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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA7E38 it is the complementary color #4581C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA7E38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA7E38 shade: #BF7E33, #D09046, #E1A259, #F2B46C and #FFC67F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA7E38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA7E38 shade: #BA7E38, #A96C25, #985A12, #874800 and #763600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA7E38 shade: #B97D37, #B95A37 and #B93737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA7E38 shade: #B97D37, #B9A037, #AEB937, #8CB937 and #69B937

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA7E38 shade matches the following richer shades: #B97D37, #CC7E24 and #DF8010

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA7E38 shade: #B97D37, #A57B4B, #927A5E, #7E7871 and #6B7785

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA7E38 shade: #B93737, #B95A37, #B97C37, #B99F37 and #B0B937

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA7E38 shade: #795224, #99672E, #B97D37, #CA914F and #D4A56E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA7E38 shade: #BA7E38, #5AB937 and #4837B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA7E38 shade: #BA7E38, #37B97C and #7C37B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA7E38 shade: #BA7E38, #5AB937, #3774B9 and #9637B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA7E38 shade: #BA7E38, #37B93B, #3774B9 and #B937B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 70 / 27

HEX #BA7E38

RGB 186 126 56

HSL 32.31, 0.54%, 0.47%

LAB 57.7, 16.69, 46.22

 

Complementary color

CMYK 65 / 35 / 0 / 22

HEX #4581C7

RGB 69 129 199

HSL 212.31, 0.54%, 0.53%

LAB 53.05, 2.79, -42.16

 

CMYK 0 / 34 / 73 / 25

HEX #BF7E33

RGB 191 126 51

HSL 32.14, 0.58%, 0.47%

LAB 58.26, 18.61, 49.32

 

CMYK 0 / 31 / 66 / 18

HEX #D09046

RGB 208 144 70

HSL 32.17, 0.59%, 0.55%

LAB 64.8, 17.1, 48

 

CMYK 0 / 28 / 60 / 12

HEX #E1A259

RGB 225 162 89

HSL 32.21, 0.69%, 0.62%

LAB 71.26, 15.79, 46.57

 

CMYK 0 / 26 / 55 / 5

HEX #F2B46C

RGB 242 180 108

HSL 32.24, 0.84%, 0.69%

LAB 77.64, 14.66, 45.15

 

CMYK 0 / 22 / 50 / 0

HEX #FFC67F

RGB 255 198 127

HSL 33.28, 1%, 0.75%

LAB 83.54, 12.07, 43.18

 

CMYK 0 / 32 / 70 / 27

HEX #BA7E38

RGB 186 126 56

HSL 32.31, 0.54%, 0.47%

LAB 57.7, 16.69, 46.22

 

CMYK 0 / 36 / 78 / 34

HEX #A96C25

RGB 169 108 37

HSL 32.27, 0.64%, 0.4%

LAB 51.03, 18.35, 47.4

 

CMYK 0 / 41 / 88 / 40

HEX #985A12

RGB 152 90 18

HSL 32.24, 0.79%, 0.33%

LAB 44.28, 20.31, 47.85

 

CMYK 0 / 47 / 100 / 47

HEX #874800

RGB 135 72 0

HSL 32, 1%, 0.26%

LAB 37.45, 22.56, 47.17

 

CMYK 0 / 54 / 100 / 54

HEX #763600

RGB 118 54 0

HSL 27.46, 1%, 0.23%

LAB 30.62, 25.18, 41.5

 

CMYK 0 / 32 / 70 / 27

HEX #B97D37

RGB 185 125 55

HSL 32.31, 0.54%, 0.47%

LAB 57.33, 16.76, 46.26

 

CMYK 0 / 51 / 70 / 27

HEX #B95A37

RGB 185 90 55

HSL 16.15, 0.54%, 0.47%

LAB 49.38, 35.77, 37.53

 

CMYK 0 / 70 / 70 / 27

HEX #B93737

RGB 185 55 55

HSL 0, 0.54%, 0.47%

LAB 43.25, 51.92, 30.42

 

CMYK 0 / 32 / 70 / 27

HEX #B97D37

RGB 185 125 55

HSL 32.31, 0.54%, 0.47%

LAB 57.33, 16.76, 46.26

 

CMYK 0 / 14 / 70 / 27

HEX #B9A037

RGB 185 160 55

HSL 48.46, 0.54%, 0.47%

LAB 66.31, -2.43, 55.59

 

CMYK 6 / 0 / 70 / 27

HEX #AEB937

RGB 174 185 55

HSL 65.08, 0.54%, 0.47%

LAB 72.21, -20.15, 61.16

 

CMYK 24 / 0 / 70 / 27

HEX #8CB937

RGB 140 185 55

HSL 80.77, 0.54%, 0.47%

LAB 69.86, -34.04, 58.04

 

CMYK 43 / 0 / 70 / 27

HEX #69B937

RGB 105 185 55

HSL 96.92, 0.54%, 0.47%

LAB 68, -46.65, 55.55

 

CMYK 0 / 32 / 70 / 27

HEX #B97D37

RGB 185 125 55

HSL 32.31, 0.54%, 0.47%

LAB 57.33, 16.76, 46.26

 

CMYK 0 / 38 / 82 / 20

HEX #CC7E24

RGB 204 126 36

HSL 32.14, 0.7%, 0.47%

LAB 59.79, 23.62, 57.51

 

CMYK 0 / 43 / 93 / 13

HEX #DF8010

RGB 223 128 16

HSL 32.46, 0.87%, 0.47%

LAB 62.65, 30.14, 66.5

 

CMYK 0 / 32 / 70 / 27

HEX #B97D37

RGB 185 125 55

HSL 32.31, 0.54%, 0.47%

LAB 57.33, 16.76, 46.26

 

CMYK 0 / 25 / 55 / 35

HEX #A57B4B

RGB 165 123 75

HSL 32, 0.38%, 0.47%

LAB 54.73, 10.57, 32.4

 

CMYK 0 / 16 / 36 / 43

HEX #927A5E

RGB 146 122 94

HSL 32.31, 0.22%, 0.47%

LAB 52.77, 5.04, 18.81

 

CMYK 0 / 5 / 10 / 51

HEX #7E7871

RGB 126 120 113

HSL 32.31, 0.05%, 0.47%

LAB 50.76, 0.97, 4.65

 

CMYK 20 / 11 / 0 / 48

HEX #6B7785

RGB 107 119 133

HSL 212.31, 0.11%, 0.47%

LAB 49.51, -1.25, -9.15

 

CMYK 0 / 70 / 70 / 27

HEX #B93737

RGB 185 55 55

HSL 0, 0.54%, 0.47%

LAB 43.25, 51.92, 30.42

 

CMYK 0 / 51 / 70 / 27

HEX #B95A37

RGB 185 90 55

HSL 16.15, 0.54%, 0.47%

LAB 49.38, 35.77, 37.53

 

CMYK 0 / 33 / 70 / 27

HEX #B97C37

RGB 185 124 55

HSL 31.85, 0.54%, 0.47%

LAB 57.08, 17.31, 45.99

 

CMYK 0 / 14 / 70 / 27

HEX #B99F37

RGB 185 159 55

HSL 48, 0.54%, 0.47%

LAB 66.05, -1.9, 55.32

 

CMYK 5 / 0 / 70 / 27

HEX #B0B937

RGB 176 185 55

HSL 64.15, 0.54%, 0.47%

LAB 72.36, -19.31, 61.36

 

CMYK 0 / 32 / 70 / 53

HEX #795224

RGB 121 82 36

HSL 32.47, 0.54%, 0.31%

LAB 38.25, 11.46, 32.78

 

CMYK 0 / 33 / 70 / 40

HEX #99672E

RGB 153 103 46

HSL 31.96, 0.54%, 0.39%

LAB 47.84, 14.48, 39.28

 

CMYK 0 / 32 / 70 / 27

HEX #B97D37

RGB 185 125 55

HSL 32.31, 0.54%, 0.47%

LAB 57.33, 16.76, 46.26

 

CMYK 0 / 28 / 61 / 21

HEX #CA914F

RGB 202 145 79

HSL 32.2, 0.54%, 0.55%

LAB 64.46, 14.59, 42.98

 

CMYK 0 / 22 / 48 / 17

HEX #D4A56E

RGB 212 165 110

HSL 32.35, 0.54%, 0.63%

LAB 70.89, 10.54, 35.05

 

CMYK 0 / 32 / 70 / 27

HEX #BA7E38

RGB 186 126 56

HSL 32.31, 0.54%, 0.47%

LAB 57.7, 16.69, 46.22

 

CMYK 51 / 0 / 70 / 27

HEX #5AB937

RGB 90 185 55

HSL 103.85, 0.54%, 0.47%

LAB 67.39, -51.25, 54.72

 

CMYK 61 / 70 / 0 / 27

HEX #4837B9

RGB 72 55 185

HSL 247.85, 0.54%, 0.47%

LAB 33.16, 44.35, -66.06

 

CMYK 0 / 32 / 70 / 27

HEX #BA7E38

RGB 186 126 56

HSL 32.31, 0.54%, 0.47%

LAB 57.7, 16.69, 46.22

 

CMYK 70 / 0 / 33 / 27

HEX #37B97C

RGB 55 185 124

HSL 151.85, 0.54%, 0.47%

LAB 67.25, -49.25, 21.04

 

CMYK 33 / 70 / 0 / 27

HEX #7C37B9

RGB 124 55 185

HSL 271.85, 0.54%, 0.47%

LAB 38.76, 53.39, -56.69

 

CMYK 0 / 32 / 70 / 27

HEX #BA7E38

RGB 186 126 56

HSL 32.31, 0.54%, 0.47%

LAB 57.7, 16.69, 46.22

 

CMYK 51 / 0 / 70 / 27

HEX #5AB937

RGB 90 185 55

HSL 103.85, 0.54%, 0.47%

LAB 67.39, -51.25, 54.72

 

CMYK 70 / 37 / 0 / 27

HEX #3774B9

RGB 55 116 185

HSL 211.85, 0.54%, 0.47%

LAB 48.01, 3.44, -42.13

 

CMYK 19 / 70 / 0 / 27

HEX #9637B9

RGB 150 55 185

HSL 283.85, 0.54%, 0.47%

LAB 42.34, 58.77, -50.74

 

CMYK 0 / 32 / 70 / 27

HEX #BA7E38

RGB 186 126 56

HSL 32.31, 0.54%, 0.47%

LAB 57.7, 16.69, 46.22

 

CMYK 70 / 0 / 68 / 27

HEX #37B93B

RGB 55 185 59

HSL 121.85, 0.54%, 0.47%

LAB 66.39, -59.14, 51.77

 

CMYK 70 / 37 / 0 / 27

HEX #3774B9

RGB 55 116 185

HSL 211.85, 0.54%, 0.47%

LAB 48.01, 3.44, -42.13

 

CMYK 0 / 70 / 3 / 27

HEX #B937B4

RGB 185 55 180

HSL 302.31, 0.54%, 0.47%

LAB 47.42, 65.6, -39.38

 

Description

Color code: HEX #BA7E38 | qconv.com Color code: HEX #BA7E38 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 126 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 126 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 70 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 70% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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