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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAB2F44C it is the complementary color #454D0B4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAB2F44C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAB2F44C shade: #BFB2EF4C, #D0C4FF4C, #E1D6FF4C, #F2E8FF4C and #FFFAFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAB2F44C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAB2F44C shade: #BAB2F44C, #A9A0E14C, #988ECE4C, #877CBB4C and #766AA84C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAB2F44C shade: #BBB3F4, #CDB3F4, #DEB3F4, #F0B3F4 and #F4B3E7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAB2F44C shade: #BBB3F4 and #B3B3F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAB2F44C shade matches the following richer shades: #BBB3F4 and #B6ACFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAB2F44C shade: #BBB3F4, #C0BAED, #C6C1E6, #CBC8DF and #D0CFD8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAB2F44C shade: #B3CEF4, #B3BDF4, #BBB3F4, #CCB3F4 and #DDB3F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAB2F44C shade: #7A6BEA, #9B8FEF, #BBB3F4, #DBD7F9 and #FCFBFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAB2F44C shade: #BAB2F4, #F4B3E0 and #C6F4B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAB2F44C shade: #BAB2F4, #F4BBB3 and #B3F4BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAB2F44C shade: #BAB2F4, #F4B3E0, #EDF4B3 and #B3F4C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAB2F44C shade: #BAB2F4, #F4B3CC, #EDF4B3 and #B3F4DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 8 / 0 / 1

HEX #BAB2F44C

RGBA 186 178 244 0.3

HSLA 247.27, 0.75%, 0.83%, 0.3

LABA 75.33, 16.56, -31.77, 0.3

 

Complementary color

CMYK 3 / 0 / 26 / 21

HEX #454D0B4C

RGBA 69 77 11 0.3

HSLA 67.27, 0.75%, 0.17%, 0.3

LABA 30.87, -12.6, 34.9, 0.3

 

CMYK 6 / 8 / 0 / 2

HEX #BFB2EF4C

RGBA 191 178 239 0.3

HSLA 252.79, 0.66%, 0.82%, 0.3

LABA 75.54, 16.92, -28.71, 0.3

 

CMYK 6 / 7 / 0 / 0

HEX #D0C4FF4C

RGBA 208 196 255 0.3

HSLA 252.2, 1%, 0.88%, 0.3

LABA 81.9, 15.82, -27.44, 0.3

 

CMYK 4 / 5 / 0 / 0

HEX #E1D6FF4C

RGBA 225 214 255 0.3

HSLA 256.1, 1%, 0.92%, 0.3

LABA 87.64, 11.48, -18.6, 0.3

 

CMYK 2 / 3 / 0 / 0

HEX #F2E8FF4C

RGBA 242 232 255 0.3

HSLA 266.09, 1%, 0.95%, 0.3

LABA 93.37, 7.5, -9.89, 0.3

 

CMYK 0 / 1 / 0 / 0

HEX #FFFAFF4C

RGBA 255 250 255 0.3

HSLA 300, 1%, 0.99%, 0.3

LABA 98.77, 2.53, -1.81, 0.3

 

CMYK 7 / 8 / 0 / 1

HEX #BAB2F44C

RGBA 186 178 244 0.3

HSLA 247.27, 0.75%, 0.83%, 0.3

LABA 75.33, 16.56, -31.77, 0.3

 

CMYK 7 / 9 / 0 / 4

HEX #A9A0E14C

RGBA 169 160 225 0.3

HSLA 248.31, 0.52%, 0.75%, 0.3

LABA 68.76, 17.07, -31.68, 0.3

 

CMYK 8 / 9 / 0 / 6

HEX #988ECE4C

RGBA 152 142 206 0.3

HSLA 249.38, 0.4%, 0.68%, 0.3

LABA 62.06, 17.62, -31.62, 0.3

 

CMYK 8 / 10 / 0 / 8

HEX #877CBB4C

RGBA 135 124 187 0.3

HSLA 250.48, 0.32%, 0.61%, 0.3

LABA 55.23, 18.25, -31.6, 0.3

 

CMYK 9 / 11 / 0 / 10

HEX #766AA84C

RGBA 118 106 168 0.3

HSLA 251.61, 0.26%, 0.54%, 0.3

LABA 48.24, 18.96, -31.62, 0.3

 

CMYK 23 / 27 / 0 / 4

HEX #BBB3F4

RGB 187 179 244

HSL 247.38, 0.75%, 0.83%

LAB 75.66, 16.31, -31.26

 

CMYK 16 / 27 / 0 / 4

HEX #CDB3F4

RGB 205 179 244

HSL 264, 0.75%, 0.83%

LAB 77.13, 21.76, -28.87

 

CMYK 9 / 27 / 0 / 4

HEX #DEB3F4

RGB 222 179 244

HSL 279.69, 0.75%, 0.83%

LAB 78.64, 27.05, -26.44

 

CMYK 2 / 27 / 0 / 4

HEX #F0B3F4

RGB 240 179 244

HSL 296.31, 0.75%, 0.83%

LAB 80.35, 32.75, -23.67

 

CMYK 0 / 27 / 5 / 4

HEX #F4B3E7

RGB 244 179 231

HSL 312, 0.75%, 0.83%

LAB 80.32, 31.71, -16.69

 

CMYK 23 / 27 / 0 / 4

HEX #BBB3F4

RGB 187 179 244

HSL 247.38, 0.75%, 0.83%

LAB 75.66, 16.31, -31.26

 

CMYK 27 / 27 / 0 / 4

HEX #B3B3F4

RGB 179 179 244

HSL 240, 0.75%, 0.83%

LAB 75.05, 13.95, -32.26

 

CMYK 23 / 27 / 0 / 4

HEX #BBB3F4

RGB 187 179 244

HSL 247.38, 0.75%, 0.83%

LAB 75.66, 16.31, -31.26

 

CMYK 27 / 31 / 0 / 2

HEX #B6ACFB

RGB 182 172 251

HSL 247.59, 0.91%, 0.83%

LAB 73.81, 20.38, -37.93

 

CMYK 23 / 27 / 0 / 4

HEX #BBB3F4

RGB 187 179 244

HSL 247.38, 0.75%, 0.83%

LAB 75.66, 16.31, -31.26

 

CMYK 19 / 22 / 0 / 7

HEX #C0BAED

RGB 192 186 237

HSL 247.06, 0.59%, 0.83%

LAB 77.54, 12.4, -24.57

 

CMYK 14 / 16 / 0 / 10

HEX #C6C1E6

RGB 198 193 230

HSL 248.11, 0.43%, 0.83%

LAB 79.53, 8.98, -17.74

 

CMYK 9 / 10 / 0 / 13

HEX #CBC8DF

RGB 203 200 223

HSL 247.83, 0.26%, 0.83%

LAB 81.47, 5.41, -11.03

 

CMYK 4 / 4 / 0 / 15

HEX #D0CFD8

RGB 208 207 216

HSL 246.67, 0.1%, 0.83%

LAB 83.44, 2.01, -4.33

 

CMYK 27 / 16 / 0 / 4

HEX #B3CEF4

RGB 179 206 244

HSL 215.08, 0.75%, 0.83%

LAB 81.98, -0.7, -21.65

 

CMYK 27 / 23 / 0 / 4

HEX #B3BDF4

RGB 179 189 244

HSL 230.77, 0.75%, 0.83%

LAB 77.59, 8.46, -28.35

 

CMYK 23 / 27 / 0 / 4

HEX #BBB3F4

RGB 187 179 244

HSL 247.38, 0.75%, 0.83%

LAB 75.66, 16.31, -31.26

 

CMYK 16 / 27 / 0 / 4

HEX #CCB3F4

RGB 204 179 244

HSL 263.08, 0.75%, 0.83%

LAB 77.05, 21.45, -29.01

 

CMYK 9 / 27 / 0 / 4

HEX #DDB3F4

RGB 221 179 244

HSL 278.77, 0.75%, 0.83%

LAB 78.55, 26.73, -26.58

 

CMYK 48 / 54 / 0 / 8

HEX #7A6BEA

RGB 122 107 234

HSL 247.09, 0.75%, 0.67%

LAB 52.5, 37.96, -62.62

 

CMYK 35 / 40 / 0 / 6

HEX #9B8FEF

RGB 155 143 239

HSL 247.5, 0.75%, 0.75%

LAB 64.04, 26.31, -46.85

 

CMYK 23 / 27 / 0 / 4

HEX #BBB3F4

RGB 187 179 244

HSL 247.38, 0.75%, 0.83%

LAB 75.66, 16.31, -31.26

 

CMYK 12 / 14 / 0 / 2

HEX #DBD7F9

RGB 219 215 249

HSL 247.06, 0.74%, 0.91%

LAB 87.24, 7.84, -16.08

 

CMYK 1 / 1 / 0 / 0

HEX #FCFBFE

RGB 252 251 254

HSL 260, 0.6%, 0.99%

LAB 98.77, 0.86, -1.33

 

CMYK 24 / 27 / 0 / 4

HEX #BAB2F4

RGB 186 178 244

HSL 247.27, 0.75%, 0.83%

LAB 75.33, 16.56, -31.77

 

CMYK 0 / 27 / 8 / 4

HEX #F4B3E0

RGB 244 179 224

HSL 318.46, 0.75%, 0.83%

LAB 80.1, 30.51, -13.24

 

CMYK 19 / 0 / 27 / 4

HEX #C6F4B3

RGB 198 244 179

HSL 102.46, 0.75%, 0.83%

LAB 91.67, -26.35, 26.62

 

CMYK 24 / 27 / 0 / 4

HEX #BAB2F4

RGB 186 178 244

HSL 247.27, 0.75%, 0.83%

LAB 75.33, 16.56, -31.77

 

CMYK 0 / 23 / 27 / 4

HEX #F4BBB3

RGB 244 187 179

HSL 7.38, 0.75%, 0.83%

LAB 80.75, 19.4, 11.99

 

CMYK 27 / 0 / 23 / 4

HEX #B3F4BB

RGB 179 244 187

HSL 127.38, 0.75%, 0.83%

LAB 90.72, -31.3, 21.05

 

CMYK 24 / 27 / 0 / 4

HEX #BAB2F4

RGB 186 178 244

HSL 247.27, 0.75%, 0.83%

LAB 75.33, 16.56, -31.77

 

CMYK 0 / 27 / 8 / 4

HEX #F4B3E0

RGB 244 179 224

HSL 318.46, 0.75%, 0.83%

LAB 80.1, 30.51, -13.24

 

CMYK 3 / 0 / 27 / 4

HEX #EDF4B3

RGB 237 244 179

HSL 66.46, 0.75%, 0.83%

LAB 94.3, -12.53, 30.63

 

CMYK 27 / 0 / 18 / 4

HEX #B3F4C8

RGB 179 244 200

HSL 139.38, 0.75%, 0.83%

LAB 90.99, -29, 14.73

 

CMYK 24 / 27 / 0 / 4

HEX #BAB2F4

RGB 186 178 244

HSL 247.27, 0.75%, 0.83%

LAB 75.33, 16.56, -31.77

 

CMYK 0 / 27 / 16 / 4

HEX #F4B3CC

RGB 244 179 204

HSL 336.92, 0.75%, 0.83%

LAB 79.52, 27.27, -3.29

 

CMYK 3 / 0 / 27 / 4

HEX #EDF4B3

RGB 237 244 179

HSL 66.46, 0.75%, 0.83%

LAB 94.3, -12.53, 30.63

 

CMYK 27 / 0 / 10 / 4

HEX #B3F4DB

RGB 179 244 219

HSL 156.92, 0.75%, 0.83%

LAB 91.41, -25.37, 5.49

 

Description

Color code: HEX #BAB2F44C | qconv.com Color code: HEX #BAB2F44C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 178 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 178 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 8 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 8% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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