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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA9CFA it is the complementary color #456305. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA9CFA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA9CFA shade: #BF9CF5, #D0AEFF, #E1C0FF, #F2D2FF and #FFE4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA9CFA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA9CFA shade: #BA9CFA, #A98AE7, #9878D4, #8766C1 and #7654AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA9CFA shade: #BB9EFA, #D49EFA, #ED9EFA, #FA9EEE and #FA9ED5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA9CFA shade: #BB9EFA, #A39EFA and #9E9EFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA9CFA shade matches the following richer shades: #BB9EFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA9CFA shade: #BB9EFA, #BEA6F2, #C1AFE9, #C4B7E1 and #C7BFD9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA9CFA shade: #9EB2FA, #A39EFA, #BB9EFA, #D49EFA and #EC9EFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA9CFA shade: #8550F6, #A077F8, #BB9EFA, #D7C5FC and #F2ECFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA9CFA shade: #BA9CFA, #FA9ECA and #A6FA9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA9CFA shade: #BA9CFA, #FABB9E and #9EFABB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA9CFA shade: #BA9CFA, #FA9ECA, #DDFA9E and #9EFACE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA9CFA shade: #BA9CFA, #FA9EAF, #DDFA9E and #9EFAE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 38 / 0 / 2

HEX #BA9CFA

RGB 186 156 250

HSL 259.15, 0.9%, 0.8%

LAB 70.26, 30.18, -42.91

 

Complementary color

CMYK 30 / 0 / 95 / 61

HEX #456305

RGB 69 99 5

HSL 79.15, 0.9%, 0.2%

LAB 38.2, -24.6, 43.01

 

CMYK 22 / 36 / 0 / 4

HEX #BF9CF5

RGB 191 156 245

HSL 263.6, 0.82%, 0.79%

LAB 70.49, 30.45, -39.8

 

CMYK 18 / 32 / 0 / 0

HEX #D0AEFF

RGB 208 174 255

HSL 265.19, 1%, 0.84%

LAB 76.62, 27.78, -35.56

 

CMYK 12 / 25 / 0 / 0

HEX #E1C0FF

RGB 225 192 255

HSL 271.43, 1%, 0.88%

LAB 82.34, 23.21, -26.64

 

CMYK 5 / 18 / 0 / 0

HEX #F2D2FF

RGB 242 210 255

HSL 282.67, 1%, 0.91%

LAB 88.06, 19.01, -17.83

 

CMYK 0 / 11 / 0 / 0

HEX #FFE4FF

RGB 255 228 255

HSL 300, 1%, 0.95%

LAB 93.44, 13.83, -9.68

 

CMYK 26 / 38 / 0 / 2

HEX #BA9CFA

RGB 186 156 250

HSL 259.15, 0.9%, 0.8%

LAB 70.26, 30.18, -42.91

 

CMYK 27 / 40 / 0 / 9

HEX #A98AE7

RGB 169 138 231

HSL 260, 0.66%, 0.72%

LAB 63.66, 30.95, -42.94

 

CMYK 28 / 43 / 0 / 17

HEX #9878D4

RGB 152 120 212

HSL 260.87, 0.52%, 0.65%

LAB 56.94, 31.79, -43.01

 

CMYK 30 / 47 / 0 / 24

HEX #8766C1

RGB 135 102 193

HSL 261.76, 0.42%, 0.58%

LAB 50.1, 32.72, -43.1

 

CMYK 32 / 52 / 0 / 32

HEX #7654AE

RGB 118 84 174

HSL 262.67, 0.36%, 0.51%

LAB 43.13, 33.73, -43.21

 

CMYK 25 / 37 / 0 / 2

HEX #BB9EFA

RGB 187 158 250

HSL 258.91, 0.9%, 0.8%

LAB 70.82, 29.35, -42.03

 

CMYK 15 / 37 / 0 / 2

HEX #D49EFA

RGB 212 158 250

HSL 275.22, 0.9%, 0.8%

LAB 73.12, 36.59, -38.26

 

CMYK 5 / 37 / 0 / 2

HEX #ED9EFA

RGB 237 158 250

HSL 291.52, 0.9%, 0.8%

LAB 75.67, 44.02, -34.1

 

CMYK 0 / 37 / 5 / 2

HEX #FA9EEE

RGB 250 158 238

HSL 307.83, 0.9%, 0.8%

LAB 76.65, 45.82, -25.98

 

CMYK 0 / 37 / 15 / 2

HEX #FA9ED5

RGB 250 158 213

HSL 324.13, 0.9%, 0.8%

LAB 75.81, 41.73, -13.63

 

CMYK 25 / 37 / 0 / 2

HEX #BB9EFA

RGB 187 158 250

HSL 258.91, 0.9%, 0.8%

LAB 70.82, 29.35, -42.03

 

CMYK 35 / 37 / 0 / 2

HEX #A39EFA

RGB 163 158 250

HSL 243.26, 0.9%, 0.8%

LAB 68.85, 22.75, -45.24

 

CMYK 37 / 37 / 0 / 2

HEX #9E9EFA

RGB 158 158 250

HSL 240, 0.9%, 0.8%

LAB 68.48, 21.43, -45.86

 

CMYK 25 / 37 / 0 / 2

HEX #BB9EFA

RGB 187 158 250

HSL 258.91, 0.9%, 0.8%

LAB 70.82, 29.35, -42.03

 

CMYK 25 / 37 / 0 / 2

HEX #BB9EFA

RGB 187 158 250

HSL 258.91, 0.9%, 0.8%

LAB 70.82, 29.35, -42.03

 

CMYK 21 / 31 / 0 / 5

HEX #BEA6F2

RGB 190 166 242

HSL 258.95, 0.75%, 0.8%

LAB 72.65, 23.93, -34.81

 

CMYK 17 / 25 / 0 / 9

HEX #C1AFE9

RGB 193 175 233

HSL 258.62, 0.57%, 0.8%

LAB 74.75, 17.86, -26.67

 

CMYK 13 / 19 / 0 / 12

HEX #C4B7E1

RGB 196 183 225

HSL 258.57, 0.41%, 0.8%

LAB 76.7, 12.71, -19.33

 

CMYK 8 / 12 / 0 / 15

HEX #C7BFD9

RGB 199 191 217

HSL 258.46, 0.25%, 0.8%

LAB 78.7, 7.72, -11.98

 

CMYK 37 / 29 / 0 / 2

HEX #9EB2FA

RGB 158 178 250

HSL 226.96, 0.9%, 0.8%

LAB 73.55, 10.16, -37.93

 

CMYK 35 / 37 / 0 / 2

HEX #A39EFA

RGB 163 158 250

HSL 243.26, 0.9%, 0.8%

LAB 68.85, 22.75, -45.24

 

CMYK 25 / 37 / 0 / 2

HEX #BB9EFA

RGB 187 158 250

HSL 258.91, 0.9%, 0.8%

LAB 70.82, 29.35, -42.03

 

CMYK 15 / 37 / 0 / 2

HEX #D49EFA

RGB 212 158 250

HSL 275.22, 0.9%, 0.8%

LAB 73.12, 36.59, -38.26

 

CMYK 6 / 37 / 0 / 2

HEX #EC9EFA

RGB 236 158 250

HSL 290.87, 0.9%, 0.8%

LAB 75.57, 43.72, -34.27

 

CMYK 46 / 67 / 0 / 4

HEX #8550F6

RGB 133 80 246

HSL 259.16, 0.9%, 0.64%

LAB 48.73, 58.27, -75.4

 

CMYK 35 / 52 / 0 / 3

HEX #A077F8

RGB 160 119 248

HSL 259.07, 0.9%, 0.72%

LAB 59.38, 43.53, -59.17

 

CMYK 25 / 37 / 0 / 2

HEX #BB9EFA

RGB 187 158 250

HSL 258.91, 0.9%, 0.8%

LAB 70.82, 29.35, -42.03

 

CMYK 15 / 22 / 0 / 1

HEX #D7C5FC

RGB 215 197 252

HSL 259.64, 0.9%, 0.88%

LAB 82.6, 16.79, -24.73

 

CMYK 5 / 7 / 0 / 0

HEX #F2ECFE

RGB 242 236 254

HSL 260, 0.9%, 0.96%

LAB 94.32, 5.25, -7.96

 

CMYK 26 / 38 / 0 / 2

HEX #BA9CFA

RGB 186 156 250

HSL 259.15, 0.9%, 0.8%

LAB 70.26, 30.18, -42.91

 

CMYK 0 / 37 / 19 / 2

HEX #FA9ECA

RGB 250 158 202

HSL 331.3, 0.9%, 0.8%

LAB 75.48, 40.06, -8.1

 

CMYK 34 / 0 / 37 / 2

HEX #A6FA9E

RGB 166 250 158

HSL 114.78, 0.9%, 0.8%

LAB 91.21, -42.74, 36.28

 

CMYK 26 / 38 / 0 / 2

HEX #BA9CFA

RGB 186 156 250

HSL 259.15, 0.9%, 0.8%

LAB 70.26, 30.18, -42.91

 

CMYK 0 / 25 / 37 / 2

HEX #FABB9E

RGB 250 187 158

HSL 18.91, 0.9%, 0.8%

LAB 80.92, 19.02, 23.55

 

CMYK 37 / 0 / 25 / 2

HEX #9EFABB

RGB 158 250 187

HSL 138.91, 0.9%, 0.8%

LAB 91.34, -40.38, 21.75

 

CMYK 26 / 38 / 0 / 2

HEX #BA9CFA

RGB 186 156 250

HSL 259.15, 0.9%, 0.8%

LAB 70.26, 30.18, -42.91

 

CMYK 0 / 37 / 19 / 2

HEX #FA9ECA

RGB 250 158 202

HSL 331.3, 0.9%, 0.8%

LAB 75.48, 40.06, -8.1

 

CMYK 12 / 0 / 37 / 2

HEX #DDFA9E

RGB 221 250 158

HSL 78.91, 0.9%, 0.8%

LAB 94.4, -23.96, 41.06

 

CMYK 37 / 0 / 18 / 2

HEX #9EFACE

RGB 158 250 206

HSL 151.3, 0.9%, 0.8%

LAB 91.73, -36.8, 12.53

 

CMYK 26 / 38 / 0 / 2

HEX #BA9CFA

RGB 186 156 250

HSL 259.15, 0.9%, 0.8%

LAB 70.26, 30.18, -42.91

 

CMYK 0 / 37 / 30 / 2

HEX #FA9EAF

RGB 250 158 175

HSL 348.91, 0.9%, 0.8%

LAB 74.74, 36.32, 5.66

 

CMYK 12 / 0 / 37 / 2

HEX #DDFA9E

RGB 221 250 158

HSL 78.91, 0.9%, 0.8%

LAB 94.4, -23.96, 41.06

 

CMYK 37 / 0 / 7 / 2

HEX #9EFAE9

RGB 158 250 233

HSL 168.91, 0.9%, 0.8%

LAB 92.36, -31.15, -0.52

 

Description

Color code: HEX #BA9CFA | qconv.com Color code: HEX #BA9CFA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 156 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 156 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 38 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 38% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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