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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA87CD it is the complementary color #457832. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA87CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA87CD shade: #BF87C8, #D099DB, #E1ABEE, #F2BDFF and #FFCFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA87CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA87CD shade: #BA87CD, #A975BA, #9863A7, #875194 and #763F81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA87CD shade: #BB88CD, #CD88CD, #CD88BB, #CD88A8 and #CD8896

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA87CD shade: #BB88CD, #A888CD, #9588CD and #8888CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA87CD shade matches the following richer shades: #BB88CD, #C17BDB, #C76DE9 and #CD60F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA87CD shade: #BB88CD, #B496C0, #AEA4B2, #A8B1A5 and #A2BF97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA87CD shade: #9588CD, #A788CD, #BA88CD, #CC88CD and #CD88BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA87CD shade: #994EB5, #AA6BC1, #BB88CD, #CBA5DA and #DCC3E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA87CD shade: #BA87CD, #CD888E and #88CD9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA87CD shade: #BA87CD, #CDBA88 and #88CDBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA87CD shade: #BA87CD, #CD888E, #9CCD88 and #88CDC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA87CD shade: #BA87CD, #CD9788, #9CCD88 and #88BECD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 34 / 0 / 20

HEX #BA87CD

RGB 186 135 205

HSL 283.71, 0.41%, 0.67%

LAB 63.49, 31.87, -28.6

 

Complementary color

CMYK 43 / 0 / 58 / 53

HEX #457832

RGB 69 120 50

HSL 103.71, 0.41%, 0.33%

LAB 45.54, -31.21, 32.68

 

CMYK 5 / 33 / 0 / 22

HEX #BF87C8

RGB 191 135 200

HSL 291.69, 0.37%, 0.66%

LAB 63.81, 32.45, -25.25

 

CMYK 5 / 30 / 0 / 14

HEX #D099DB

RGB 208 153 219

HSL 290, 0.48%, 0.73%

LAB 70.39, 31.77, -25.57

 

CMYK 5 / 28 / 0 / 7

HEX #E1ABEE

RGB 225 171 238

HSL 288.36, 0.66%, 0.8%

LAB 76.86, 31.12, -25.88

 

CMYK 5 / 26 / 0 / 0

HEX #F2BDFF

RGB 242 189 255

HSL 288.18, 1%, 0.87%

LAB 83.17, 30.14, -25.23

 

CMYK 0 / 19 / 0 / 0

HEX #FFCFFF

RGB 255 207 255

HSL 300, 1%, 0.91%

LAB 88.5, 24.79, -17.06

 

CMYK 9 / 34 / 0 / 20

HEX #BA87CD

RGB 186 135 205

HSL 283.71, 0.41%, 0.67%

LAB 63.49, 31.87, -28.6

 

CMYK 9 / 37 / 0 / 27

HEX #A975BA

RGB 169 117 186

HSL 285.22, 0.33%, 0.59%

LAB 56.78, 32.6, -28.35

 

CMYK 9 / 41 / 0 / 35

HEX #9863A7

RGB 152 99 167

HSL 286.76, 0.28%, 0.52%

LAB 49.96, 33.38, -28.09

 

CMYK 9 / 45 / 0 / 42

HEX #875194

RGB 135 81 148

HSL 288.36, 0.29%, 0.45%

LAB 43.02, 34.2, -27.79

 

CMYK 9 / 51 / 0 / 49

HEX #763F81

RGB 118 63 129

HSL 290, 0.34%, 0.38%

LAB 35.97, 35, -27.42

 

CMYK 9 / 34 / 0 / 20

HEX #BB88CD

RGB 187 136 205

HSL 284.35, 0.41%, 0.67%

LAB 63.82, 31.63, -28.08

 

CMYK 0 / 34 / 0 / 20

HEX #CD88CD

RGB 205 136 205

HSL 300, 0.41%, 0.67%

LAB 65.74, 37.35, -24.96

 

CMYK 0 / 34 / 9 / 20

HEX #CD88BB

RGB 205 136 187

HSL 315.65, 0.41%, 0.67%

LAB 65.1, 34.11, -15.84

 

CMYK 0 / 34 / 18 / 20

HEX #CD88A8

RGB 205 136 168

HSL 332.17, 0.41%, 0.67%

LAB 64.5, 30.98, -6.03

 

CMYK 0 / 34 / 27 / 20

HEX #CD8896

RGB 205 136 150

HSL 347.83, 0.41%, 0.67%

LAB 63.99, 28.3, 3.43

 

CMYK 9 / 34 / 0 / 20

HEX #BB88CD

RGB 187 136 205

HSL 284.35, 0.41%, 0.67%

LAB 63.82, 31.63, -28.08

 

CMYK 18 / 34 / 0 / 20

HEX #A888CD

RGB 168 136 205

HSL 267.83, 0.41%, 0.67%

LAB 61.95, 25.69, -31.13

 

CMYK 27 / 34 / 0 / 20

HEX #9588CD

RGB 149 136 205

HSL 251.3, 0.41%, 0.67%

LAB 60.25, 19.94, -33.89

 

CMYK 34 / 34 / 0 / 20

HEX #8888CD

RGB 136 136 205

HSL 240, 0.41%, 0.67%

LAB 59.21, 16.18, -35.6

 

CMYK 9 / 34 / 0 / 20

HEX #BB88CD

RGB 187 136 205

HSL 284.35, 0.41%, 0.67%

LAB 63.82, 31.63, -28.08

 

CMYK 12 / 44 / 0 / 14

HEX #C17BDB

RGB 193 123 219

HSL 283.75, 0.57%, 0.67%

LAB 62.18, 43.42, -38.41

 

CMYK 15 / 53 / 0 / 9

HEX #C76DE9

RGB 199 109 233

HSL 283.55, 0.74%, 0.67%

LAB 60.75, 55.18, -48.43

 

CMYK 17 / 61 / 0 / 4

HEX #CD60F6

RGB 205 96 246

HSL 283.6, 0.89%, 0.67%

LAB 59.89, 65.45, -56.97

 

CMYK 9 / 34 / 0 / 20

HEX #BB88CD

RGB 187 136 205

HSL 284.35, 0.41%, 0.67%

LAB 63.82, 31.63, -28.08

 

CMYK 6 / 22 / 0 / 25

HEX #B496C0

RGB 180 150 192

HSL 282.86, 0.25%, 0.67%

LAB 66, 18.87, -17.54

 

CMYK 2 / 8 / 0 / 30

HEX #AEA4B2

RGB 174 164 178

HSL 282.86, 0.08%, 0.67%

LAB 68.58, 6.24, -5.92

 

CMYK 5 / 0 / 7 / 31

HEX #A8B1A5

RGB 168 177 165

HSL 105, 0.07%, 0.67%

LAB 71.2, -5.41, 5.04

 

CMYK 15 / 0 / 21 / 25

HEX #A2BF97

RGB 162 191 151

HSL 103.5, 0.24%, 0.67%

LAB 74.3, -17.32, 16.99

 

CMYK 27 / 34 / 0 / 20

HEX #9588CD

RGB 149 136 205

HSL 251.3, 0.41%, 0.67%

LAB 60.25, 19.94, -33.89

 

CMYK 19 / 34 / 0 / 20

HEX #A788CD

RGB 167 136 205

HSL 266.96, 0.41%, 0.67%

LAB 61.85, 25.38, -31.28

 

CMYK 9 / 34 / 0 / 20

HEX #BA88CD

RGB 186 136 205

HSL 283.48, 0.41%, 0.67%

LAB 63.72, 31.31, -28.25

 

CMYK 0 / 34 / 0 / 20

HEX #CC88CD

RGB 204 136 205

HSL 299.13, 0.41%, 0.67%

LAB 65.63, 37.03, -25.14

 

CMYK 0 / 34 / 8 / 20

HEX #CD88BC

RGB 205 136 188

HSL 314.78, 0.41%, 0.67%

LAB 65.14, 34.29, -16.35

 

CMYK 15 / 57 / 0 / 29

HEX #994EB5

RGB 153 78 181

HSL 283.69, 0.41%, 0.51%

LAB 46.39, 48, -41.9

 

CMYK 12 / 45 / 0 / 24

HEX #AA6BC1

RGB 170 107 193

HSL 283.95, 0.41%, 0.59%

LAB 54.98, 39.92, -35.16

 

CMYK 9 / 34 / 0 / 20

HEX #BB88CD

RGB 187 136 205

HSL 284.35, 0.41%, 0.67%

LAB 63.82, 31.63, -28.08

 

CMYK 7 / 24 / 0 / 15

HEX #CBA5DA

RGB 203 165 218

HSL 283.02, 0.42%, 0.75%

LAB 72.67, 23.39, -21.58

 

CMYK 4 / 15 / 0 / 10

HEX #DCC3E6

RGB 220 195 230

HSL 282.86, 0.41%, 0.83%

LAB 81.82, 15.05, -14.12

 

CMYK 9 / 34 / 0 / 20

HEX #BA87CD

RGB 186 135 205

HSL 283.71, 0.41%, 0.67%

LAB 63.49, 31.87, -28.6

 

CMYK 0 / 34 / 31 / 20

HEX #CD888E

RGB 205 136 142

HSL 354.78, 0.41%, 0.67%

LAB 63.79, 27.2, 7.68

 

CMYK 34 / 0 / 23 / 20

HEX #88CD9E

RGB 136 205 158

HSL 139.13, 0.41%, 0.67%

LAB 76.9, -31.58, 16.63

 

CMYK 9 / 34 / 0 / 20

HEX #BA87CD

RGB 186 135 205

HSL 283.71, 0.41%, 0.67%

LAB 63.49, 31.87, -28.6

 

CMYK 0 / 9 / 34 / 20

HEX #CDBA88

RGB 205 186 136

HSL 43.48, 0.41%, 0.67%

LAB 75.99, -0.63, 27.84

HEX #CDBA88

CMYK 34 / 0 / 9 / 20

HEX #88CDBA

RGB 136 205 186

HSL 163.48, 0.41%, 0.67%

LAB 77.54, -25.89, 2.56

HEX #88CDBA

CMYK 9 / 34 / 0 / 20

HEX #BA87CD

RGB 186 135 205

HSL 283.71, 0.41%, 0.67%

LAB 63.49, 31.87, -28.6

 

CMYK 0 / 34 / 31 / 20

HEX #CD888E

RGB 205 136 142

HSL 354.78, 0.41%, 0.67%

LAB 63.79, 27.2, 7.68

 

CMYK 24 / 0 / 34 / 20

HEX #9CCD88

RGB 156 205 136

HSL 102.61, 0.41%, 0.67%

LAB 77.58, -28.73, 29.33

 

CMYK 34 / 0 / 2 / 20

HEX #88CDC8

RGB 136 205 200

HSL 175.65, 0.41%, 0.67%

LAB 77.91, -22.73, -4.43

 

CMYK 9 / 34 / 0 / 20

HEX #BA87CD

RGB 186 135 205

HSL 283.71, 0.41%, 0.67%

LAB 63.49, 31.87, -28.6

 

CMYK 0 / 26 / 34 / 20

HEX #CD9788

RGB 205 151 136

HSL 13.04, 0.41%, 0.67%

LAB 67.19, 18.23, 15.85

 

CMYK 24 / 0 / 34 / 20

HEX #9CCD88

RGB 156 205 136

HSL 102.61, 0.41%, 0.67%

LAB 77.58, -28.73, 29.33

 

CMYK 34 / 7 / 0 / 20

HEX #88BECD

RGB 136 190 205

HSL 193.04, 0.41%, 0.67%

LAB 73.85, -13.88, -13.18

 

Description

Color code: HEX #BA87CD | qconv.com Color code: HEX #BA87CD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 135 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 135 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 34 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 34% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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