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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA858C it is the complementary color #457A73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA858C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA858C shade: #BF8587, #D0979A, #E1A9AD, #F2BBC0 and #FFCDD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA858C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA858C shade: #BA858C, #A97379, #986166, #874F53 and #763D40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA858C shade: #BB868D and #BB8686

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA858C shade: #BB868D, #BB869B, #BB86A9, #BB86B7 and #AF86BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA858C shade matches the following richer shades: #BB868D, #CA7681, #D96776, #E8586B and #F84960

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA858C shade: #BB868D, #AB9598, #9CA4A3, #8DB4AE and #7EC3BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA858C shade: #BB86A9, #BB869B, #BB868D, #BB8D86 and #BB9B86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA858C shade: #98555E, #AC6B74, #BB868D, #C9A0A6 and #D8BBBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA858C shade: #BA858C, #B7BB86 and #86A2BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA858C shade: #BA858C, #8DBB86 and #868DBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA858C shade: #BA858C, #B7BB86, #86BBB4 and #8986BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA858C shade: #BA858C, #A7BB86, #86BBB4 and #9986BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 25 / 27

HEX #BA858C

RGB 186 133 140

HSL 352.08, 0.28%, 0.63%

LAB 60.88, 21.37, 4.36

 

Complementary color

CMYK 43 / 0 / 6 / 52

HEX #457A73

RGB 69 122 115

HSL 172.08, 0.28%, 0.37%

LAB 47.52, -19.48, -1.71

 

CMYK 0 / 30 / 29 / 25

HEX #BF8587

RGB 191 133 135

HSL 357.93, 0.31%, 0.64%

LAB 61.31, 22.57, 7.9

 

CMYK 0 / 27 / 26 / 18

HEX #D0979A

RGB 208 151 154

HSL 356.84, 0.38%, 0.7%

LAB 67.93, 21.81, 6.9

 

CMYK 0 / 25 / 23 / 12

HEX #E1A9AD

RGB 225 169 173

HSL 355.71, 0.48%, 0.77%

LAB 74.45, 21.13, 5.98

 

CMYK 0 / 23 / 21 / 5

HEX #F2BBC0

RGB 242 187 192

HSL 354.55, 0.68%, 0.84%

LAB 80.86, 20.51, 5.12

 

CMYK 0 / 20 / 17 / 0

HEX #FFCDD3

RGB 255 205 211

HSL 352.8, 1%, 0.9%

LAB 86.81, 18.53, 3.73

 

CMYK 0 / 28 / 25 / 27

HEX #BA858C

RGB 186 133 140

HSL 352.08, 0.28%, 0.63%

LAB 60.88, 21.37, 4.36

 

CMYK 0 / 32 / 28 / 34

HEX #A97379

RGB 169 115 121

HSL 353.33, 0.24%, 0.56%

LAB 54.11, 22.15, 5.35

 

CMYK 0 / 36 / 33 / 40

HEX #986166

RGB 152 97 102

HSL 354.55, 0.22%, 0.49%

LAB 47.22, 23.03, 6.48

 

CMYK 0 / 41 / 39 / 47

HEX #874F53

RGB 135 79 83

HSL 355.71, 0.26%, 0.42%

LAB 40.19, 24.03, 7.8

 

CMYK 0 / 48 / 46 / 54

HEX #763D40

RGB 118 61 64

HSL 356.84, 0.32%, 0.35%

LAB 33.05, 25.14, 9.4

 

CMYK 0 / 28 / 25 / 27

HEX #BB868D

RGB 187 134 141

HSL 352.08, 0.28%, 0.63%

LAB 61.25, 21.34, 4.34

 

CMYK 0 / 28 / 28 / 27

HEX #BB8686

RGB 187 134 134

HSL 0, 0.28%, 0.63%

LAB 61.08, 20.33, 8.08

 

CMYK 0 / 28 / 25 / 27

HEX #BB868D

RGB 187 134 141

HSL 352.08, 0.28%, 0.63%

LAB 61.25, 21.34, 4.34

 

CMYK 0 / 28 / 17 / 27

HEX #BB869B

RGB 187 134 155

HSL 336.23, 0.28%, 0.63%

LAB 61.64, 23.51, -3.09

 

CMYK 0 / 28 / 10 / 27

HEX #BB86A9

RGB 187 134 169

HSL 320.38, 0.28%, 0.63%

LAB 62.07, 25.87, -10.43

 

CMYK 0 / 28 / 2 / 27

HEX #BB86B7

RGB 187 134 183

HSL 304.53, 0.28%, 0.63%

LAB 62.54, 28.42, -17.66

 

CMYK 6 / 28 / 0 / 27

HEX #AF86BB

RGB 175 134 187

HSL 286.42, 0.28%, 0.63%

LAB 61.44, 25.18, -21.71

 

CMYK 0 / 28 / 25 / 27

HEX #BB868D

RGB 187 134 141

HSL 352.08, 0.28%, 0.63%

LAB 61.25, 21.34, 4.34

 

CMYK 0 / 42 / 36 / 21

HEX #CA7681

RGB 202 118 129

HSL 352.14, 0.44%, 0.63%

LAB 59.07, 34.13, 8.33

 

CMYK 0 / 53 / 46 / 15

HEX #D96776

RGB 217 103 118

HSL 352.11, 0.6%, 0.63%

LAB 57.81, 46.07, 13.24

 

CMYK 0 / 62 / 54 / 9

HEX #E8586B

RGB 232 88 107

HSL 352.08, 0.76%, 0.63%

LAB 57.27, 57.08, 19.27

 

CMYK 0 / 71 / 61 / 3

HEX #F84960

RGB 248 73 96

HSL 352.11, 0.93%, 0.63%

LAB 57.62, 67.11, 26.66

 

CMYK 0 / 28 / 25 / 27

HEX #BB868D

RGB 187 134 141

HSL 352.08, 0.28%, 0.63%

LAB 61.25, 21.34, 4.34

 

CMYK 0 / 13 / 11 / 33

HEX #AB9598

RGB 171 149 152

HSL 351.82, 0.12%, 0.63%

LAB 63.69, 8.68, 1.42

 

CMYK 5 / 0 / 1 / 36

HEX #9CA4A3

RGB 156 164 163

HSL 172.5, 0.04%, 0.63%

LAB 66.72, -3.03, -0.47

 

CMYK 22 / 0 / 3 / 29

HEX #8DB4AE

RGB 141 180 174

HSL 170.77, 0.21%, 0.63%

LAB 70.43, -14.34, -1.26

 

CMYK 35 / 0 / 5 / 24

HEX #7EC3BA

RGB 126 195 186

HSL 172.17, 0.37%, 0.63%

LAB 74.2, -23.76, -2.39

 

CMYK 0 / 28 / 10 / 27

HEX #BB86A9

RGB 187 134 169

HSL 320.38, 0.28%, 0.63%

LAB 62.07, 25.87, -10.43

 

CMYK 0 / 28 / 17 / 27

HEX #BB869B

RGB 187 134 155

HSL 336.23, 0.28%, 0.63%

LAB 61.64, 23.51, -3.09

 

CMYK 0 / 28 / 25 / 27

HEX #BB868D

RGB 187 134 141

HSL 352.08, 0.28%, 0.63%

LAB 61.25, 21.34, 4.34

 

CMYK 0 / 25 / 28 / 27

HEX #BB8D86

RGB 187 141 134

HSL 7.92, 0.28%, 0.63%

LAB 62.79, 16.44, 10.52

 

CMYK 0 / 17 / 28 / 27

HEX #BB9B86

RGB 187 155 134

HSL 23.77, 0.28%, 0.63%

LAB 66.31, 8.7, 15.46

 

CMYK 0 / 44 / 38 / 40

HEX #98555E

RGB 152 85 94

HSL 351.94, 0.28%, 0.46%

LAB 44.21, 28.78, 7.05

 

CMYK 0 / 38 / 33 / 33

HEX #AC6B74

RGB 172 107 116

HSL 351.69, 0.28%, 0.55%

LAB 52.45, 27.11, 5.96

 

CMYK 0 / 28 / 25 / 27

HEX #BB868D

RGB 187 134 141

HSL 352.08, 0.28%, 0.63%

LAB 61.25, 21.34, 4.34

 

CMYK 0 / 20 / 17 / 21

HEX #C9A0A6

RGB 201 160 166

HSL 351.22, 0.28%, 0.71%

LAB 69.69, 16.08, 2.66

 

CMYK 0 / 13 / 12 / 15

HEX #D8BBBE

RGB 216 187 190

HSL 353.79, 0.27%, 0.79%

LAB 78.38, 10.82, 2.3

 

CMYK 0 / 28 / 25 / 27

HEX #BA858C

RGB 186 133 140

HSL 352.08, 0.28%, 0.63%

LAB 60.88, 21.37, 4.36

 

CMYK 2 / 0 / 28 / 27

HEX #B7BB86

RGB 183 187 134

HSL 64.53, 0.28%, 0.63%

LAB 74.4, -10.02, 26.45

 

CMYK 28 / 13 / 0 / 27

HEX #86A2BB

RGB 134 162 187

HSL 208.3, 0.28%, 0.63%

LAB 65.36, -3.84, -16.06

 

CMYK 0 / 28 / 25 / 27

HEX #BA858C

RGB 186 133 140

HSL 352.08, 0.28%, 0.63%

LAB 60.88, 21.37, 4.36

 

CMYK 25 / 0 / 28 / 27

HEX #8DBB86

RGB 141 187 134

HSL 112.08, 0.28%, 0.63%

LAB 71.5, -25.54, 22.05

 

CMYK 28 / 25 / 0 / 27

HEX #868DBB

RGB 134 141 187

HSL 232.08, 0.28%, 0.63%

LAB 59.62, 8.02, -24.81

 

CMYK 0 / 28 / 25 / 27

HEX #BA858C

RGB 186 133 140

HSL 352.08, 0.28%, 0.63%

LAB 60.88, 21.37, 4.36

 

CMYK 2 / 0 / 28 / 27

HEX #B7BB86

RGB 183 187 134

HSL 64.53, 0.28%, 0.63%

LAB 74.4, -10.02, 26.45

 

CMYK 28 / 0 / 4 / 27

HEX #86BBB4

RGB 134 187 180

HSL 172.08, 0.28%, 0.63%

LAB 72.16, -18.79, -2.05

 

CMYK 27 / 28 / 0 / 27

HEX #8986BB

RGB 137 134 187

HSL 243.4, 0.28%, 0.63%

LAB 58, 13, -27.29

 

CMYK 0 / 28 / 25 / 27

HEX #BA858C

RGB 186 133 140

HSL 352.08, 0.28%, 0.63%

LAB 60.88, 21.37, 4.36

 

CMYK 11 / 0 / 28 / 27

HEX #A7BB86

RGB 167 187 134

HSL 82.64, 0.28%, 0.63%

LAB 73.21, -16.13, 24.64

 

CMYK 28 / 0 / 4 / 27

HEX #86BBB4

RGB 134 187 180

HSL 172.08, 0.28%, 0.63%

LAB 72.16, -18.79, -2.05

 

CMYK 18 / 28 / 0 / 27

HEX #9986BB

RGB 153 134 187

HSL 261.51, 0.28%, 0.63%

LAB 59.35, 18.01, -25.09

 

Description

Color code: HEX #BA858C | qconv.com Color code: HEX #BA858C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 133 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 133 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 25 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 25% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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