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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA9B14 it is the complementary color #4564EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA9B14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA9B14 shade: #BF9B0F, #D0AD22, #E1BF35, #F2D148 and #FFE35B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA9B14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA9B14 shade: #BA9B14, #A98901, #987700, #876500 and #765300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA9B14 shade: #B99A13, #B96D13, #B94113, #B91413 and #B91313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA9B14 shade: #B99A13, #ABB913, #7EB913, #52B913 and #25B913

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA9B14 shade matches the following richer shades: #B99A13 and #C9A403

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA9B14 shade: #B99A13, #A88F24, #988534, #877B45 and #777055

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA9B14 shade: #B93F13, #B96C13, #B99813, #AEB913 and #82B913

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA9B14 shade: #6E5C0C, #937B0F, #B99A13, #DEB917 and #EAC835

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA9B14 shade: #BA9B14, #13B913 and #5513B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA9B14 shade: #BA9B14, #13B998 and #9813B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA9B14 shade: #BA9B14, #13B913, #1334B9 and #B913B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA9B14 shade: #BA9B14, #13B945, #1334B9 and #B91387

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 89 / 27

HEX #BA9B14

RGB 186 155 20

HSL 48.8, 0.81%, 0.4%

LAB 64.91, -0.56, 65.48

 

Complementary color

CMYK 71 / 57 / 0 / 8

HEX #4564EB

RGB 69 100 235

HSL 228.8, 0.81%, 0.6%

LAB 47.47, 33.47, -71.5

 

CMYK 0 / 19 / 92 / 25

HEX #BF9B0F

RGB 191 155 15

HSL 47.73, 0.85%, 0.4%

LAB 65.4, 1.6, 67.01

 

CMYK 0 / 17 / 84 / 18

HEX #D0AD22

RGB 208 173 34

HSL 47.93, 0.72%, 0.47%

LAB 71.83, -0.05, 68.66

 

CMYK 0 / 15 / 76 / 12

HEX #E1BF35

RGB 225 191 53

HSL 48.14, 0.74%, 0.55%

LAB 78.18, -1.47, 69.11

 

CMYK 0 / 14 / 70 / 5

HEX #F2D148

RGB 242 209 72

HSL 48.35, 0.87%, 0.62%

LAB 84.46, -2.68, 68.83

 

CMYK 0 / 11 / 64 / 0

HEX #FFE35B

RGB 255 227 91

HSL 49.76, 1%, 0.68%

LAB 90.3, -5.38, 67.67

 

CMYK 0 / 17 / 89 / 27

HEX #BA9B14

RGB 186 155 20

HSL 48.8, 0.81%, 0.4%

LAB 64.91, -0.56, 65.48

 

CMYK 0 / 19 / 99 / 34

HEX #A98901

RGB 169 137 1

HSL 48.57, 0.99%, 0.33%

LAB 58.35, 1.23, 62.96

 

CMYK 0 / 22 / 100 / 40

HEX #987700

RGB 152 119 0

HSL 46.97, 1%, 0.3%

LAB 51.69, 3.36, 57.64

 

CMYK 0 / 25 / 100 / 47

HEX #876500

RGB 135 101 0

HSL 44.89, 1%, 0.26%

LAB 44.88, 5.63, 52.04

 

CMYK 0 / 30 / 100 / 54

HEX #765300

RGB 118 83 0

HSL 42.2, 1%, 0.23%

LAB 37.91, 8.03, 46.31

 

CMYK 0 / 17 / 90 / 27

HEX #B99A13

RGB 185 154 19

HSL 48.8, 0.81%, 0.4%

LAB 64.54, -0.49, 65.35

 

CMYK 0 / 41 / 90 / 27

HEX #B96D13

RGB 185 109 19

HSL 32.53, 0.81%, 0.4%

LAB 53.27, 24.28, 56.59

 

CMYK 0 / 65 / 90 / 27

HEX #B94113

RGB 185 65 19

HSL 16.63, 0.81%, 0.4%

LAB 44.44, 46.57, 49.85

 

CMYK 0 / 89 / 90 / 27

HEX #B91413

RGB 185 20 19

HSL 0.36, 0.81%, 0.4%

LAB 39.35, 60.68, 46.05

 

CMYK 0 / 90 / 90 / 27

HEX #B91313

RGB 185 19 19

HSL 0, 0.81%, 0.4%

LAB 39.29, 60.85, 46

 

CMYK 0 / 17 / 90 / 27

HEX #B99A13

RGB 185 154 19

HSL 48.8, 0.81%, 0.4%

LAB 64.54, -0.49, 65.35

 

CMYK 8 / 0 / 90 / 27

HEX #ABB913

RGB 171 185 19

HSL 65.06, 0.81%, 0.4%

LAB 71.83, -22.72, 70.6

 

CMYK 32 / 0 / 90 / 27

HEX #7EB913

RGB 126 185 19

HSL 81.33, 0.81%, 0.4%

LAB 68.88, -41, 66.98

 

CMYK 56 / 0 / 90 / 27

HEX #52B913

RGB 82 185 19

HSL 97.23, 0.81%, 0.4%

LAB 66.93, -55.44, 64.56

 

CMYK 80 / 0 / 90 / 27

HEX #25B913

RGB 37 185 19

HSL 113.49, 0.81%, 0.4%

LAB 65.86, -64.48, 63.22

 

CMYK 0 / 17 / 90 / 27

HEX #B99A13

RGB 185 154 19

HSL 48.8, 0.81%, 0.4%

LAB 64.54, -0.49, 65.35

 

CMYK 0 / 18 / 99 / 21

HEX #C9A403

RGB 201 164 3

HSL 48.79, 0.97%, 0.4%

LAB 68.73, 1.1, 71.54

 

CMYK 0 / 17 / 90 / 27

HEX #B99A13

RGB 185 154 19

HSL 48.8, 0.81%, 0.4%

LAB 64.54, -0.49, 65.35

 

CMYK 0 / 15 / 79 / 34

HEX #A88F24

RGB 168 143 36

HSL 48.64, 0.65%, 0.4%

LAB 59.98, -1.71, 56.15

 

CMYK 0 / 13 / 66 / 40

HEX #988534

RGB 152 133 52

HSL 48.6, 0.49%, 0.4%

LAB 55.78, -2.62, 44.94

 

CMYK 0 / 9 / 49 / 47

HEX #877B45

RGB 135 123 69

HSL 49.09, 0.32%, 0.4%

LAB 51.55, -3.24, 31.04

 

CMYK 0 / 6 / 29 / 53

HEX #777055

RGB 119 112 85

HSL 47.65, 0.17%, 0.4%

LAB 47.19, -1.93, 16.02

 

CMYK 0 / 66 / 90 / 27

HEX #B93F13

RGB 185 63 19

HSL 15.9, 0.81%, 0.4%

LAB 44.11, 47.44, 49.6

 

CMYK 0 / 42 / 90 / 27

HEX #B96C13

RGB 185 108 19

HSL 32.17, 0.81%, 0.4%

LAB 53.04, 24.83, 56.42

 

CMYK 0 / 18 / 90 / 27

HEX #B99813

RGB 185 152 19

HSL 48.07, 0.81%, 0.4%

LAB 64.01, 0.59, 64.94

 

CMYK 6 / 0 / 90 / 27

HEX #AEB913

RGB 174 185 19

HSL 63.98, 0.81%, 0.4%

LAB 72.06, -21.44, 70.88

 

CMYK 30 / 0 / 90 / 27

HEX #82B913

RGB 130 185 19

HSL 79.88, 0.81%, 0.4%

LAB 69.11, -39.48, 67.26

 

CMYK 0 / 16 / 89 / 57

HEX #6E5C0C

RGB 110 92 12

HSL 48.98, 0.8%, 0.24%

LAB 39.57, -0.98, 43.7

 

CMYK 0 / 16 / 90 / 42

HEX #937B0F

RGB 147 123 15

HSL 49.09, 0.81%, 0.32%

LAB 52.29, -0.97, 54.9

 

CMYK 0 / 17 / 90 / 27

HEX #B99A13

RGB 185 154 19

HSL 48.8, 0.81%, 0.4%

LAB 64.54, -0.49, 65.35

 

CMYK 0 / 17 / 90 / 13

HEX #DEB917

RGB 222 185 23

HSL 48.84, 0.81%, 0.48%

LAB 76.25, -0.47, 75.25

 

CMYK 0 / 15 / 77 / 8

HEX #EAC835

RGB 234 200 53

HSL 48.73, 0.81%, 0.56%

LAB 81.32, -2.26, 72.29

 

CMYK 0 / 17 / 89 / 27

HEX #BA9B14

RGB 186 155 20

HSL 48.8, 0.81%, 0.4%

LAB 64.91, -0.56, 65.48

 

CMYK 90 / 0 / 90 / 27

HEX #13B913

RGB 19 185 19

HSL 120, 0.81%, 0.4%

LAB 65.66, -66.26, 62.97

 

CMYK 54 / 90 / 0 / 27

HEX #5513B9

RGB 85 19 185

HSL 263.86, 0.81%, 0.4%

LAB 29.16, 61.21, -72.61

 

CMYK 0 / 17 / 89 / 27

HEX #BA9B14

RGB 186 155 20

HSL 48.8, 0.81%, 0.4%

LAB 64.91, -0.56, 65.48

 

CMYK 90 / 0 / 18 / 27

HEX #13B998

RGB 19 185 152

HSL 168.07, 0.81%, 0.4%

LAB 67.35, -46.43, 5.88

 

CMYK 18 / 90 / 0 / 27

HEX #9813B9

RGB 152 19 185

HSL 288.07, 0.81%, 0.4%

LAB 38.97, 69.75, -56.15

 

CMYK 0 / 17 / 89 / 27

HEX #BA9B14

RGB 186 155 20

HSL 48.8, 0.81%, 0.4%

LAB 64.91, -0.56, 65.48

 

CMYK 90 / 0 / 90 / 27

HEX #13B913

RGB 19 185 19

HSL 120, 0.81%, 0.4%

LAB 65.66, -66.26, 62.97

 

CMYK 90 / 72 / 0 / 27

HEX #1334B9

RGB 19 52 185

HSL 228.07, 0.81%, 0.4%

LAB 29.66, 41.23, -71.93

 

CMYK 0 / 90 / 0 / 27

HEX #B913B9

RGB 185 19 185

HSL 300, 0.81%, 0.4%

LAB 44.64, 75.24, -46.74

 

CMYK 0 / 17 / 89 / 27

HEX #BA9B14

RGB 186 155 20

HSL 48.8, 0.81%, 0.4%

LAB 64.91, -0.56, 65.48

 

CMYK 90 / 0 / 63 / 27

HEX #13B945

RGB 19 185 69

HSL 138.07, 0.81%, 0.4%

LAB 65.96, -62.49, 46.9

 

CMYK 90 / 72 / 0 / 27

HEX #1334B9

RGB 19 52 185

HSL 228.07, 0.81%, 0.4%

LAB 29.66, 41.23, -71.93

 

CMYK 0 / 90 / 27 / 27

HEX #B91387

RGB 185 19 135

HSL 318.07, 0.81%, 0.4%

LAB 42.05, 68.51, -20.81

 

Description

Color code: HEX #BA9B14 | qconv.com Color code: HEX #BA9B14 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 155 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 155 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 89 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 89% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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