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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA842E it is the complementary color #457BD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA842E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA842E shade: #BF8429, #D0963C, #E1A84F, #F2BA62 and #FFCC75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA842E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA842E shade: #BA842E, #A9721B, #986008, #874E00 and #763C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA842E shade: #B8822E, #B85D2E, #B8382E and #B82E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA842E shade: #B8822E, #B8A82E, #A2B82E, #7DB82E and #58B82E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA842E shade matches the following richer shades: #B8822E, #CA871B and #DD8B09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA842E shade: #B8822E, #A57E40, #927A53, #807666 and #6D7278

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA842E shade: #B8372E, #B85C2E, #B8812E, #B8A52E and #A5B82E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA842E shade: #76541D, #976B26, #B8822E, #CF9840 and #D7AA61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA842E shade: #BA842E, #49B82E and #492EB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA842E shade: #BA842E, #2EB881 and #812EB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA842E shade: #BA842E, #49B82E, #2E65B8 and #9C2EB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA842E shade: #BA842E, #2EB83C, #2E65B8 and #B82EAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 75 / 27

HEX #BA842E

RGB 186 132 46

HSL 36.86, 0.6%, 0.45%

LAB 59.1, 12.87, 52.15

 

Complementary color

CMYK 67 / 41 / 0 / 18

HEX #457BD1

RGB 69 123 209

HSL 216.86, 0.6%, 0.55%

LAB 51.88, 9.92, -49.7

 

CMYK 0 / 31 / 79 / 25

HEX #BF8429

RGB 191 132 41

HSL 36.4, 0.65%, 0.45%

LAB 59.65, 14.86, 54.91

 

CMYK 0 / 28 / 71 / 18

HEX #D0963C

RGB 208 150 60

HSL 36.49, 0.61%, 0.53%

LAB 66.17, 13.28, 54.08

 

CMYK 0 / 25 / 65 / 12

HEX #E1A84F

RGB 225 168 79

HSL 36.58, 0.71%, 0.6%

LAB 72.61, 11.93, 52.92

 

CMYK 0 / 23 / 60 / 5

HEX #F2BA62

RGB 242 186 98

HSL 36.67, 0.85%, 0.67%

LAB 78.97, 10.76, 51.64

 

CMYK 0 / 20 / 54 / 0

HEX #FFCC75

RGB 255 204 117

HSL 37.83, 1%, 0.73%

LAB 84.86, 8.13, 49.76

 

CMYK 0 / 29 / 75 / 27

HEX #BA842E

RGB 186 132 46

HSL 36.86, 0.6%, 0.45%

LAB 59.1, 12.87, 52.15

 

CMYK 0 / 33 / 84 / 34

HEX #A9721B

RGB 169 114 27

HSL 36.76, 0.72%, 0.38%

LAB 52.45, 14.61, 52.59

 

CMYK 0 / 37 / 95 / 40

HEX #986008

RGB 152 96 8

HSL 36.67, 0.9%, 0.31%

LAB 45.71, 16.67, 51.68

 

CMYK 0 / 42 / 100 / 47

HEX #874E00

RGB 135 78 0

HSL 34.67, 1%, 0.26%

LAB 38.9, 19.1, 48.07

 

CMYK 0 / 49 / 100 / 54

HEX #763C00

RGB 118 60 0

HSL 30.51, 1%, 0.23%

LAB 32, 21.75, 42.46

 

CMYK 0 / 29 / 75 / 28

HEX #B8822E

RGB 184 130 46

HSL 36.52, 0.6%, 0.45%

LAB 58.37, 13.09, 51.35

 

CMYK 0 / 49 / 75 / 28

HEX #B85D2E

RGB 184 93 46

HSL 20.43, 0.6%, 0.45%

LAB 49.76, 33.36, 42.59

 

CMYK 0 / 70 / 75 / 28

HEX #B8382E

RGB 184 56 46

HSL 4.35, 0.6%, 0.45%

LAB 43.09, 50.79, 35.42

 

CMYK 0 / 75 / 75 / 28

HEX #B82E2E

RGB 184 46 46

HSL 0, 0.6%, 0.45%

LAB 41.75, 54.47, 33.95

 

CMYK 0 / 29 / 75 / 28

HEX #B8822E

RGB 184 130 46

HSL 36.52, 0.6%, 0.45%

LAB 58.37, 13.09, 51.35

 

CMYK 0 / 9 / 75 / 28

HEX #B8A82E

RGB 184 168 46

HSL 53.04, 0.6%, 0.45%

LAB 68.31, -7.55, 60.94

 

CMYK 12 / 0 / 75 / 28

HEX #A2B82E

RGB 162 184 46

HSL 69.57, 0.6%, 0.45%

LAB 70.98, -25.16, 62.82

 

CMYK 32 / 0 / 75 / 28

HEX #7DB82E

RGB 125 184 46

HSL 85.65, 0.6%, 0.45%

LAB 68.63, -39.85, 59.76

 

CMYK 52 / 0 / 75 / 28

HEX #58B82E

RGB 88 184 46

HSL 101.74, 0.6%, 0.45%

LAB 66.94, -52.1, 57.53

 

CMYK 0 / 29 / 75 / 28

HEX #B8822E

RGB 184 130 46

HSL 36.52, 0.6%, 0.45%

LAB 58.37, 13.09, 51.35

 

CMYK 0 / 33 / 87 / 21

HEX #CA871B

RGB 202 135 27

HSL 37.03, 0.76%, 0.45%

LAB 61.62, 17.62, 61.88

 

CMYK 0 / 37 / 96 / 13

HEX #DD8B09

RGB 221 139 9

HSL 36.79, 0.92%, 0.45%

LAB 64.85, 23.38, 69.07

 

CMYK 0 / 29 / 75 / 28

HEX #B8822E

RGB 184 130 46

HSL 36.52, 0.6%, 0.45%

LAB 58.37, 13.09, 51.35

 

CMYK 0 / 24 / 61 / 35

HEX #A57E40

RGB 165 126 64

HSL 36.83, 0.44%, 0.45%

LAB 55.37, 7.97, 38.99

 

CMYK 0 / 16 / 43 / 43

HEX #927A53

RGB 146 122 83

HSL 37.14, 0.28%, 0.45%

LAB 52.57, 3.68, 24.8

 

CMYK 0 / 8 / 20 / 50

HEX #807666

RGB 128 118 102

HSL 36.92, 0.11%, 0.45%

LAB 50.1, 1.02, 10.21

 

CMYK 9 / 5 / 0 / 53

HEX #6D7278

RGB 109 114 120

HSL 212.73, 0.05%, 0.45%

LAB 47.81, -0.6, -3.97

 

CMYK 0 / 70 / 75 / 28

HEX #B8372E

RGB 184 55 46

HSL 3.91, 0.6%, 0.45%

LAB 42.94, 51.18, 35.27

 

CMYK 0 / 50 / 75 / 28

HEX #B85C2E

RGB 184 92 46

HSL 20, 0.6%, 0.45%

LAB 49.55, 33.88, 42.37

 

CMYK 0 / 30 / 75 / 28

HEX #B8812E

RGB 184 129 46

HSL 36.09, 0.6%, 0.45%

LAB 58.12, 13.64, 51.1

 

CMYK 0 / 10 / 75 / 28

HEX #B8A52E

RGB 184 165 46

HSL 51.74, 0.6%, 0.45%

LAB 67.5, -5.97, 60.17

 

CMYK 10 / 0 / 75 / 28

HEX #A5B82E

RGB 165 184 46

HSL 68.26, 0.6%, 0.45%

LAB 71.2, -23.9, 63.1

 

CMYK 0 / 29 / 75 / 54

HEX #76541D

RGB 118 84 29

HSL 37.08, 0.61%, 0.29%

LAB 38.34, 8.42, 36.29

 

CMYK 0 / 29 / 75 / 41

HEX #976B26

RGB 151 107 38

HSL 36.64, 0.6%, 0.37%

LAB 48.55, 10.83, 43.77

 

CMYK 0 / 29 / 75 / 28

HEX #B8822E

RGB 184 130 46

HSL 36.52, 0.6%, 0.45%

LAB 58.37, 13.09, 51.35

 

CMYK 0 / 27 / 69 / 19

HEX #CF9840

RGB 207 152 64

HSL 36.92, 0.6%, 0.53%

LAB 66.59, 11.98, 52.71

 

CMYK 0 / 21 / 55 / 16

HEX #D7AA61

RGB 215 170 97

HSL 37.12, 0.6%, 0.61%

LAB 72.27, 7.95, 43.52

 

CMYK 0 / 29 / 75 / 27

HEX #BA842E

RGB 186 132 46

HSL 36.86, 0.6%, 0.45%

LAB 59.1, 12.87, 52.15

 

CMYK 60 / 0 / 75 / 28

HEX #49B82E

RGB 73 184 46

HSL 108.26, 0.6%, 0.45%

LAB 66.44, -56.07, 56.86

 

CMYK 60 / 75 / 0 / 28

HEX #492EB8

RGB 73 46 184

HSL 251.74, 0.6%, 0.45%

LAB 31.42, 49.03, -68.33

 

CMYK 0 / 29 / 75 / 27

HEX #BA842E

RGB 186 132 46

HSL 36.86, 0.6%, 0.45%

LAB 59.1, 12.87, 52.15

 

CMYK 75 / 0 / 30 / 28

HEX #2EB881

RGB 46 184 129

HSL 156.09, 0.6%, 0.45%

LAB 66.86, -49.1, 17.78

 

CMYK 30 / 75 / 0 / 28

HEX #812EB8

RGB 129 46 184

HSL 276.09, 0.6%, 0.45%

LAB 37.99, 58, -57.32

 

CMYK 0 / 29 / 75 / 27

HEX #BA842E

RGB 186 132 46

HSL 36.86, 0.6%, 0.45%

LAB 59.1, 12.87, 52.15

 

CMYK 60 / 0 / 75 / 28

HEX #49B82E

RGB 73 184 46

HSL 108.26, 0.6%, 0.45%

LAB 66.44, -56.07, 56.86

 

CMYK 75 / 45 / 0 / 28

HEX #2E65B8

RGB 46 101 184

HSL 216.09, 0.6%, 0.45%

LAB 43.28, 11.21, -49.11

 

CMYK 15 / 75 / 0 / 28

HEX #9C2EB8

RGB 156 46 184

HSL 287.83, 0.6%, 0.45%

LAB 41.97, 63.22, -50.69

 

CMYK 0 / 29 / 75 / 27

HEX #BA842E

RGB 186 132 46

HSL 36.86, 0.6%, 0.45%

LAB 59.1, 12.87, 52.15

 

CMYK 75 / 0 / 67 / 28

HEX #2EB83C

RGB 46 184 60

HSL 126.09, 0.6%, 0.45%

LAB 65.89, -60.22, 50.78

 

CMYK 75 / 45 / 0 / 28

HEX #2E65B8

RGB 46 101 184

HSL 216.09, 0.6%, 0.45%

LAB 43.28, 11.21, -49.11

 

CMYK 0 / 75 / 8 / 28

HEX #B82EAA

RGB 184 46 170

HSL 306.09, 0.6%, 0.45%

LAB 45.7, 66.75, -36.21

 

Description

Color code: HEX #BA842E | qconv.com Color code: HEX #BA842E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 132 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 132 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 75 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 75% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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