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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BADA5F it is the complementary color #4525A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BADA5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BADA5F shade: #BFDA5A, #D0EC6D, #E1FE80, #F2FF93 and #FFFFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BADA5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BADA5F shade: #BADA5F, #A9C84C, #98B639, #87A426 and #769213

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BADA5F shade: #B9D95E, #D9D85E, #D9B75E, #D9965E and #D9745E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BADA5F shade: #B9D95E, #98D95E, #77D95E, #5ED966 and #5ED988

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BADA5F shade matches the following richer shades: #B9D95E, #C1E94E and #C9F93E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BADA5F shade: #B9D95E, #B1C96E, #AAB97E, #A2A98E and #9A999E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BADA5F shade: #D9B65E, #D9D75E, #BAD95E, #99D95E and #79D95E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BADA5F shade: #94B92B, #ABD13C, #B9D95E, #C8E17F and #D6E9A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BADA5F shade: #BADA5F, #5ED995 and #C75ED9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BADA5F shade: #BADA5F, #5EBAD9 and #D95EBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BADA5F shade: #BADA5F, #5ED995, #7D5ED9 and #D95EA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BADA5F shade: #BADA5F, #5ED9BA, #7D5ED9 and #D95E7D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 56 / 15

HEX #BADA5F

RGB 186 218 95

HSL 75.61, 0.62%, 0.61%

LAB 82.6, -28.52, 55.96

 

Complementary color

CMYK 57 / 77 / 0 / 37

HEX #4525A0

RGB 69 37 160

HSL 255.61, 0.62%, 0.39%

LAB 27.09, 45.98, -61.05

 

CMYK 12 / 0 / 59 / 15

HEX #BFDA5A

RGB 191 218 90

HSL 72.66, 0.63%, 0.6%

LAB 82.89, -26.97, 58.58

 

CMYK 12 / 0 / 54 / 7

HEX #D0EC6D

RGB 208 236 109

HSL 73.23, 0.77%, 0.68%

LAB 89.16, -27.32, 57.63

 

CMYK 11 / 0 / 50 / 0

HEX #E1FE80

RGB 225 254 128

HSL 73.81, 0.98%, 0.75%

LAB 95.35, -27.59, 56.58

 

CMYK 5 / 0 / 42 / 0

HEX #F2FF93

RGB 242 255 147

HSL 67.22, 1%, 0.79%

LAB 97.03, -19.77, 50.02

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA6

RGB 255 255 166

HSL 60, 1%, 0.83%

LAB 98.25, -12.84, 42.58

 

CMYK 15 / 0 / 56 / 15

HEX #BADA5F

RGB 186 218 95

HSL 75.61, 0.62%, 0.61%

LAB 82.6, -28.52, 55.96

 

CMYK 16 / 0 / 62 / 22

HEX #A9C84C

RGB 169 200 76

HSL 75, 0.53%, 0.54%

LAB 76.23, -28.17, 56.84

 

CMYK 16 / 0 / 69 / 29

HEX #98B639

RGB 152 182 57

HSL 74.4, 0.52%, 0.47%

LAB 69.77, -27.71, 57.44

 

CMYK 18 / 0 / 77 / 36

HEX #87A426

RGB 135 164 38

HSL 73.81, 0.62%, 0.4%

LAB 63.21, -27.09, 57.48

 

CMYK 19 / 0 / 87 / 43

HEX #769213

RGB 118 146 19

HSL 73.23, 0.77%, 0.32%

LAB 56.54, -26.25, 56.47

 

CMYK 15 / 0 / 57 / 15

HEX #B9D95E

RGB 185 217 94

HSL 75.61, 0.62%, 0.61%

LAB 82.24, -28.52, 55.99

 

CMYK 0 / 0 / 57 / 15

HEX #D9D85E

RGB 217 216 94

HSL 59.51, 0.62%, 0.61%

LAB 84.31, -15.25, 58.96

 

CMYK 0 / 16 / 57 / 15

HEX #D9B75E

RGB 217 183 94

HSL 43.41, 0.62%, 0.61%

LAB 75.72, 1.65, 49.14

 

CMYK 0 / 31 / 57 / 15

HEX #D9965E

RGB 217 150 94

HSL 27.32, 0.62%, 0.61%

LAB 67.56, 19.3, 39.38

 

CMYK 0 / 47 / 57 / 15

HEX #D9745E

RGB 217 116 94

HSL 10.73, 0.62%, 0.61%

LAB 59.93, 37.39, 29.83

 

CMYK 15 / 0 / 57 / 15

HEX #B9D95E

RGB 185 217 94

HSL 75.61, 0.62%, 0.61%

LAB 82.24, -28.52, 55.99

 

CMYK 30 / 0 / 57 / 15

HEX #98D95E

RGB 152 217 94

HSL 91.71, 0.62%, 0.61%

LAB 80.24, -40.82, 53.17

 

CMYK 45 / 0 / 57 / 15

HEX #77D95E

RGB 119 217 94

HSL 107.8, 0.62%, 0.61%

LAB 78.67, -51.59, 50.94

 

CMYK 57 / 0 / 53 / 15

HEX #5ED966

RGB 94 217 102

HSL 123.9, 0.62%, 0.61%

LAB 77.85, -57.34, 46.05

 

CMYK 57 / 0 / 37 / 15

HEX #5ED988

RGB 94 217 136

HSL 140.49, 0.62%, 0.61%

LAB 78.34, -52.12, 29.83

 

CMYK 15 / 0 / 57 / 15

HEX #B9D95E

RGB 185 217 94

HSL 75.61, 0.62%, 0.61%

LAB 82.24, -28.52, 55.99

 

CMYK 17 / 0 / 67 / 9

HEX #C1E94E

RGB 193 233 78

HSL 75.48, 0.78%, 0.61%

LAB 87.08, -34.04, 67.99

 

CMYK 19 / 0 / 75 / 2

HEX #C9F93E

RGB 201 249 62

HSL 75.4, 0.94%, 0.61%

LAB 91.92, -39.04, 78.37

 

CMYK 15 / 0 / 57 / 15

HEX #B9D95E

RGB 185 217 94

HSL 75.61, 0.62%, 0.61%

LAB 82.24, -28.52, 55.99

 

CMYK 12 / 0 / 45 / 21

HEX #B1C96E

RGB 177 201 110

HSL 75.82, 0.46%, 0.61%

LAB 77.43, -22.37, 42.61

 

CMYK 8 / 0 / 32 / 27

HEX #AAB97E

RGB 170 185 126

HSL 75.25, 0.3%, 0.61%

LAB 72.73, -15.1, 28.28

 

CMYK 4 / 0 / 16 / 34

HEX #A2A98E

RGB 162 169 142

HSL 75.56, 0.14%, 0.61%

LAB 68.03, -7.36, 13.11

 

CMYK 3 / 3 / 0 / 38

HEX #9A999E

RGB 154 153 158

HSL 252, 0.03%, 0.61%

LAB 63.44, 1.34, -2.49

 

CMYK 0 / 16 / 57 / 15

HEX #D9B65E

RGB 217 182 94

HSL 42.93, 0.62%, 0.61%

LAB 75.46, 2.18, 48.84

 

CMYK 0 / 1 / 57 / 15

HEX #D9D75E

RGB 217 215 94

HSL 59.02, 0.62%, 0.61%

LAB 84.05, -14.75, 58.66

 

CMYK 14 / 0 / 57 / 15

HEX #BAD95E

RGB 186 217 94

HSL 75.12, 0.62%, 0.61%

LAB 82.31, -28.13, 56.08

 

CMYK 29 / 0 / 57 / 15

HEX #99D95E

RGB 153 217 94

HSL 91.22, 0.62%, 0.61%

LAB 80.3, -40.47, 53.24

 

CMYK 44 / 0 / 57 / 15

HEX #79D95E

RGB 121 217 94

HSL 106.83, 0.62%, 0.61%

LAB 78.75, -50.99, 51.06

 

CMYK 20 / 0 / 77 / 27

HEX #94B92B

RGB 148 185 43

HSL 75.63, 0.62%, 0.45%

LAB 70.29, -31.53, 62.8

 

CMYK 18 / 0 / 71 / 18

HEX #ABD13C

RGB 171 209 60

HSL 75.3, 0.62%, 0.53%

LAB 78.8, -32.66, 65.78

 

CMYK 15 / 0 / 57 / 15

HEX #B9D95E

RGB 185 217 94

HSL 75.61, 0.62%, 0.61%

LAB 82.24, -28.52, 55.99

 

CMYK 11 / 0 / 44 / 12

HEX #C8E17F

RGB 200 225 127

HSL 75.31, 0.62%, 0.69%

LAB 85.84, -23.37, 45.06

 

CMYK 8 / 0 / 31 / 9

HEX #D6E9A1

RGB 214 233 161

HSL 75.83, 0.62%, 0.77%

LAB 89.46, -17.93, 32.98

 

CMYK 15 / 0 / 56 / 15

HEX #BADA5F

RGB 186 218 95

HSL 75.61, 0.62%, 0.61%

LAB 82.6, -28.52, 55.96

 

CMYK 57 / 0 / 31 / 15

HEX #5ED995

RGB 94 217 149

HSL 146.83, 0.62%, 0.61%

LAB 78.56, -49.72, 23.41

 

CMYK 8 / 57 / 0 / 15

HEX #C75ED9

RGB 199 94 217

HSL 291.22, 0.62%, 0.61%

LAB 57.23, 59.31, -45.02

 

CMYK 15 / 0 / 56 / 15

HEX #BADA5F

RGB 186 218 95

HSL 75.61, 0.62%, 0.61%

LAB 82.6, -28.52, 55.96

 

CMYK 57 / 14 / 0 / 15

HEX #5EBAD9

RGB 94 186 217

HSL 195.12, 0.62%, 0.61%

LAB 71.22, -18.59, -23.88

 

CMYK 0 / 57 / 14 / 15

HEX #D95EBA

RGB 217 94 186

HSL 315.12, 0.62%, 0.61%

LAB 58.32, 58.91, -25.48

 

CMYK 15 / 0 / 56 / 15

HEX #BADA5F

RGB 186 218 95

HSL 75.61, 0.62%, 0.61%

LAB 82.6, -28.52, 55.96

 

CMYK 57 / 0 / 31 / 15

HEX #5ED995

RGB 94 217 149

HSL 146.83, 0.62%, 0.61%

LAB 78.56, -49.72, 23.41

 

CMYK 42 / 57 / 0 / 15

HEX #7D5ED9

RGB 125 94 217

HSL 255.12, 0.62%, 0.61%

LAB 48.73, 41.29, -59.09

 

CMYK 0 / 57 / 25 / 15

HEX #D95EA2

RGB 217 94 162

HSL 326.83, 0.62%, 0.61%

LAB 57.43, 55.48, -12.98

 

CMYK 15 / 0 / 56 / 15

HEX #BADA5F

RGB 186 218 95

HSL 75.61, 0.62%, 0.61%

LAB 82.6, -28.52, 55.96

 

CMYK 57 / 0 / 14 / 15

HEX #5ED9BA

RGB 94 217 186

HSL 164.88, 0.62%, 0.61%

LAB 79.36, -41.74, 4.98

 

CMYK 42 / 57 / 0 / 15

HEX #7D5ED9

RGB 125 94 217

HSL 255.12, 0.62%, 0.61%

LAB 48.73, 41.29, -59.09

 

CMYK 0 / 57 / 42 / 15

HEX #D95E7D

RGB 217 94 125

HSL 344.88, 0.62%, 0.61%

LAB 56.33, 51.08, 7.04

 

Description

Color code: HEX #BADA5F | qconv.com Color code: HEX #BADA5F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 218 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 218 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 56 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 56% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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