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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAB015 it is the complementary color #454FEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAB015. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAB015 shade: #BFB010, #D0C223, #E1D436, #F2E649 and #FFF85C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAB015. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAB015 shade: #BAB015, #A99E02, #988C00, #877A00 and #766800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAB015 shade: #BCB215, #BC8515, #BC5815, #BC2B15 and #BC1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAB015 shade: #BCB215, #99BC15, #6CBC15, #3FBC15 and #15BC18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAB015 shade matches the following richer shades: #BCB215 and #CDC104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAB015 shade: #BCB215, #ABA326, #9A9437, #898548 and #797759

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAB015 shade: #BC5815, #BC8415, #BCB115, #9BBC15 and #6EBC15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAB015 shade: #726C0D, #978F11, #BCB215, #E1D519 and #E9DF3A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAB015 shade: #BAB015, #15BC2B and #6E15BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAB015 shade: #BAB015, #15BCB1 and #B115BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAB015 shade: #BAB015, #15BC2B, #1520BC and #BC15A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAB015 shade: #BAB015, #15BC5D, #1520BC and #BC1574

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 89 / 27

HEX #BAB015

RGB 186 176 21

HSL 56.36, 0.8%, 0.41%

LAB 70.56, -11.62, 69.75

 

Complementary color

CMYK 71 / 66 / 0 / 8

HEX #454FEA

RGB 69 79 234

HSL 236.36, 0.8%, 0.59%

LAB 42.46, 45.93, -79.12

 

CMYK 0 / 8 / 92 / 25

HEX #BFB010

RGB 191 176 16

HSL 54.86, 0.85%, 0.41%

LAB 70.98, -9.51, 71.12

 

CMYK 0 / 7 / 83 / 18

HEX #D0C223

RGB 208 194 35

HSL 55.14, 0.71%, 0.48%

LAB 77.35, -10.92, 73.04

 

CMYK 0 / 6 / 76 / 12

HEX #E1D436

RGB 225 212 54

HSL 55.44, 0.74%, 0.55%

LAB 83.63, -12.13, 73.79

 

CMYK 0 / 5 / 70 / 5

HEX #F2E649

RGB 242 230 73

HSL 55.74, 0.87%, 0.62%

LAB 89.84, -13.17, 73.78

 

CMYK 0 / 3 / 64 / 0

HEX #FFF85C

RGB 255 248 92

HSL 57.42, 1%, 0.68%

LAB 95.65, -15.67, 72.89

 

CMYK 0 / 5 / 89 / 27

HEX #BAB015

RGB 186 176 21

HSL 56.36, 0.8%, 0.41%

LAB 70.56, -11.62, 69.75

 

CMYK 0 / 7 / 99 / 34

HEX #A99E02

RGB 169 158 2

HSL 56.05, 0.98%, 0.34%

LAB 64.07, -10.1, 66.92

 

CMYK 0 / 8 / 100 / 40

HEX #988C00

RGB 152 140 0

HSL 55.26, 1%, 0.3%

LAB 57.49, -8.27, 61.75

 

CMYK 0 / 10 / 100 / 47

HEX #877A00

RGB 135 122 0

HSL 54.22, 1%, 0.26%

LAB 50.77, -6.35, 56.17

 

CMYK 0 / 12 / 100 / 54

HEX #766800

RGB 118 104 0

HSL 52.88, 1%, 0.23%

LAB 43.88, -4.35, 50.47

 

CMYK 0 / 5 / 89 / 26

HEX #BCB215

RGB 188 178 21

HSL 56.41, 0.8%, 0.41%

LAB 71.27, -11.77, 70.39

 

CMYK 0 / 29 / 89 / 26

HEX #BC8515

RGB 188 133 21

HSL 40.24, 0.8%, 0.41%

LAB 59.45, 12.39, 61.05

 

CMYK 0 / 53 / 89 / 26

HEX #BC5815

RGB 188 88 21

HSL 24.07, 0.8%, 0.41%

LAB 49.16, 36.75, 52.99

 

CMYK 0 / 77 / 89 / 26

HEX #BC2B15

RGB 188 43 21

HSL 7.9, 0.8%, 0.41%

LAB 41.96, 55.95, 47.41

 

CMYK 0 / 89 / 89 / 26

HEX #BC1515

RGB 188 21 21

HSL 0, 0.8%, 0.41%

LAB 40.05, 61.35, 45.95

 

CMYK 0 / 5 / 89 / 26

HEX #BCB215

RGB 188 178 21

HSL 56.41, 0.8%, 0.41%

LAB 71.27, -11.77, 70.39

 

CMYK 19 / 0 / 89 / 26

HEX #99BC15

RGB 153 188 21

HSL 72.57, 0.8%, 0.41%

LAB 71.41, -31.67, 69.38

 

CMYK 43 / 0 / 89 / 26

HEX #6CBC15

RGB 108 188 21

HSL 88.74, 0.8%, 0.41%

LAB 68.9, -48.6, 66.28

 

CMYK 66 / 0 / 89 / 26

HEX #3FBC15

RGB 63 188 21

HSL 104.91, 0.8%, 0.41%

LAB 67.34, -60.97, 64.32

 

CMYK 89 / 0 / 87 / 26

HEX #15BC18

RGB 21 188 24

HSL 121.08, 0.8%, 0.41%

LAB 66.67, -66.78, 62.88

 

CMYK 0 / 5 / 89 / 26

HEX #BCB215

RGB 188 178 21

HSL 56.41, 0.8%, 0.41%

LAB 71.27, -11.77, 70.39

 

CMYK 0 / 6 / 98 / 20

HEX #CDC104

RGB 205 193 4

HSL 56.42, 0.96%, 0.41%

LAB 76.76, -12.24, 77.4

 

CMYK 0 / 5 / 89 / 26

HEX #BCB215

RGB 188 178 21

HSL 56.41, 0.8%, 0.41%

LAB 71.27, -11.77, 70.39

 

CMYK 0 / 5 / 78 / 33

HEX #ABA326

RGB 171 163 38

HSL 56.39, 0.64%, 0.41%

LAB 65.74, -10.99, 60.84

 

CMYK 0 / 4 / 64 / 40

HEX #9A9437

RGB 154 148 55

HSL 56.36, 0.47%, 0.41%

LAB 60.18, -9.7, 48.34

 

CMYK 0 / 3 / 47 / 46

HEX #898548

RGB 137 133 72

HSL 56.31, 0.31%, 0.41%

LAB 54.62, -7.62, 33.24

 

CMYK 0 / 2 / 26 / 53

HEX #797759

RGB 121 119 89

HSL 56.25, 0.15%, 0.41%

LAB 49.47, -4.5, 16.82

 

CMYK 0 / 53 / 89 / 26

HEX #BC5815

RGB 188 88 21

HSL 24.07, 0.8%, 0.41%

LAB 49.16, 36.75, 52.99

 

CMYK 0 / 30 / 89 / 26

HEX #BC8415

RGB 188 132 21

HSL 39.88, 0.8%, 0.41%

LAB 59.2, 12.94, 60.85

 

CMYK 0 / 6 / 89 / 26

HEX #BCB115

RGB 188 177 21

HSL 56.05, 0.8%, 0.41%

LAB 71, -11.26, 70.17

 

CMYK 18 / 0 / 89 / 26

HEX #9BBC15

RGB 155 188 21

HSL 71.86, 0.8%, 0.41%

LAB 71.55, -30.85, 69.55

 

CMYK 41 / 0 / 89 / 26

HEX #6EBC15

RGB 110 188 21

HSL 88.02, 0.8%, 0.41%

LAB 68.99, -47.93, 66.39

 

CMYK 0 / 5 / 89 / 55

HEX #726C0D

RGB 114 108 13

HSL 56.44, 0.8%, 0.25%

LAB 44.7, -8.24, 47.86

 

CMYK 0 / 5 / 89 / 41

HEX #978F11

RGB 151 143 17

HSL 56.42, 0.8%, 0.33%

LAB 58.29, -10.05, 59.43

 

CMYK 0 / 5 / 89 / 26

HEX #BCB215

RGB 188 178 21

HSL 56.41, 0.8%, 0.41%

LAB 71.27, -11.77, 70.39

 

CMYK 0 / 5 / 89 / 12

HEX #E1D519

RGB 225 213 25

HSL 56.4, 0.8%, 0.49%

LAB 83.79, -13.43, 80.9

 

CMYK 0 / 4 / 75 / 9

HEX #E9DF3A

RGB 233 223 58

HSL 56.57, 0.8%, 0.57%

LAB 87.19, -14.09, 76.05

 

CMYK 0 / 5 / 89 / 27

HEX #BAB015

RGB 186 176 21

HSL 56.36, 0.8%, 0.41%

LAB 70.56, -11.62, 69.75

 

CMYK 89 / 0 / 77 / 26

HEX #15BC2B

RGB 21 188 43

HSL 127.9, 0.8%, 0.41%

LAB 66.75, -65.72, 57.85

 

CMYK 41 / 89 / 0 / 26

HEX #6E15BC

RGB 110 21 188

HSL 271.98, 0.8%, 0.41%

LAB 32.88, 64.09, -68.14

 

CMYK 0 / 5 / 89 / 27

HEX #BAB015

RGB 186 176 21

HSL 56.36, 0.8%, 0.41%

LAB 70.56, -11.62, 69.75

 

CMYK 89 / 0 / 6 / 26

HEX #15BCB1

RGB 21 188 177

HSL 176.05, 0.8%, 0.41%

LAB 68.97, -40.72, -5.5

 

CMYK 6 / 89 / 0 / 26

HEX #B115BC

RGB 177 21 188

HSL 296.05, 0.8%, 0.41%

LAB 43.53, 74.02, -50.36

 

CMYK 0 / 5 / 89 / 27

HEX #BAB015

RGB 186 176 21

HSL 56.36, 0.8%, 0.41%

LAB 70.56, -11.62, 69.75

 

CMYK 89 / 0 / 77 / 26

HEX #15BC2B

RGB 21 188 43

HSL 127.9, 0.8%, 0.41%

LAB 66.75, -65.72, 57.85

 

CMYK 89 / 83 / 0 / 26

HEX #1520BC

RGB 21 32 188

HSL 236.05, 0.8%, 0.41%

LAB 26.23, 53.27, -79.4

 

CMYK 0 / 89 / 12 / 26

HEX #BC15A6

RGB 188 21 166

HSL 307.9, 0.8%, 0.41%

LAB 44.21, 72.75, -36.15

 

CMYK 0 / 5 / 89 / 27

HEX #BAB015

RGB 186 176 21

HSL 56.36, 0.8%, 0.41%

LAB 70.56, -11.62, 69.75

 

CMYK 89 / 0 / 51 / 26

HEX #15BC5D

RGB 21 188 93

HSL 145.87, 0.8%, 0.41%

LAB 67.21, -59.96, 37.03

 

CMYK 89 / 83 / 0 / 26

HEX #1520BC

RGB 21 32 188

HSL 236.05, 0.8%, 0.41%

LAB 26.23, 53.27, -79.4

 

CMYK 0 / 89 / 38 / 26

HEX #BC1574

RGB 188 21 116

HSL 325.87, 0.8%, 0.41%

LAB 41.98, 66.8, -9.1

 

Description

Color code: HEX #BAB015 | qconv.com Color code: HEX #BAB015 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 176 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 176 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 89 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 89% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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