245

HSL 193.33, 0.57%, 0.91%

LAB 93.12, -5.71, -5.25

 

CMYK 1 / 0 / 0 / 0

HEX #FBFDFE

RGB 251 253 254

HSL 200, 0.6%, 0.99%

LAB 99.19, -0.48, -0.72

 

CMYK 22 / 5 / 0 / 7

HEX #BAE1ED

RGB 186 225 237

HSL 194.12, 0.59%, 0.83%

LAB 87.19, -10.1, -10.07

 

CMYK 12 / 22 / 0 / 7

HEX #D0BAED

RGB 208 186 237

HSL 265.88, 0.59%, 0.83%

LAB 78.83, 17.41, -22.48

 

CMYK 0 / 4 / 22 / 7

HEX #EDE4BA

RGB 237 228 186

HSL 49.41, 0.59%, 0.83%

LAB 90.34, -3.55, 21.63

 

CMYK 22 / 5 / 0 / 7

HEX #BAE1ED

RGB 186 225 237

HSL 194.12, 0.59%, 0.83%

LAB 87.19, -10.1, -10.07

 

CMYK 0 / 22 / 5 / 7

HEX #EDBAE1

RGB 237 186 225

HSL 314.12, 0.59%, 0.83%

LAB 81.05, 24.62, -12.43

 

CMYK 5 / 0 / 22 / 7

HEX #E1EDBA

RGB 225 237 186

HSL 74.12, 0.59%, 0.83%

LAB 91.74, -12.43, 23.43

 

CMYK 22 / 5 / 0 / 7

HEX #BAE1ED

RGB 186 225 237

HSL 194.12, 0.59%, 0.83%

LAB 87.19, -10.1, -10.07

 

CMYK 12 / 22 / 0 / 7

HEX #D0BAED

RGB 208 186 237

HSL 265.88, 0.59%, 0.83%

LAB 78.83, 17.41, -22.48

 

CMYK 0 / 16 / 22 / 7

HEX #EDC6BA

RGB 237 198 186

HSL 14.12, 0.59%, 0.83%

LAB 82.88, 12, 11.17

 

CMYK 9 / 0 / 22 / 7

HEX #D7EDBA

RGB 215 237 186

HSL 85.88, 0.59%, 0.83%

LAB 91.04, -15.99, 22.34

 

CMYK 22 / 5 / 0 / 7

HEX #BAE1ED

RGB 186 225 237

HSL 194.12, 0.59%, 0.83%

LAB 87.19, -10.1, -10.07

 

CMYK 6 / 22 / 0 / 7

HEX #DFBAED

RGB 223 186 237

HSL 283.53, 0.59%, 0.83%

LAB 80.13, 22.21, -20.39

 

CMYK 0 / 16 / 22 / 7

HEX #EDC6BA

RGB 237 198 186

HSL 14.12, 0.59%, 0.83%

LAB 82.88, 12, 11.17

 

CMYK 16 / 0 / 22 / 7

HEX #C7EDBA

RGB 199 237 186

HSL 104.71, 0.59%, 0.83%

LAB 89.98, -21.54, 20.72

 

Description

Color code: HEX #BAE1ED | qconv.com Color code: HEX #BAE1ED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 225 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 225 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 5 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 5% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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