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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BADE2E it is the complementary color #4521D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BADE2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BADE2E shade: #BFDE29, #D0F03C, #E1FF4F, #F2FF62 and #FFFF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BADE2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BADE2E shade: #BADE2E, #A9CC1B, #98BA08, #87A800 and #769600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BADE2E shade: #BBDF30, #DFD330, #DFA430, #DF7530 and #DF4630

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BADE2E shade: #BBDF30, #8CDF30, #5CDF30, #30DF32 and #30DF61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BADE2E shade matches the following richer shades: #BBDF30 and #C6F21C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BADE2E shade: #BBDF30, #AFCB43, #A4B856, #98A46A and #8D917D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BADE2E shade: #DFA430, #DFD330, #BCDF30, #8DDF30 and #5EDF30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BADE2E shade: #86A219, #A4C61F, #BBDF30, #C7E453 and #D2EA77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BADE2E shade: #BADE2E, #30DF76 and #BC30DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BADE2E shade: #BADE2E, #30BCDF and #DF30BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BADE2E shade: #BADE2E, #30DF76, #5330DF and #DF3099

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BADE2E shade: #BADE2E, #30DFAA, #5330DF and #DF3064

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 79 / 13

HEX #BADE2E

RGB 186 222 46

HSL 72.27, 0.73%, 0.53%

LAB 83.38, -33.35, 74.79

 

Complementary color

CMYK 67 / 84 / 0 / 18

HEX #4521D1

RGB 69 33 209

HSL 252.27, 0.73%, 0.47%

LAB 31.71, 61.57, -82.53

 

CMYK 14 / 0 / 82 / 13

HEX #BFDE29

RGB 191 222 41

HSL 70.28, 0.73%, 0.52%

LAB 83.69, -31.52, 76.48

 

CMYK 13 / 0 / 75 / 6

HEX #D0F03C

RGB 208 240 60

HSL 70.67, 0.86%, 0.59%

LAB 89.89, -32.33, 77.24

 

CMYK 12 / 0 / 69 / 0

HEX #E1FF4F

RGB 225 255 79

HSL 70.23, 1%, 0.65%

LAB 95.2, -31.63, 76.53

 

CMYK 5 / 0 / 62 / 0

HEX #F2FF62

RGB 242 255 98

HSL 64.97, 1%, 0.69%

LAB 96.52, -23.84, 71.14

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF75

RGB 255 255 117

HSL 60, 1%, 0.73%

LAB 97.66, -17.4, 64.73

 

CMYK 16 / 0 / 79 / 13

HEX #BADE2E

RGB 186 222 46

HSL 72.27, 0.73%, 0.53%

LAB 83.38, -33.35, 74.79

 

CMYK 17 / 0 / 87 / 20

HEX #A9CC1B

RGB 169 204 27

HSL 71.86, 0.77%, 0.45%

LAB 77.1, -32.46, 73.38

 

CMYK 18 / 0 / 96 / 27

HEX #98BA08

RGB 152 186 8

HSL 71.46, 0.92%, 0.38%

LAB 70.74, -31.37, 70.63

 

CMYK 20 / 0 / 100 / 34

HEX #87A800

RGB 135 168 0

HSL 71.79, 1%, 0.33%

LAB 64.29, -30.06, 66.17

 

CMYK 21 / 0 / 100 / 41

HEX #769600

RGB 118 150 0

HSL 72.8, 1%, 0.29%

LAB 57.72, -28.62, 60.69

 

CMYK 16 / 0 / 78 / 13

HEX #BBDF30

RGB 187 223 48

HSL 72.34, 0.73%, 0.53%

LAB 83.73, -33.34, 74.58

 

CMYK 0 / 5 / 78 / 13

HEX #DFD330

RGB 223 211 48

HSL 55.89, 0.73%, 0.53%

LAB 83.17, -12.69, 75.1

 

CMYK 0 / 26 / 78 / 13

HEX #DFA430

RGB 223 164 48

HSL 39.77, 0.73%, 0.53%

LAB 71.18, 11.71, 64.31

 

CMYK 0 / 48 / 78 / 13

HEX #DF7530

RGB 223 117 48

HSL 23.66, 0.73%, 0.53%

LAB 60.45, 36.63, 54.23

 

CMYK 0 / 69 / 78 / 13

HEX #DF4630

RGB 223 70 48

HSL 7.54, 0.73%, 0.53%

LAB 52.15, 58.2, 46.06

 

CMYK 16 / 0 / 78 / 13

HEX #BBDF30

RGB 187 223 48

HSL 72.34, 0.73%, 0.53%

LAB 83.73, -33.34, 74.58

 

CMYK 37 / 0 / 78 / 13

HEX #8CDF30

RGB 140 223 48

HSL 88.46, 0.73%, 0.53%

LAB 81.05, -50.84, 71.14

 

CMYK 59 / 0 / 78 / 13

HEX #5CDF30

RGB 92 223 48

HSL 104.91, 0.73%, 0.53%

LAB 79.19, -64.91, 68.74

 

CMYK 78 / 0 / 78 / 13

HEX #30DF32

RGB 48 223 50

HSL 120.69, 0.73%, 0.53%

LAB 78.25, -72.83, 66.92

 

CMYK 78 / 0 / 57 / 13

HEX #30DF61

RGB 48 223 97

HSL 136.8, 0.73%, 0.53%

LAB 78.62, -68.29, 49.04

 

CMYK 16 / 0 / 78 / 13

HEX #BBDF30

RGB 187 223 48

HSL 72.34, 0.73%, 0.53%

LAB 83.73, -33.34, 74.58

 

CMYK 18 / 0 / 88 / 5

HEX #C6F21C

RGB 198 242 28

HSL 72.34, 0.89%, 0.53%

LAB 89.67, -38.19, 84.27

 

CMYK 16 / 0 / 78 / 13

HEX #BBDF30

RGB 187 223 48

HSL 72.34, 0.73%, 0.53%

LAB 83.73, -33.34, 74.58

 

CMYK 14 / 0 / 67 / 20

HEX #AFCB43

RGB 175 203 67

HSL 72.35, 0.57%, 0.53%

LAB 77.42, -27.82, 61.88

 

CMYK 11 / 0 / 53 / 28

HEX #A4B856

RGB 164 184 86

HSL 72.24, 0.41%, 0.53%

LAB 71.45, -21.55, 46.85

 

CMYK 7 / 0 / 35 / 36

HEX #98A46A

RGB 152 164 106

HSL 72.41, 0.24%, 0.53%

LAB 65.17, -13.96, 28.72

 

CMYK 3 / 0 / 14 / 43

HEX #8D917D

RGB 141 145 125

HSL 72, 0.08%, 0.53%

LAB 59.34, -5.18, 10.13

 

CMYK 0 / 26 / 78 / 13

HEX #DFA430

RGB 223 164 48

HSL 39.77, 0.73%, 0.53%

LAB 71.18, 11.71, 64.31

 

CMYK 0 / 5 / 78 / 13

HEX #DFD330

RGB 223 211 48

HSL 55.89, 0.73%, 0.53%

LAB 83.17, -12.69, 75.1

 

CMYK 16 / 0 / 78 / 13

HEX #BCDF30

RGB 188 223 48

HSL 72, 0.73%, 0.53%

LAB 83.8, -32.94, 74.67

 

CMYK 37 / 0 / 78 / 13

HEX #8DDF30

RGB 141 223 48

HSL 88.11, 0.73%, 0.53%

LAB 81.1, -50.5, 71.21

 

CMYK 58 / 0 / 78 / 13

HEX #5EDF30

RGB 94 223 48

HSL 104.23, 0.73%, 0.53%

LAB 79.25, -64.42, 68.82

 

CMYK 17 / 0 / 85 / 36

HEX #86A219

RGB 134 162 25

HSL 72.26, 0.73%, 0.37%

LAB 62.49, -27.07, 60.55

 

CMYK 17 / 0 / 84 / 22

HEX #A4C61F

RGB 164 198 31

HSL 72.22, 0.73%, 0.45%

LAB 75.06, -31.59, 70.7

 

CMYK 16 / 0 / 78 / 13

HEX #BBDF30

RGB 187 223 48

HSL 72.34, 0.73%, 0.53%

LAB 83.73, -33.34, 74.58

 

CMYK 13 / 0 / 64 / 11

HEX #C7E453

RGB 199 228 83

HSL 72, 0.73%, 0.61%

LAB 86.13, -29.05, 65.18

 

CMYK 10 / 0 / 49 / 8

HEX #D2EA77

RGB 210 234 119

HSL 72.52, 0.73%, 0.69%

LAB 88.87, -24.69, 52.74

 

CMYK 16 / 0 / 79 / 13

HEX #BADE2E

RGB 186 222 46

HSL 72.27, 0.73%, 0.53%

LAB 83.38, -33.35, 74.79

 

CMYK 78 / 0 / 47 / 13

HEX #30DF76

RGB 48 223 118

HSL 144, 0.73%, 0.53%

LAB 78.87, -65.23, 39.38

 

CMYK 16 / 78 / 0 / 13

HEX #BC30DF

RGB 188 48 223

HSL 288, 0.73%, 0.53%

LAB 49.66, 75.77, -60.61

 

CMYK 16 / 0 / 79 / 13

HEX #BADE2E

RGB 186 222 46

HSL 72.27, 0.73%, 0.53%

LAB 83.38, -33.35, 74.79

 

CMYK 78 / 16 / 0 / 13

HEX #30BCDF

RGB 48 188 223

HSL 192, 0.73%, 0.53%

LAB 70.82, -24.5, -27.87

 

CMYK 0 / 78 / 16 / 13

HEX #DF30BC

RGB 223 48 188

HSL 312, 0.73%, 0.53%

LAB 53.42, 77.23, -34.17

 

CMYK 16 / 0 / 79 / 13

HEX #BADE2E

RGB 186 222 46

HSL 72.27, 0.73%, 0.53%

LAB 83.38, -33.35, 74.79

 

CMYK 78 / 0 / 47 / 13

HEX #30DF76

RGB 48 223 118

HSL 144, 0.73%, 0.53%

LAB 78.87, -65.23, 39.38

 

CMYK 63 / 78 / 0 / 13

HEX #5330DF

RGB 83 48 223

HSL 252, 0.73%, 0.53%

LAB 36.52, 60.46, -82.6

 

CMYK 0 / 78 / 31 / 13

HEX #DF3099

RGB 223 48 153

HSL 324, 0.73%, 0.53%

LAB 51.95, 72.97, -15.89

 

CMYK 16 / 0 / 79 / 13

HEX #BADE2E

RGB 186 222 46

HSL 72.27, 0.73%, 0.53%

LAB 83.38, -33.35, 74.79

 

CMYK 78 / 0 / 24 / 13

HEX #30DFAA

RGB 48 223 170

HSL 161.83, 0.73%, 0.53%

LAB 79.79, -54.97, 13.94

 

CMYK 63 / 78 / 0 / 13

HEX #5330DF

RGB 83 48 223

HSL 252, 0.73%, 0.53%

LAB 36.52, 60.46, -82.6

 

CMYK 0 / 78 / 55 / 13

HEX #DF3064

RGB 223 48 100

HSL 342.17, 0.73%, 0.53%

LAB 50.36, 68.16, 13.74

 

Description

Color code: HEX #BADE2E | qconv.com Color code: HEX #BADE2E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 222 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 222 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 79 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 79% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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