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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA9342 it is the complementary color #456CBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA9342. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA9342 shade: #BF933D, #D0A550, #E1B763, #F2C976 and #FFDB89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA9342. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA9342 shade: #BA9342, #A9812F, #986F1C, #875D09 and #764B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA9342 shade: #B99241, #B97241, #B95141 and #B94141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA9342 shade: #B99241, #B9B241, #9FB941, #7FB941 and #5FB941

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA9342 shade matches the following richer shades: #B99241, #CD992D, #E1A019 and #F6A704

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA9342 shade: #B99241, #A58B55, #908469, #7C7D7E and #687692

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA9342 shade: #B95141, #B97141, #B99141, #B9B141 and #A1B941

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA9342 shade: #7C622C, #9A7A36, #B99241, #C6A45D and #D1B57C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA9342 shade: #BA9342, #51B941 and #6141B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA9342 shade: #BA9342, #41B991 and #9141B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA9342 shade: #BA9342, #51B941, #4169B9 and #A941B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA9342 shade: #BA9342, #41B955, #4169B9 and #B941A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 65 / 27

HEX #BA9342

RGB 186 147 66

HSL 40.5, 0.48%, 0.49%

LAB 63.09, 5.7, 47.34

 

Complementary color

CMYK 63 / 43 / 0 / 26

HEX #456CBD

RGB 69 108 189

HSL 220.5, 0.48%, 0.51%

LAB 46.53, 12.19, -46.77

 

CMYK 0 / 23 / 68 / 25

HEX #BF933D

RGB 191 147 61

HSL 39.69, 0.52%, 0.49%

LAB 63.57, 7.58, 50.34

 

CMYK 0 / 21 / 62 / 18

HEX #D0A550

RGB 208 165 80

HSL 39.84, 0.58%, 0.56%

LAB 70.11, 6.39, 49.16

 

CMYK 0 / 19 / 56 / 12

HEX #E1B763

RGB 225 183 99

HSL 40, 0.68%, 0.64%

LAB 76.54, 5.37, 47.88

 

CMYK 0 / 17 / 51 / 5

HEX #F2C976

RGB 242 201 118

HSL 40.16, 0.83%, 0.71%

LAB 82.89, 4.5, 46.59

 

CMYK 0 / 14 / 46 / 0

HEX #FFDB89

RGB 255 219 137

HSL 41.69, 1%, 0.77%

LAB 88.79, 2.16, 44.79

 

CMYK 0 / 21 / 65 / 27

HEX #BA9342

RGB 186 147 66

HSL 40.5, 0.48%, 0.49%

LAB 63.09, 5.7, 47.34

 

CMYK 0 / 24 / 72 / 34

HEX #A9812F

RGB 169 129 47

HSL 40.33, 0.56%, 0.42%

LAB 56.43, 7, 48.41

 

CMYK 0 / 27 / 82 / 40

HEX #986F1C

RGB 152 111 28

HSL 40.16, 0.69%, 0.35%

LAB 49.65, 8.57, 48.97

 

CMYK 0 / 31 / 93 / 47

HEX #875D09

RGB 135 93 9

HSL 40, 0.88%, 0.28%

LAB 42.76, 10.49, 48.26

 

CMYK 0 / 36 / 100 / 54

HEX #764B00

RGB 118 75 0

HSL 38.14, 1%, 0.23%

LAB 35.76, 12.84, 44.88

 

CMYK 0 / 21 / 65 / 27

HEX #B99241

RGB 185 146 65

HSL 40.5, 0.48%, 0.49%

LAB 62.72, 5.75, 47.37

 

CMYK 0 / 38 / 65 / 27

HEX #B97241

RGB 185 114 65

HSL 24.5, 0.48%, 0.49%

LAB 54.79, 23.45, 38.41

 

CMYK 0 / 56 / 65 / 27

HEX #B95141

RGB 185 81 65

HSL 8, 0.48%, 0.49%

LAB 47.73, 40.92, 29.98

 

CMYK 0 / 65 / 65 / 27

HEX #B94141

RGB 185 65 65

HSL 0, 0.48%, 0.49%

LAB 44.91, 48.37, 26.49

 

CMYK 0 / 21 / 65 / 27

HEX #B99241

RGB 185 146 65

HSL 40.5, 0.48%, 0.49%

LAB 62.72, 5.75, 47.37

 

CMYK 0 / 4 / 65 / 27

HEX #B9B241

RGB 185 178 65

HSL 56.5, 0.48%, 0.49%

LAB 71.24, -11.34, 56.52

 

CMYK 14 / 0 / 65 / 27

HEX #9FB941

RGB 159 185 65

HSL 73, 0.48%, 0.49%

LAB 71.18, -25.78, 55.84

 

CMYK 31 / 0 / 65 / 27

HEX #7FB941

RGB 127 185 65

HSL 89, 0.48%, 0.49%

LAB 69.18, -38.24, 53.1

 

CMYK 49 / 0 / 65 / 27

HEX #5FB941

RGB 95 185 65

HSL 105, 0.48%, 0.49%

LAB 67.66, -48.92, 51.01

 

CMYK 0 / 21 / 65 / 27

HEX #B99241

RGB 185 146 65

HSL 40.5, 0.48%, 0.49%

LAB 62.72, 5.75, 47.37

 

CMYK 0 / 25 / 78 / 20

HEX #CD992D

RGB 205 153 45

HSL 40.5, 0.64%, 0.49%

LAB 66.48, 9.69, 60.34

 

CMYK 0 / 29 / 89 / 12

HEX #E1A019

RGB 225 160 25

HSL 40.5, 0.8%, 0.49%

LAB 70.33, 14.09, 70.41

 

CMYK 0 / 32 / 98 / 4

HEX #F6A704

RGB 246 167 4

HSL 40.41, 0.97%, 0.49%

LAB 74.34, 19.13, 77.6

 

CMYK 0 / 21 / 65 / 27

HEX #B99241

RGB 185 146 65

HSL 40.5, 0.48%, 0.49%

LAB 62.72, 5.75, 47.37

 

CMYK 0 / 16 / 48 / 35

HEX #A58B55

RGB 165 139 85

HSL 40.5, 0.32%, 0.49%

LAB 59.09, 2.54, 32.42

 

CMYK 0 / 8 / 27 / 44

HEX #908469

RGB 144 132 105

HSL 41.54, 0.16%, 0.49%

LAB 55.53, 0.06, 16.24

 

CMYK 2 / 1 / 0 / 51

HEX #7C7D7E

RGB 124 125 126

HSL 210, 0.01%, 0.49%

LAB 52.35, -0.17, -0.68

 

CMYK 29 / 19 / 0 / 43

HEX #687692

RGB 104 118 146

HSL 220, 0.17%, 0.49%

LAB 49.47, 1.59, -16.9

 

CMYK 0 / 56 / 65 / 27

HEX #B95141

RGB 185 81 65

HSL 8, 0.48%, 0.49%

LAB 47.73, 40.92, 29.98

 

CMYK 0 / 39 / 65 / 27

HEX #B97141

RGB 185 113 65

HSL 24, 0.48%, 0.49%

LAB 54.56, 24, 38.14

 

CMYK 0 / 22 / 65 / 27

HEX #B99141

RGB 185 145 65

HSL 40, 0.48%, 0.49%

LAB 62.46, 6.29, 47.09

 

CMYK 0 / 4 / 65 / 27

HEX #B9B141

RGB 185 177 65

HSL 56, 0.48%, 0.49%

LAB 70.97, -10.82, 56.23

 

CMYK 13 / 0 / 65 / 27

HEX #A1B941

RGB 161 185 65

HSL 72, 0.48%, 0.49%

LAB 71.32, -24.96, 56.03

 

CMYK 0 / 21 / 65 / 51

HEX #7C622C

RGB 124 98 44

HSL 40.5, 0.48%, 0.33%

LAB 43.07, 3.9, 34.05

 

CMYK 0 / 21 / 65 / 40

HEX #9A7A36

RGB 154 122 54

HSL 40.8, 0.48%, 0.41%

LAB 53.01, 4.58, 41.02

 

CMYK 0 / 21 / 65 / 27

HEX #B99241

RGB 185 146 65

HSL 40.5, 0.48%, 0.49%

LAB 62.72, 5.75, 47.37

 

CMYK 0 / 17 / 53 / 22

HEX #C6A45D

RGB 198 164 93

HSL 40.57, 0.48%, 0.57%

LAB 69, 3.69, 41.19

 

CMYK 0 / 13 / 41 / 18

HEX #D1B57C

RGB 209 181 124

HSL 40.24, 0.48%, 0.65%

LAB 74.86, 2.21, 32.74

 

CMYK 0 / 21 / 65 / 27

HEX #BA9342

RGB 186 147 66

HSL 40.5, 0.48%, 0.49%

LAB 63.09, 5.7, 47.34

 

CMYK 56 / 0 / 65 / 27

HEX #51B941

RGB 81 185 65

HSL 112, 0.48%, 0.49%

LAB 67.15, -52.82, 50.31

 

CMYK 48 / 65 / 0 / 27

HEX #6141B9

RGB 97 65 185

HSL 256, 0.48%, 0.49%

LAB 37.53, 42.91, -58.84

 

CMYK 0 / 21 / 65 / 27

HEX #BA9342

RGB 186 147 66

HSL 40.5, 0.48%, 0.49%

LAB 63.09, 5.7, 47.34

 

CMYK 65 / 0 / 22 / 27

HEX #41B991

RGB 65 185 145

HSL 160, 0.48%, 0.49%

LAB 67.92, -42.92, 10.62

 

CMYK 22 / 65 / 0 / 27

HEX #9141B9

RGB 145 65 185

HSL 280, 0.48%, 0.49%

LAB 43.22, 53.25, -49.36

 

CMYK 0 / 21 / 65 / 27

HEX #BA9342

RGB 186 147 66

HSL 40.5, 0.48%, 0.49%

LAB 63.09, 5.7, 47.34

 

CMYK 56 / 0 / 65 / 27

HEX #51B941

RGB 81 185 65

HSL 112, 0.48%, 0.49%

LAB 67.15, -52.82, 50.31

 

CMYK 65 / 43 / 0 / 27

HEX #4169B9

RGB 65 105 185

HSL 220, 0.48%, 0.49%

LAB 45.26, 11.95, -46.48

 

CMYK 9 / 65 / 0 / 27

HEX #A941B9

RGB 169 65 185

HSL 292, 0.48%, 0.49%

LAB 46.6, 58.88, -43.76

 

CMYK 0 / 21 / 65 / 27

HEX #BA9342

RGB 186 147 66

HSL 40.5, 0.48%, 0.49%

LAB 63.09, 5.7, 47.34

 

CMYK 65 / 0 / 54 / 27

HEX #41B955

RGB 65 185 85

HSL 130, 0.48%, 0.49%

LAB 66.88, -54.18, 40.72

 

CMYK 65 / 43 / 0 / 27

HEX #4169B9

RGB 65 105 185

HSL 220, 0.48%, 0.49%

LAB 45.26, 11.95, -46.48

 

CMYK 0 / 65 / 11 / 27

HEX #B941A5

RGB 185 65 165

HSL 310, 0.48%, 0.49%

LAB 48.02, 59.45, -29.6

 

Description

Color code: HEX #BA9342 | qconv.com Color code: HEX #BA9342 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 147 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 147 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 65 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 65% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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