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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA654D it is the complementary color #459AB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA654D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA654D shade: #BF6548, #D0775B, #E1896E, #F29B81 and #FFAD94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA654D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA654D shade: #BA654D, #A9533A, #984127, #872F14 and #761D01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA654D shade: #BA664F and #BA4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA654D shade: #BA664F, #BA844F, #BAA14F, #B7BA4F and #9ABA4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA654D shade matches the following richer shades: #BA664F, #CE5B3B, #E25027 and #F64513

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA654D shade: #BA664F, #A77263, #937D76, #7F888A and #6B939E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA654D shade: #BA4F71, #BA4F54, #BA664F, #BA834F and #BAA04F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA654D shade: #844533, #A1543F, #BA664F, #C6806C and #D29A8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA654D shade: #BA654D, #8EBA4F and #4F62BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA654D shade: #BA654D, #4FBA66 and #664FBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA654D shade: #BA654D, #8EBA4F, #4FA3BA and #7C4FBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA654D shade: #BA654D, #6DBA4F, #4FA3BA and #9C4FBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 59 / 27

HEX #BA654D

RGB 186 101 77

HSL 13.21, 0.44%, 0.52%

LAB 52.15, 31.81, 28.64

 

Complementary color

CMYK 61 / 13 / 0 / 30

HEX #459AB2

RGB 69 154 178

HSL 193.21, 0.44%, 0.48%

LAB 59.52, -18.3, -20.18

 

CMYK 0 / 47 / 62 / 25

HEX #BF6548

RGB 191 101 72

HSL 14.62, 0.48%, 0.52%

LAB 52.79, 33.44, 32.4

 

CMYK 0 / 43 / 56 / 18

HEX #D0775B

RGB 208 119 91

HSL 14.36, 0.55%, 0.59%

LAB 59.31, 32.07, 30.45

 

CMYK 0 / 39 / 51 / 12

HEX #E1896E

RGB 225 137 110

HSL 14.09, 0.66%, 0.66%

LAB 65.77, 30.83, 28.72

 

CMYK 0 / 36 / 47 / 5

HEX #F29B81

RGB 242 155 129

HSL 13.81, 0.81%, 0.73%

LAB 72.16, 29.71, 27.16

 

CMYK 0 / 32 / 42 / 0

HEX #FFAD94

RGB 255 173 148

HSL 14.02, 1%, 0.79%

LAB 78.04, 27.17, 25.06

 

CMYK 0 / 46 / 59 / 27

HEX #BA654D

RGB 186 101 77

HSL 13.21, 0.44%, 0.52%

LAB 52.15, 31.81, 28.64

 

CMYK 0 / 51 / 66 / 34

HEX #A9533A

RGB 169 83 58

HSL 13.51, 0.49%, 0.45%

LAB 45.53, 33.24, 30.76

 

CMYK 0 / 57 / 74 / 40

HEX #984127

RGB 152 65 39

HSL 13.81, 0.59%, 0.37%

LAB 38.9, 34.78, 33.17

 

CMYK 0 / 65 / 85 / 47

HEX #872F14

RGB 135 47 20

HSL 14.09, 0.74%, 0.3%

LAB 32.33, 36.31, 35.7

 

CMYK 0 / 75 / 99 / 54

HEX #761D01

RGB 118 29 1

HSL 14.36, 0.98%, 0.23%

LAB 25.96, 37.5, 37.25

 

CMYK 0 / 45 / 58 / 27

HEX #BA664F

RGB 186 102 79

HSL 12.9, 0.44%, 0.52%

LAB 52.4, 31.43, 27.82

 

CMYK 0 / 58 / 58 / 27

HEX #BA4F4F

RGB 186 79 79

HSL 0, 0.44%, 0.52%

LAB 47.75, 43.25, 21.79

 

CMYK 0 / 45 / 58 / 27

HEX #BA664F

RGB 186 102 79

HSL 12.9, 0.44%, 0.52%

LAB 52.4, 31.43, 27.82

 

CMYK 0 / 29 / 58 / 27

HEX #BA844F

RGB 186 132 79

HSL 29.72, 0.44%, 0.52%

LAB 59.44, 14.93, 36.56

 

CMYK 0 / 13 / 58 / 27

HEX #BAA14F

RGB 186 161 79

HSL 45.98, 0.44%, 0.52%

LAB 66.9, -0.96, 45.39

 

CMYK 2 / 0 / 58 / 27

HEX #B7BA4F

RGB 183 186 79

HSL 61.68, 0.44%, 0.52%

LAB 73.38, -15.32, 52.69

 

CMYK 17 / 0 / 58 / 27

HEX #9ABA4F

RGB 154 186 79

HSL 77.94, 0.44%, 0.52%

LAB 71.25, -27.17, 49.71

 

CMYK 0 / 45 / 58 / 27

HEX #BA664F

RGB 186 102 79

HSL 12.9, 0.44%, 0.52%

LAB 52.4, 31.43, 27.82

 

CMYK 0 / 56 / 71 / 19

HEX #CE5B3B

RGB 206 91 59

HSL 13.06, 0.6%, 0.52%

LAB 52.86, 43.56, 40.18

 

CMYK 0 / 65 / 83 / 11

HEX #E25027

RGB 226 80 39

HSL 13.16, 0.76%, 0.52%

LAB 54.08, 54.93, 52.45

 

CMYK 0 / 72 / 92 / 4

HEX #F64513

RGB 246 69 19

HSL 13.22, 0.93%, 0.52%

LAB 55.98, 65.2, 62.99

 

CMYK 0 / 45 / 58 / 27

HEX #BA664F

RGB 186 102 79

HSL 12.9, 0.44%, 0.52%

LAB 52.4, 31.43, 27.82

 

CMYK 0 / 32 / 41 / 35

HEX #A77263

RGB 167 114 99

HSL 13.24, 0.28%, 0.52%

LAB 53.11, 19.02, 16.77

 

CMYK 0 / 15 / 20 / 42

HEX #937D76

RGB 147 125 118

HSL 14.48, 0.12%, 0.52%

LAB 54.22, 7.27, 6.94

 

CMYK 8 / 1 / 0 / 46

HEX #7F888A

RGB 127 136 138

HSL 190.91, 0.04%, 0.52%

LAB 56.04, -2.87, -2.21

 

CMYK 32 / 7 / 0 / 38

HEX #6B939E

RGB 107 147 158

HSL 192.94, 0.21%, 0.52%

LAB 58.47, -10.93, -10.23

 

CMYK 0 / 58 / 39 / 27

HEX #BA4F71

RGB 186 79 113

HSL 340.93, 0.44%, 0.52%

LAB 48.54, 46.49, 2.38

 

CMYK 0 / 58 / 55 / 27

HEX #BA4F54

RGB 186 79 84

HSL 357.2, 0.44%, 0.52%

LAB 47.84, 43.65, 18.93

 

CMYK 0 / 45 / 58 / 27

HEX #BA664F

RGB 186 102 79

HSL 12.9, 0.44%, 0.52%

LAB 52.4, 31.43, 27.82

 

CMYK 0 / 30 / 58 / 27

HEX #BA834F

RGB 186 131 79

HSL 29.16, 0.44%, 0.52%

LAB 59.19, 15.48, 36.26

 

CMYK 0 / 14 / 58 / 27

HEX #BAA04F

RGB 186 160 79

HSL 45.42, 0.44%, 0.52%

LAB 66.63, -0.43, 45.08

 

CMYK 0 / 48 / 61 / 48

HEX #844533

RGB 132 69 51

HSL 13.33, 0.44%, 0.36%

LAB 36.74, 25.16, 22.82

 

CMYK 0 / 48 / 61 / 37

HEX #A1543F

RGB 161 84 63

HSL 12.86, 0.44%, 0.44%

LAB 44.63, 29.82, 26.49

 

CMYK 0 / 45 / 58 / 27

HEX #BA664F

RGB 186 102 79

HSL 12.9, 0.44%, 0.52%

LAB 52.4, 31.43, 27.82

 

CMYK 0 / 35 / 45 / 22

HEX #C6806C

RGB 198 128 108

HSL 13.33, 0.44%, 0.6%

LAB 60.36, 24.79, 22.06

 

CMYK 0 / 27 / 34 / 18

HEX #D29A8A

RGB 210 154 138

HSL 13.33, 0.44%, 0.68%

LAB 68.5, 18.8, 16.63

 

CMYK 0 / 46 / 59 / 27

HEX #BA654D

RGB 186 101 77

HSL 13.21, 0.44%, 0.52%

LAB 52.15, 31.81, 28.64

 

CMYK 24 / 0 / 58 / 27

HEX #8EBA4F

RGB 142 186 79

HSL 84.67, 0.44%, 0.52%

LAB 70.48, -31.84, 48.62

 

CMYK 58 / 47 / 0 / 27

HEX #4F62BA

RGB 79 98 186

HSL 229.35, 0.44%, 0.52%

LAB 44.15, 19.4, -48.8

 

CMYK 0 / 46 / 59 / 27

HEX #BA654D

RGB 186 101 77

HSL 13.21, 0.44%, 0.52%

LAB 52.15, 31.81, 28.64

 

CMYK 58 / 0 / 45 / 27

HEX #4FBA66

RGB 79 186 102

HSL 132.9, 0.44%, 0.52%

LAB 67.83, -48.93, 33.49

 

CMYK 45 / 58 / 0 / 27

HEX #664FBA

RGB 102 79 186

HSL 252.9, 0.44%, 0.52%

LAB 41.16, 36.12, -53.52

 

CMYK 0 / 46 / 59 / 27

HEX #BA654D

RGB 186 101 77

HSL 13.21, 0.44%, 0.52%

LAB 52.15, 31.81, 28.64

 

CMYK 24 / 0 / 58 / 27

HEX #8EBA4F

RGB 142 186 79

HSL 84.67, 0.44%, 0.52%

LAB 70.48, -31.84, 48.62

 

CMYK 58 / 12 / 0 / 27

HEX #4FA3BA

RGB 79 163 186

HSL 192.9, 0.44%, 0.52%

LAB 62.85, -18.71, -19.57

 

CMYK 33 / 58 / 0 / 27

HEX #7C4FBA

RGB 124 79 186

HSL 265.23, 0.44%, 0.52%

LAB 43.39, 41.25, -49.81

 

CMYK 0 / 46 / 59 / 27

HEX #BA654D

RGB 186 101 77

HSL 13.21, 0.44%, 0.52%

LAB 52.15, 31.81, 28.64

 

CMYK 41 / 0 / 58 / 27

HEX #6DBA4F

RGB 109 186 79

HSL 103.18, 0.44%, 0.52%

LAB 68.7, -43.56, 46.11

 

CMYK 58 / 12 / 0 / 27

HEX #4FA3BA

RGB 79 163 186

HSL 192.9, 0.44%, 0.52%

LAB 62.85, -18.71, -19.57

 

CMYK 16 / 58 / 0 / 27

HEX #9C4FBA

RGB 156 79 186

HSL 283.18, 0.44%, 0.52%

LAB 47.24, 49.33, -43.43

 

Description

Color code: HEX #BA654D | qconv.com Color code: HEX #BA654D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 101 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 101 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 59 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 59% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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