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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BACE32 it is the complementary color #4531CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BACE32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BACE32 shade: #BFCE2D, #D0E040, #E1F253, #F2FF66 and #FFFF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BACE32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BACE32 shade: #BACE32, #A9BC1F, #98AA0C, #879800 and #768600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BACE32 shade: #B9CD32, #CDB732, #CD8D32, #CD6332 and #CD3932

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BACE32 shade: #B9CD32, #8FCD32, #65CD32, #3BCD32 and #32CD52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BACE32 shade matches the following richer shades: #B9CD32, #C9E21D and #D8F708

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BACE32 shade: #B9CD32, #AAB946, #9BA45B, #8B8F70 and #7C7B84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BACE32 shade: #CD8C32, #CDB632, #BBCD32, #92CD32 and #68CD32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BACE32 shade: #7D8B22, #9BAC2A, #B9CD32, #C5D553 and #D0DD74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BACE32 shade: #BACE32, #32CD63 and #A132CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BACE32 shade: #BACE32, #32BBCD and #CD32BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BACE32 shade: #BACE32, #32CD63, #4432CD and #CD329C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BACE32 shade: #BACE32, #32CD92, #4432CD and #CD326D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 76 / 19

HEX #BACE32

RGB 186 206 50

HSL 67.69, 0.61%, 0.5%

LAB 78.93, -25.66, 69.59

 

Complementary color

CMYK 66 / 76 / 0 / 20

HEX #4531CD

RGB 69 49 205

HSL 247.69, 0.61%, 0.5%

LAB 33.71, 53.34, -76.89

 

CMYK 7 / 0 / 78 / 19

HEX #BFCE2D

RGB 191 206 45

HSL 65.59, 0.64%, 0.49%

LAB 79.28, -23.79, 71.53

 

CMYK 7 / 0 / 71 / 12

HEX #D0E040

RGB 208 224 64

HSL 66, 0.72%, 0.56%

LAB 85.55, -24.64, 71.85

 

CMYK 7 / 0 / 66 / 5

HEX #E1F253

RGB 225 242 83

HSL 66.42, 0.86%, 0.64%

LAB 91.75, -25.35, 71.59

 

CMYK 5 / 0 / 60 / 0

HEX #F2FF66

RGB 242 255 102

HSL 65.1, 1%, 0.7%

LAB 96.56, -23.58, 69.57

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF79

RGB 255 255 121

HSL 60, 1%, 0.74%

LAB 97.7, -17.1, 63.02

 

CMYK 10 / 0 / 76 / 19

HEX #BACE32

RGB 186 206 50

HSL 67.69, 0.61%, 0.5%

LAB 78.93, -25.66, 69.59

 

CMYK 10 / 0 / 84 / 26

HEX #A9BC1F

RGB 169 188 31

HSL 67.26, 0.72%, 0.43%

LAB 72.56, -24.74, 68.71

 

CMYK 11 / 0 / 93 / 33

HEX #98AA0C

RGB 152 170 12

HSL 66.84, 0.87%, 0.36%

LAB 66.1, -23.61, 66.53

 

CMYK 11 / 0 / 100 / 40

HEX #879800

RGB 135 152 0

HSL 66.71, 1%, 0.3%

LAB 59.53, -22.25, 62.6

 

CMYK 12 / 0 / 100 / 47

HEX #768600

RGB 118 134 0

HSL 67.16, 1%, 0.26%

LAB 52.84, -20.68, 57.03

 

CMYK 10 / 0 / 76 / 20

HEX #B9CD32

RGB 185 205 50

HSL 67.74, 0.61%, 0.5%

LAB 78.58, -25.6, 69.24

 

CMYK 0 / 11 / 76 / 20

HEX #CDB732

RGB 205 183 50

HSL 51.48, 0.61%, 0.5%

LAB 74.24, -6.06, 65.79

 

CMYK 0 / 31 / 76 / 20

HEX #CD8D32

RGB 205 141 50

HSL 35.23, 0.61%, 0.5%

LAB 63.56, 16.41, 55.6

 

CMYK 0 / 52 / 76 / 20

HEX #CD6332

RGB 205 99 50

HSL 18.97, 0.61%, 0.5%

LAB 54.17, 38.79, 46.17

 

CMYK 0 / 72 / 76 / 20

HEX #CD3932

RGB 205 57 50

HSL 2.71, 0.61%, 0.5%

LAB 47.15, 57.35, 38.74

 

CMYK 10 / 0 / 76 / 20

HEX #B9CD32

RGB 185 205 50

HSL 67.74, 0.61%, 0.5%

LAB 78.58, -25.6, 69.24

 

CMYK 30 / 0 / 76 / 20

HEX #8FCD32

RGB 143 205 50

HSL 84, 0.61%, 0.5%

LAB 75.9, -42.13, 65.77

 

CMYK 51 / 0 / 76 / 20

HEX #65CD32

RGB 101 205 50

HSL 100.26, 0.61%, 0.5%

LAB 73.97, -56.01, 63.23

 

CMYK 71 / 0 / 76 / 20

HEX #3BCD32

RGB 59 205 50

HSL 116.52, 0.61%, 0.5%

LAB 72.78, -65.7, 61.66

 

CMYK 76 / 0 / 60 / 20

HEX #32CD52

RGB 50 205 82

HSL 132.39, 0.61%, 0.5%

LAB 72.86, -64.07, 49.09

 

CMYK 10 / 0 / 76 / 20

HEX #B9CD32

RGB 185 205 50

HSL 67.74, 0.61%, 0.5%

LAB 78.58, -25.6, 69.24

 

CMYK 11 / 0 / 87 / 11

HEX #C9E21D

RGB 201 226 29

HSL 67.61, 0.77%, 0.5%

LAB 85.45, -29.66, 80.76

 

CMYK 13 / 0 / 97 / 3

HEX #D8F708

RGB 216 247 8

HSL 67.78, 0.94%, 0.5%

LAB 92.19, -33.6, 88.97

 

CMYK 10 / 0 / 76 / 20

HEX #B9CD32

RGB 185 205 50

HSL 67.74, 0.61%, 0.5%

LAB 78.58, -25.6, 69.24

 

CMYK 8 / 0 / 62 / 27

HEX #AAB946

RGB 170 185 70

HSL 67.83, 0.45%, 0.5%

LAB 72.02, -20.9, 54.86

 

CMYK 5 / 0 / 45 / 36

HEX #9BA45B

RGB 155 164 91

HSL 67.4, 0.29%, 0.5%

LAB 65.18, -14.54, 36.67

 

CMYK 3 / 0 / 22 / 44

HEX #8B8F70

RGB 139 143 112

HSL 67.74, 0.12%, 0.5%

LAB 58.32, -7.01, 16.04

 

CMYK 6 / 7 / 0 / 48

HEX #7C7B84

RGB 124 123 132

HSL 246.67, 0.04%, 0.5%

LAB 51.97, 2.23, -4.76

 

CMYK 0 / 32 / 76 / 20

HEX #CD8C32

RGB 205 140 50

HSL 34.84, 0.61%, 0.5%

LAB 63.31, 16.96, 55.37

 

CMYK 0 / 11 / 76 / 20

HEX #CDB632

RGB 205 182 50

HSL 51.1, 0.61%, 0.5%

LAB 73.98, -5.54, 65.54

 

CMYK 9 / 0 / 76 / 20

HEX #BBCD32

RGB 187 205 50

HSL 66.97, 0.61%, 0.5%

LAB 78.73, -24.77, 69.43

 

CMYK 29 / 0 / 76 / 20

HEX #92CD32

RGB 146 205 50

HSL 82.84, 0.61%, 0.5%

LAB 76.07, -41.02, 65.98

 

CMYK 49 / 0 / 76 / 20

HEX #68CD32

RGB 104 205 50

HSL 99.1, 0.61%, 0.5%

LAB 74.08, -55.14, 63.38

 

CMYK 10 / 0 / 76 / 45

HEX #7D8B22

RGB 125 139 34

HSL 68, 0.61%, 0.34%

LAB 55.01, -19.06, 50.84

 

CMYK 10 / 0 / 76 / 33

HEX #9BAC2A

RGB 155 172 42

HSL 67.85, 0.61%, 0.42%

LAB 67.01, -22.39, 60.23

 

CMYK 10 / 0 / 76 / 20

HEX #B9CD32

RGB 185 205 50

HSL 67.74, 0.61%, 0.5%

LAB 78.58, -25.6, 69.24

 

CMYK 8 / 0 / 61 / 16

HEX #C5D553

RGB 197 213 83

HSL 67.38, 0.61%, 0.58%

LAB 81.88, -22.69, 60.58

 

CMYK 6 / 0 / 48 / 13

HEX #D0DD74

RGB 208 221 116

HSL 67.43, 0.61%, 0.66%

LAB 85.19, -19.46, 49.7

 

CMYK 10 / 0 / 76 / 19

HEX #BACE32

RGB 186 206 50

HSL 67.69, 0.61%, 0.5%

LAB 78.93, -25.66, 69.59

 

CMYK 76 / 0 / 52 / 20

HEX #32CD63

RGB 50 205 99

HSL 138.97, 0.61%, 0.5%

LAB 73.05, -61.79, 41.39

 

CMYK 21 / 76 / 0 / 20

HEX #A132CD

RGB 161 50 205

HSL 282.97, 0.61%, 0.5%

LAB 44.61, 66.85, -58.64

 

CMYK 10 / 0 / 76 / 19

HEX #BACE32

RGB 186 206 50

HSL 67.69, 0.61%, 0.5%

LAB 78.93, -25.66, 69.59

 

CMYK 76 / 9 / 0 / 20

HEX #32BBCD

RGB 50 187 205

HSL 186.97, 0.61%, 0.5%

LAB 69.91, -29.49, -19.42

 

CMYK 0 / 76 / 9 / 20

HEX #CD32BB

RGB 205 50 187

HSL 306.97, 0.61%, 0.5%

LAB 50.51, 72.68, -38.38

 

CMYK 10 / 0 / 76 / 19

HEX #BACE32

RGB 186 206 50

HSL 67.69, 0.61%, 0.5%

LAB 78.93, -25.66, 69.59

 

CMYK 76 / 0 / 52 / 20

HEX #32CD63

RGB 50 205 99

HSL 138.97, 0.61%, 0.5%

LAB 73.05, -61.79, 41.39

 

CMYK 67 / 76 / 0 / 20

HEX #4432CD

RGB 68 50 205

HSL 246.97, 0.61%, 0.5%

LAB 33.81, 52.73, -76.73

 

CMYK 0 / 76 / 24 / 20

HEX #CD329C

RGB 205 50 156

HSL 318.97, 0.61%, 0.5%

LAB 49.08, 68.46, -22.35

 

CMYK 10 / 0 / 76 / 19

HEX #BACE32

RGB 186 206 50

HSL 67.69, 0.61%, 0.5%

LAB 78.93, -25.66, 69.59

 

CMYK 76 / 0 / 29 / 20

HEX #32CD92

RGB 50 205 146

HSL 157.16, 0.61%, 0.5%

LAB 73.81, -53.12, 18.29

 

CMYK 67 / 76 / 0 / 20

HEX #4432CD

RGB 68 50 205

HSL 246.97, 0.61%, 0.5%

LAB 33.81, 52.73, -76.73

 

CMYK 0 / 76 / 47 / 20

HEX #CD326D

RGB 205 50 109

HSL 337.16, 0.61%, 0.5%

LAB 47.45, 63.42, 3.65

 

Description

Color code: HEX #BACE32 | qconv.com Color code: HEX #BACE32 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 206 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 206 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 76 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 76% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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