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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA815D it is the complementary color #457EA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA815D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA815D shade: #BF8158, #D0936B, #E1A57E, #F2B791 and #FFC9A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA815D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA815D shade: #BA815D, #A96F4A, #985D37, #874B24 and #763911

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA815D shade: #BA825E, #BA695E and #BA5E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA815D shade: #BA825E, #BA9B5E, #BAB35E, #A8BA5E and #8FBA5E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA815D shade matches the following richer shades: #BA825E, #CD7E4C, #DF7A39 and #F27527

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA815D shade: #BA825E, #A88671, #958A83, #828E96 and #7093A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA815D shade: #BA5E6C, #BA695E, #BA825E, #BA9A5E and #BAB35E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA815D shade: #8B5A3B, #A76D48, #BA825E, #C7987B and #D3AF98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA815D shade: #BA815D, #85BA5E and #5E60BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA815D shade: #BA815D, #5EBA82 and #825EBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA815D shade: #BA815D, #85BA5E, #5E97BA and #945EBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA815D shade: #BA815D, #69BA5E, #5E97BA and #AF5EBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 50 / 27

HEX #BA815D

RGB 186 129 93

HSL 23.23, 0.4%, 0.55%

LAB 58.91, 17.83, 28.28

 

Complementary color

CMYK 57 / 22 / 0 / 36

HEX #457EA2

RGB 69 126 162

HSL 203.23, 0.4%, 0.45%

LAB 50.45, -7.84, -24.93

 

CMYK 0 / 32 / 54 / 25

HEX #BF8158

RGB 191 129 88

HSL 23.88, 0.45%, 0.55%

LAB 59.42, 19.46, 31.81

 

CMYK 0 / 29 / 49 / 18

HEX #D0936B

RGB 208 147 107

HSL 23.76, 0.52%, 0.62%

LAB 66.01, 18.36, 30.29

 

CMYK 0 / 27 / 44 / 12

HEX #E1A57E

RGB 225 165 126

HSL 23.64, 0.62%, 0.69%

LAB 72.51, 17.41, 28.89

 

CMYK 0 / 24 / 40 / 5

HEX #F2B791

RGB 242 183 145

HSL 23.51, 0.79%, 0.76%

LAB 78.92, 16.57, 27.61

 

CMYK 0 / 21 / 36 / 0

HEX #FFC9A4

RGB 255 201 164

HSL 24.4, 1%, 0.82%

LAB 84.85, 14.3, 25.82

 

CMYK 0 / 31 / 50 / 27

HEX #BA815D

RGB 186 129 93

HSL 23.23, 0.4%, 0.55%

LAB 58.91, 17.83, 28.28

 

CMYK 0 / 34 / 56 / 34

HEX #A96F4A

RGB 169 111 74

HSL 23.37, 0.39%, 0.48%

LAB 52.17, 19, 29.87

 

CMYK 0 / 39 / 64 / 40

HEX #985D37

RGB 152 93 55

HSL 23.51, 0.47%, 0.41%

LAB 45.33, 20.38, 31.62

 

CMYK 0 / 44 / 73 / 47

HEX #874B24

RGB 135 75 36

HSL 23.64, 0.58%, 0.34%

LAB 38.39, 22.01, 33.49

 

CMYK 0 / 52 / 86 / 54

HEX #763911

RGB 118 57 17

HSL 23.76, 0.75%, 0.26%

LAB 31.39, 23.93, 35.19

 

CMYK 0 / 30 / 49 / 27

HEX #BA825E

RGB 186 130 94

HSL 23.48, 0.4%, 0.55%

LAB 59.17, 17.37, 28.07

 

CMYK 0 / 44 / 49 / 27

HEX #BA695E

RGB 186 105 94

HSL 7.17, 0.4%, 0.55%

LAB 53.33, 31.14, 20.37

 

CMYK 0 / 49 / 49 / 27

HEX #BA5E5E

RGB 186 94 94

HSL 0, 0.4%, 0.55%

LAB 50.98, 36.99, 17.2

 

CMYK 0 / 30 / 49 / 27

HEX #BA825E

RGB 186 130 94

HSL 23.48, 0.4%, 0.55%

LAB 59.17, 17.37, 28.07

 

CMYK 0 / 17 / 49 / 27

HEX #BA9B5E

RGB 186 155 94

HSL 39.78, 0.4%, 0.55%

LAB 65.51, 3.58, 36.11

 

CMYK 0 / 4 / 49 / 27

HEX #BAB35E

RGB 186 179 94

HSL 55.43, 0.4%, 0.55%

LAB 71.88, -9.21, 43.91

 

CMYK 10 / 0 / 49 / 27

HEX #A8BA5E

RGB 168 186 94

HSL 71.74, 0.4%, 0.55%

LAB 72.4, -20.17, 44.19

 

CMYK 23 / 0 / 49 / 27

HEX #8FBA5E

RGB 143 186 94

HSL 88.04, 0.4%, 0.55%

LAB 70.71, -29.92, 41.76

 

CMYK 0 / 30 / 49 / 27

HEX #BA825E

RGB 186 130 94

HSL 23.48, 0.4%, 0.55%

LAB 59.17, 17.37, 28.07

 

CMYK 0 / 39 / 63 / 20

HEX #CD7E4C

RGB 205 126 76

HSL 23.26, 0.56%, 0.55%

LAB 60.27, 25.99, 39.68

 

CMYK 0 / 45 / 74 / 13

HEX #DF7A39

RGB 223 122 57

HSL 23.49, 0.72%, 0.55%

LAB 61.57, 34.41, 51.28

 

CMYK 0 / 52 / 84 / 5

HEX #F27527

RGB 242 117 39

HSL 23.05, 0.89%, 0.55%

LAB 63.13, 43.77, 61.35

 

CMYK 0 / 30 / 49 / 27

HEX #BA825E

RGB 186 130 94

HSL 23.48, 0.4%, 0.55%

LAB 59.17, 17.37, 28.07

 

CMYK 0 / 20 / 33 / 34

HEX #A88671

RGB 168 134 113

HSL 22.91, 0.24%, 0.55%

LAB 58.57, 9.89, 16.24

 

CMYK 0 / 7 / 12 / 42

HEX #958A83

RGB 149 138 131

HSL 23.33, 0.08%, 0.55%

LAB 58.23, 2.85, 5.22

 

CMYK 13 / 5 / 0 / 41

HEX #828E96

RGB 130 142 150

HSL 204, 0.09%, 0.55%

LAB 58.31, -2.62, -5.73

 

CMYK 34 / 13 / 0 / 34

HEX #7093A9

RGB 112 147 169

HSL 203.16, 0.25%, 0.55%

LAB 59.14, -6.63, -15.46

 

CMYK 0 / 49 / 42 / 27

HEX #BA5E6C

RGB 186 94 108

HSL 350.87, 0.4%, 0.55%

LAB 51.3, 38.44, 9.33

 

CMYK 0 / 44 / 49 / 27

HEX #BA695E

RGB 186 105 94

HSL 7.17, 0.4%, 0.55%

LAB 53.33, 31.14, 20.37

 

CMYK 0 / 30 / 49 / 27

HEX #BA825E

RGB 186 130 94

HSL 23.48, 0.4%, 0.55%

LAB 59.17, 17.37, 28.07

 

CMYK 0 / 17 / 49 / 27

HEX #BA9A5E

RGB 186 154 94

HSL 39.13, 0.4%, 0.55%

LAB 65.25, 4.13, 35.79

 

CMYK 0 / 4 / 49 / 27

HEX #BAB35E

RGB 186 179 94

HSL 55.43, 0.4%, 0.55%

LAB 71.88, -9.21, 43.91

 

CMYK 0 / 35 / 58 / 45

HEX #8B5A3B

RGB 139 90 59

HSL 23.25, 0.4%, 0.39%

LAB 42.94, 16.71, 26.05

 

CMYK 0 / 35 / 57 / 35

HEX #A76D48

RGB 167 109 72

HSL 23.37, 0.4%, 0.47%

LAB 51.41, 19.1, 29.98

 

CMYK 0 / 30 / 49 / 27

HEX #BA825E

RGB 186 130 94

HSL 23.48, 0.4%, 0.55%

LAB 59.17, 17.37, 28.07

 

CMYK 0 / 24 / 38 / 22

HEX #C7987B

RGB 199 152 123

HSL 22.89, 0.4%, 0.63%

LAB 66.54, 13.71, 22.05

 

CMYK 0 / 17 / 28 / 17

HEX #D3AF98

RGB 211 175 152

HSL 23.39, 0.4%, 0.71%

LAB 74.05, 9.66, 16.68

 

CMYK 0 / 31 / 50 / 27

HEX #BA815D

RGB 186 129 93

HSL 23.23, 0.4%, 0.55%

LAB 58.91, 17.83, 28.28

 

CMYK 28 / 0 / 49 / 27

HEX #85BA5E

RGB 133 186 94

HSL 94.57, 0.4%, 0.55%

LAB 70.11, -33.6, 40.9

 

CMYK 49 / 48 / 0 / 27

HEX #5E60BA

RGB 94 96 186

HSL 238.7, 0.4%, 0.55%

LAB 44.65, 23.91, -47.95

 

CMYK 0 / 31 / 50 / 27

HEX #BA815D

RGB 186 129 93

HSL 23.23, 0.4%, 0.55%

LAB 58.91, 17.83, 28.28

 

CMYK 49 / 0 / 30 / 27

HEX #5EBA82

RGB 94 186 130

HSL 143.48, 0.4%, 0.55%

LAB 68.83, -40.23, 20.17

 

CMYK 30 / 49 / 0 / 27

HEX #825EBA

RGB 130 94 186

HSL 263.48, 0.4%, 0.55%

LAB 47.36, 34.22, -43.43

 

CMYK 0 / 31 / 50 / 27

HEX #BA815D

RGB 186 129 93

HSL 23.23, 0.4%, 0.55%

LAB 58.91, 17.83, 28.28

 

CMYK 28 / 0 / 49 / 27

HEX #85BA5E

RGB 133 186 94

HSL 94.57, 0.4%, 0.55%

LAB 70.11, -33.6, 40.9

 

CMYK 49 / 19 / 0 / 27

HEX #5E97BA

RGB 94 151 186

HSL 202.83, 0.4%, 0.55%

LAB 59.94, -8.93, -23.96

 

CMYK 20 / 49 / 0 / 27

HEX #945EBA

RGB 148 94 186

HSL 275.22, 0.4%, 0.55%

LAB 49.31, 39.19, -40.22

 

CMYK 0 / 31 / 50 / 27

HEX #BA815D

RGB 186 129 93

HSL 23.23, 0.4%, 0.55%

LAB 58.91, 17.83, 28.28

 

CMYK 44 / 0 / 49 / 27

HEX #69BA5E

RGB 105 186 94

HSL 112.83, 0.4%, 0.55%

LAB 68.7, -43.01, 38.84

 

CMYK 49 / 19 / 0 / 27

HEX #5E97BA

RGB 94 151 186

HSL 202.83, 0.4%, 0.55%

LAB 59.94, -8.93, -23.96

 

CMYK 6 / 49 / 0 / 27

HEX #AF5EBA

RGB 175 94 186

HSL 292.83, 0.4%, 0.55%

LAB 52.58, 46.88, -34.85

 

Description

Color code: HEX #BA815D | qconv.com Color code: HEX #BA815D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 129 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 129 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 50 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 50% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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