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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAC0C4 it is the complementary color #453F3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAC0C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAC0C4 shade: #BFC0BF, #D0D2D2, #E1E4E5, #F2F6F8 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAC0C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAC0C4 shade: #BAC0C4, #A9AEB1, #989C9E, #878A8B and #767878

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAC0C4 shade: #BAC0C4, #BABEC4, #BABBC4, #BCBAC4 and #BFBAC4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAC0C4 shade: #BAC0C4, #BABEC4, #BABBC4 and #BABAC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAC0C4 shade matches the following richer shades: #BAC0C4, #B0C2CF, #A6C4D9, #9BC6E3 and #91C9EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAC0C4 shade: #BAC0C4, #C4BEBA, #CFBCB0, #D9BAA5 and #E3B89B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAC0C4 shade: #BAC4C3, #BAC3C4, #BAC0C4, #BABEC4 and #BABBC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAC0C4 shade: #8E989E, #A4ACB1, #BAC0C4, #D0D5D7 and #E7E9EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAC0C4 shade: #BAC0C4, #C0BAC4 and #C4C4BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAC0C4 shade: #BAC0C4, #C4BAC0 and #C0C4BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAC0C4 shade: #BAC0C4, #C0BAC4, #C4BEBA and #BEC4BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAC0C4 shade: #BAC0C4, #C3BAC4, #C4BEBA and #BBC4BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 2 / 0 / 23

HEX #BAC0C4

RGB 186 192 196

HSL 204, 0.08%, 0.75%

LAB 77.35, -1.3, -2.74

 

Complementary color

CMYK 0 / 9 / 14 / 73

HEX #453F3B

RGB 69 63 59

HSL 24, 0.08%, 0.25%

LAB 27.12, 1.75, 3.38

 

CMYK 1 / 0 / 1 / 25

HEX #BFC0BF

RGB 191 192 191

HSL 120, 0.01%, 0.75%

LAB 77.6, -0.53, 0.37

 

CMYK 1 / 0 / 0 / 18

HEX #D0D2D2

RGB 208 210 210

HSL 180, 0.02%, 0.82%

LAB 84.05, -0.68, -0.25

 

CMYK 2 / 0 / 0 / 10

HEX #E1E4E5

RGB 225 228 229

HSL 195, 0.07%, 0.89%

LAB 90.39, -0.82, -0.85

 

CMYK 2 / 1 / 0 / 3

HEX #F2F6F8

RGB 242 246 248

HSL 200, 0.3%, 0.96%

LAB 96.64, -0.96, -1.43

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 5 / 2 / 0 / 23

HEX #BAC0C4

RGB 186 192 196

HSL 204, 0.08%, 0.75%

LAB 77.35, -1.3, -2.74

 

CMYK 5 / 2 / 0 / 31

HEX #A9AEB1

RGB 169 174 177

HSL 202.5, 0.05%, 0.68%

LAB 70.79, -1.17, -2.16

 

CMYK 4 / 1 / 0 / 38

HEX #989C9E

RGB 152 156 158

HSL 200, 0.03%, 0.61%

LAB 64.1, -1.04, -1.55

 

CMYK 3 / 1 / 0 / 45

HEX #878A8B

RGB 135 138 139

HSL 195, 0.02%, 0.54%

LAB 57.26, -0.9, -0.93

 

CMYK 2 / 0 / 0 / 53

HEX #767878

RGB 118 120 120

HSL 180, 0.01%, 0.47%

LAB 50.26, -0.75, -0.27

 

CMYK 5 / 2 / 0 / 23

HEX #BAC0C4

RGB 186 192 196

HSL 204, 0.08%, 0.75%

LAB 77.35, -1.3, -2.74

 

CMYK 5 / 3 / 0 / 23

HEX #BABEC4

RGB 186 190 196

HSL 216, 0.08%, 0.75%

LAB 76.83, -0.24, -3.51

 

CMYK 5 / 5 / 0 / 23

HEX #BABBC4

RGB 186 187 196

HSL 234, 0.08%, 0.75%

LAB 76.05, 1.37, -4.66

 

CMYK 4 / 5 / 0 / 23

HEX #BCBAC4

RGB 188 186 196

HSL 252, 0.08%, 0.75%

LAB 75.94, 2.59, -4.8

 

CMYK 3 / 5 / 0 / 23

HEX #BFBAC4

RGB 191 186 196

HSL 270, 0.08%, 0.75%

LAB 76.18, 3.62, -4.42

 

CMYK 5 / 2 / 0 / 23

HEX #BAC0C4

RGB 186 192 196

HSL 204, 0.08%, 0.75%

LAB 77.35, -1.3, -2.74

 

CMYK 5 / 3 / 0 / 23

HEX #BABEC4

RGB 186 190 196

HSL 216, 0.08%, 0.75%

LAB 76.83, -0.24, -3.51

 

CMYK 5 / 5 / 0 / 23

HEX #BABBC4

RGB 186 187 196

HSL 234, 0.08%, 0.75%

LAB 76.05, 1.37, -4.66

 

CMYK 5 / 5 / 0 / 23

HEX #BABAC4

RGB 186 186 196

HSL 240, 0.08%, 0.75%

LAB 75.79, 1.91, -5.05

 

CMYK 5 / 2 / 0 / 23

HEX #BAC0C4

RGB 186 192 196

HSL 204, 0.08%, 0.75%

LAB 77.35, -1.3, -2.74

 

CMYK 15 / 6 / 0 / 19

HEX #B0C2CF

RGB 176 194 207

HSL 205.16, 0.24%, 0.75%

LAB 77.47, -3.46, -8.6

 

CMYK 24 / 10 / 0 / 15

HEX #A6C4D9

RGB 166 196 217

HSL 204.71, 0.4%, 0.75%

LAB 77.64, -5.46, -13.82

 

CMYK 32 / 13 / 0 / 11

HEX #9BC6E3

RGB 155 198 227

HSL 204.17, 0.56%, 0.75%

LAB 77.82, -7.39, -19

 

CMYK 39 / 16 / 0 / 7

HEX #91C9EE

RGB 145 201 238

HSL 203.87, 0.73%, 0.75%

LAB 78.44, -8.92, -24.01

 

CMYK 5 / 2 / 0 / 23

HEX #BAC0C4

RGB 186 192 196

HSL 204, 0.08%, 0.75%

LAB 77.35, -1.3, -2.74

 

CMYK 0 / 3 / 5 / 23

HEX #C4BEBA

RGB 196 190 186

HSL 24, 0.08%, 0.75%

LAB 77.35, 1.39, 2.75

 

CMYK 0 / 9 / 15 / 19

HEX #CFBCB0

RGB 207 188 176

HSL 23.23, 0.24%, 0.75%

LAB 77.5, 4.75, 8.5

 

CMYK 0 / 14 / 24 / 15

HEX #D9BAA5

RGB 217 186 165

HSL 24.23, 0.41%, 0.75%

LAB 77.63, 7.88, 14.75

 

CMYK 0 / 19 / 32 / 11

HEX #E3B89B

RGB 227 184 155

HSL 24.17, 0.56%, 0.75%

LAB 77.86, 11.41, 20.59

 

CMYK 5 / 0 / 1 / 23

HEX #BAC4C3

RGB 186 196 195

HSL 174, 0.08%, 0.75%

LAB 78.38, -3.61, -0.7

 

CMYK 5 / 1 / 0 / 23

HEX #BAC3C4

RGB 186 195 196

HSL 186, 0.08%, 0.75%

LAB 78.14, -2.89, -1.58

 

CMYK 5 / 2 / 0 / 23

HEX #BAC0C4

RGB 186 192 196

HSL 204, 0.08%, 0.75%

LAB 77.35, -1.3, -2.74

 

CMYK 5 / 3 / 0 / 23

HEX #BABEC4

RGB 186 190 196

HSL 216, 0.08%, 0.75%

LAB 76.83, -0.24, -3.51

 

CMYK 5 / 5 / 0 / 23

HEX #BABBC4

RGB 186 187 196

HSL 234, 0.08%, 0.75%

LAB 76.05, 1.37, -4.66

 

CMYK 10 / 4 / 0 / 38

HEX #8E989E

RGB 142 152 158

HSL 202.5, 0.08%, 0.59%

LAB 62.23, -2.33, -4.38

 

CMYK 7 / 3 / 0 / 31

HEX #A4ACB1

RGB 164 172 177

HSL 203.08, 0.08%, 0.67%

LAB 69.87, -1.81, -3.54

 

CMYK 5 / 2 / 0 / 23

HEX #BAC0C4

RGB 186 192 196

HSL 204, 0.08%, 0.75%

LAB 77.35, -1.3, -2.74

 

CMYK 3 / 1 / 0 / 16

HEX #D0D5D7

RGB 208 213 215

HSL 197.14, 0.08%, 0.83%

LAB 84.95, -1.32, -1.59

 

CMYK 1 / 0 / 0 / 8

HEX #E7E9EA

RGB 231 233 234

HSL 200, 0.07%, 0.91%

LAB 92.22, -0.48, -0.73

 

CMYK 5 / 2 / 0 / 23

HEX #BAC0C4

RGB 186 192 196

HSL 204, 0.08%, 0.75%

LAB 77.35, -1.3, -2.74

 

CMYK 2 / 5 / 0 / 23

HEX #C0BAC4

RGB 192 186 196

HSL 276, 0.08%, 0.75%

LAB 76.26, 3.96, -4.3

 

CMYK 0 / 0 / 5 / 23

HEX #C4C4BA

RGB 196 196 186

HSL 60, 0.08%, 0.75%

LAB 78.9, -1.79, 5.01

 

CMYK 5 / 2 / 0 / 23

HEX #BAC0C4

RGB 186 192 196

HSL 204, 0.08%, 0.75%

LAB 77.35, -1.3, -2.74

 

CMYK 0 / 5 / 2 / 23

HEX #C4BAC0

RGB 196 186 192

HSL 324, 0.08%, 0.75%

LAB 76.47, 4.6, -1.77

 

CMYK 2 / 0 / 5 / 23

HEX #C0C4BA

RGB 192 196 186

HSL 84, 0.08%, 0.75%

LAB 78.6, -3.2, 4.53

 

CMYK 5 / 2 / 0 / 23

HEX #BAC0C4

RGB 186 192 196

HSL 204, 0.08%, 0.75%

LAB 77.35, -1.3, -2.74

 

CMYK 2 / 5 / 0 / 23

HEX #C0BAC4

RGB 192 186 196

HSL 276, 0.08%, 0.75%

LAB 76.26, 3.96, -4.3

 

CMYK 0 / 3 / 5 / 23

HEX #C4BEBA

RGB 196 190 186

HSL 24, 0.08%, 0.75%

LAB 77.35, 1.39, 2.75

 

CMYK 3 / 0 / 5 / 23

HEX #BEC4BA

RGB 190 196 186

HSL 96, 0.08%, 0.75%

LAB 78.45, -3.9, 4.29

 

CMYK 5 / 2 / 0 / 23

HEX #BAC0C4

RGB 186 192 196

HSL 204, 0.08%, 0.75%

LAB 77.35, -1.3, -2.74

 

CMYK 1 / 5 / 0 / 23

HEX #C3BAC4

RGB 195 186 196

HSL 294, 0.08%, 0.75%

LAB 76.5, 5, -3.91

 

CMYK 0 / 3 / 5 / 23

HEX #C4BEBA

RGB 196 190 186

HSL 24, 0.08%, 0.75%

LAB 77.35, 1.39, 2.75

 

CMYK 5 / 0 / 5 / 23

HEX #BBC4BA

RGB 187 196 186

HSL 114, 0.08%, 0.75%

LAB 78.22, -4.95, 3.94

 

Description

Color code: HEX #BAC0C4 | qconv.com Color code: HEX #BAC0C4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 192 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 192 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 2 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 2% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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