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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA65D4 it is the complementary color #459A2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA65D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA65D4 shade: #BF65CF, #D077E2, #E189F5, #F29BFF and #FFADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA65D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA65D4 shade: #BA65D4, #A953C1, #9841AE, #872F9B and #761D88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA65D4 shade: #B964D3, #D364CF, #D364B1, #D36493 and #D36475

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA65D4 shade: #B964D3, #9B64D3, #7D64D3 and #6464D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA65D4 shade matches the following richer shades: #B964D3, #C254E3 and #CA44F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA65D4 shade: #B964D3, #B174C3, #A884B3, #9F94A3 and #97A493

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA65D4 shade: #7C64D3, #9A64D3, #B764D3, #D364D1 and #D364B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA65D4 shade: #9432B2, #AB44CA, #B964D3, #C884DC and #D6A4E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA65D4 shade: #BA65D4, #D36469 and #64D38B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA65D4 shade: #BA65D4, #D3B764 and #64D3B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA65D4 shade: #BA65D4, #D36469, #80D364 and #64D3CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA65D4 shade: #BA65D4, #D38064, #80D364 and #64B7D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 52 / 0 / 17

HEX #BA65D4

RGB 186 101 212

HSL 285.95, 0.56%, 0.61%

LAB 56.58, 51.51, -43.32

 

Complementary color

CMYK 55 / 0 / 72 / 40

HEX #459A2B

RGB 69 154 43

HSL 105.95, 0.56%, 0.39%

LAB 56.64, -46.25, 48.03

 

CMYK 8 / 51 / 0 / 19

HEX #BF65CF

RGB 191 101 207

HSL 290.94, 0.52%, 0.6%

LAB 56.97, 51.89, -39.84

 

CMYK 8 / 47 / 0 / 11

HEX #D077E2

RGB 208 119 226

HSL 289.91, 0.65%, 0.68%

LAB 63.42, 51.19, -40.25

 

CMYK 8 / 44 / 0 / 4

HEX #E189F5

RGB 225 137 245

HSL 288.89, 0.84%, 0.75%

LAB 69.82, 50.45, -40.58

 

CMYK 5 / 39 / 0 / 0

HEX #F29BFF

RGB 242 155 255

HSL 292.2, 1%, 0.8%

LAB 75.79, 48, -36.59

 

CMYK 0 / 32 / 0 / 0

HEX #FFADFF

RGB 255 173 255

HSL 300, 1%, 0.84%

LAB 80.94, 42.6, -28.53

 

CMYK 12 / 52 / 0 / 17

HEX #BA65D4

RGB 186 101 212

HSL 285.95, 0.56%, 0.61%

LAB 56.58, 51.51, -43.32

 

CMYK 12 / 57 / 0 / 24

HEX #A953C1

RGB 169 83 193

HSL 286.91, 0.47%, 0.54%

LAB 50.06, 52.16, -42.91

 

CMYK 13 / 63 / 0 / 32

HEX #9841AE

RGB 152 65 174

HSL 287.89, 0.46%, 0.47%

LAB 43.52, 52.64, -42.34

 

CMYK 13 / 70 / 0 / 39

HEX #872F9B

RGB 135 47 155

HSL 288.89, 0.53%, 0.4%

LAB 37.02, 52.75, -41.5

 

CMYK 13 / 79 / 0 / 47

HEX #761D88

RGB 118 29 136

HSL 289.91, 0.65%, 0.32%

LAB 30.66, 52.16, -40.19

 

CMYK 12 / 53 / 0 / 17

HEX #B964D3

RGB 185 100 211

HSL 285.95, 0.56%, 0.61%

LAB 56.22, 51.55, -43.34

 

CMYK 0 / 53 / 2 / 17

HEX #D364CF

RGB 211 100 207

HSL 302.16, 0.56%, 0.61%

LAB 59.41, 57.87, -35.84

 

CMYK 0 / 53 / 16 / 17

HEX #D364B1

RGB 211 100 177

HSL 318.38, 0.56%, 0.61%

LAB 58.17, 52.99, -20.62

 

CMYK 0 / 53 / 30 / 17

HEX #D36493

RGB 211 100 147

HSL 334.59, 0.56%, 0.61%

LAB 57.14, 48.78, -4.76

 

CMYK 0 / 53 / 45 / 17

HEX #D36475

RGB 211 100 117

HSL 350.81, 0.56%, 0.61%

LAB 56.33, 45.33, 11.63

 

CMYK 12 / 53 / 0 / 17

HEX #B964D3

RGB 185 100 211

HSL 285.95, 0.56%, 0.61%

LAB 56.22, 51.55, -43.34

 

CMYK 27 / 53 / 0 / 17

HEX #9B64D3

RGB 155 100 211

HSL 269.73, 0.56%, 0.61%

LAB 52.71, 43.61, -49.12

 

CMYK 41 / 53 / 0 / 17

HEX #7D64D3

RGB 125 100 211

HSL 253.51, 0.56%, 0.61%

LAB 49.71, 36.15, -54.09

 

CMYK 53 / 53 / 0 / 17

HEX #6464D3

RGB 100 100 211

HSL 240, 0.56%, 0.61%

LAB 47.66, 30.6, -57.5

 

CMYK 12 / 53 / 0 / 17

HEX #B964D3

RGB 185 100 211

HSL 285.95, 0.56%, 0.61%

LAB 56.22, 51.55, -43.34

 

CMYK 15 / 63 / 0 / 11

HEX #C254E3

RGB 194 84 227

HSL 286.15, 0.72%, 0.61%

LAB 55.44, 64.53, -53.55

 

CMYK 17 / 72 / 0 / 5

HEX #CA44F3

RGB 202 68 243

HSL 285.94, 0.88%, 0.61%

LAB 55.24, 75.59, -62.78

 

CMYK 12 / 53 / 0 / 17

HEX #B964D3

RGB 185 100 211

HSL 285.95, 0.56%, 0.61%

LAB 56.22, 51.55, -43.34

 

CMYK 9 / 41 / 0 / 24

HEX #B174C3

RGB 177 116 195

HSL 286.33, 0.4%, 0.61%

LAB 57.83, 37.51, -31.8

 

CMYK 6 / 26 / 0 / 30

HEX #A884B3

RGB 168 132 179

HSL 285.96, 0.24%, 0.61%

LAB 59.96, 22.34, -19.48

 

CMYK 2 / 9 / 0 / 36

HEX #9F94A3

RGB 159 148 163

HSL 284, 0.08%, 0.61%

LAB 62.67, 6.91, -6.41

 

CMYK 8 / 0 / 10 / 36

HEX #97A493

RGB 151 164 147

HSL 105.88, 0.09%, 0.61%

LAB 65.93, -7.86, 7.25

 

CMYK 41 / 53 / 0 / 17

HEX #7C64D3

RGB 124 100 211

HSL 252.97, 0.56%, 0.61%

LAB 49.62, 35.91, -54.24

 

CMYK 27 / 53 / 0 / 17

HEX #9A64D3

RGB 154 100 211

HSL 269.19, 0.56%, 0.61%

LAB 52.61, 43.36, -49.3

 

CMYK 13 / 53 / 0 / 17

HEX #B764D3

RGB 183 100 211

HSL 284.86, 0.56%, 0.61%

LAB 55.97, 51.01, -43.75

 

CMYK 0 / 53 / 1 / 17

HEX #D364D1

RGB 211 100 209

HSL 301.08, 0.56%, 0.61%

LAB 59.5, 58.22, -36.83

 

CMYK 0 / 53 / 15 / 17

HEX #D364B4

RGB 211 100 180

HSL 316.76, 0.56%, 0.61%

LAB 58.28, 53.45, -22.17

 

CMYK 17 / 72 / 0 / 30

HEX #9432B2

RGB 148 50 178

HSL 285.94, 0.56%, 0.45%

LAB 40.88, 58.94, -48.97

 

CMYK 15 / 66 / 0 / 21

HEX #AB44CA

RGB 171 68 202

HSL 286.12, 0.56%, 0.53%

LAB 48.33, 61.33, -50.85

 

CMYK 12 / 53 / 0 / 17

HEX #B964D3

RGB 185 100 211

HSL 285.95, 0.56%, 0.61%

LAB 56.22, 51.55, -43.34

 

CMYK 9 / 40 / 0 / 14

HEX #C884DC

RGB 200 132 220

HSL 286.36, 0.56%, 0.69%

LAB 64.92, 40.86, -34.63

 

CMYK 7 / 28 / 0 / 10

HEX #D6A4E5

RGB 214 164 229

HSL 286.15, 0.56%, 0.77%

LAB 73.87, 29.66, -25.67

 

CMYK 12 / 52 / 0 / 17

HEX #BA65D4

RGB 186 101 212

HSL 285.95, 0.56%, 0.61%

LAB 56.58, 51.51, -43.32

 

CMYK 0 / 53 / 50 / 17

HEX #D36469

RGB 211 100 105

HSL 357.3, 0.56%, 0.61%

LAB 56.07, 44.18, 18.28

 

CMYK 53 / 0 / 34 / 17

HEX #64D38B

RGB 100 211 139

HSL 141.08, 0.56%, 0.61%

LAB 76.78, -47.74, 26.23

 

CMYK 12 / 52 / 0 / 17

HEX #BA65D4

RGB 186 101 212

HSL 285.95, 0.56%, 0.61%

LAB 56.58, 51.51, -43.32

 

CMYK 0 / 13 / 53 / 17

HEX #D3B764

RGB 211 183 100

HSL 44.86, 0.56%, 0.61%

LAB 75.22, -0.37, 45.49

 

CMYK 53 / 0 / 13 / 17

HEX #64D3B7

RGB 100 211 183

HSL 164.86, 0.56%, 0.61%

LAB 77.71, -38.51, 4.22

 

CMYK 12 / 52 / 0 / 17

HEX #BA65D4

RGB 186 101 212

HSL 285.95, 0.56%, 0.61%

LAB 56.58, 51.51, -43.32

 

CMYK 0 / 53 / 50 / 17

HEX #D36469

RGB 211 100 105

HSL 357.3, 0.56%, 0.61%

LAB 56.07, 44.18, 18.28

 

CMYK 39 / 0 / 53 / 17

HEX #80D364

RGB 128 211 100

HSL 104.86, 0.56%, 0.61%

LAB 77.34, -45.67, 46.69

 

CMYK 53 / 0 / 2 / 17

HEX #64D3CE

RGB 100 211 206

HSL 177.3, 0.56%, 0.61%

LAB 78.32, -32.82, -7.22

 

CMYK 12 / 52 / 0 / 17

HEX #BA65D4

RGB 186 101 212

HSL 285.95, 0.56%, 0.61%

LAB 56.58, 51.51, -43.32

 

CMYK 0 / 39 / 53 / 17

HEX #D38064

RGB 211 128 100

HSL 15.14, 0.56%, 0.61%

LAB 61.83, 29.21, 28.78

 

CMYK 39 / 0 / 53 / 17

HEX #80D364

RGB 128 211 100

HSL 104.86, 0.56%, 0.61%

LAB 77.34, -45.67, 46.69

 

CMYK 53 / 13 / 0 / 17

HEX #64B7D3

RGB 100 183 211

HSL 195.14, 0.56%, 0.61%

LAB 70.37, -17.54, -21.88

 

Description

Color code: HEX #BA65D4 | qconv.com Color code: HEX #BA65D4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 101 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 101 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 52 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 52% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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