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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAD034 it is the complementary color #452FCB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAD034. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAD034 shade: #BFD02F, #D0E242, #E1F455, #F2FF68 and #FFFF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAD034. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAD034 shade: #BAD034, #A9BE21, #98AC0E, #879A00 and #768800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAD034 shade: #BAD035, #D0BC35, #D09235, #D06835 and #D03E35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAD034 shade: #BAD035, #90D035, #66D035, #3CD035 and #35D057

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAD034 shade matches the following richer shades: #BAD035, #C8E420 and #D7F80C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAD034 shade: #BAD035, #ABBB49, #9DA75D, #8E9371 and #807F85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAD034 shade: #D09235, #D0BB35, #BBD035, #92D035 and #68D035

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAD034 shade: #809022, #9EB12A, #BAD035, #C5D756 and #D1DF77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAD034 shade: #BAD034, #35D068 and #A635D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAD034 shade: #BAD034, #35BBD0 and #D035BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAD034 shade: #BAD034, #35D068, #4935D0 and #D0359C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAD034 shade: #BAD034, #35D097, #4935D0 and #D0356D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 75 / 18

HEX #BAD034

RGB 186 208 52

HSL 68.46, 0.62%, 0.51%

LAB 79.5, -26.54, 69.49

 

Complementary color

CMYK 66 / 77 / 0 / 20

HEX #452FCB

RGB 69 47 203

HSL 248.46, 0.62%, 0.49%

LAB 33.16, 53.74, -76.64

 

CMYK 8 / 0 / 77 / 18

HEX #BFD02F

RGB 191 208 47

HSL 66.34, 0.63%, 0.5%

LAB 79.84, -24.68, 71.45

 

CMYK 8 / 0 / 71 / 11

HEX #D0E242

RGB 208 226 66

HSL 66.75, 0.73%, 0.57%

LAB 86.1, -25.5, 71.7

 

CMYK 8 / 0 / 65 / 4

HEX #E1F455

RGB 225 244 85

HSL 67.17, 0.88%, 0.65%

LAB 92.29, -26.17, 71.4

 

CMYK 5 / 0 / 59 / 0

HEX #F2FF68

RGB 242 255 104

HSL 65.17, 1%, 0.7%

LAB 96.57, -23.44, 68.77

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7B

RGB 255 255 123

HSL 60, 1%, 0.74%

LAB 97.72, -16.94, 62.16

 

CMYK 11 / 0 / 75 / 18

HEX #BAD034

RGB 186 208 52

HSL 68.46, 0.62%, 0.51%

LAB 79.5, -26.54, 69.49

 

CMYK 11 / 0 / 83 / 25

HEX #A9BE21

RGB 169 190 33

HSL 68.03, 0.7%, 0.44%

LAB 73.14, -25.65, 68.71

 

CMYK 12 / 0 / 92 / 33

HEX #98AC0E

RGB 152 172 14

HSL 67.59, 0.85%, 0.36%

LAB 66.68, -24.56, 66.7

 

CMYK 12 / 0 / 100 / 40

HEX #879A00

RGB 135 154 0

HSL 67.4, 1%, 0.3%

LAB 60.12, -23.25, 63.04

 

CMYK 13 / 0 / 100 / 47

HEX #768800

RGB 118 136 0

HSL 67.94, 1%, 0.27%

LAB 53.45, -21.7, 57.48

 

CMYK 11 / 0 / 75 / 18

HEX #BAD035

RGB 186 208 53

HSL 68.52, 0.62%, 0.51%

LAB 79.5, -26.49, 69.17

 

CMYK 0 / 10 / 75 / 18

HEX #D0BC35

RGB 208 188 53

HSL 52.26, 0.62%, 0.51%

LAB 75.84, -7.23, 66.36

 

CMYK 0 / 30 / 75 / 18

HEX #D09235

RGB 208 146 53

HSL 36, 0.62%, 0.51%

LAB 65.14, 15.12, 56.03

 

CMYK 0 / 50 / 75 / 18

HEX #D06835

RGB 208 104 53

HSL 19.74, 0.62%, 0.51%

LAB 55.65, 37.55, 46.38

 

CMYK 0 / 70 / 75 / 18

HEX #D03E35

RGB 208 62 53

HSL 3.48, 0.62%, 0.51%

LAB 48.4, 56.59, 38.59

HEX #D03E35

CMYK 11 / 0 / 75 / 18

HEX #BAD035

RGB 186 208 53

HSL 68.52, 0.62%, 0.51%

LAB 79.5, -26.49, 69.17

 

CMYK 31 / 0 / 75 / 18

HEX #90D035

RGB 144 208 53

HSL 84.77, 0.62%, 0.51%

LAB 76.86, -42.9, 65.73

 

CMYK 51 / 0 / 75 / 18

HEX #66D035

RGB 102 208 53

HSL 101.03, 0.62%, 0.51%

LAB 74.95, -56.66, 63.21

 

CMYK 71 / 0 / 75 / 18

HEX #3CD035

RGB 60 208 53

HSL 117.29, 0.62%, 0.51%

LAB 73.76, -66.27, 61.64

 

CMYK 75 / 0 / 58 / 18

HEX #35D057

RGB 53 208 87

HSL 133.16, 0.62%, 0.51%

LAB 73.91, -64.02, 48.07

 

CMYK 11 / 0 / 75 / 18

HEX #BAD035

RGB 186 208 53

HSL 68.52, 0.62%, 0.51%

LAB 79.5, -26.49, 69.17

 

CMYK 12 / 0 / 86 / 11

HEX #C8E420

RGB 200 228 32

HSL 68.57, 0.78%, 0.51%

LAB 85.94, -30.93, 80.58

 

CMYK 13 / 0 / 95 / 3

HEX #D7F80C

RGB 215 248 12

HSL 68.39, 0.94%, 0.51%

LAB 92.4, -34.42, 88.8

 

CMYK 11 / 0 / 75 / 18

HEX #BAD035

RGB 186 208 53

HSL 68.52, 0.62%, 0.51%

LAB 79.5, -26.49, 69.17

 

CMYK 9 / 0 / 61 / 27

HEX #ABBB49

RGB 171 187 73

HSL 68.42, 0.46%, 0.51%

LAB 72.68, -21.26, 54.31

 

CMYK 6 / 0 / 44 / 35

HEX #9DA75D

RGB 157 167 93

HSL 68.11, 0.3%, 0.51%

LAB 66.21, -15.06, 36.95

 

CMYK 3 / 0 / 23 / 42

HEX #8E9371

RGB 142 147 113

HSL 68.82, 0.14%, 0.51%

LAB 59.72, -7.86, 17.44

 

CMYK 4 / 5 / 0 / 48

HEX #807F85

RGB 128 127 133

HSL 250, 0.02%, 0.51%

LAB 53.45, 1.59, -3.12

 

CMYK 0 / 30 / 75 / 18

HEX #D09235

RGB 208 146 53

HSL 36, 0.62%, 0.51%

LAB 65.14, 15.12, 56.03

 

CMYK 0 / 10 / 75 / 18

HEX #D0BB35

RGB 208 187 53

HSL 51.87, 0.62%, 0.51%

LAB 75.58, -6.71, 66.11

 

CMYK 10 / 0 / 75 / 18

HEX #BBD035

RGB 187 208 53

HSL 68.13, 0.62%, 0.51%

LAB 79.58, -26.08, 69.27

 

CMYK 30 / 0 / 75 / 18

HEX #92D035

RGB 146 208 53

HSL 84, 0.62%, 0.51%

LAB 76.97, -42.17, 65.87

 

CMYK 50 / 0 / 75 / 18

HEX #68D035

RGB 104 208 53

HSL 100.26, 0.62%, 0.51%

LAB 75.02, -56.08, 63.31

 

CMYK 11 / 0 / 76 / 44

HEX #809022

RGB 128 144 34

HSL 68.73, 0.62%, 0.35%

LAB 56.73, -20.32, 52.56

 

CMYK 11 / 0 / 76 / 31

HEX #9EB12A

RGB 158 177 42

HSL 68.44, 0.62%, 0.43%

LAB 68.66, -23.59, 61.85

 

CMYK 11 / 0 / 75 / 18

HEX #BAD035

RGB 186 208 53

HSL 68.52, 0.62%, 0.51%

LAB 79.5, -26.49, 69.17

 

CMYK 8 / 0 / 60 / 16

HEX #C5D756

RGB 197 215 86

HSL 68.37, 0.62%, 0.59%

LAB 82.46, -23.44, 59.94

 

CMYK 6 / 0 / 47 / 13

HEX #D1DF77

RGB 209 223 119

HSL 68.08, 0.62%, 0.67%

LAB 85.84, -19.76, 49.07

 

CMYK 11 / 0 / 75 / 18

HEX #BAD034

RGB 186 208 52

HSL 68.46, 0.62%, 0.51%

LAB 79.5, -26.54, 69.49

 

CMYK 75 / 0 / 50 / 18

HEX #35D068

RGB 53 208 104

HSL 139.74, 0.62%, 0.51%

LAB 74.11, -61.65, 40.27

 

CMYK 20 / 75 / 0 / 18

HEX #A635D0

RGB 166 53 208

HSL 283.74, 0.62%, 0.51%

LAB 45.92, 67.32, -58.22

 

CMYK 11 / 0 / 75 / 18

HEX #BAD034

RGB 186 208 52

HSL 68.46, 0.62%, 0.51%

LAB 79.5, -26.54, 69.49

 

CMYK 75 / 10 / 0 / 18

HEX #35BBD0

RGB 53 187 208

HSL 188.13, 0.62%, 0.51%

LAB 70.07, -28.22, -20.82

 

CMYK 0 / 75 / 10 / 18

HEX #D035BB

RGB 208 53 187

HSL 308.13, 0.62%, 0.51%

LAB 51.32, 72.45, -37.07

 

CMYK 11 / 0 / 75 / 18

HEX #BAD034

RGB 186 208 52

HSL 68.46, 0.62%, 0.51%

LAB 79.5, -26.54, 69.49

 

CMYK 75 / 0 / 50 / 18

HEX #35D068

RGB 53 208 104

HSL 139.74, 0.62%, 0.51%

LAB 74.11, -61.65, 40.27

 

CMYK 65 / 75 / 0 / 18

HEX #4935D0

RGB 73 53 208

HSL 247.74, 0.62%, 0.51%

LAB 35.04, 52.63, -76.43

 

CMYK 0 / 75 / 25 / 18

HEX #D0359C

RGB 208 53 156

HSL 320.13, 0.62%, 0.51%

LAB 49.93, 68.27, -21

 

CMYK 11 / 0 / 75 / 18

HEX #BAD034

RGB 186 208 52

HSL 68.46, 0.62%, 0.51%

LAB 79.5, -26.54, 69.49

 

CMYK 75 / 0 / 27 / 18

HEX #35D097

RGB 53 208 151

HSL 157.94, 0.62%, 0.51%

LAB 74.89, -52.82, 17.14

 

CMYK 65 / 75 / 0 / 18

HEX #4935D0

RGB 73 53 208

HSL 247.74, 0.62%, 0.51%

LAB 35.04, 52.63, -76.43

 

CMYK 0 / 75 / 48 / 18

HEX #D0356D

RGB 208 53 109

HSL 338.32, 0.62%, 0.51%

LAB 48.34, 63.3, 5

 

Description

Color code: HEX #BAD034 | qconv.com Color code: HEX #BAD034 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 208 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 208 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 75 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 75% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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