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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BACE2D it is the complementary color #4531D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BACE2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BACE2D shade: #BFCE28, #D0E03B, #E1F24E, #F2FF61 and #FFFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BACE2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BACE2D shade: #BACE2D, #A9BC1A, #98AA07, #879800 and #768600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BACE2D shade: #B9CD2D, #CDB62D, #CD8B2D, #CD5F2D and #CD342D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BACE2D shade: #B9CD2D, #8ECD2D, #63CD2D, #38CD2D and #2DCD4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BACE2D shade matches the following richer shades: #B9CD2D, #C8E119 and #D7F505

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BACE2D shade: #B9CD2D, #AAB941, #9BA455, #8B906A and #7C7C7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BACE2D shade: #CD8A2D, #CDB52D, #BACD2D, #90CD2D and #65CD2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BACE2D shade: #7C891E, #9BAB26, #B9CD2D, #C6D84C and #D1DF6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BACE2D shade: #BACE2D, #2DCD60 and #A02DCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BACE2D shade: #BACE2D, #2DBACD and #CD2DBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BACE2D shade: #BACE2D, #2DCD60, #402DCD and #CD2D9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BACE2D shade: #BACE2D, #2DCD90, #402DCD and #CD2D6A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 78 / 19

HEX #BACE2D

RGB 186 206 45

HSL 67.45, 0.64%, 0.49%

LAB 78.91, -25.87, 71.06

 

Complementary color

CMYK 67 / 77 / 0 / 18

HEX #4531D2

RGB 69 49 210

HSL 247.45, 0.64%, 0.51%

LAB 34.22, 54.84, -78.95

 

CMYK 7 / 0 / 81 / 19

HEX #BFCE28

RGB 191 206 40

HSL 65.42, 0.67%, 0.48%

LAB 79.26, -23.97, 72.87

 

CMYK 7 / 0 / 74 / 12

HEX #D0E03B

RGB 208 224 59

HSL 65.82, 0.73%, 0.55%

LAB 85.52, -24.87, 73.47

 

CMYK 7 / 0 / 68 / 5

HEX #E1F24E

RGB 225 242 78

HSL 66.22, 0.86%, 0.63%

LAB 91.71, -25.63, 73.41

 

CMYK 5 / 0 / 62 / 0

HEX #F2FF61

RGB 242 255 97

HSL 64.94, 1%, 0.69%

LAB 96.52, -23.91, 71.53

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 10 / 0 / 78 / 19

HEX #BACE2D

RGB 186 206 45

HSL 67.45, 0.64%, 0.49%

LAB 78.91, -25.87, 71.06

 

CMYK 10 / 0 / 86 / 26

HEX #A9BC1A

RGB 169 188 26

HSL 67.04, 0.76%, 0.42%

LAB 72.55, -24.88, 69.81

 

CMYK 11 / 0 / 96 / 33

HEX #98AA07

RGB 152 170 7

HSL 66.63, 0.92%, 0.35%

LAB 66.09, -23.69, 67.16

 

CMYK 11 / 0 / 100 / 40

HEX #879800

RGB 135 152 0

HSL 66.71, 1%, 0.3%

LAB 59.53, -22.25, 62.6

 

CMYK 12 / 0 / 100 / 47

HEX #768600

RGB 118 134 0

HSL 67.16, 1%, 0.26%

LAB 52.84, -20.68, 57.03

 

CMYK 10 / 0 / 78 / 20

HEX #B9CD2D

RGB 185 205 45

HSL 67.5, 0.64%, 0.49%

LAB 78.56, -25.8, 70.72

 

CMYK 0 / 11 / 78 / 20

HEX #CDB62D

RGB 205 182 45

HSL 51.38, 0.64%, 0.49%

LAB 73.95, -5.73, 67.17

 

CMYK 0 / 32 / 78 / 20

HEX #CD8B2D

RGB 205 139 45

HSL 35.25, 0.64%, 0.49%

LAB 63.04, 17.3, 57.12

 

CMYK 0 / 54 / 78 / 20

HEX #CD5F2D

RGB 205 95 45

HSL 18.75, 0.64%, 0.49%

LAB 53.33, 40.6, 47.75

 

CMYK 0 / 75 / 78 / 20

HEX #CD342D

RGB 205 52 45

HSL 2.63, 0.64%, 0.49%

LAB 46.48, 58.89, 40.78

 

CMYK 10 / 0 / 78 / 20

HEX #B9CD2D

RGB 185 205 45

HSL 67.5, 0.64%, 0.49%

LAB 78.56, -25.8, 70.72

 

CMYK 31 / 0 / 78 / 20

HEX #8ECD2D

RGB 142 205 45

HSL 83.63, 0.64%, 0.49%

LAB 75.82, -42.75, 67.21

 

CMYK 52 / 0 / 78 / 20

HEX #63CD2D

RGB 99 205 45

HSL 99.75, 0.64%, 0.49%

LAB 73.87, -56.88, 64.68

 

CMYK 73 / 0 / 78 / 20

HEX #38CD2D

RGB 56 205 45

HSL 115.88, 0.64%, 0.49%

LAB 72.69, -66.53, 63.14

 

CMYK 78 / 0 / 62 / 20

HEX #2DCD4D

RGB 45 205 77

HSL 132, 0.64%, 0.49%

LAB 72.73, -65.33, 51.13

 

CMYK 10 / 0 / 78 / 20

HEX #B9CD2D

RGB 185 205 45

HSL 67.5, 0.64%, 0.49%

LAB 78.56, -25.8, 70.72

 

CMYK 11 / 0 / 89 / 12

HEX #C8E119

RGB 200 225 25

HSL 67.5, 0.8%, 0.49%

LAB 85.1, -29.68, 81.12

 

CMYK 12 / 0 / 98 / 4

HEX #D7F505

RGB 215 245 5

HSL 67.5, 0.96%, 0.49%

LAB 91.58, -33.11, 88.69

 

CMYK 10 / 0 / 78 / 20

HEX #B9CD2D

RGB 185 205 45

HSL 67.5, 0.64%, 0.49%

LAB 78.56, -25.8, 70.72

 

CMYK 8 / 0 / 65 / 27

HEX #AAB941

RGB 170 185 65

HSL 67.5, 0.48%, 0.49%

LAB 71.98, -21.24, 56.92

 

CMYK 5 / 0 / 48 / 36

HEX #9BA455

RGB 155 164 85

HSL 66.84, 0.32%, 0.49%

LAB 65.1, -15.18, 39.63

 

CMYK 3 / 0 / 26 / 44

HEX #8B906A

RGB 139 144 106

HSL 67.89, 0.15%, 0.49%

LAB 58.49, -8.48, 19.64

 

CMYK 2 / 2 / 0 / 51

HEX #7C7C7E

RGB 124 124 126

HSL 240, 0.01%, 0.49%

LAB 52.07, 0.41, -1.09

 

CMYK 0 / 33 / 78 / 20

HEX #CD8A2D

RGB 205 138 45

HSL 34.88, 0.64%, 0.49%

LAB 62.8, 17.84, 56.89

 

CMYK 0 / 12 / 78 / 20

HEX #CDB52D

RGB 205 181 45

HSL 51, 0.64%, 0.49%

LAB 73.69, -5.21, 66.93

 

CMYK 9 / 0 / 78 / 20

HEX #BACD2D

RGB 186 205 45

HSL 67.13, 0.64%, 0.49%

LAB 78.63, -25.39, 70.81

 

CMYK 30 / 0 / 78 / 20

HEX #90CD2D

RGB 144 205 45

HSL 82.88, 0.64%, 0.49%

LAB 75.93, -42.01, 67.35

 

CMYK 51 / 0 / 78 / 20

HEX #65CD2D

RGB 101 205 45

HSL 99, 0.64%, 0.49%

LAB 73.95, -56.31, 64.78

 

CMYK 9 / 0 / 78 / 46

HEX #7C891E

RGB 124 137 30

HSL 67.29, 0.64%, 0.33%

LAB 54.31, -18.67, 51.55

 

CMYK 9 / 0 / 78 / 33

HEX #9BAB26

RGB 155 171 38

HSL 67.22, 0.64%, 0.41%

LAB 66.7, -22.07, 61.23

 

CMYK 10 / 0 / 78 / 20

HEX #B9CD2D

RGB 185 205 45

HSL 67.5, 0.64%, 0.49%

LAB 78.56, -25.8, 70.72

 

CMYK 8 / 0 / 65 / 15

HEX #C6D84C

RGB 198 216 76

HSL 67.71, 0.64%, 0.57%

LAB 82.72, -24.2, 64.35

 

CMYK 6 / 0 / 51 / 13

HEX #D1DF6D

RGB 209 223 109

HSL 67.37, 0.64%, 0.65%

LAB 85.72, -20.69, 53.64

 

CMYK 10 / 0 / 78 / 19

HEX #BACE2D

RGB 186 206 45

HSL 67.45, 0.64%, 0.49%

LAB 78.91, -25.87, 71.06

 

CMYK 78 / 0 / 53 / 20

HEX #2DCD60

RGB 45 205 96

HSL 139.13, 0.64%, 0.49%

LAB 72.93, -62.87, 42.67

 

CMYK 22 / 78 / 0 / 20

HEX #A02DCD

RGB 160 45 205

HSL 283.13, 0.64%, 0.49%

LAB 43.88, 68.34, -59.82

 

CMYK 10 / 0 / 78 / 19

HEX #BACE2D

RGB 186 206 45

HSL 67.45, 0.64%, 0.49%

LAB 78.91, -25.87, 71.06

 

CMYK 78 / 9 / 0 / 20

HEX #2DBACD

RGB 45 186 205

HSL 187.13, 0.64%, 0.49%

LAB 69.53, -29.52, -20.01

 

CMYK 0 / 78 / 9 / 20

HEX #CD2DBA

RGB 205 45 186

HSL 307.13, 0.64%, 0.49%

LAB 49.98, 73.92, -38.63

 

CMYK 10 / 0 / 78 / 19

HEX #BACE2D

RGB 186 206 45

HSL 67.45, 0.64%, 0.49%

LAB 78.91, -25.87, 71.06

 

CMYK 78 / 0 / 53 / 20

HEX #2DCD60

RGB 45 205 96

HSL 139.13, 0.64%, 0.49%

LAB 72.93, -62.87, 42.67

 

CMYK 69 / 78 / 0 / 20

HEX #402DCD

RGB 64 45 205

HSL 247.13, 0.64%, 0.49%

LAB 32.64, 54.84, -78.66

 

CMYK 0 / 78 / 25 / 20

HEX #CD2D9A

RGB 205 45 154

HSL 319.13, 0.64%, 0.49%

LAB 48.5, 69.64, -22.05

 

CMYK 10 / 0 / 78 / 19

HEX #BACE2D

RGB 186 206 45

HSL 67.45, 0.64%, 0.49%

LAB 78.91, -25.87, 71.06

 

CMYK 78 / 0 / 30 / 20

HEX #2DCD90

RGB 45 205 144

HSL 157.13, 0.64%, 0.49%

LAB 73.7, -54.14, 19.18

 

CMYK 69 / 78 / 0 / 20

HEX #402DCD

RGB 64 45 205

HSL 247.13, 0.64%, 0.49%

LAB 32.64, 54.84, -78.66

 

CMYK 0 / 78 / 48 / 20

HEX #CD2D6A

RGB 205 45 106

HSL 337.13, 0.64%, 0.49%

LAB 46.84, 64.65, 4.61

 

Description

Color code: HEX #BACE2D | qconv.com Color code: HEX #BACE2D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 206 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 206 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 78 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 78% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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