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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAA9B1 it is the complementary color #45564E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAA9B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAA9B1 shade: #BFA9AC, #D0BBBF, #E1CDD2, #F2DFE5 and #FFF1F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAA9B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAA9B1 shade: #BAA9B1, #A9979E, #98858B, #877378 and #766165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAA9B1 shade: #BBAAB2, #BBAAAD and #BBAAAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAA9B1 shade: #BBAAB2, #BBAAB7, #BBAABB, #B6AABB and #B2AABB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAA9B1 shade matches the following richer shades: #BBAAB2, #C79EB1, #D491B1, #E085B0 and #EC79AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAA9B1 shade: #BBAAB2, #AFB6B3, #A2C3B3, #96CFB4 and #89DCB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAA9B1 shade: #BBAABB, #BBAAB7, #BBAAB2, #BBAAAE and #BBABAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAA9B1 shade: #967C88, #A9939D, #BBAAB2, #CDC1C7 and #E0D8DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAA9B1 shade: #BAA9B1, #BBB6AA and #AAB9BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAA9B1 shade: #BAA9B1, #B2BBAA and #AAB2BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAA9B1 shade: #BAA9B1, #BBB6AA, #AABBB3 and #AAAFBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAA9B1 shade: #BAA9B1, #BBBBAA, #AABBB3 and #AAAABB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 5 / 27

HEX #BAA9B1

RGB 186 169 177

HSL 331.76, 0.11%, 0.7%

LAB 70.86, 7.55, -1.88

 

Complementary color

CMYK 20 / 0 / 9 / 66

HEX #45564E

RGB 69 86 78

HSL 151.76, 0.11%, 0.3%

LAB 34.94, -8.45, 2.47

 

CMYK 0 / 12 / 10 / 25

HEX #BFA9AC

RGB 191 169 172

HSL 351.82, 0.15%, 0.71%

LAB 71.17, 8.47, 1.37

 

CMYK 0 / 10 / 8 / 18

HEX #D0BBBF

RGB 208 187 191

HSL 348.57, 0.18%, 0.77%

LAB 77.7, 8.13, 0.69

 

CMYK 0 / 9 / 7 / 12

HEX #E1CDD2

RGB 225 205 210

HSL 345, 0.25%, 0.84%

LAB 84.13, 7.81, 0.04

 

CMYK 0 / 8 / 5 / 5

HEX #F2DFE5

RGB 242 223 229

HSL 341.05, 0.42%, 0.91%

LAB 90.46, 7.51, -0.59

 

CMYK 0 / 5 / 3 / 0

HEX #FFF1F8

RGB 255 241 248

HSL 330, 1%, 0.97%

LAB 96.39, 5.9, -1.69

 

CMYK 0 / 9 / 5 / 27

HEX #BAA9B1

RGB 186 169 177

HSL 331.76, 0.11%, 0.7%

LAB 70.86, 7.55, -1.88

 

CMYK 0 / 11 / 7 / 34

HEX #A9979E

RGB 169 151 158

HSL 336.67, 0.09%, 0.63%

LAB 64.19, 7.89, -1.25

 

CMYK 0 / 13 / 9 / 40

HEX #98858B

RGB 152 133 139

HSL 341.05, 0.08%, 0.56%

LAB 57.38, 8.27, -0.58

 

CMYK 0 / 15 / 11 / 47

HEX #877378

RGB 135 115 120

HSL 345, 0.08%, 0.49%

LAB 50.42, 8.69, 0.13

 

CMYK 0 / 18 / 14 / 54

HEX #766165

RGB 118 97 101

HSL 348.57, 0.1%, 0.42%

LAB 43.27, 9.17, 0.9

 

CMYK 0 / 9 / 5 / 27

HEX #BBAAB2

RGB 187 170 178

HSL 331.76, 0.11%, 0.7%

LAB 71.23, 7.54, -1.88

 

CMYK 0 / 9 / 7 / 27

HEX #BBAAAD

RGB 187 170 173

HSL 349.41, 0.11%, 0.7%

LAB 71.1, 6.65, 0.68

 

CMYK 0 / 9 / 9 / 27

HEX #BBAAAA

RGB 187 170 170

HSL 0, 0.11%, 0.7%

LAB 71.02, 6.13, 2.22

 

CMYK 0 / 9 / 5 / 27

HEX #BBAAB2

RGB 187 170 178

HSL 331.76, 0.11%, 0.7%

LAB 71.23, 7.54, -1.88

 

CMYK 0 / 9 / 2 / 27

HEX #BBAAB7

RGB 187 170 183

HSL 314.12, 0.11%, 0.7%

LAB 71.37, 8.46, -4.43

 

CMYK 0 / 9 / 0 / 27

HEX #BBAABB

RGB 187 170 187

HSL 300, 0.11%, 0.7%

LAB 71.49, 9.21, -6.47

 

CMYK 3 / 9 / 0 / 27

HEX #B6AABB

RGB 182 170 187

HSL 282.35, 0.11%, 0.7%

LAB 71.07, 7.47, -7.14

 

CMYK 5 / 9 / 0 / 27

HEX #B2AABB

RGB 178 170 187

HSL 268.24, 0.11%, 0.7%

LAB 70.73, 6.09, -7.67

 

CMYK 0 / 9 / 5 / 27

HEX #BBAAB2

RGB 187 170 178

HSL 331.76, 0.11%, 0.7%

LAB 71.23, 7.54, -1.88

 

CMYK 0 / 21 / 11 / 22

HEX #C79EB1

RGB 199 158 177

HSL 332.2, 0.27%, 0.7%

LAB 69.31, 18.26, -4.04

 

CMYK 0 / 32 / 17 / 17

HEX #D491B1

RGB 212 145 177

HSL 331.34, 0.44%, 0.7%

LAB 67.59, 30, -6.42

 

CMYK 0 / 41 / 21 / 12

HEX #E085B0

RGB 224 133 176

HSL 331.65, 0.59%, 0.7%

LAB 66.33, 40.4, -7.57

 

CMYK 0 / 49 / 26 / 7

HEX #EC79AF

RGB 236 121 175

HSL 331.83, 0.75%, 0.7%

LAB 65.44, 50.35, -8.17

 

CMYK 0 / 9 / 5 / 27

HEX #BBAAB2

RGB 187 170 178

HSL 331.76, 0.11%, 0.7%

LAB 71.23, 7.54, -1.88

 

CMYK 4 / 0 / 2 / 29

HEX #AFB6B3

RGB 175 182 179

HSL 154.29, 0.05%, 0.7%

LAB 73.43, -3.01, 0.67

 

CMYK 17 / 0 / 8 / 24

HEX #A2C3B3

RGB 162 195 179

HSL 150.91, 0.22%, 0.7%

LAB 76.05, -14.26, 4.35

 

CMYK 28 / 0 / 13 / 19

HEX #96CFB4

RGB 150 207 180

HSL 151.58, 0.37%, 0.7%

LAB 78.7, -23.96, 7.54

 

CMYK 38 / 0 / 18 / 14

HEX #89DCB5

RGB 137 220 181

HSL 151.81, 0.54%, 0.7%

LAB 81.75, -33.82, 11.28

 

CMYK 0 / 9 / 0 / 27

HEX #BBAABB

RGB 187 170 187

HSL 300, 0.11%, 0.7%

LAB 71.49, 9.21, -6.47

 

CMYK 0 / 9 / 2 / 27

HEX #BBAAB7

RGB 187 170 183

HSL 314.12, 0.11%, 0.7%

LAB 71.37, 8.46, -4.43

 

CMYK 0 / 9 / 5 / 27

HEX #BBAAB2

RGB 187 170 178

HSL 331.76, 0.11%, 0.7%

LAB 71.23, 7.54, -1.88

 

CMYK 0 / 9 / 7 / 27

HEX #BBAAAE

RGB 187 170 174

HSL 345.88, 0.11%, 0.7%

LAB 71.13, 6.83, 0.16

 

CMYK 0 / 9 / 9 / 27

HEX #BBABAA

RGB 187 171 170

HSL 3.53, 0.11%, 0.7%

LAB 71.28, 5.58, 2.59

 

CMYK 0 / 17 / 9 / 41

HEX #967C88

RGB 150 124 136

HSL 332.31, 0.11%, 0.54%

LAB 54.74, 12.13, -2.74

 

CMYK 0 / 13 / 7 / 34

HEX #A9939D

RGB 169 147 157

HSL 332.73, 0.11%, 0.62%

LAB 63.12, 9.95, -2.25

 

CMYK 0 / 9 / 5 / 27

HEX #BBAAB2

RGB 187 170 178

HSL 331.76, 0.11%, 0.7%

LAB 71.23, 7.54, -1.88

 

CMYK 0 / 6 / 3 / 20

HEX #CDC1C7

RGB 205 193 199

HSL 330, 0.11%, 0.78%

LAB 79.18, 5.27, -1.51

 

CMYK 0 / 4 / 2 / 12

HEX #E0D8DC

RGB 224 216 220

HSL 330, 0.11%, 0.86%

LAB 87.06, 3.44, -1

 

CMYK 0 / 9 / 5 / 27

HEX #BAA9B1

RGB 186 169 177

HSL 331.76, 0.11%, 0.7%

LAB 70.86, 7.55, -1.88

 

CMYK 0 / 3 / 9 / 27

HEX #BBB6AA

RGB 187 182 170

HSL 42.35, 0.11%, 0.7%

LAB 74.14, -0.35, 6.72

 

CMYK 9 / 1 / 0 / 27

HEX #AAB9BB

RGB 170 185 187

HSL 187.06, 0.11%, 0.7%

LAB 74.08, -4.76, -2.79

 

CMYK 0 / 9 / 5 / 27

HEX #BAA9B1

RGB 186 169 177

HSL 331.76, 0.11%, 0.7%

LAB 70.86, 7.55, -1.88

 

CMYK 5 / 0 / 9 / 27

HEX #B2BBAA

RGB 178 187 170

HSL 91.76, 0.11%, 0.7%

LAB 74.77, -6.25, 7.53

 

CMYK 9 / 5 / 0 / 27

HEX #AAB2BB

RGB 170 178 187

HSL 211.76, 0.11%, 0.7%

LAB 72.21, -1, -5.55

 

CMYK 0 / 9 / 5 / 27

HEX #BAA9B1

RGB 186 169 177

HSL 331.76, 0.11%, 0.7%

LAB 70.86, 7.55, -1.88

 

CMYK 0 / 3 / 9 / 27

HEX #BBB6AA

RGB 187 182 170

HSL 42.35, 0.11%, 0.7%

LAB 74.14, -0.35, 6.72

 

CMYK 9 / 0 / 4 / 27

HEX #AABBB3

RGB 170 187 179

HSL 151.76, 0.11%, 0.7%

LAB 74.41, -7.39, 2.04

 

CMYK 9 / 6 / 0 / 27

HEX #AAAFBB

RGB 170 175 187

HSL 222.35, 0.11%, 0.7%

LAB 71.41, 0.63, -6.73

 

CMYK 0 / 9 / 5 / 27

HEX #BAA9B1

RGB 186 169 177

HSL 331.76, 0.11%, 0.7%

LAB 70.86, 7.55, -1.88

 

CMYK 0 / 0 / 9 / 27

HEX #BBBBAA

RGB 187 187 170

HSL 60, 0.11%, 0.7%

LAB 75.46, -3.02, 8.61

 

CMYK 9 / 0 / 4 / 27

HEX #AABBB3

RGB 170 187 179

HSL 151.76, 0.11%, 0.7%

LAB 74.41, -7.39, 2.04

 

CMYK 9 / 9 / 0 / 27

HEX #AAAABB

RGB 170 170 187

HSL 240, 0.11%, 0.7%

LAB 70.09, 3.36, -8.69

 

Description

Color code: HEX #BAA9B1 | qconv.com Color code: HEX #BAA9B1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 169 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 169 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 5 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 5% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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