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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAD092 it is the complementary color #452F6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAD092. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAD092 shade: #BFD08D, #D0E2A0, #E1F4B3, #F2FFC6 and #FFFFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAD092. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAD092 shade: #BAD092, #A9BE7F, #98AC6C, #879A59 and #768846

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAD092 shade: #B9D090, #CAD090, #D0C490, #D0B390 and #D0A290

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAD092 shade: #B9D090, #A8D090, #97D090, #90D09B and #90D0AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAD092 shade matches the following richer shades: #B9D090, #BDDC84, #C1E977 and #C4F66A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAD092 shade: #B9D090, #B5C39D, #B2B6AA, #AEA9B7 and #AA9CC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAD092 shade: #D0C490, #CAD090, #B9D090, #A9D090 and #98D090

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAD092 shade: #95B757, #A7C373, #B9D090, #CBDCAD and #DEE8CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAD092 shade: #BAD092, #90D0B3 and #CC90D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAD092 shade: #BAD092, #90B9D0 and #D090B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAD092 shade: #BAD092, #90D0B3, #A690D0 and #D090AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAD092 shade: #BAD092, #90D0C6, #A690D0 and #D0909A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 30 / 18

HEX #BAD092

RGB 186 208 146

HSL 81.29, 0.4%, 0.69%

LAB 80.53, -17.92, 28.41

 

Complementary color

CMYK 37 / 57 / 0 / 57

HEX #452F6D

RGB 69 47 109

HSL 261.29, 0.4%, 0.31%

LAB 24.96, 25.06, -32.65

 

CMYK 8 / 0 / 32 / 18

HEX #BFD08D

RGB 191 208 141

HSL 75.22, 0.42%, 0.68%

LAB 80.8, -16.74, 31.42

 

CMYK 8 / 0 / 29 / 11

HEX #D0E2A0

RGB 208 226 160

HSL 76.36, 0.53%, 0.76%

LAB 87.16, -16.82, 30.35

 

CMYK 8 / 0 / 27 / 4

HEX #E1F4B3

RGB 225 244 179

HSL 77.54, 0.75%, 0.83%

LAB 93.43, -16.88, 29.32

 

CMYK 5 / 0 / 22 / 0

HEX #F2FFC6

RGB 242 255 198

HSL 73.68, 1%, 0.89%

LAB 97.82, -13.53, 25.87

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD9

RGB 255 255 217

HSL 60, 1%, 0.93%

LAB 99.14, -6.17, 18.19

 

CMYK 11 / 0 / 30 / 18

HEX #BAD092

RGB 186 208 146

HSL 81.29, 0.4%, 0.69%

LAB 80.53, -17.92, 28.41

 

CMYK 11 / 0 / 33 / 25

HEX #A9BE7F

RGB 169 190 127

HSL 80, 0.33%, 0.62%

LAB 74.06, -17.89, 29.5

 

CMYK 12 / 0 / 37 / 33

HEX #98AC6C

RGB 152 172 108

HSL 78.75, 0.28%, 0.55%

LAB 67.47, -17.83, 30.66

 

CMYK 12 / 0 / 42 / 40

HEX #879A59

RGB 135 154 89

HSL 77.54, 0.27%, 0.48%

LAB 60.77, -17.74, 31.86

 

CMYK 13 / 0 / 49 / 47

HEX #768846

RGB 118 136 70

HSL 76.36, 0.32%, 0.4%

LAB 53.92, -17.59, 33.1

 

CMYK 11 / 0 / 31 / 18

HEX #B9D090

RGB 185 208 144

HSL 81.56, 0.41%, 0.69%

LAB 80.43, -18.57, 29.3

 

CMYK 3 / 0 / 31 / 18

HEX #CAD090

RGB 202 208 144

HSL 65.63, 0.41%, 0.69%

LAB 81.66, -12.17, 31.17

 

CMYK 0 / 6 / 31 / 18

HEX #D0C490

RGB 208 196 144

HSL 48.75, 0.41%, 0.69%

LAB 78.99, -3.69, 27.68

 

CMYK 0 / 14 / 31 / 18

HEX #D0B390

RGB 208 179 144

HSL 32.81, 0.41%, 0.69%

LAB 74.61, 5.28, 21.75

 

CMYK 0 / 22 / 31 / 18

HEX #D0A290

RGB 208 162 144

HSL 16.88, 0.41%, 0.69%

LAB 70.36, 14.45, 15.88

 

CMYK 11 / 0 / 31 / 18

HEX #B9D090

RGB 185 208 144

HSL 81.56, 0.41%, 0.69%

LAB 80.43, -18.57, 29.3

 

CMYK 19 / 0 / 31 / 18

HEX #A8D090

RGB 168 208 144

HSL 97.5, 0.41%, 0.69%

LAB 79.3, -24.75, 27.59

 

CMYK 27 / 0 / 31 / 18

HEX #97D090

RGB 151 208 144

HSL 113.44, 0.41%, 0.69%

LAB 78.29, -30.63, 26.06

 

CMYK 31 / 0 / 25 / 18

HEX #90D09B

RGB 144 208 155

HSL 130.31, 0.41%, 0.69%

LAB 78.12, -31.06, 19.97

 

CMYK 31 / 0 / 17 / 18

HEX #90D0AC

RGB 144 208 172

HSL 146.25, 0.41%, 0.69%

LAB 78.47, -27.88, 11.45

 

CMYK 11 / 0 / 31 / 18

HEX #B9D090

RGB 185 208 144

HSL 81.56, 0.41%, 0.69%

LAB 80.43, -18.57, 29.3

 

CMYK 14 / 0 / 40 / 14

HEX #BDDC84

RGB 189 220 132

HSL 81.14, 0.56%, 0.69%

LAB 83.79, -24.53, 39.86

 

CMYK 17 / 0 / 49 / 9

HEX #C1E977

RGB 193 233 119

HSL 81.05, 0.72%, 0.69%

LAB 87.46, -30.65, 50.78

 

CMYK 20 / 0 / 57 / 4

HEX #C4F66A

RGB 196 246 106

HSL 81.43, 0.89%, 0.69%

LAB 91.09, -36.73, 60.96

 

CMYK 11 / 0 / 31 / 18

HEX #B9D090

RGB 185 208 144

HSL 81.56, 0.41%, 0.69%

LAB 80.43, -18.57, 29.3

 

CMYK 7 / 0 / 19 / 24

HEX #B5C39D

RGB 181 195 157

HSL 82.11, 0.24%, 0.69%

LAB 76.85, -11.52, 17.52

 

CMYK 2 / 0 / 7 / 29

HEX #B2B6AA

RGB 178 182 170

HSL 80, 0.08%, 0.69%

LAB 73.43, -3.6, 5.61

 

CMYK 5 / 8 / 0 / 28

HEX #AEA9B7

RGB 174 169 183

HSL 261.43, 0.09%, 0.69%

LAB 70.03, 4.47, -6.54

 

CMYK 13 / 20 / 0 / 24

HEX #AA9CC3

RGB 170 156 195

HSL 261.54, 0.25%, 0.69%

LAB 66.72, 12.81, -18.2

 

CMYK 0 / 6 / 31 / 18

HEX #D0C490

RGB 208 196 144

HSL 48.75, 0.41%, 0.69%

LAB 78.99, -3.69, 27.68

 

CMYK 3 / 0 / 31 / 18

HEX #CAD090

RGB 202 208 144

HSL 65.63, 0.41%, 0.69%

LAB 81.66, -12.17, 31.17

 

CMYK 11 / 0 / 31 / 18

HEX #B9D090

RGB 185 208 144

HSL 81.56, 0.41%, 0.69%

LAB 80.43, -18.57, 29.3

 

CMYK 19 / 0 / 31 / 18

HEX #A9D090

RGB 169 208 144

HSL 96.56, 0.41%, 0.69%

LAB 79.36, -24.4, 27.69

 

CMYK 27 / 0 / 31 / 18

HEX #98D090

RGB 152 208 144

HSL 112.5, 0.41%, 0.69%

LAB 78.35, -30.29, 26.14

 

CMYK 19 / 0 / 52 / 28

HEX #95B757

RGB 149 183 87

HSL 81.25, 0.4%, 0.53%

LAB 70.14, -26.93, 44.57

 

CMYK 14 / 0 / 41 / 24

HEX #A7C373

RGB 167 195 115

HSL 81, 0.4%, 0.61%

LAB 75.13, -22.7, 37.07

 

CMYK 11 / 0 / 31 / 18

HEX #B9D090

RGB 185 208 144

HSL 81.56, 0.41%, 0.69%

LAB 80.43, -18.57, 29.3

 

CMYK 8 / 0 / 21 / 14

HEX #CBDCAD

RGB 203 220 173

HSL 81.7, 0.4%, 0.77%

LAB 85.45, -13.78, 21.24

 

CMYK 4 / 0 / 13 / 9

HEX #DEE8CA

RGB 222 232 202

HSL 80, 0.39%, 0.85%

LAB 90.55, -8.53, 13.46

 

CMYK 11 / 0 / 30 / 18

HEX #BAD092

RGB 186 208 146

HSL 81.29, 0.4%, 0.69%

LAB 80.53, -17.92, 28.41

 

CMYK 31 / 0 / 14 / 18

HEX #90D0B3

RGB 144 208 179

HSL 152.81, 0.41%, 0.69%

LAB 78.63, -26.48, 7.94

 

CMYK 2 / 31 / 0 / 18

HEX #CC90D0

RGB 204 144 208

HSL 296.25, 0.41%, 0.69%

LAB 67.53, 33.26, -23.9

 

CMYK 11 / 0 / 30 / 18

HEX #BAD092

RGB 186 208 146

HSL 81.29, 0.4%, 0.69%

LAB 80.53, -17.92, 28.41

 

CMYK 31 / 11 / 0 / 18

HEX #90B9D0

RGB 144 185 208

HSL 201.56, 0.41%, 0.69%

LAB 73.01, -8.24, -16.03

 

CMYK 0 / 31 / 11 / 18

HEX #D090B9

RGB 208 144 185

HSL 321.56, 0.41%, 0.69%

LAB 67.17, 30.46, -11.57

 

CMYK 11 / 0 / 30 / 18

HEX #BAD092

RGB 186 208 146

HSL 81.29, 0.4%, 0.69%

LAB 80.53, -17.92, 28.41

 

CMYK 31 / 0 / 14 / 18

HEX #90D0B3

RGB 144 208 179

HSL 152.81, 0.41%, 0.69%

LAB 78.63, -26.48, 7.94

 

CMYK 20 / 31 / 0 / 18

HEX #A690D0

RGB 166 144 208

HSL 260.63, 0.41%, 0.69%

LAB 63.84, 21.21, -29.89

 

CMYK 0 / 31 / 17 / 18

HEX #D090AD

RGB 208 144 173

HSL 332.81, 0.41%, 0.69%

LAB 66.8, 28.49, -5.39

 

CMYK 11 / 0 / 30 / 18

HEX #BAD092

RGB 186 208 146

HSL 81.29, 0.4%, 0.69%

LAB 80.53, -17.92, 28.41

 

CMYK 31 / 0 / 5 / 18

HEX #90D0C6

RGB 144 208 198

HSL 170.63, 0.41%, 0.69%

LAB 79.11, -22.43, -1.55

 

CMYK 20 / 31 / 0 / 18

HEX #A690D0

RGB 166 144 208

HSL 260.63, 0.41%, 0.69%

LAB 63.84, 21.21, -29.89

 

CMYK 0 / 31 / 26 / 18

HEX #D0909A

RGB 208 144 154

HSL 350.63, 0.41%, 0.69%

LAB 66.28, 25.62, 4.53

 

Description

Color code: HEX #BAD092 | qconv.com Color code: HEX #BAD092 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 208 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 208 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 30 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 30% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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