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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA62E5 it is the complementary color #459D1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA62E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA62E5 shade: #BF62E0, #D074F3, #E186FF, #F298FF and #FFAAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA62E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA62E5 shade: #BA62E5, #A950D2, #983EBF, #872CAC and #761A99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA62E5 shade: #BA61E5, #DE61E5, #E561C9, #E561A6 and #E56182

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA62E5 shade: #BA61E5, #9661E5, #7361E5 and #6161E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA62E5 shade matches the following richer shades: #BA61E5 and #BF52F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA62E5 shade: #BA61E5, #B570D6, #B07FC8, #AB8EB9 and #A59DAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA62E5 shade: #7361E5, #9661E5, #B961E5, #DC61E5 and #E561CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA62E5 shade: #9822D2, #AA3EE0, #BA61E5, #C985EB and #D9A8F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA62E5 shade: #BA62E5, #E56173 and #61E584

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA62E5 shade: #BA62E5, #E5B961 and #61E5B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA62E5 shade: #BA62E5, #E56173, #8DE561 and #61E5D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA62E5 shade: #BA62E5, #E57761, #8DE561 and #61CFE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 57 / 0 / 10

HEX #BA62E5

RGB 186 98 229

HSL 280.31, 0.72%, 0.64%

LAB 56.91, 56.51, -52.38

 

Complementary color

CMYK 56 / 0 / 83 / 38

HEX #459D1A

RGB 69 157 26

HSL 100.31, 0.72%, 0.36%

LAB 57.51, -48.5, 54.58

 

CMYK 15 / 56 / 0 / 12

HEX #BF62E0

RGB 191 98 224

HSL 284.29, 0.67%, 0.63%

LAB 57.26, 56.73, -48.98

 

CMYK 14 / 52 / 0 / 5

HEX #D074F3

RGB 208 116 243

HSL 283.46, 0.84%, 0.7%

LAB 63.65, 56.06, -49.32

 

CMYK 12 / 47 / 0 / 0

HEX #E186FF

RGB 225 134 255

HSL 285.12, 1%, 0.76%

LAB 69.67, 53.93, -46.28

 

CMYK 5 / 40 / 0 / 0

HEX #F298FF

RGB 242 152 255

HSL 292.43, 1%, 0.8%

LAB 75.17, 49.54, -37.54

 

CMYK 0 / 33 / 0 / 0

HEX #FFAAFF

RGB 255 170 255

HSL 300, 1%, 0.83%

LAB 80.31, 44.16, -29.5

 

CMYK 19 / 57 / 0 / 10

HEX #BA62E5

RGB 186 98 229

HSL 280.31, 0.72%, 0.64%

LAB 56.91, 56.51, -52.38

 

CMYK 20 / 62 / 0 / 18

HEX #A950D2

RGB 169 80 210

HSL 281.08, 0.59%, 0.57%

LAB 50.48, 57.11, -52.01

 

CMYK 20 / 68 / 0 / 25

HEX #983EBF

RGB 152 62 191

HSL 281.86, 0.51%, 0.5%

LAB 44.06, 57.47, -51.46

 

CMYK 22 / 74 / 0 / 33

HEX #872CAC

RGB 135 44 172

HSL 282.66, 0.59%, 0.42%

LAB 37.72, 57.38, -50.6

 

CMYK 23 / 83 / 0 / 40

HEX #761A99

RGB 118 26 153

HSL 283.46, 0.71%, 0.35%

LAB 31.56, 56.48, -49.23

 

CMYK 19 / 58 / 0 / 10

HEX #BA61E5

RGB 186 97 229

HSL 280.45, 0.72%, 0.64%

LAB 56.73, 57, -52.67

 

CMYK 3 / 58 / 0 / 10

HEX #DE61E5

RGB 222 97 229

HSL 296.82, 0.72%, 0.64%

LAB 61.43, 65.93, -44.93

 

CMYK 0 / 58 / 12 / 10

HEX #E561C9

RGB 229 97 201

HSL 312.73, 0.72%, 0.64%

LAB 61.15, 63.19, -29.52

 

CMYK 0 / 58 / 28 / 10

HEX #E561A6

RGB 229 97 166

HSL 328.64, 0.72%, 0.64%

LAB 59.85, 58.28, -11.48

 

CMYK 0 / 58 / 43 / 10

HEX #E56182

RGB 229 97 130

HSL 345, 0.72%, 0.64%

LAB 58.81, 54.17, 7.9

 

CMYK 19 / 58 / 0 / 10

HEX #BA61E5

RGB 186 97 229

HSL 280.45, 0.72%, 0.64%

LAB 56.73, 57, -52.67

 

CMYK 34 / 58 / 0 / 10

HEX #9661E5

RGB 150 97 229

HSL 264.09, 0.72%, 0.64%

LAB 52.61, 48.43, -59.5

 

CMYK 50 / 58 / 0 / 10

HEX #7361E5

RGB 115 97 229

HSL 248.18, 0.72%, 0.64%

LAB 49.32, 40.9, -64.98

 

CMYK 58 / 58 / 0 / 10

HEX #6161E5

RGB 97 97 229

HSL 240, 0.72%, 0.64%

LAB 47.94, 37.53, -67.27

 

CMYK 19 / 58 / 0 / 10

HEX #BA61E5

RGB 186 97 229

HSL 280.45, 0.72%, 0.64%

LAB 56.73, 57, -52.67

 

CMYK 22 / 66 / 0 / 4

HEX #BF52F4

RGB 191 82 244

HSL 280.37, 0.88%, 0.64%

LAB 55.73, 68.1, -62.63

 

CMYK 19 / 58 / 0 / 10

HEX #BA61E5

RGB 186 97 229

HSL 280.45, 0.72%, 0.64%

LAB 56.73, 57, -52.67

 

CMYK 15 / 48 / 0 / 16

HEX #B570D6

RGB 181 112 214

HSL 280.59, 0.55%, 0.64%

LAB 58.29, 44.83, -41.8

 

CMYK 12 / 37 / 0 / 22

HEX #B07FC8

RGB 176 127 200

HSL 280.27, 0.4%, 0.64%

LAB 60.41, 32.15, -30.64

 

CMYK 8 / 23 / 0 / 27

HEX #AB8EB9

RGB 171 142 185

HSL 280.47, 0.23%, 0.64%

LAB 62.93, 18.92, -18.34

 

CMYK 3 / 8 / 0 / 33

HEX #A59DAA

RGB 165 157 170

HSL 276.92, 0.07%, 0.64%

LAB 65.76, 5.38, -5.71

 

CMYK 50 / 58 / 0 / 10

HEX #7361E5

RGB 115 97 229

HSL 248.18, 0.72%, 0.64%

LAB 49.32, 40.9, -64.98

 

CMYK 34 / 58 / 0 / 10

HEX #9661E5

RGB 150 97 229

HSL 264.09, 0.72%, 0.64%

LAB 52.61, 48.43, -59.5

 

CMYK 19 / 58 / 0 / 10

HEX #B961E5

RGB 185 97 229

HSL 280, 0.72%, 0.64%

LAB 56.61, 56.76, -52.88

 

CMYK 4 / 58 / 0 / 10

HEX #DC61E5

RGB 220 97 229

HSL 295.91, 0.72%, 0.64%

LAB 61.15, 65.43, -45.38

 

CMYK 0 / 58 / 11 / 10

HEX #E561CB

RGB 229 97 203

HSL 311.82, 0.72%, 0.64%

LAB 61.24, 63.5, -30.53

 

CMYK 28 / 84 / 0 / 18

HEX #9822D2

RGB 152 34 210

HSL 280.23, 0.72%, 0.48%

LAB 41.96, 71.2, -65.89

 

CMYK 24 / 72 / 0 / 12

HEX #AA3EE0

RGB 170 62 224

HSL 280, 0.72%, 0.56%

LAB 48.73, 67.95, -62.81

 

CMYK 19 / 58 / 0 / 10

HEX #BA61E5

RGB 186 97 229

HSL 280.45, 0.72%, 0.64%

LAB 56.73, 57, -52.67

 

CMYK 14 / 43 / 0 / 8

HEX #C985EB

RGB 201 133 235

HSL 280, 0.72%, 0.72%

LAB 65.9, 43.7, -41.42

 

CMYK 10 / 30 / 0 / 5

HEX #D9A8F1

RGB 217 168 241

HSL 280.27, 0.72%, 0.8%

LAB 75.52, 30.83, -29.64

 

CMYK 19 / 57 / 0 / 10

HEX #BA62E5

RGB 186 98 229

HSL 280.31, 0.72%, 0.64%

LAB 56.91, 56.51, -52.38

 

CMYK 0 / 58 / 50 / 10

HEX #E56173

RGB 229 97 115

HSL 351.82, 0.72%, 0.64%

LAB 58.46, 52.76, 16.16

 

CMYK 58 / 0 / 42 / 10

HEX #61E584

RGB 97 229 132

HSL 135.91, 0.72%, 0.64%

LAB 81.97, -56.83, 36.64

 

CMYK 19 / 57 / 0 / 10

HEX #BA62E5

RGB 186 98 229

HSL 280.31, 0.72%, 0.64%

LAB 56.91, 56.51, -52.38

 

CMYK 0 / 19 / 58 / 10

HEX #E5B961

RGB 229 185 97

HSL 40, 0.72%, 0.64%

LAB 77.41, 5.83, 49.97

 

CMYK 58 / 0 / 19 / 10

HEX #61E5B9

RGB 97 229 185

HSL 160, 0.72%, 0.64%

LAB 82.96, -46.59, 10.68

 

CMYK 19 / 57 / 0 / 10

HEX #BA62E5

RGB 186 98 229

HSL 280.31, 0.72%, 0.64%

LAB 56.91, 56.51, -52.38

 

CMYK 0 / 58 / 50 / 10

HEX #E56173

RGB 229 97 115

HSL 351.82, 0.72%, 0.64%

LAB 58.46, 52.76, 16.16

 

CMYK 38 / 0 / 58 / 10

HEX #8DE561

RGB 141 229 97

HSL 100, 0.72%, 0.64%

LAB 83.21, -49.35, 55.11

 

CMYK 58 / 0 / 7 / 10

HEX #61E5D4

RGB 97 229 212

HSL 172.27, 0.72%, 0.64%

LAB 83.62, -40.17, -2.61

 

CMYK 19 / 57 / 0 / 10

HEX #BA62E5

RGB 186 98 229

HSL 280.31, 0.72%, 0.64%

LAB 56.91, 56.51, -52.38

 

CMYK 0 / 48 / 58 / 10

HEX #E57761

RGB 229 119 97

HSL 10, 0.72%, 0.64%

LAB 62.27, 40.64, 31.48

 

CMYK 38 / 0 / 58 / 10

HEX #8DE561

RGB 141 229 97

HSL 100, 0.72%, 0.64%

LAB 83.21, -49.35, 55.11

 

CMYK 58 / 10 / 0 / 10

HEX #61CFE5

RGB 97 207 229

HSL 190, 0.72%, 0.64%

LAB 77.77, -25.21, -20.39

 

Description

Color code: HEX #BA62E5 | qconv.com Color code: HEX #BA62E5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 98 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 98 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 57 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 57% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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